"The Twilight Zone" The Invaders (TV Episode 1961) Poster

(TV Series)

(1961)

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9/10
Superb
chrstphrtully4 July 2007
This episode marks a superb confluence of great writing (Richard Matheson), taut, suspenseful direction (Douglas Heyes), and bravura acting (Agnes Moorehead), and a brilliant Twilight Zone twist. A lonely woman in a deserted farmhouse must defend herself against tiny attacking aliens.

Moorehead's performance is a pantomime tour-de-force, using no words whatsoever, yet managing to make us feel for this poor, put-upon woman. She fully inhabits the character, showing us not only the character's fear, but also her resolution, fury, and -- in one touching moment -- a touch of wounded vanity mixed with pain. Although her gestures are somewhat broad, her dedication to the role make these gestures natural outgrowths of the character, not clumsy pantomime. Remarkably, an actress who repeatedly proved herself so adept at coiled up repression (e.g., "The Magnificent Ambersons", "Citizen Kane") lets herself go in compelling fashion here.

Further contributing to the energy and power of this episode is Matheson's script. Matheson's script is a model of economy -- no wasted dialogue, in fact, only minimal dialogue. Matheson's strength as a writer was always his skill for efficient and effective plotting, and this episode contains only those actions necessary to drive home the story. This, combined with Heyes' marvelous use of light and editing to heighten the mood and suspense, keep the story moving at a crisp pace.

Perhaps this episode lacks the deep moral truths of other "Twilight Zone" episodes (Matheson's episodes usually did), it more than makes up for it in suspense and brilliant character work.
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9/10
Agnes Moorehead: one terrific actress.
mbrachman7 March 2012
It is unfortunate that Agnes Moorehead is largely known to baby boomers and subsequent generations by her most famous TV character, the one-dimensional "Endora," mother of Samantha the witch on "Bewitched" (and unloving mother-in-law of the much-put-upon Darrin Stevens). She was one of the most interesting and versatile character actresses for over three decades, from her first film role as the birth mother of the title character in "Citizen Kane" until her untimely death from cancer in the early 1970s. Her other roles included the working-class aunt of the title character (played by Jane Wyman, Ronald Reagan's ex) in the rural-Canadian-set melodrama "Johnny Belinda," a woman with evil intent in the Bogart/Bacall noir "Dark Passage," and the shrewish but benevolent maid who tries (and fails) to save the title character (Bette Davis) from evil plotters in the Grand Guignol horror classic "Hush, Hush...Sweet Charlotte." In this justly-beloved episode of "The Twilight Zone" (with a none-too-surprising twist ending which will not be revealed here), Moorehead is a simple hard-working rural woman living alone in a farmhouse who is besieged by little space-suited men armed with ray guns. She protects herself and her homestead with absolutely no dialogue, and demonstrates a range of emotions, especially a very convincing terror, as she confronts the intruders on her peaceful rustic retreat.
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8/10
Race of Giants
claudio_carvalho1 May 2009
Warning: Spoilers
SPOILER: In a house untouched by progress in an out of the way place, a lonely woman (Agnes Moorehead) hears noises on the roof and finds a spaceship; then she defends her property against the invasion of a tiny being.

"The Invaders" is probably the most classic and unforgettable episode of "Twilight Zone" supported by a magnificent performance of Agnes Moorehead and a surprising and totally unexpected plot point in the very end. Her character has no lines and never speaks; however she delivers a fantastic performance with her facial expressions and choreographic movements. The conclusion, when the viewer sees "U.S. Air Force - Space Probe no. 1", is one of the best twists ever. My vote is eight.

Title (Brazil): "Os Invasores" ("The Invaders")

Note: On 25 may 2018, I saw this episode again.
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10/10
Proof positive that Moorehead was one of the movie's best character actresses
garrard11 June 2006
Agnes Moorehead, known to millions of television viewers as "Endora" on "Bewitched," gives a tour de force performance as a woman that finds herself at the mercy of "alien" invaders in her remote farmhouse. Giving a dialog-less performance, Moorehead uses grunts, sighs, screams, and wonderful facial expressions to reveal the tension and fear experienced by the frightened woman. Looking haggard and dim-witted, Moorehead pulls out all the tools of the acting trade to portray this character.

