Directed by
| Thomas J. Wright | ||
Writing Credits
| Martin Pasko | ... | (written by) & |
| Rebecca Parr Cioffi | ... | (written by) (as Rebecca Parr) & |
| Michael Cassutt | ... | (written by) & |
| Steve Roberts | ... | (written by) |
Cast (in credits order)
Produced by
| Jim Bratkowsky | ... | post producer |
| Philip DeGuere Jr. | ... | executive producer |
| Brian E. Frankish | ... | producer (as Brian Frankish) |
| Bruno George | ... | associate producer |
| Peter Wagg | ... | executive producer |
| Sheila Wenz | ... | assistant producer |
Music by
| Cory Lerios | ||
Cinematography by
| Paul Goldsmith | ... | director of photography |
Editing by
| Philip Sgriccia | ... | (as Philip J. Sgriccia) |
Casting By
| Irene Mariano | ||
Production Design by
| Richard B. Lewis | ||
Art Direction by
| Adrian Gorton | ||
Set Decoration by
| Leslie McCarthy-Frankenheimer | ... | (as Leslie Frankenheimer) |
Makeup Department
| Janice Alexander | ... | hair stylist |
| Katalin Elek | ... | makeup |
| Zoltan Elek | ... | makeup |
Production Management
| Edward O. Denault | ... | executive production supervisor |
| Bernie Laramie | ... | post-production supervisor |
| Carl Olsen | ... | unit production manager |
Second Unit Director or Assistant Director
| Harry V. Bring | ... | second assistant director |
| James M. Freitag | ... | first assistant director |
| Earl F. Mann | ... | assistant director |
Art Department
| Roger C. Burford III | ... | general construction foreman (as Roger Burford) |
| Charles C. Eguia Jr. | ... | property master (as Charles Eguia) |
| Michael Wilson | ... | property master |
| José Ignacio Álvarez | ... | carpenter |
Sound Department
| Richard Corwin | ... | supervising sound editor |
| Doug Grindstaff | ... | sound manager |
| Joe Kenworthy | ... | production sound mixer (as Joseph Kenworthy) |
| Larry Tozzi | ... | post sound coordinator |
| James Bailey | ... | foley artist (uncredited) |
| Tamara Johnson | ... | sound editor (uncredited) |
Special Effects by
| Gary D. Bierend | ... | special effects foreman (uncredited) |
Visual Effects by
| Augie Hess | ... | visual effects supervisor |
| Rod Lord | ... | computer graphics |
| Kimberley Pike | ... | visual effects supervisor |
| Peter Tupy | ... | computer graphics |
| Fred Raimondi | ... | compositor (uncredited) |
Camera and Electrical Department
| Allen D. Easton | ... | assistant camera |
| Monte Swann | ... | playback operator |
Casting Department
| Barbara Miller | ... | executive in charge of casting |
Costume and Wardrobe Department
| Philip Cozzo | ... | costumer |
| Donna Marcione Pollack | ... | costumer (as Donna M. Marcione) |
Editorial Department
| Gael Chandler | ... | assistant editor (uncredited) |
Music Department
| Dick Bernstein | ... | music editor |
| Richard Berres | ... | music supervisor |
| Moira Marquis | ... | music score engineer (uncredited) |
Additional Crew
| Michael Cassutt | ... | story editor |
| Steve Roberts | ... | executive story editor |
| Mary Kay Kelly | ... | production coordinator (uncredited) |
Thanks
| David Hansen | ... | special thanks from Max Headroom |
| Paul Owen | ... | special thanks from Max Headroom |