User Reviews

While criticized by the one viewer over the film's perceived cultural inaccuracies, I found this film to be delightful and touching. The setting is an Asian enclave in a Northwest Canadian coastal city where a 12 year old girl, lives with her mom who struggles to make ends meet (Dad abandoned them both a long time before)and never takes time for her own needs. In the same community is a man who owns a barbecue store which he intends to have his 20 year old son take over (but the son has other ideas), and a security guard who, with his lovely wife, is adjusting to the departure of their last child from the home.

The girl begins an intense study of Chinese magic in an attempt to help her mother win the lottery and a husband. Her amateurish application of magic, which, in a touch of magical realism seems to actually work (think Gabriel Garcia Marquez meets Ang Lee), but not as originally intended. As things get worse, the girl, literally playing with fire, tries one magic weapon she had not dared to use before.

The beauty of this film is in the human story which has an Asian flavor, accurate or not, but which could have been set in the deep south (think "the heart is a lonely hunter"), Brooklyn, or anywhere there are single mothers struggling to raise children and children beginning to have dreams for their lives. Of course I don't believe in magic, Chinese or otherwise, but is is a wonderful vehicle that makes the story move forward on everyman's (and every-girl's) journey to Long Life, Happiness & Prosperity.

This is a "slice of life" film about some people in the Chinese community of Vancouver. The leading characters are a single mom and her super-superstitious little girl. Because of the cute little girl's machinations, their lives become intertwined in the stories of several others in the neighborhood. I particularly enjoyed the unforeseen consequences that occur when the girl tries to slip her mother and a male friend a love potion.

The film is very atypical compared to a Hollywood style film in that the plot is very slim and the emphasis is on people. Plus, not all the story lines are worked out perfectly--there are plenty of dangling plots that do not get resolved when the film concludes. Both these aspects of the film may put off many viewers, but if you appreciate independent and foreign films, this will not be a problem. As for me, I liked the characters and the way their lives were portrayed in such simple ways.

This was a very enjoyable film--one I could have easily scored an 8. However, I also realize that my enjoyment of the film may just be because I am not an Asian and I didn't notice all the flaws in the way they portrayed the Chinese-Canadian community. I did feel rather perplexed that Sandra Oh was cast in the lead because I know she's of Korean decent--and it did seem very odd to have all the adults in the film speaking Chinese (I assume Cantonese) and yet she spoke almost none. She's a good actress but just seemed in the wrong element here. In addition, whether or not these superstitions, good luck charms, potions, etc. are real I have no idea and I could easily see people assuming this is typical for the community. According to Frank L.'s review, he was upset about the misrepresentations of his culture and I just have to assume the film makers took a lot of liberties about this.

Thank the Taoist gods that twelve-year-old Mindy Lum(Valerie Tian) is a sweet, quiet girl who uses her magic powers for winning lottery ticket- numbers and matchmaking. Just look at the damage Mindy inadvertently creates for Shuck(Chang Tseng) with her mirrors and Chinese juju. The bad spirits that ricochet off mom, alights on this twilight security guard, whose sudden termination from his job leads him on a downward spiral that proves to be almost fatal. Mindy and her single mother Kin Ho(Sandra Oh) belong to a different narrative from Shuck's, but they dovetail, as does the other two parallel stories from time-to-time, like how you bump into people who live in your neighborhood. Sometimes you exchange waves, sometimes you stop to chat. In the remaining story that completes the triad of Canadian-Chinese narratives is an upstart monk who Mindy never meets. "Long Life, Happiness & Prosperity" approaches religion from a position of being faith-based(Peter, the son of a cook, feels but never truly experiences...), and a position from which religion has an actual effect on the physical world(...what Mindy experiences, who changes the fortunes of her Canadian neighbors by reading a book on Taoist magic).

"Long Life, Happiness & Prosperity" rests on the young shoulders of first-time actress Valerie Tian, who has an ancient Chinese secret to acting, which is helpful to any pre-pubescent actor, regardless of ethnicity, to survive the here today, gone tomorrow world of thespians-too-young-to-drive. Don't smile. In other words, if cute is your aim, your five minutes will be up pretty fast. Tian acts older than she looks. She is from the anti-Cindy Brady school of acting, and the now-eighteen-year-old(old-enough-to-drive) Canadian is, not surprisingly, still working. She's Su-Chin in "Juno". You know, the lone anti-abortionist who chants, "All babies want to get borned!"

This movie is quite charming and humourous. The Chinese Canadian characters are incredibly superstitious to the point of being a bit over the top. I wonder if they are like that in real life, or whether it wasn't deliberately exagerrated. I live with many Chinese, but feel I don't understand them.

There was a family in the film that spanned three generations. The father was anticipating a visit from the grandfather and was pushing his own son to be up to snuff. The son rebels by becoming a Bhuddhist monk and the grandfather writes that he disowned the son 20 years ago. However it wasn't clear to me why there was a split between first and second generations in the first place.

If you are interested in cross-cultural issues, this is a good movie to go to.

This movie is made by a Canadian Chinese director who does not understand Chinese culture. She does not even speak the language. Now, how many chinese people who speak perfect English would work in a chinese restaurant as portrayed in the movie? Many things are exaggerated about the chinese culture and unfortunately, it creates new stereotypes unheard of before. Immigrant families will not make the 2nd generation continue in the same 'profession' - as what the BBQ store guy tried to do in the movie.

