"The Sopranos" The Blue Comet (TV Episode 2007) Poster

(TV Series)

(2007)

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10/10
Hold Your Breath. Here It Comes...
loudprincess3 June 2007
Warning: Spoilers
Blue Comet is definitely one of those episodes that had me holding my breath. Of course, we're probably all expecting violence and bloodshed, but no amount of bracing for it can take away from the great direction and writing in this one. If you've been wise enough to not read any of the speculative comments on Sopranos bulletin boards, you'll be taken aback by a lot of the action in this installment.

******** SPOILERS ********* The Hobby Shop scene, despite the fact that I was half-expecting it, was more poetic than I anticipated. There have been scores of killings on this show, but I don't remember one with such an appropriate touch. THe trains derailing, the close-up of the toy woman with her hand over her mouth in shock, and the overhead shot of Bobby splayed across the shattered display were perfectly appropriate for the one LCN member with the most heart.

I LOVED the scene with Dr. Melfi reading up on psychoanalysis of criminals. At every highlighted word, we're lead to remember all of the things Tony has said and done over the years. SLICK. And her consultation appointment with Tony? FIERCE.

Like most of the episodes over the years, I know I missed a LOT of details in this installment, so I'm anxious to watch this one again.
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10/10
The End - Part I
MaxBorg895 June 2008
When Tony got arrested at the start of Season Six, Part II, Carmela asked: "Is this it?" Now, seven episodes later, the answer to that question is an undisputed yes - this is really it, the beginning of the long awaited end.

With AJ hospitalized and Meadow still upset over what happened in the previous ep, Tony is in a very uncomfortable position. On top of that, Phil decides to finally go through with calling hits on the entire Soprano clan, citing Tony's behavior regarding the Vito Spatafore situation as a good reason for killing him. The New Jersey mob responds by calling a hit on Phil, but a case of mistaken identity makes it all much worse - nothing is certain any more, and the show's trademark tension has never been higher.

Okay, so this isn't the real conclusion (there's one more episode to go), but The Blue Comet does represent a closure for at least three characters: two of them I won't mention, because that would mean giving too much away, the third is less risky to discuss - Dr. Melfi. That's right, she doesn't appear in the series finale, as Tony sees her for the last time in this show, lambasting both her and his eight years of therapy with his usual acerbic remarks. And though it is kind of sad that Melfi won't be part of the real final moments of the program, her exit couldn't be better than what David Chase has come up with for her farewell to her most disturbing patient. Much of the credit goes to Lorraine Bracco too, her careful, honest performance having been one of the highlights of this superb drama. Her departure, along with that of Michael Imperioli, another essential presence since Episode 1, is just another confirmation of what viewers have expected and at the same time feared the most: the end is near.
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10/10
One of the best episodes of the history
Azulagoodman327215310 July 2022
Warning: Spoilers
Wow man that was heartbreaking bobby is the only gpod man in the sopranos family and he die in his favorite place poetic and heartbreaking amazing series.
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10/10
I am not ready for this to end...
danieldraper_10 November 2021
The credits music was the cherry on top.

I cannot believe this show is ending.

I love this show, I think it surpasses every show on TV.

The build up, the loss of our beloves characters, the pacing, it's perfect.
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9/10
Perfect! Except....
jdjc00114 July 2020
Warning: Spoilers
Wow. What an episode. The sheer tension running throughout sends shivers down my spine just thinking about it and with two main characters down, we know we are in for a thrilling endgame. The choice to have Phil physically absent for most of the episode was also a genius move.

And then there's Dr. Melfi.

Dr. Melfi is (to me, at least) essential to the show's structure and iconography, even though her role has declined fairly significantly since the third season. I was already kind of worried that the show would brush her off considering that her episodic appearances were becoming shorter and shorter, and I was right to think so. The whole sociopath study felt really hamfisted, especially when it was mentioned again during the dinner scene and then beat into our skulls by that excruciating reading sequence. It seemed to me that the writers had forgotten that Melfi needed some kind of closure too so this was an easy way out for them. However, considering what we know of Melfi, I find it somewhat hard to believe that she would really give Tony the boot, particularly since she believes Tony has been making progress. I might have believed it more if Tony had been displaying sociopathic behaviour during his sessions or if she had heard anything on the news, but all we get is her reading one book about sociopaths and seeing him rip a page out of a magazine - big deal! Speaking of, I thought the actual scene where the two part ways was very underwhelming despite both actors obviously trying their hardest. I had expected Tony to really lose his temper like he had in past sessions but it was only a semi-heated confrontation. Despite all that, I did think Melfi shutting the door was a powerful final image.

