Exclusive: The Latino Film Institute has set its lineup for the 23rd Los Angeles Latino International Film Festival, which will take place from May 29th through June 2nd at the Tcl Chinese Theatres in Hollywood.
Laliff will open with the critically acclaimed In the Summers, directed by Alessandra Lacorazza and starring René Pérez Joglar a.k.a Residente in his feature film debut, Sasha Calle, Lío Mehiel and Leslie Grace. Accolades include the U.S. Dramatic Grand Jury Prize and the U.S. Dramatic Directing Award for Lacorazza at the Sundance Film Festival.
The film tells the story of Violeta and Eva who, every summer, visit their loving but reckless father Vicente, who tries to atone for the past by creating a world of wonder for them to experience. But old wounds do not heal easily and despite the fun facade, Vicente’s battle with addiction gradually erodes the magic,...
Laliff will open with the critically acclaimed In the Summers, directed by Alessandra Lacorazza and starring René Pérez Joglar a.k.a Residente in his feature film debut, Sasha Calle, Lío Mehiel and Leslie Grace. Accolades include the U.S. Dramatic Grand Jury Prize and the U.S. Dramatic Directing Award for Lacorazza at the Sundance Film Festival.
The film tells the story of Violeta and Eva who, every summer, visit their loving but reckless father Vicente, who tries to atone for the past by creating a world of wonder for them to experience. But old wounds do not heal easily and despite the fun facade, Vicente’s battle with addiction gradually erodes the magic,...
- 5/6/2024
- by Rosy Cordero
- Deadline Film + TV
Veteran French distributor Rezo Films is closing its doors after more than 32 years and nearly 400 films after struggling to stay afloat in an increasingly competitive distribution landscape.
Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.
Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...
Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.
Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...
- 3/19/2024
- ScreenDaily
Toshihiko Tanaka’s Rei won the top prize at the 2024 International Film Festival Rotterdam (IFFR), taking home the €40,000 Tiger award at tonight’s closing ceremony (February 2).
The Japanese actor’s three-hour directorial debut explores human connection through a thirtysomething woman who embarks on a journey through the mountains and meets a deaf photographer. Tanaka also stars and produced the film which used mostly non-professionals and students in the cast and crew.
The jury, which included former IFFR director Marco Müller, said of the film: “[Tanaka’s] strength relies on a collaborative environment centred on the actors, an attention to the power of recitation – and,...
The Japanese actor’s three-hour directorial debut explores human connection through a thirtysomething woman who embarks on a journey through the mountains and meets a deaf photographer. Tanaka also stars and produced the film which used mostly non-professionals and students in the cast and crew.
The jury, which included former IFFR director Marco Müller, said of the film: “[Tanaka’s] strength relies on a collaborative environment centred on the actors, an attention to the power of recitation – and,...
- 2/2/2024
- ScreenDaily
Tanaka Toshihiko’s “Rei” was awarded the Tiger Award, the top prize of the International Film Festival Rotterdam, on Friday. Toshihiko’s feature debut chronicles a woman in her early 30s employed in a corporate job in Tokyo who meets a deaf landscape photographer living deep in the mountains of Hokkaido.
Toshihiko worked with a cast and crew of mostly-non professionals and students and not only directed “Rei,” but also produced, edited and acted in the film. He takes home a prize worth €40,000 given by a jury comprised of “Sweet Dreams” director Ena Sendijarević, producer and historian Marco Müller, “Ebola Syndrome” director and screenwriter Herman Yau, pioneering “Bless Their Little Hearts” filmmaker Billy Woodberry and producer Nadia Turincev.
The jury called Toshihiko a “burgeoning film director who chose to develop his debut film in a loose and unbounded environment,” and whose strength lies in “a collaborative environment centered on the actors.
Toshihiko worked with a cast and crew of mostly-non professionals and students and not only directed “Rei,” but also produced, edited and acted in the film. He takes home a prize worth €40,000 given by a jury comprised of “Sweet Dreams” director Ena Sendijarević, producer and historian Marco Müller, “Ebola Syndrome” director and screenwriter Herman Yau, pioneering “Bless Their Little Hearts” filmmaker Billy Woodberry and producer Nadia Turincev.
The jury called Toshihiko a “burgeoning film director who chose to develop his debut film in a loose and unbounded environment,” and whose strength lies in “a collaborative environment centered on the actors.
