It was great to see Jamie Ross, McCoy's previous assistant, back. Except this time on the defence side. This is the main interest point of "School Daze". Another interest point being the subject matter, which is very hard-hitting and interesting. One that is enough to make one think long and hard long after about the points made, which is something that the original 'Law and Order' and the whole franchise in fact did very well many, many times before and since.
"School Daze" is in my view very good. It did have potential though to be great or more though, this subject has been done before on the show and it was done excellently and powerfully. It is a powerful episode and there are many truly fine things, but there is something that did put me off (and this is true for others as well) that brought it down a bit. As far as Season 11 goes, "School Daze" is among the better episodes and could pass easily for an early seasons episode.
Am going to begin with what didn't quite do it for me. Did not like Carmichael's character writing, normally do like her no nonsense take no prisoners approach but that is taken too far here in "School Daze". She was truly unsympathetic (in a way not usually seen with her), particularly to the parents, and it was like seeing a bloodthirsty rottweiller or something.
Did think too to a lesser extent that it was a little too talk-heavy in spots, particularly later on.
However, a lot works wonderfully here in "School Daze". The acting is uniformly good, can't fault Jerry Orbach, Jesse L Martin and Sam Waterston and despite disliking the way Carmichael was written here Angie Harmon does give it her best. Timmy Reifsnyder effectively makes one feel unsettled and Robert Ernest Lunney is movingly dignified at the end. Carey Lowell has lost none of what made Ross a great character, and while there is preference for her on the prosecution side it was interesting seeing this side and the different dynamic it shows.
The production values are slick and have a subtle grit, with an intimacy to the photography without being too claustrophobic. The music isn't used too much and doesn't get too melodramatic. The direction has enough taut urgency when needed while giving the case breathing space. The writing is very intelligent and thoughtful, with the moral dilemmas of the controversial subject of guns being sensitively but not in a sugar-coated way handled.
What it has to say is insightful and having seen a number of 'Special Victims Unit' for example episodes where the writers' stance on a certain stance is presented heavy-handedly from one side, it was great to see a firm but not preachy argument that leans towards one viewpoint in particular but in a way where it is completely understood. Moreover, the story is very compelling and taut. It is not an easy watch and is sometimes sad, but appropriately so.
Concluding, very good and nearly great. 8/10.
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