Sterlin Harjo, co-creator of FX’s Reservation Dogs, discusses a few of his favorite movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Mekko (2015)
Boy (2010)
Cool Hand Luke (1967) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairings
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Blu-ray review
Stand By Me (1986)
Hamburger: The Motion Picture (1986)
This Is Spinal Tap (1984) – John Landis’s trailer commentary
The Princess Bride (1987) – Glenn Erickson’s Blu-ray review
Friday (1995)
One Flew Over The Cuckoo’s Nest (1975) – Adam Rifkin’s trailer commentary
Dead Man (1995)
Powwow Highway (1989)
Airplane! (1980) – Glenn Erickson’s Blu-ray review
Ghost Dog: Way Of The Samurai (1999)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
A Clockwork Orange...
Show Notes: Movies Referenced In This Episode
Mekko (2015)
Boy (2010)
Cool Hand Luke (1967) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairings
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Blu-ray review
Stand By Me (1986)
Hamburger: The Motion Picture (1986)
This Is Spinal Tap (1984) – John Landis’s trailer commentary
The Princess Bride (1987) – Glenn Erickson’s Blu-ray review
Friday (1995)
One Flew Over The Cuckoo’s Nest (1975) – Adam Rifkin’s trailer commentary
Dead Man (1995)
Powwow Highway (1989)
Airplane! (1980) – Glenn Erickson’s Blu-ray review
Ghost Dog: Way Of The Samurai (1999)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
A Clockwork Orange...
- 8/2/2022
- by Kris Millsap
- Trailers from Hell
This year’s South by Southwest Film Festival has showcased several documentaries about successful musicians, including Tom Petty, Charli Xcx and Sparks. But you could argue that they haven’t had one about a better songwriter than “Without Getting Killed or Caught,” Tamara Saviano and Paul Whitfield’s affectionate and lyrical film about Texas-born songwriter Guy Clark, which finally premiered at SXSW last week, a year after being booked for the canceled 2020 edition of the festival.
A plainspoken poet whose first album, 1975’s “Old No. 1,” contained more classic songs than most people can muster in an entire career, Clark racked up hits for people like Jerry Jeff Walker, Ricky Skaggs, Vince Gill and the Highwaymen, but rarely showed up on the charts himself until they started measuring the Americana genre, which he pretty much epitomized. He was a songwriters’ songwriter, the mentor to many and the focal point of a...
A plainspoken poet whose first album, 1975’s “Old No. 1,” contained more classic songs than most people can muster in an entire career, Clark racked up hits for people like Jerry Jeff Walker, Ricky Skaggs, Vince Gill and the Highwaymen, but rarely showed up on the charts himself until they started measuring the Americana genre, which he pretty much epitomized. He was a songwriters’ songwriter, the mentor to many and the focal point of a...
- 3/22/2021
- by Steve Pond
- The Wrap
Allen v. Farrow
HBO is releasing an investigative documentary film on the accusation of sexual abuse against Woody Allen involving Dylan, his then seven-year-old daughter with Mia Farrow. Using home videos, court documents, police evidence, and never-before-released audio tapes, the film goes deeper than the headlines ever have, to examine the fractured family’s trauma. (February 21st)
Coming 2 America
In the latest trailer for the sequel to Eddie Murphy’s 1988 comedy, King Akeem (Murphy) is facing a threat to his leadership. However, his rule can be stabilized if only...
HBO is releasing an investigative documentary film on the accusation of sexual abuse against Woody Allen involving Dylan, his then seven-year-old daughter with Mia Farrow. Using home videos, court documents, police evidence, and never-before-released audio tapes, the film goes deeper than the headlines ever have, to examine the fractured family’s trauma. (February 21st)
Coming 2 America
In the latest trailer for the sequel to Eddie Murphy’s 1988 comedy, King Akeem (Murphy) is facing a threat to his leadership. However, his rule can be stabilized if only...
- 2/6/2021
- by Natalli Amato
- Rollingstone.com
I was very happy to read Laura Barton’s lovely piece on the dual 40th anniversaries of The Last Waltz and Jim Szalapski’s Heartworn Highways (G2, 16 September). However, when I came to the paragraphs devoted to my old friend and producer Jonathan Taplin, I could feel my eyebrows furrowing: slightly, but furrowing nonetheless. I owe Jonathan a great deal: if it weren’t for him, I would never have been able to make either Mean Streets or The Last Waltz. Yet, it seems our recollections of the shoot on the latter film differ on one important point.
Related: The Last Waltz and Heartworn Highways: two 40-year-old films at the birth of Americana
Continue reading...
Related: The Last Waltz and Heartworn Highways: two 40-year-old films at the birth of Americana
Continue reading...
- 9/30/2016
- by Letters
- The Guardian - Film News
In today's roundup on events and screenings from coast to coast: Sundance's Next Fest in Los Angeles, Tadanobu Asano in San Francisco, samurai movies in Austin and, in New York, James Szalapski's Heartworn Highways, Michael Powell and Emeric Pressburger's The Red Shoes, Bernardo Bertolucci's Last Tango in Paris, Chang Cheh's Five Deadly Venoms and Bruce Weber's Let’s Get Lost. Back in San Francisco: Robert Montgomery's Ride the Pink Horse, Joseph H. Lewis's So Dark the Night, Seymour Friedman's Chinatown at Midnight, Leigh Jason's Dangerous Blondes and William Castle's Mysterious Intruder. » - David Hudson...
