(TV Series)

(1959)

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8/10
Murder and the Ladies man.
gordonl5622 May 2013
Warning: Spoilers
PETER GUNN – "February Girl" - 1959

Private Detective Peter Gunn (Craig Stevens) stops by "Mother's Jazz Club" to see his girl, Lola Albright. She tells Stevens that a friend of hers, Fintan Meyler, is in trouble and needs his help.

Miss Meyler, a calendar model, believes that someone just tried to run her down. Stevens asks about enemies and the like she might have. Stevens can tell she is holding something back. "Spill, or I won't help you." Meyler breaks down and tells Stevens that she had witnessed a killing. She was at the apartment of her photographer, Tony Russo, when someone stepped out of the shadows and shot Russo.

"Did you tell the Police about this?" Stevens asks. "No. I did not have my glasses on and could not identify the gunman, so I ran. But he must have followed me home. The car tried to hit me just outside my apartment."

Stevens says he will look into the matter. He pays a visit to info source, Leonid Kinskey. Kinskey fills Stevens in on the dead man. Turns out that Russo was a well-known ladies man who had upset more than a few people. Kinskey also gives Stevens a lead to a newspaper reporter who might know something.

The reporter, Frank Maxwell is found pouring some 90 proof down his gullet in a downtown dive. All he gets from Maxwell is that Russo, "Got what he deserved." "Why don't you go look at the rat's apartment." Stevens decides he should indeed check the dead man's apartment. Maybe he can find a clue there.

Stevens finds the door to Russo's place is unlocked and enters. Shots ring out as someone starts blasting from the dark. Gunn returns fire but misses. The unseen assailant goes out the patio doors and gets away. Stevens adds everything up and decides the killer is newsman, Maxwell. He pays another visit to the man, this time at his office. Maxwell pulls a gun and starts firing. He has had a bit too much y whiskey and misses again. Stevens quickly disarms the man. Maxwell, it turns out, had killed Russo because he had stolen Maxwell's wife away.

Case closed. (B/W)
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6/10
Too Many Holes In This One
ccthemovieman-15 August 2006
This was a somewhat weak episode compared to most episodes in this great TV series.

A model goes up to a photographer's studio to kill him but is beaten to the punch by someone hiding in the kitchen. The killer sees the model but some unexplainable reason doesn't kill her (just attempts to run her down with his car afterward - which makes no sense.)

It turns out the model is good friends with Gunn's girlfriend "Edie Hart" (Lola Albright) so Peter helps out with the case. He meets some weird Russian ballet dancer who tips him off to a reporter. The newsman is a constant drunk but Pete is suspicious he may be the killer. Later he visits the newspaper (where conveniently NOBODY is in the building) and brings along the model to spook the suspect. That plan works, a gunfight ensues, and......

Frank Maxwell guest-stars in here. He is another of those very familiar faces from television in the '50s through the '70s. You know the face, but don't know the name. He plays "Rector."

All in all, too many holes and not a good episode in general.
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7/10
A Sister Scorned, Rightfully So
biorngm9 October 2017
Warning: Spoilers
Review – February Girl Sometimes it is best to leave well enough alone, but our PI must check out all possible leads by going through the variety of contacts he knows and is told to see. First, no Jacoby, but Pete manages without him, although it might have easier if he was around, somewhere. Edie's friend June had a sister wronged by a ladies' man, hated by the men, played all the women, not a nice guy. One lady he disrespected was June's sister which lead to an unfortunate end. One man he rubbed the wrong way, among many, was a horn player and a newspaper writer. How the ballet instructor came to be the source of the eventual murderer maybe reflects on Peter Gunn's ingenuity for results. Non-descript casting, weird storyline, but results nonetheless. Give this episode a mild above-the-should-watch-it rating, where intrigue is there with the soft-set-up identifying the killer, noir was absent.
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It's Little Things That Count
dougdoepke28 April 2015
Edie gets Pete to help her near-sighted friend June avoid a mysterious killer.

The plot is nothing special, but it's the many imaginative touches of the series that redeem mediocre story lines like this. For example, catch that stairwell from the opening scene. It looks like something out of 1920's German cinema with weird shadows and exaggerated spacial features. Right away we're unsettled though nothing's really happened. Then, for color, there's the mad Russian Leonid Kinskey doing one of his 1940's movie eccentrics. Pity the poor inept ballerina who can't seem to un-limber, even as our taskmaster doesn't miss a bite of his dinner. On a more subtle note, watch Miss Albright's (Edie) expressive eyes when she's not speaking. Instead of just standing by silently, she maintains involvement with eye responses to what's going on. It's little things like these that can keep audience interest even when the storyline doesn't. All in all, it's an average episode for an above average series.
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