Interesting camera angles and lighting, combined with Jerry Goldsmith's piercing score, add to the enjoyment of "The Invaders." It is no wonder why this particular installment usually rates highly with fans of "The Twilight Zone." More creativity is shown in this thirty-minute teleplay than many big-budgeted theatrical features of the recent past.
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10/10
One of the most amazing "Twilight Zone" episodes
thrall711 January 2016
This episode is one of my all-time favorites, from maybe my all-time favorite series. It's great from so many perspectives: lighting; minimal dialogue; sound editing; and Agnes Moorhead's terrific performance. The tension builds throughout this episode. Having seen it again very recently, I can assure readers that it stands up very well even after the passage of more than fifty years since the original airing. Seeing it again recently made me realize, and not for the first time, that a great writer and director don't need graphic violence and lots of screams to build terror and excitement. This is one of the can't miss shows out of the entire run of the series.
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10/10
Perfect
ron_tepper14 February 2008
Wow! Brilliant writing, brilliant acting, and an imaginative concept. This ranks at the top.This is so unique because it sucked the viewer in and not only had a shock "for the ages" of an ending-but generally placed the blame on us.Outside of Patty Duke's performance in "The Miracle Worker" this was with most brilliant non verbal performance I've seen on TV or Screen.The most shocking element to this episode is that no one could see it coming even though there are clues all along if you are paying attention(most people don't).It certainly redefines the element of humanity based on your particular perspective. I know I haven't discussed the episode but outside of a one sentence description of the episode you can't really say any more without giving it away. There also may be a social commentary evolving from this episode but rather than ramble on all I can say is this is one Twilight Zone that can not be missed.
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9/10
Classic Episode. Remembered Fondly..
scott88-48 June 2006
Warning: Spoilers
Certainly one of the more remembered of all TZ episodes. Agnes Moorehead battles apparent martians from outer space. I recall this episode giving me the willies when I was a kid, especially the scene where Agnes grabs the knife instead of the door handle! Ouch!! The little "robots" don't seem very scary by today's standards; certainly not with all the CGI effects out there today. However, it's an episode that helped propel TZ into the loved series that it continues to be today.

Will she triumph? And are they REALLY martians??? Great episode. One of the best from year one for me.
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8/10
Not the Endora we knew
bearkmb14 October 2008
This is another marvelous episode which showed the true talent of the "Bewitched" cast in the serious venue of the Twilight Zone.

One indicator of a performer's skill is what they can say to the viewer without dialog, in expressions and movements. Agnes Moorehead's expressions of drudgery and loneliness turned to fear and terror were pulled off wonderfully.

An aside to those focusing on the cheesy special effects and the obvious department store toys used for the spacemen; Shoestring budgets using cheap and cheesy effects even for their time can be and are overcome by excellent writing, direction, and acting. The TZ movie and subsequent remake series of the 80s and 2000s had much bigger budgets and state of the art special effects, but didn't have the flair for storytelling that Serling, Matheson, and Beaumont did. Remember that The Honeymooners made memorable shows out of a set of a bare room, a table, and a window.
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10/10
Agnes Moorhead, still a giant of the acting world.
mark.waltz20 April 2019
Warning: Spoilers
From her days with Orson Welles' Mercury Theater through her popular role as the witch Endora on the TV sitcom "Bewitched" through her last performances as the voice of an animated goose, and finally as Aunt Alicia on Broadway in "Gigi", Agnes Moorhead remains a supporting player who truly was a star. She could play beautiful and ugly, but her acting was always gorgeous. There was something about her that that haunted you, because each of her characters had dark secrets, and she played each of those through her eyes and that fabulous voice. Like Dame Judith Anderson, Moorhead commanded attention, and even in small parts, it is heard you remember when the movie or TV episode is over.

Without a doubt one of the most popular episodes of "The Twilight Zone" series, "The Invaders" teachers only Moorehead, acting with her body entirely, with absolutely no voice except a few grunts and groans and sighs. the episode is nearly silent except for dramatic music that appears here and there as she plays a mute woman all by herself in her attic, discovering an unwanted intruder. Is this a gag, played on her by kids next door? Certainly, the spaceship she finds looks like a child's toy, but questions arise that makes it seem like it could indeed be invaders from outer space. Horrified to the point of possibly dying from fright, Moorehead seems on the verge of tears as she burns herself and ends up with welts, takes tumbles, and ultimately finds her fate as she deals with a little robot that appears from the spaceship. There's a Twist at the end that you may not see coming, but once it happens, you will certainly remember this as being in the top 10 of the best of "The Twilight Zone".
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The Amazing Agnes Moorehead
drednm15 August 2018
Agnes Moorehead turns in a tour-de-force performance as a woman in a remote farmhouse who faces "the invaders." She utters grunts, groans, and screams but never says a word.