- 8/6/2015
- Fandor: Keyframe
In today's roundup on events and screenings from coast to coast: Sundance's Next Fest in Los Angeles, Tadanobu Asano in San Francisco, samurai movies in Austin and, in New York, James Szalapski's Heartworn Highways, Michael Powell and Emeric Pressburger's The Red Shoes, Bernardo Bertolucci's Last Tango in Paris, Chang Cheh's Five Deadly Venoms and Bruce Weber's Let’s Get Lost. Back in San Francisco: Robert Montgomery's Ride the Pink Horse, Joseph H. Lewis's So Dark the Night, Seymour Friedman's Chinatown at Midnight, Leigh Jason's Dangerous Blondes and William Castle's Mysterious Intruder. » - David Hudson...
- 8/6/2015
- Keyframe
There's a scene in the original 1976 Heartworn Highways that's become a central heartbeat of the cult film that chronicled Townes Van Zandt, Guy Clark, Steve Young, David Allan Coe and others as they lived, wrote music and filled their lungs with smoke and song in Nashville, Tennessee. Van Zandt is sitting in his wood-paneled kitchen in a denim shirt, plucking "Waiting Around to Die" on a cherry red guitar. His girlfriend sways, but "Uncle" Seymour Washington, a retired blacksmith born to former slaves, just nods as his eyes, circled by tree-rings of wrinkles,...
- 4/22/2015
- Rollingstone.com
The Santa Barbara International Film Festival has unveiled its 2015 line-up which includes films representing 54 countries, 23 world premieres and 53 U.S. premieres. The U.S. premiere of Niki Caro’s McFarland USA will close out the 30th fest. Based on the 1987 true story and starring Kevin Costner and Maria Bello, the film follows novice runners from McFarland, an economically challenged town in California’s farm-rich Central Valley, as they give their all to build a cross-country team under the direction of Coach Jim White (Costner), a newcomer to their predominantly Latino high school. The unlikely band of runners overcomes the odds to forge not only a championship cross-country team but an enduring legacy as well.
The festival runs from January 27-February 7.
Below is the list of World and U.S. Premiere films followed by the list of titles by sidebar categories.
World Premieres
A Better You, USA
Directed by Matt Walsh
Cast: Brian Huskey,...
The festival runs from January 27-February 7.
Below is the list of World and U.S. Premiere films followed by the list of titles by sidebar categories.
World Premieres
A Better You, USA
Directed by Matt Walsh
Cast: Brian Huskey,...
- 1/8/2015
- by The Deadline Team
- Deadline
A self-acknowledged "showcase for Academy Award frontrunners," the Santa Barbara International Film Festival is often overlooked for the actual films that earn it festival status. An amalgamation of international discoveries and ’merica’s circuit highlights, the Sbiff curates a week of best-of-the-best to pair with their star-praising. The 2015 edition offers another expansive selection, bookended by two films that aren’t on any radars just yet. Sbiff will open with "Desert Dancer," producer Richard Raymond’s directorial debut. Starring Reece Ritchie and Frieda Pinto, the drama follows a group of friends who wave off the harsh political climate of Iran’s 2009 presidential election in favor of forming a dance team, picking up moves from Michael Jackson, Gene Kelly and Rudolf Nureyev thanks to the magic of YouTube. The festival will close with "McFarland, USA," starring Kevin Costner and Maria Bello. Telling the 1987 true story of a Latino high school’s underdog cross-country team,...
- 1/8/2015
- by Matt Patches
- Hitfix
Phillip Schopper began making films as a child with his parents' 8mm camera. He edited his first feature-length documentary, the much acclaimed music film "Heartworn Highways," in 1976. Through the years he has worked in production or post production on many feature films including "Prince of the City," "Resurrection," "Nine to Five," "Reds," and "Ishtar." He's bringing "All About Ann: Governor Richards of the Lone Star State" to Tribeca this year. Keith Patterson runs Filmbank Entertainment, a full-service production company in New York City. He is a movie director, writer, and producer, born and raised in NYC. He told Indiewire he is "excited to premiere at Tribeca Film Festival." Tell us about yourself: Schopper: I've been an editor on projects for PBS, Bravo and A&E. At ABC I was a senior editor for the DuPont Award winning series "Hopkins 24/7" as well as the Emmy nominated "NYPD 24/7." More recently I've edited...
- 4/17/2014
- by Indiewire
- Indiewire
Deadpan Comedy Sunday Brunches, Bristol
No one uses the word "pan" to describe a face any more but the term "deadpan", originally coined in the 1920s, prevails, as does the belief that comedy is funnier when it's delivered with a straight face. So what better way to digest after stuffing your pan in the cafe (the ticket gets you £1 off) than a masterclass in mirth? Roy Andersson's beautifully staged You, The Living – a sort of Scandinavian sketch show – is followed by two weekends given over to the late, great, hilariously straight Leslie Nielsen, with Airplane! and The Naked Gun, while the Coens' Fargo rounds off the month.
Watershed, Sun to 30 Jan
Amer & Italian Horror, London
Aficionados of the pulp Italian genre known as giallo will be nodding their heads in recognition at new French movie Amer – a striking, stylish new horror that borrows liberally from the likes of Dario Argento,...
No one uses the word "pan" to describe a face any more but the term "deadpan", originally coined in the 1920s, prevails, as does the belief that comedy is funnier when it's delivered with a straight face. So what better way to digest after stuffing your pan in the cafe (the ticket gets you £1 off) than a masterclass in mirth? Roy Andersson's beautifully staged You, The Living – a sort of Scandinavian sketch show – is followed by two weekends given over to the late, great, hilariously straight Leslie Nielsen, with Airplane! and The Naked Gun, while the Coens' Fargo rounds off the month.
Watershed, Sun to 30 Jan
Amer & Italian Horror, London
Aficionados of the pulp Italian genre known as giallo will be nodding their heads in recognition at new French movie Amer – a striking, stylish new horror that borrows liberally from the likes of Dario Argento,...
- 1/8/2011
- by Steve Rose
- The Guardian - Film News
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