Directed by
| Peter Carstairs | ||
Writing Credits (in alphabetical order)
| Peter Carstairs | ||
| Ant Horn | ||
Cast (in credits order)
| Xavier Samuel | ... | Ed | |
| Clarence Ryan | ... | Paddy | |
| Kieran Darcy-Smith | ... | Rick | |
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Kelton Pell | ... | Michael |
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Alice McConnell | ... | Eve |
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Lisa Flanagan | ... | Leena |
| Mia Wasikowska | ... | Amelia | |
| Sibylla Budd | ... | Miss Gregory | |
| Anton Tennet | ... | Tom (as Anton Tennett) | |
| Paul Gleeson | ... | John Hamilton | |
| Tara Morice | ... | Jennifer Hamilton | |
| Morgan Griffin | ... | Heidi | |
| Bob Baines | ... | Henry | |
| Tommy Lewis | ... | Uncle Harold (as Tom E. Lewis) | |
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Steve Dodd | ... | Aboriginal Elder #2 (as Steve 'Mullawalla' Dodd) |
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Eric Bell | ... | Aboriginal Elder #3 |
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Michael Edward Williams | ... | Thomas Parker (as Michael Williams) |
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Brady Kitchingham | ... | Tom's Mate |
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Lillian Crombie | ... | Gran Parker |
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Vikki Freckelton | ... | Ticket Seller |
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Alex Rose | ... | Cinema Usher |
| Rest of cast listed alphabetically: | |||
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Keiran Darcy-Smith | ... | Rick Anderson |
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Tom E Lewis | ... | Uncle Harold |
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Bridie-Ann Perry | ... | Towns Person |
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Clarence John Ryan | ... | Paddy Parker |
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Harry Stewart | ... | Wee Poor Boy |
Produced by
| Sandra Alexander | ... | line producer |
| Mark Bamford | ... | executive producer |
| Michele Bennett | ... | consulting producer |
| Tony Forrest | ... | executive producer |
| Gary Hamilton | ... | executive producer |
| Lynda House | ... | co-producer |
| Serena Paull | ... | co-producer |
| John Polson | ... | producer |
Music by
| Roger Mason | ||
| Roger Mason | ... | original music composer |
| Roger Mason | ... | original music composer |
Cinematography by
| Jules O'Loughlin | ... | director of photography |
Editing by
| Martin Connor | ||
| Tim Wellburn | ||
Casting By
| Anousha Zarkesh | ||
Production Design by
| Sam Hobbs | ||
Art Direction by
| Sophie Nash | ||
Set Decoration by
| Martin Williams | ||
Costume Design by
| Cappi Ireland | ||
Makeup Department
| Laura Kennard | ... | makeup artist |
| Dakota Matich | ... | makeup artist |
Production Management
| Colleen Clarke | ... | post-production supervisor |
| Mick Nicholson | ... | unit manager |
Second Unit Director or Assistant Director
| Matt Hart | ... | third assistant director |
| Tim Lion | ... | second assistant director |
| Karan Monkhouse | ... | first assistant director |
Art Department
| Natalie Armstrong | ... | props |
| Peter Kodicek | ... | props |
| Adam Sitta | ... | art runner |
Sound Department
| Rainier Davenport | ... | sound recordist |
| Bruce Emery | ... | dolby consultant |
| Glenn Finnan | ... | boom operator |
| Greg P. Fitzgerald | ... | re-recording mixer (as Greg Fitzgerald) |
| Jason Hancock | ... | foley recordist |
| Martin Oswin | ... | adr mixer |
| Wayne Pashley | ... | re-recording mixer / sound designer / supervising sound editor |
| Derryn Pasquill | ... | dialogue editor |
| Fabian Sanjurjo | ... | sound effects editor |
| John Simpson | ... | foley artist |
| Libby Villa | ... | dialogue editor |
Visual Effects by
| Justin Alvarez | ... | lead compositor: FSM |
| Nick Booth | ... | film recording supervisor: weta digital |
| Steve Dunn | ... | visual effects producer |
| Stephen Roucher | ... | film recording technician: weta digital |
| Phil Stuart-Jones | ... | visual effects supervisor |
| Pete Williams | ... | film recording manager: weta digital |
Stunts
| Nash Edgerton | ... | stunts |
| Tony Lynch | ... | stunt coordinator |
| Brett Sheerin | ... | stunts |
| Gordon Waddell | ... | safety consultant |
Camera and Electrical Department
| Peter Bushby | ... | gaffer |
| Simon Cardwell | ... | still photographer |
| James Ford | ... | best boy |
| Craig Jackson | ... | grip |
| Joshua Kwan | ... | best boy |
| David Litchfield | ... | key grip |
| Morag Mirankar | ... | clapper loader |
| Richard Narramore | ... | Steadicam operator |
| Jules O'Loughlin | ... | camera operator |
| Jules O'Loughlin | ... | director of photography |
| Miranda Porter | ... | focus puller |
| Mark Rogers | ... | still photographer |
| Christopher Turner | ... | lighting assistant (as Chris Turner) |
| Cheryl Wood | ... | assistant camera |
Casting Department
| Dex Tallo | ... | extras casting |
| Anousha Zarkesh | ... | casting |
Costume and Wardrobe Department
| Felice Mercorella | ... | costume stand-by |
| Geri Spencer | ... | costume assistant |
| Chrissie Wright | ... | costume supervisor |
Editorial Department
| Bec Cubitt | ... | post-production coordinator |
| Steve Dunn | ... | digital intermediate producer |
| Al Hansen | ... | supervising digital intermediate colorist |
| Tristan La Fontaine | ... | digital cinema colorist |
| Derryn Pasquill | ... | dialogue editor |
| Alejandro Reyes Anzola | ... | assistant editor |
Location Management
| Carl Wood | ... | location manager |
Music Department
| Coralie Hartl | ... | music contractor |
| Phillip Hartl | ... | orchestra leader |
| James K. Lee | ... | orchestrator |
| Jessica Wells | ... | orchestrator |
Script and Continuity Department
| Amy Barclay | ... | script supervisor |
Additional Crew
| Alex Baldwin | ... | production runner |
| Emren Kara | ... | production lawyer |
| Rebecca Lewis | ... | production secretary |
| Natalie Reilly | ... | assistant to producers |
| Eva Stolcs | ... | production coordinator |
| Cherie Vierucci Whyte | ... | accountant (as Cherie Whyte) |
Thanks
| Sally Chesher | ... | thanks |
| Nash Edgerton | ... | the producers wish to thank the following for their assistance |
| Mark Lazarus | ... | the producers wish to thank the following for their assistance |
| Tony McNamara | ... | the producers wish to thank the following for their assistance |
| Cecilia Ritchie | ... | the producers wish to thank the following for their assistance |
| Fiona Seres | ... | the producers wish to thank the following for their assistance |