Moorehead was one of the consummate character actresses of her day. She appeared in such classic films as CITIZEN KANE, THE MAGNIFICENT AMBERSONS, HUSH HUSH SWEET CHARLOTTE, DARK PASSAGE, THE OPPOSITE SEX, and many others. Unfortunately, many viewers only know her from BEWITCHED.

Not much can be said about the actual plot without giving too much away. The ending is, however, a true classic. It's amazing how many people don't get it!
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7/10
The Magnificent Mrs. Moorehead
Coventry31 August 2018
The "outcast" episode of the second season in "The Twilight Zone" series comes from director Douglas Heyes and only stars ONE protagonist, but it's the unequalled and multi-talented Agnes Moorehead ("Hush, Hush, Sweet Charlott", "Dear Dead Delilah"). It's an unusual entry because Mrs. Moorehead is the only character and thus there aren't any dialogues, but we are familiar enough with the unique "Twilight Zone" concept to know that nothing is what it seems. Reminiscent to the genius episodes "Third from the Son" and "I Shot an Arrow into the Air" from season 1, you also know that "The Invaders" will make a drastic and incredibly plot twist at some point near the climax. Moorehead depicts a kind of female hermit, living alone in complete geographical isolation in a house without modern technology or luxury. One night she hears a loud noise and is petrified to find out that an alien spaceship landed on her rooftop. Two miniature robot creatures come walking out, but the woman promptly starts defending her life and miserable belongings. The attentive viewer may be able to figure out the end-twist quite early already, but it's okay if you don't as well, since Richard Matheson's script is written with the intention to mount the suspense and mystery until the very last sequence. The little invaders admittedly are somewhat creepy, what with their "Krafwerk" sounds and advanced artillery. Moorehead doesn't have any lines, but her performance is stellar nevertheless, and thriving on convincing fright-grimaces, uncanny noises and a strong survival instinct.
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8/10
Dark setting for a tale with a twist.
darrenpearce11111 January 2014
The cast of the 60's comedy series 'Bewitched' were somewhat involved in TZ. Elizabeth Montgomery in 'Two' (series three), Dick York in 'The Purple Testament'(series one) and 'A Penny For Your Thoughts' (series two), David White in 'A World Of Difference' (series one) and 'I Sing The Body Electric' (series three).

Here we are concerned with the much talented character actress Agnes Moorehead. Best remembered for 'Bewitched', the first Orson Welles films 'Citizen Kane' and 'Magnificent Ambersons', and 'Hush Hush Sweet Charlotte'. Also impressive as a rather evil character in 'Dark Passage' with Humphrey Bogart.

'The Invaders' is an odd piece of television in that it concentrates on Agnes Moorehead so alone as a woman living a wretchedly remote and spartan existence. Yet another episode to focus very closely on the fear and anguish of the individual. Virtually nothing is revealed about her as she finds a small flying saucer in her dark dwelling. A story with a twist as you may well expect. A very singular entry, well played by the star, even though she isn't given lines to deliver.
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7/10
A solid effort, with an unnecessary twist
jezfernandez13 January 2018
Warning: Spoilers
Most reviewers seem to rave about this episode, and it's certainly a tense, solid effort. The lack of dialogue works well and the relentless, malevolent assault on the woman is genuinely frightening. I did find her cries somewhat repetitive after a while and there wasn't a great deal of story to fill the running time.

My biggest issue is with the twist, since it isn't at all clear who the invaders are supposed to be. Astronauts? Then why do they look and move like toy robots? Was the episode a commentary on America as a war-monger? We certainly can't feel sympathy for these astronauts, since they attack an innocent woman (albeit a giant) in her own home!

