Have always adored detective dramas/mystery series. This has been apparent from an early age, half my life even, when getting into Agatha Christie through Joan Hickson's Miss Marple and David Suchet's Poirot and into 'Inspector Morse'.
Whether it's the more complex ones like 'Inspector Morse' (and its prequel series 'Endeavour') and anything Agatha Christie. Whether it's the grittier ones like 'A Touch of Frost' (though that is balanced brilliantly with comedy too). And whether it's the light-hearted ones like 'Murder She Wrote'. 'Taggart' is one of the biggest examples of the grittier ones, especially the Mark McManus years and the earlier James MaPherson episodes.
"Root of Evil" is very good. It drags slightly occasionally, but what made 'Taggart' such a good show when it was in its prime is evident here and the tone has been established well. The characterisation here is meatier than seen previously, therefore more interesting with more development to Taggart.
Really like the slick, gritty look and Glasgow is like an ominous character on its own. The music matches the show's tone and has a good amount of atmosphere while the theme song/tune is one that stays in the memory for a long time. Really like Taggart and Jardine's chemistry here, which sees some priceless exchanges with them, and it is already more interesting and settled than with Taggart and Livingstone.
As to be expected, "Root of Evil" is thoughtfully scripted with nothing ridiculous happening and things being taken seriously without being too morose. The story is involving in its complexity with nothing being what it seems, making the most of the long length (have generally found the 2000s episodes too short and rushed) without padding anything out. Some parts are not for the faint hearted but nothing feels gratuitous and the investigations are compelling and with enough twists to stop it from being obvious.
There are more surprising endings in 'Taggart' to me, but the one here in "Root of Evil" is effective.
Good acting helps, with Mark McManus being a suitably tough and blunt presence throughout and James MacPherson being every bit his equal. The supporting cast and chemistry don't undermine them in any way, Celia Imrie, Iain Anders and Robert Robertson making the most impression.
Altogether, very good. 8/10 Bethany Cox
Whether it's the more complex ones like 'Inspector Morse' (and its prequel series 'Endeavour') and anything Agatha Christie. Whether it's the grittier ones like 'A Touch of Frost' (though that is balanced brilliantly with comedy too). And whether it's the light-hearted ones like 'Murder She Wrote'. 'Taggart' is one of the biggest examples of the grittier ones, especially the Mark McManus years and the earlier James MaPherson episodes.
"Root of Evil" is very good. It drags slightly occasionally, but what made 'Taggart' such a good show when it was in its prime is evident here and the tone has been established well. The characterisation here is meatier than seen previously, therefore more interesting with more development to Taggart.
Really like the slick, gritty look and Glasgow is like an ominous character on its own. The music matches the show's tone and has a good amount of atmosphere while the theme song/tune is one that stays in the memory for a long time. Really like Taggart and Jardine's chemistry here, which sees some priceless exchanges with them, and it is already more interesting and settled than with Taggart and Livingstone.
As to be expected, "Root of Evil" is thoughtfully scripted with nothing ridiculous happening and things being taken seriously without being too morose. The story is involving in its complexity with nothing being what it seems, making the most of the long length (have generally found the 2000s episodes too short and rushed) without padding anything out. Some parts are not for the faint hearted but nothing feels gratuitous and the investigations are compelling and with enough twists to stop it from being obvious.
There are more surprising endings in 'Taggart' to me, but the one here in "Root of Evil" is effective.
Good acting helps, with Mark McManus being a suitably tough and blunt presence throughout and James MacPherson being every bit his equal. The supporting cast and chemistry don't undermine them in any way, Celia Imrie, Iain Anders and Robert Robertson making the most impression.
Altogether, very good. 8/10 Bethany Cox