People may find this movie sweet with the cute little girl running around trying to create a witch's brew with ideas created for this movie only. Non of this exists in chinese cultural supersticion.

And what's up with the Sandra Oh girl? She is being used for the 2nd time in Mina shum's movies, they must be best friends... using a Korean to portray a Chinese is nuts.

In summary, if you are someone from a chinese culture and understands it clearly, you will be scratching your head after watching this movie. Otherwise, those viewing from the outside will get a chuckle and will wonder more if this is actually what's going on inside a chinese family.

While I'm not going to be as harsh on the film as Frank L., this is a movie that has some great material to work with but was compromised by the director not following through.

Characters started speaking English at times which seemed inappropriate (likely because the director thought that viewers would lose interest in reading subtitles through 80% of the film), story threads such as the conflict between the father and son seemed half-baked and not well-developed, etc. etc.

And yes, Sandra Oh's inability to speak Cantonese (she flounces through 3 syllables at the beginning of the film, and reverts to English for the rest) puts her at odds with the rest of the characters in her group.

In film productions, shots that are not up to standards are marked as CBB, for Could Be Better. This is a film that with more planning and a more coherent vision of how the story arc should work could have been great. Instead, it is marred by things which I'm sure someone winced at including in the final cut.

This is a completely charming movie about a little girl's attempts to use traditional Chinese magic to improve her mother's life. Valerie Tian completely steals the show in the role of the little girl. Sandra Oh and Chang Tseng also give good performances, as you would expect.

A sweet but slight portrait of Chinese-Canadian community outside Vancouver, Long Life, Happiness and Prosperity benefits from two wonderful leads — Sandra Oh and Valerie Tian – but comes out a bit short everywhere else. Oh (who is really Korean-Canadian, but who's counting) plays the harried single mother of Mindy (Tian), an adorably geeky twelve year-old. Mindy is desperate to fix her mom up with an eligible bachelor (Russell Yuen) who works with her at a Chinese restaurant, and turns to Chinese traditional medicine and Taoist magic. In the meantime, other members of the community struggle with family strife, economic hardship, and conflicting values. Only the romantic mother-daughter story, and a story about a son who turns to religion rather than working in the family butcher shop, are really interesting. The rest is kind of a muddle — interesting in its way, but failing to contribute to the plot.

Because of Sandra Oh's recent high-profile appearances in Sideways and Grey's Anatomy this might get improved distribution on DVD. I got it through the filmmovement.com series.

Who says that a Korean actress cannot portray a Chinese character? Granted it's not a perfect movie, I was deeply moved by the human elements so true to the Chinese Community in North America.

I do agree with Frank L. though that little of the superstition exists in Chinese culture these days, but i respectfully disagree that this film would create "new stereotypes unheard of before".

After all, it's just 90 minutes of good entertainment. As a Chinese American/Canadian living far away from China Town, it opens a window for me to other Chinese's lives, and to better appreciate what i have as well as what I don't have.

Didn't know that Sandra O. & Russell Y. are from Canada! Best wishes to them both on their continued success on the big screen or small:)

LONG LIFE, HAPPINESS AND PROSPERITY shares some qualities with some of its north of the border Reel 13 Canadian Indie counterparts. It is a slice of life multi-protagonist piece akin to the awful, but highly-rated WILBY WONDERFUL with the misguided mystical elements that were woven throughout A PROBLEM WITH FEAR. LLHP does a much better job in developing its characters than WILBY did and the mysticism in question is based on ancient Chinese culture and therefore, somehow seems less contrived and more elegant than the inexplicable technology-based type from FEAR.

So, the script, on the whole, is decent. While there are several comedic moments that fall flat, there are many others that are genuinely funny in almost a Shakespearean way (one character's rendition of "Sometimes When We Touch" remains my fave). There are some structural deficiencies (neighbors' gossip as a form of exposition is never a good move), screenwriters Mina Shum and Dennis Foon paint their characters honestly and not a one of the three story lines seems to be favored over the others. Unfortunately, the performances in the film don't help to elevate the script in any way.

In the blog for WILBY WONDERFUL, I alluded to my general distaste for Sandra Oh's work. In LONG LIFE, HAPPINESS AND PROSPERITY, however, she towers over the other actors in the film, but that's not saying much. Almost every other actor (the main kid Mindy is okay – appropriately precocious) in the piece seems new to film acting. They all seem extremely uncomfortable, delivering their lines as if they didn't really believe them. While Oh is significantly stronger than the rest of the cast, she's not fabulous either. She has several good comic moments and a few good serious ones, but she really pushes during the very emotional moments and that's never fun to watch.

There is plenty of charm in LONG LIFE, HAPPINESS AND PROSPERITY, enough that I found myself wanting to like it more than I ultimately did. Overall, the premise of the film – that a little girl playing with ancient Chinese charms changes the fortunes of all the people around her – is a little hard to buy, but it's not dissimilar to the kind of farce you might find in more classical fare like Moliere or even ancient Greek comedies. At the end of the day, however, the performances sunk this ship. If you can't believe the characters whose story you're watching, it makes for a pretty rough journey. All the charm(s) in the world can't save you there.

(Find out more about this film or other Reel 13 films on www.reel13.org)