Overall, the episode is well done but I still don't get what point Matheson is trying to make. The invaders may not be who we initially think they are, but they're still the invaders. Or maybe, like the space probe itself, this episode went over my head.
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1/10
Possibly the worst Twilight Zone episode ever
msp-329 October 2014
Warning: Spoilers
Okay, I know many will disagree, this episode has a very high ranking on IMDb. Why, I don't know, unless it is because of Agnes Moorehead's great performance. And I will agree with that, I'll give her performance great marks. But the episode itself? Hard to know where to start! How about with the big oar, okay, she's ready to defend herself, knock the little invader dudes to pieces, so what does she do? She looks and looks all around for them in an empty room. Then, when she finds one, does she swat it? No! She closes the door to hide from it! And the knife thing? Like, these little 6 inch creatures are going to grab a kitchen knife to nick her ankles? Come on! These are USAF astronauts (as we find out at the end), can you just imagine Neil or Buzz on a strange planet, saying "let's grab a kitchen knife that's 12 feet long and nick the person's ankle"? Or the even more ludicrous knife thru the doorknob hole one? She keeps acting like she's both scared and also on the attack against these little gremlins, yet until the final scene it's like she doesn't know how to attack them! And how did the warty growths figure in? Like the US is going to equip it's astronauts with wart guns? Okay, maybe we started an epidemic on this other planet, and it will destroy their population. Who knows. And is this the way we picture ourselves interacting with a new species? Oh, look, giants, lets sneak around and shoot them with our ray guns! And how did these little guys move around so effectively? At the beginning, she tries to push the UFO with her foot, and we hear a zap... force field? Who knows? If so, why didn't the force field protect the UFO at the end? Overall, episode looks like it was written by a 5 year old, and is nothing more than a "horror and anxiety" flick, lacking all the elements of neat morality tales that make for a great TZ episode. Amazed to see Rod liked it. Not sure where that quote came from, but I'm a bit skeptical of it. Not at all like the episodes Rod wrote. Maybe he was joking when he said it, or being sarcastic?
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Lone woman defends her territory from alien invaders.
Leland-Herder26 April 2006
Warning: Spoilers
For some reason, "The Invaders" reminds me of Samuel Beckett's play, "Act Without Words," perhaps because a lone woman who lives in the middle of nowhere is like Beckett's play character, a person of few or no words. Though there is a dearth of dialog in this story, there is plenty of action as the woman defends her house and herself from the seemingly relentless attack from invaders out of the Twilight Zone. The technology and special effects in this episode would seem quite quaint compared to today's standards, but for those of us who lived through this period of time in TV history and saw the original for the first time as kids, it still conjures up dread and horror. It's one of my favorites.
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9/10
Agnes Morehead Rocks
Hitchcoc14 November 2008
This is frequently put near the top of the list of Twilight Zone episodes. It isn't so much the plot which follows the Rod Serling formula. It is the performance of this wonderful actress. The principle character deals with an unknown threat. She is also unknown and nondescript. She could be trying to get a fox out of the hen house rather than dealing with a flying saucer. She uses incredible facial expressions and battles her "adversary." One really feels for the people on board the space ship. They are innocent victims, but instead of making their presence known to a government agency, they are at war with a citizen, a really big one.
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9/10
"The Invaders" are not who you think they are....
chuck-reilly1 February 2010
Warning: Spoilers
Agnes Moorhead gives a bravura performance as a lonely rural woman who is suddenly and inexplicably the target of an alien invasion right in her own dilapidated country homestead. Without uttering a single word, she withstands this vicious attack with all the strength she can summon and with all the ingenuity she can muster. Luckily for her, the "aliens" are pint-sized and she has the advantage of towering over them to go along with her edge in strength and stamina. After a ferocious battle, the aliens finally succumb as Ms. Moorhead wins the day with her relentless defense of her "home turf."

Writer Richard Matheson's "The Invaders" plays upon the viewer's fear of the unknown and preconceived notion of where this invasion is taking place. In this classic case, the locale and true identity of the alien invaders is held out to the last possible moment and after they've been thoroughly routed by this "giant monster" of a woman. The director, Douglas Heyes, handles his duties effectively here and gives Ms. Moorhead enough latitude to turn in one of her more memorable efforts. Although best known now for playing the witch "Endora" on the old "Bewitched" series, Moorhead made her mark years earlier in films like "Citizen Kane" and others. Even in her youth, she was never considered a "beauty" by Hollywood standards. That seems to work to her advantage in this famous "Twilight Zone" episode.
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10/10
The other side
mszouave19 September 2021
Warning: Spoilers
My favorite episode of TZ. I always wondered though, how interesting it would be to see the Astronaut's perspective. Trying desperately to fight off this huge alien. Then defeated, desperately warning earth of the danger.
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9/10
Suspenseful episode with a terrific lead performance by Agnes Moorehead
Woodyanders5 September 2017
Warning: Spoilers
An old woman (an incredibly expressive portrayal by Agnes Moorehead) who lives by herself in a remote farmhouse finds herself under attack from mysterious alien invaders.