- 2/2/2024
- by Rafa Sales Ross
- Variety Film + TV
The 35th Annual Palm Spring International Film Festival, which took place from Jan. 4 to 15, has announced this year’s jury award winners. “Four Daughters” took home the Fipresci prize, which recognizes films in the international film festival Oscar submissions program. The Kaouther Ben Hania-directed film is Tunisia’s official Oscar submission.
“While digging through the details of the tragic disintegration of a Tunisian family, director Kaouther Ben Hania reclaims the cliché of reenactment and reinvents it, emerging with a powerful account of human complexity. This striking blend of fact, meta-fiction and confessional therapy makes a convincing case for the continued vitality of cinema as an art form,” the jury statement reads.
Best documentary went to “The Echo,” while “The Animal Kingdom” received the New Voices New Visions award, which recognizes unique perspectives from first and second time directors.
“Power Alley” received the the Ibero-American award for the best film from Latin America,...
“While digging through the details of the tragic disintegration of a Tunisian family, director Kaouther Ben Hania reclaims the cliché of reenactment and reinvents it, emerging with a powerful account of human complexity. This striking blend of fact, meta-fiction and confessional therapy makes a convincing case for the continued vitality of cinema as an art form,” the jury statement reads.
Best documentary went to “The Echo,” while “The Animal Kingdom” received the New Voices New Visions award, which recognizes unique perspectives from first and second time directors.
“Power Alley” received the the Ibero-American award for the best film from Latin America,...
- 1/14/2024
- by Caroline Brew
- Variety Film + TV
Running Jan. 19-Feb. 19, this year’s MyFrenchFilmFestival, an online showcase organized by France’s film-tv promotional body UniFrance, will mark its 14th edition with an accent on young talent, both in front of and behind the camera, and an emphasis on female empowerment.
With a mix of heritage docs like Agnès Varda’s “Jane B. for Agnès V.,” and a nine-film competition that spotlights auteurist animation like Alain Ughetto’s “No Dogs or Italians Allowed” alongside outré dramatic fare, the 11 features and 15 shorts that make up this year’s selection will be available on 80 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
All films will be subtitled in 11 languages, including Arabic, English, Japanese, Korean, Mandarin, Portuguese, Spanish and Ukrainian, while the feature section will also be available for free in many Latin American, African and Middle Eastern territories.
“No...
With a mix of heritage docs like Agnès Varda’s “Jane B. for Agnès V.,” and a nine-film competition that spotlights auteurist animation like Alain Ughetto’s “No Dogs or Italians Allowed” alongside outré dramatic fare, the 11 features and 15 shorts that make up this year’s selection will be available on 80 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
All films will be subtitled in 11 languages, including Arabic, English, Japanese, Korean, Mandarin, Portuguese, Spanish and Ukrainian, while the feature section will also be available for free in many Latin American, African and Middle Eastern territories.
“No...
- 1/9/2024
- by Ben Croll
- Variety Film + TV
Next Step, a program organized by Cannes Critics’ Week whose recent alumni include Molly Manning Walker (“How to Have Sex”), has unveiled the participants of its milestone 10th edition.
Spearheaded by Thomas Rosso, a producer turned artistic director, the workshop selects emerging directors who have had their short films play at Cannes’ parallel section, Critics’ Week, and helps to develop their feature debuts. Over the last decade, Next Step has supported the development of 88 projects, 29 of which have been completed and 13 of which will shoot in 2024.
The filmmakers selected to take part in this edition include Anton Bialas, a French-Swedish filmmaker (“Manta Ray”) developing “Femminielli,” about a baroque nightclub in Paris; Spain’s Irati Gorostidi (“Contadores”) with “Anekumen,” a drama set in 1978 at the end of Franco’s regime in Spain; Swiss helmer Jela Hasler with “To Put Out One Fire,” about a young and idealistic urbanist working in Zurich...
Spearheaded by Thomas Rosso, a producer turned artistic director, the workshop selects emerging directors who have had their short films play at Cannes’ parallel section, Critics’ Week, and helps to develop their feature debuts. Over the last decade, Next Step has supported the development of 88 projects, 29 of which have been completed and 13 of which will shoot in 2024.
The filmmakers selected to take part in this edition include Anton Bialas, a French-Swedish filmmaker (“Manta Ray”) developing “Femminielli,” about a baroque nightclub in Paris; Spain’s Irati Gorostidi (“Contadores”) with “Anekumen,” a drama set in 1978 at the end of Franco’s regime in Spain; Swiss helmer Jela Hasler with “To Put Out One Fire,” about a young and idealistic urbanist working in Zurich...