Overall, I'm just a bit miffed that such an integral character was treated as an afterthought. I'm aware that I've really rambled on about it yet given the episode such a high rating and that's because I nevertheless do believe this is a thrilling watch and one of the series' highlights.
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10/10
best episode ever
ivansampras7 June 2007
Just one word, perfect. Best episode of The Sopranos. I can't wait for Sunday. It keeps your eyes on the TV screen for every single second. I wont tell what happens, but I want to say that I'm waiting more next episode than next Indiana Jones movie.I'm sorry that here in Italy nobody knows about The Sopranos. Everyone likes O.C. and they watch it like it's the greatest thing on TV. I've just one thing to say to this people, wake up! You're losing the best thing on TV for what? A teenager series where the story is so bad that after one minute of watching it I said "ok, I think it's better if I go to study something". David Chase invented a perfect mix between The Godfather and Goodfellas and he gave us an unforgettable masterpiece. Thank you David. PS sorry for my English, I think my teacher is wright when he says that I'm bad in grammar

Everithing comes to an end
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10/10
Can't wait another week...
fubarcivic5 June 2007
Warning: Spoilers
I've seen every episode the Sopranos have had to offer. This was by far the best episode to date in my opinion. The last 20 minutes were rock solid. You can't help but feel that if Christopher was still alive, Tony might not be in such a bad spot... The action sequences were very good, the suspense was intense and this is definitely the BEST lead up to a season/series finale I've ever seen (Doesn't compete with the likes of 24, Lost, Prison Break, Rome, etc...) This series has been solid throughout, and you can see why it is they split up season 6 into two parts. The first part was nothing compared to the second. Those who haven't seen this episode you missed something HUGE.

Now, if only Sunday came by faster...!
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10/10
The Real Ending
ecatalan9812 November 2019
Warning: Spoilers
"The Blue Comet" was scripted like a true series ending: lots of action, lots of killing and finally, two rivaling mobs facing off. "The Sopranos" had the distinction of not having a "definite" ending. Let me explain: in "Breaking Bad", you knew the story would end with Walter White either dying of cancer or dying by all the mayhem he created. In "Game Of Thrones" you had people fighting for the Iron Throne. In the Sopranos, you had nothing like that at all. Sure, there was friction among rivaling mobs, family problems and Tony Soprano being investigated by the feds. Six seasons went by and the Feds arch was basically abandoned. In the end, it was the amounting hostilities between New York and New Jersey mobs. This episode behaved like a true series finale, unlike the polarizing (but brilliant), "Made In America". It was interesting to see the Soprano family under the threat of death for the first time in 6 seasons! Think about it: the family of a sadistic and violent mob boss makes a perfect target for his enemies, yet throughout the entire series this very plausible story line was never grabbed. Tony Soprano tells his wife Carmela that "family is no target", yet throughout the entire series, family members of other mobsters constantly got whacked. It's ironic that the least violent of the Soprano's crew, Bobby Bacala, got one of the series most violent deaths. Before watching the series, this is how I imagined "The Sopranos" would be like. Definitely worth a re watch!
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9/10
The Blue Comet (#6.20)
ComedyFan20101 April 2014
Warning: Spoilers
AJ spends some time in the hospital while Junior is out of money for his. And Dr. Melfi finds out more about the study against therapy for criminals. Phil kills off a few of Tony's men. Tony sends a hit-man for him too but he kills a wrong person and when everybody believes that it is safe Phil makes another attack. Now Tony and his family go into hiding to be safe.

I am a bit sad about how it ended with Dr. Melfi. Especially because this study is nonsense but will make stupid people who watched this show believe it.

But I did like all the action in this episode. It is really coming towards the end. Was sad to see Bobby die, but it was an amazing scene.
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10/10
Prepare for the finale
elhamfirmino8 February 2024
Warning: Spoilers
Bobby was innocent until that moment he whacked on order from Tony. Tony was so mad for getting beaten up by Bobby that he really forced him to lose his clean slate out of anger. Bobby was careless and even lucky not getting caught by feds. While he whacked someone he made some significant mistakes 1: dna by getting scratched by the victim 2: leaving the gun next to the crime scene. Bobby became my favorite character over multiple seasons. He was just a driver and worked hard to get his chance. He was never built for the ugly dangerous side of this business. That kill shocked me right now. I finished that episode for the first time today. I'm speechless I really expected Bobby to end up in jail. Now it's time to watch the finale.
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10/10
Bobby Bacala Jr.s death will always hit a sore spot with me in the show
Neptune16526 July 2022
Warning: Spoilers
The scene in which Tony and his crew entered the safe house was really depressing for me. For some reason at that moment it really hit me that this incredible series that was so important to my life and the lives of millions of other people was ending. One of my favorite episodes of the entire series, so much coming to a head here. The build up to this point was amazing to see in real time. Also always wondered why the Soprano crew wasn't more prepared to go into hiding after making an attempt on an acting NYC boss? That seemed sloppy to me. Bobby, Sil and Patsy all didn't have eyes on the back of their heads. The end of Melfi's story felt so forced and unnatural. It's clear that she had built up a bit of affinity for Tony over the series and to just have her colleague act obtuse and highly unethical out of the blue to unceremoniously shut down the story line that THE WHOLE SERIES PREMISE WAS BASED AROUND without any real conclusions just flat out sucked. She lost all her agency in her final three scenes for no good reason. It is one of the biggest failings of the show in my opinion.
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10/10
As a doctor, I think...
snoozejonc27 February 2023
Violence between NJ and NY increases and Dr Melfi makes a big decision.

