Have always adored detective dramas/mystery series. This has been apparent from an early age, half my life even, when getting into Agatha Christie through Joan Hickson's Miss Marple and David Suchet's Poirot and into 'Inspector Morse'.
Whether it's the more complex ones like 'Inspector Morse' (and its prequel series 'Endeavour') and anything Agatha Christie. Whether it's the grittier ones like 'A Touch of Frost' (though that is balanced brilliantly with comedy too) and particularly 'Taggart'. And whether it's the light-hearted ones like 'Murder She Wrote'. 'Rosemary and Thyme' is an example of a light-hearted detective mystery series and always gives me a lot of pleasures and banishes the blues when watching. It is a shame that it didn't last longer because it deserved to.
"Orpheus in the Undergrowth" for me is not quite one of my favourite 'Rosemary and Thyme' episodes, but is still great if not the most ingenious or unpredictable of cases. At no point does it feel dull, it's full of surprises and Laura's subplot (appreciated the episode developing her further) could have potentially got in the way too much and bogged things down but actually didn't and instead had heart.
Visually, "Orpheus in the Undergrowth" looks wonderful, beautifully photographed, vibrant in colour and as always with the show with a stunning setting, have always been envious of the gardens seen on the show. The music has a lot of charm with a main theme tune that is soothingly folksy that matches the whimsy of the setting appropriately.
The writing is engaging and suitably light-hearted without being frothy. Some of the dialogue for Laura and especially Rosemary is very funny. The story is suitably twisty, with a very well done ending and one of the show's most unpredictable murderers, without being too convoluted, and is entertaining and with a relaxing vibe without being simplistic.
Similarly the characters engage, with Rosemary and Laura already being interesting and distinct in personality, and the chemistry between the two sparkles. Felicity Kendal and Pam Ferris are simply great, individually and as a sparkling double act, love Kendal's fire and feistiness and Ferris' more restrained and thoughtful approach. The supporting cast are hard to find fault with too.
Overall, great. 9/10 Bethany Cox
Whether it's the more complex ones like 'Inspector Morse' (and its prequel series 'Endeavour') and anything Agatha Christie. Whether it's the grittier ones like 'A Touch of Frost' (though that is balanced brilliantly with comedy too) and particularly 'Taggart'. And whether it's the light-hearted ones like 'Murder She Wrote'. 'Rosemary and Thyme' is an example of a light-hearted detective mystery series and always gives me a lot of pleasures and banishes the blues when watching. It is a shame that it didn't last longer because it deserved to.
"Orpheus in the Undergrowth" for me is not quite one of my favourite 'Rosemary and Thyme' episodes, but is still great if not the most ingenious or unpredictable of cases. At no point does it feel dull, it's full of surprises and Laura's subplot (appreciated the episode developing her further) could have potentially got in the way too much and bogged things down but actually didn't and instead had heart.
Visually, "Orpheus in the Undergrowth" looks wonderful, beautifully photographed, vibrant in colour and as always with the show with a stunning setting, have always been envious of the gardens seen on the show. The music has a lot of charm with a main theme tune that is soothingly folksy that matches the whimsy of the setting appropriately.
The writing is engaging and suitably light-hearted without being frothy. Some of the dialogue for Laura and especially Rosemary is very funny. The story is suitably twisty, with a very well done ending and one of the show's most unpredictable murderers, without being too convoluted, and is entertaining and with a relaxing vibe without being simplistic.
Similarly the characters engage, with Rosemary and Laura already being interesting and distinct in personality, and the chemistry between the two sparkles. Felicity Kendal and Pam Ferris are simply great, individually and as a sparkling double act, love Kendal's fire and feistiness and Ferris' more restrained and thoughtful approach. The supporting cast are hard to find fault with too.
Overall, great. 9/10 Bethany Cox