- 12/15/2023
- by Elsa Keslassy
- Variety Film + TV
Fast-emerging Mexican auteur, delivering knowing and cross.grained takes on life in Mixtec communities, actress-turned-director Angeles Cruz’s “Valentina or the Serenity” walked off Saturday night with the top best picture award and best actress (Myriam Bravo) in a high-caliber main competition at this year’s Huelva Ibero-American Film Festival.
Best actor went to “Money Heist’s” Rodolfo de la Serna, for his weighty turn in Paramount Television Intl. Studios’ “The Rescue.”
The Rescue
Cruz’s win underscored the focus and value of Huelva. Despite funding challenges, Latin America’s big three – Mexico, Brazil and Argentina – alone produced 660 features in 2022. It is simply impossible for the media to pay sufficient attention to all but a highly select clutch of top titles.
“Ibero-American cinema is constantly evolving. Now, it is very easy to find great films, if not in budgetary terms, then in artistic ambitions,” Huelva director Manuel H. Martin told...
Best actor went to “Money Heist’s” Rodolfo de la Serna, for his weighty turn in Paramount Television Intl. Studios’ “The Rescue.”
The Rescue
Cruz’s win underscored the focus and value of Huelva. Despite funding challenges, Latin America’s big three – Mexico, Brazil and Argentina – alone produced 660 features in 2022. It is simply impossible for the media to pay sufficient attention to all but a highly select clutch of top titles.
“Ibero-American cinema is constantly evolving. Now, it is very easy to find great films, if not in budgetary terms, then in artistic ambitions,” Huelva director Manuel H. Martin told...
- 11/19/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Berlin-based sales agency M-Appeal has closed a deal with Reverso Films for the Spanish distribution of Lillah Halla’s “Power Alley.”
Reverso Films, which specializes in distributing emerging talents from Europe and Latin America, will launch the film this week at the Huelva Ibero-American Film Festival. After a festival run in generalist, social issue and LGBTQ+ festivals in Spain, the film will be released in 15-25 cinemas across the country, alongside special events and screening-debates with invited panellists.
“We are thrilled to bring this dynamic, female-driven film to cinemas across Spain. It is timely, energetic and powerful filmmaking from an exciting new female voice in cinema, which will speak to modern audiences,” said Sylvie Leray, managing director of Reverso Films.
“Power Alley,” which had its world premiere in Critics’ Week in Cannes, is a fast-paced drama set in Brazil. The film follows talented volleyball player Sofia, who discovers she is...
Reverso Films, which specializes in distributing emerging talents from Europe and Latin America, will launch the film this week at the Huelva Ibero-American Film Festival. After a festival run in generalist, social issue and LGBTQ+ festivals in Spain, the film will be released in 15-25 cinemas across the country, alongside special events and screening-debates with invited panellists.
“We are thrilled to bring this dynamic, female-driven film to cinemas across Spain. It is timely, energetic and powerful filmmaking from an exciting new female voice in cinema, which will speak to modern audiences,” said Sylvie Leray, managing director of Reverso Films.
“Power Alley,” which had its world premiere in Critics’ Week in Cannes, is a fast-paced drama set in Brazil. The film follows talented volleyball player Sofia, who discovers she is...
- 11/14/2023
- by Leo Barraclough
- Variety Film + TV
There’s “an enormous amount of fresh talent coming through, and those new voices, that for the most part don’t come from the U.S.,” CAA Media Finance’s said at San Sebastian’s Creative Investors Conference this September.
Getting noticed ia another matter. Global content spend has near doubled in a decade, from $136 billion in 2013 to $250 billion this year, according to Ampere Analysis.
The same cannot be seen of media coverage of new movies. Quite the reverse: At most outlets, it has radically declined.
Enter Huelva. They also often announce undoubted new talent to track, as Latin America has built film schools and passed film laws, creating a seemingly bottomless well of new talent.
Also taking in Luis Mandoki’s 17th fiction feature, Daniela Goggi’s fourth the second and third respectively from Renée Nader Messora and João Salaviza, Huelva’s 12 competition movies have very often won significant prizes at prominent festivals,...
Getting noticed ia another matter. Global content spend has near doubled in a decade, from $136 billion in 2013 to $250 billion this year, according to Ampere Analysis.
The same cannot be seen of media coverage of new movies. Quite the reverse: At most outlets, it has radically declined.
Enter Huelva. They also often announce undoubted new talent to track, as Latin America has built film schools and passed film laws, creating a seemingly bottomless well of new talent.
Also taking in Luis Mandoki’s 17th fiction feature, Daniela Goggi’s fourth the second and third respectively from Renée Nader Messora and João Salaviza, Huelva’s 12 competition movies have very often won significant prizes at prominent festivals,...