This is an eventful episode that perfectly sets up the series finale.

It is impossible to reveal details without spoilers, but it's safe to say that it is one of the most violent and fast moving episodes in the show. A lot of what happens is likely to satisfy fans of the gangster movie genre, but it all stays true to the themes and character arcs of 'The Sopranos'.

All performances are fantastic as ever, with all actors having great moments to shine.

Visually there are some very memorable scenes, particularly the more action orientated moments that are typically 'Sopranos' in their quirkiness of imagery and editing. The 'Raging Bull' tribute is amazing.
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Season 6(2): A good season with great bits but not quite the flow and cohesive detail that other seasons made look effortless
bob the moo21 April 2010
I'll post this review on this penultimate episode as I already did a review on the final episode when I watched it first time around. I had started the first part of season six with caution as I remembered it not being as good as it turned out to be. The second half of the season was set in my mind in the same way but in this case my memory was correct as the issues I could remember having with it turned out to be correct and indeed while there are brilliant bits to the second part of season 6, and it provides a classic conclusion, it is not quite as strong as the previous seasons.

I think my main problem with it is that it doesn't seem to have the flow and determination of point that it normally does. A lot happens but not all of it is as well done or as textured as I have become used to. Christopher's murder is one example because I didn't think that the reasons for Tony's decisions had been allowed to come to a head within him, while the aftermath in terms of his subconscious is dealt with too quickly. It doesn't help either that a lot of this half of the season seems to focus on AJ; I'm sure in terms of actual time it is small but he feels like he is there all the time and that his depression and constant selfish changes and turns are never off the screen for long. In some ways this should have been good because it should have allowed us to see Tony projected through another person while also seeing Tony's reactions to what he himself has created. I say it "should" have been interesting because in reality it isn't. Instead it does get quite tiresome because we "get" AJ early on in this season's narrative and the more we see of him doesn't tell us more about him – so in the end it is a bit like being told the same thing over and over but with different examples to illustrate it while you say "OK I get it" to no avail. It isn't awful by any means but this part of the season has undeserved prominence and it doesn't work for me.

Fortunately we still have plenty of great stuff in here. The central feud with New York and Phil in particular works well and engaged me while the ongoing family clashes with Tony do well to grab the attention while also informing a lot about the characters. Tony and Bobby is a new dynamic and it works well, specifically in the episode given over to Tony and Carmela visiting with Bobby and Janice up north. The thread that used to be the main one in the show (or at least in terms of tagline description) is brought to a nice close as the viewer (and Melfi) are left wondering if any of these revelations and insights have been real or not and what good if any has been done by these seven years spent talking. As before the show is best when it is revealing the characters and yet again Tony is laid bare as selfish, callous and cruel; his talk of the importance of family and his sweeping sentimental intentions pulled down in front of us where once we were very much on his side, by the time we end we see him clearer than ever and it makes his death perhaps an understandable conclusion.

The material may not be quite as strong in terms of complexity and flow but the performances still are strong. Gandolfini is strong right up to the final shot and this series will forever be the thing he is rightly remembered for, as he never is out of character or appearing to "act" so much as just "be". Falco is a great presence as well but has less to do this season. Imperioli repeats his performance from previous seasons but he is still good with it. Bracco may not have a lot of time compared to previous seasons but her sessions are still important and she brings her thread to a close well. Iler still leaves me wondering. It is not his fault so much as the material but he is annoying as a character and his performance doesn't manage to reveal anything behind the selfish petulance in the way that we had seen Gandolfini do in similar scenes. Turturro is perhaps another example to contrast with Iler, as her character is a monster but yet her performance makes it telling and interesting. Schirripa becomes more important again and his is a sweetly touching performance. Chianese is off to one side but he is still good as he loses his mind. Sigler, Sirico, Van Zandt, Vincent and others turn in the strong supporting roles that we are used to.

And so, with a jarring suddenness that we never heard coming, the show ends. This season is perhaps not the best of the seven years and it does have its problems but it is still "good" – just not as good as it should have been. Like what happened with The Wire's final season, it just feels like everything that had always seemed so effortless isn't working quite as well. So, while it is still better than most stuff on TV, this final season is not quite there and those that have watched it from the start will see this reasonably clearly.
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