Disney has announced that director Guy Ritchie has started production on their live-action adaptation of Aladdin and the announcement came with a photo from the set of the film. The photo features Will Smith as the Genie, Mena Massoud as Aladdin, Naomi Scott as Princess Jasmine and Marwan Kenzari as Jafar. They are all smiles and ready to go!
Here's the full press released from Disney with additional details from the film:
The Aladdin cast includes: Two-time Oscar nominee Will Smith (Ali, Men in Black) as the Genie who has the power to grant three wishes to whoever possesses his magic lamp; Mena Massoud (Amazon’s Jack Ryan) as Aladdin, the hapless but lovable street rat who is smitten with the Sultan’s daughter; Naomi Scott (Power Rangers) as Princess Jasmine, the Sultan’s beautiful daughter who wants to have a say in how she lives her life; Marwan Kenzari...
Here's the full press released from Disney with additional details from the film:
The Aladdin cast includes: Two-time Oscar nominee Will Smith (Ali, Men in Black) as the Genie who has the power to grant three wishes to whoever possesses his magic lamp; Mena Massoud (Amazon’s Jack Ryan) as Aladdin, the hapless but lovable street rat who is smitten with the Sultan’s daughter; Naomi Scott (Power Rangers) as Princess Jasmine, the Sultan’s beautiful daughter who wants to have a say in how she lives her life; Marwan Kenzari...
- 9/6/2017
- by Joey Paur
- GeekTyrant
It would be tough finding a harder working actor than Liev Schreiber who has successfully transitioned from supporting roles in movies to his very own TV show, playing fixer Ray Donovan on the Showtime series for five seasons. He’s received four Golden Globe nominations and two Emmy nominations playing that role.
In between seasons he’s found the time to make Chuck, a movie about the famed “Bayonne Brawler,” Chuck Wepner, whose career was documented in the Espn “30 for 30” doc, The Real Rocky. Besides being the New Jersey Heavyweight Champion in the ‘70s, Wepner famously went 15 rounds with Muhammad Ali, but his somewhat tragic story was also the inspiration for Sylvester Stallone to make Rocky.
The movie, directed by Philippe Falardeau (Monsieur Lazhar), recreates Chuck’s family life with his second wife Phyllis (Elisabeth Moss) and daughter. It then shows how his brush with fame led to drinking and...
In between seasons he’s found the time to make Chuck, a movie about the famed “Bayonne Brawler,” Chuck Wepner, whose career was documented in the Espn “30 for 30” doc, The Real Rocky. Besides being the New Jersey Heavyweight Champion in the ‘70s, Wepner famously went 15 rounds with Muhammad Ali, but his somewhat tragic story was also the inspiration for Sylvester Stallone to make Rocky.
The movie, directed by Philippe Falardeau (Monsieur Lazhar), recreates Chuck’s family life with his second wife Phyllis (Elisabeth Moss) and daughter. It then shows how his brush with fame led to drinking and...
- 5/4/2017
- by Edward Douglas
- LRMonline.com
As a year, 2016 is an auld acquaintance that we’d rather be forgot. However, as another familiar trope reminds us, those who forget the past are doomed to repeat it. Here’s my assessment of the year Hollywood coped with change as the industry’s economic underpinnings continued to buckle and sway.
And for the Tl;Dr among us: Those who are able to innovate and adapt thrive. Others face decline.
Winners
Disney is the studio winner by a mile not only in domestic market share ($2.7 billion, 25.3 percent), but its stable of global moneymakers took the studio to more than $7 billion worldwide. Four of the five most profitable movies of the year came from Disney: “Rogue One: A Star Wars Story” (Lucasfilm), “Captain America: Winter Soldier” (Marvel), “Zootopia” (Disney Animation), and “The Jungle Book” (Disney). And blockbusters “Finding Dory” (Pixar), “Moana” (Disney Animation), and “Doctor Strange” (Marvel) weren’t far behind.
And for the Tl;Dr among us: Those who are able to innovate and adapt thrive. Others face decline.
Winners
Disney is the studio winner by a mile not only in domestic market share ($2.7 billion, 25.3 percent), but its stable of global moneymakers took the studio to more than $7 billion worldwide. Four of the five most profitable movies of the year came from Disney: “Rogue One: A Star Wars Story” (Lucasfilm), “Captain America: Winter Soldier” (Marvel), “Zootopia” (Disney Animation), and “The Jungle Book” (Disney). And blockbusters “Finding Dory” (Pixar), “Moana” (Disney Animation), and “Doctor Strange” (Marvel) weren’t far behind.
- 1/2/2017
- by Anne Thompson
- Thompson on Hollywood
As a year, 2016 is an auld acquaintance that we’d rather be forgot. However, as another familiar trope reminds us, those who forget the past are doomed to repeat it. Here’s my assessment of the year Hollywood coped with change as the industry’s economic underpinnings continued to buckle and sway.
And for the Tl;Dr among us: Those who are able to innovate and adapt thrive. Others face decline.
Winners
Disney is the studio winner by a mile not only in domestic market share ($2.7 billion, 25.3 percent), but its stable of global moneymakers took the studio to more than $7 billion worldwide. Four of the five most profitable movies of the year came from Disney: “Rogue One: A Star Wars Story” (Lucasfilm), “Captain America: Winter Soldier” (Marvel), “Zootopia” (Disney Animation), and “The Jungle Book” (Disney). And blockbusters “Finding Dory” (Pixar), “Moana” (Disney Animation), and “Doctor Strange” (Marvel) weren’t far behind.
And for the Tl;Dr among us: Those who are able to innovate and adapt thrive. Others face decline.
Winners
Disney is the studio winner by a mile not only in domestic market share ($2.7 billion, 25.3 percent), but its stable of global moneymakers took the studio to more than $7 billion worldwide. Four of the five most profitable movies of the year came from Disney: “Rogue One: A Star Wars Story” (Lucasfilm), “Captain America: Winter Soldier” (Marvel), “Zootopia” (Disney Animation), and “The Jungle Book” (Disney). And blockbusters “Finding Dory” (Pixar), “Moana” (Disney Animation), and “Doctor Strange” (Marvel) weren’t far behind.
- 1/2/2017
- by Anne Thompson
- Indiewire
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