Director Douglas Heyes relates the gripping story at a brisk pace, builds plenty of tension, and makes fine use of the isolated rural location. Moreover, Moorehead's remarkably vivid physical performance really holds this particular episode together: Moorehead manages the extraordinary feat of conveying a strong and resilient personality without ever uttering a single line of dialogue as well as projects such basic emotions as fear and rage with her facial expressions and body language alone. Richard Matheson's tight and clever script delivers a real doozy of a twist ending. Jerry Goldsmith's moody score and the sharp cinematography by George T. Clemens further enhance the overall sterling quality of this nerve-wracking show.
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8/10
That twist
Calicodreamin5 June 2021
A great episode of the twilight zone with an awesome twist and the effects worked well. The acting was great for a one woman show.
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10/10
Classic Serling Suspense
mrsinks6513 February 2016
I have to say that this episode ranks in the top five of ALL science fiction suspense yarns I have ever seen. Even without ANY dialogue Miss Morehead delivers a true Tour De Force performance in this truly edge-of-your seat Nail Biter. A MUST for any classic science fiction noir fan!!! It really scared me as a child. I instantly became a huge Agnes fan long before Bewitched. I would go so far as to say that this episode was DEFANITELY Emmy worthy. I have always admired Serling for his plot-twists and simple but in-your-face "Morality Messages". He always seemed to serve up plot twists with irony and skill. I would even say that you could screen this with your kids if they can handle something with a P. G. rating. ENJOY!!
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6/10
Here They Come
AaronCapenBanner26 October 2014
Agnes Moorhead plays a mute woman living in a most rural part of the country who one night is shocked to discover that a spaceship has landed on her roof, and that little spacesuit wearing astronauts have invaded her once quiet domicile, threatening her life with their laser guns, until she turns the tables... Though Moorhead is fine, and episode is fondly remembered, it is also in my opinion the most overrated, hurt by genuinely silly looking astronauts who look more like puffy toys, and a final twist with little impact, since it makes little sense when you think about it. Still, this does create an effective nocturnal mood.
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10/10
Brilliant episode.
cadmad21 February 2019
A wonderful acting exercise for Agnes Moorehead. She doesn't speak for the whole episode. I can't imagine a tv show being made like this today.
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7/10
Very good--but perhaps a bit too long
planktonrules29 January 2008
Warning: Spoilers
Agnes Morehead plays a role of a simple woman who seems to be living perhaps a hundred and fifty years ago on the prairie. I say "seems" because this is only a guess--the exact frame of reference is unclear. And, since she never speaks at all during the entire episode, it's hard to figure this out--though it still manages to work. Into her simple rural life come some strange looking tiny robots who have invaded her planet. Despite her best efforts, the robots are very tough and time and again they evade or even attack this poor lady.

My uncle and I both love The Twilight Zone and we have frequently talked about our very favorite episodes. Mine is "To Serve Man" and his is "The Invaders". Based on the very good reviews of this episode, perhaps I am a bit too judgmental about this very good episode. I liked the main idea, but just felt it went on too long which lessened the eventual impact of the twist ending. You watch it and be the judge.
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5/10
Clever but time-worn
Neal-1730 September 2013
For its time, this was likely groundbreaking. For today, it's formulaic and overwrought.

Moorehead is the lone actor in this short. She acts the role well, though she is guilty of chewing the scenery from time to time, I can only assume through the director's insistence. She was the shining light in this episode.

Sadly, the overall direction and production was a bit sub-par compared to other Twilight Zone episodes. The pacing is uncomfortable and the lighting more erratic than necessary. The special effects, albeit a product of their time, seem dime-store quality. It was a production value one would expect from a teenager with a professional actress, camera and studio, but an amateur book and vision.

Moorehead is forced to play an unrealistically invader-hating monster of a woman who, oddly, owns no more deadly a weapon than a firewood hatchet. If she is so aggressively against home invaders, if she is feeding herself alone, wouldn't she have greater firepower?

Perhaps I am jaded, perhaps I was just "lucky" to see the implications of the twist ending before it was revealed, but watching this a half-century later, I can't say this episode is anything more than quaint.
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