- 11/10/2023
- by John Hopewell
- Variety Film + TV
The 49th edition of Huelva Ibero-American Film Festival, Spain’s largest confab for films from Latin America, Spain and Portugal, will honor Mexican star Cecilia Suárez with its City of Huelva Award.
With leading roles in Netflix’s “The House of Flowers” and HBO Latin America’s “Capadocia,” Suárez has also be seen in ABC’s drama “The Promised Land” and has worked on films by as Tommy Lee Jones (“The Three Burials of Melquiades Estrada”), James L. Brooks (“Spanglish”), Ernesto Contreras (“Párpados azules”), Antonio Serrano and Fernando Colomo (“Cuidado con lo que deseas”).
The new edition of Huelva runs Nov. 10-18.
Andalusia’s oldest film festival, Huelva will also grant a Light Award to Spanish actress Natalia de Molina, a two-time Goya winner, delivering acclaimed performance in films such as David Trueba’s “Living Is Easy with Eyes Closed” and Juan Miguel del Castillo’s “Food and Shelter.”
Another...
With leading roles in Netflix’s “The House of Flowers” and HBO Latin America’s “Capadocia,” Suárez has also be seen in ABC’s drama “The Promised Land” and has worked on films by as Tommy Lee Jones (“The Three Burials of Melquiades Estrada”), James L. Brooks (“Spanglish”), Ernesto Contreras (“Párpados azules”), Antonio Serrano and Fernando Colomo (“Cuidado con lo que deseas”).
The new edition of Huelva runs Nov. 10-18.
Andalusia’s oldest film festival, Huelva will also grant a Light Award to Spanish actress Natalia de Molina, a two-time Goya winner, delivering acclaimed performance in films such as David Trueba’s “Living Is Easy with Eyes Closed” and Juan Miguel del Castillo’s “Food and Shelter.”
Another...
- 11/10/2023
- by Emiliano De Pablos
- Variety Film + TV
“A Batalha da Rua Maria Antonia,” directed by Vera Egito, nabbed the main Redentor prize for fiction film at the 2023 Rio de Janeiro International Film Fest which wrapped this year’s edition last weekend, consolidating its position as South America’s largest fest and world’s main showcase of Brazilian productions.
The fest held the world premieres of 40 Brazilian features and four TV series. Its competition, reflecting the country’s production strength, included 54 local features, selected from 318 submissions.
With a series of 21 long takes shot in 16 mm black and white film, “A Batalha da Rua Maria Antonia” (“The Battle”) depicts the true-life 1968 police massacre of Sao Paulo State University Philosophy School’s students who rose up in opposition to the military dictatorship then in place in Brazil.
Carolina Markowicz’s “Toll” scooped both best actress, for Maeve Jinkings, shared with Grace Passo of “O Dia que te conheci,” and actor...
The fest held the world premieres of 40 Brazilian features and four TV series. Its competition, reflecting the country’s production strength, included 54 local features, selected from 318 submissions.
With a series of 21 long takes shot in 16 mm black and white film, “A Batalha da Rua Maria Antonia” (“The Battle”) depicts the true-life 1968 police massacre of Sao Paulo State University Philosophy School’s students who rose up in opposition to the military dictatorship then in place in Brazil.
Carolina Markowicz’s “Toll” scooped both best actress, for Maeve Jinkings, shared with Grace Passo of “O Dia que te conheci,” and actor...
- 10/22/2023
- by Marcelo Cajueiro
- Variety Film + TV
Carolina Markowicz’s Toll earns four awards.
Vera Egito’s The Battle (A Batalha Da Rua Maria Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the centre of Brazilian city São Paulo which...
Vera Egito’s The Battle (A Batalha Da Rua Maria Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the centre of Brazilian city São Paulo which...
- 10/15/2023
- by Elaine Guerini
- ScreenDaily
Carolina Markowicz’s Toll earns four awards.
Vera Egito’s A Batalha da Rua Antônia (translated as The Battle Of Rua Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony on Sunday night.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the...
Vera Egito’s A Batalha da Rua Antônia (translated as The Battle Of Rua Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony on Sunday night.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the...
- 10/15/2023
- by Elaine Guerini
- ScreenDaily
Berlin-based sales agency M-Appeal has closed multiple deals for Cannes Film Festival titles “Power Alley” by Lillah Halla, and “Let Me Go” by Maxime Rappaz, which are both female-led films.
Cannes Critics’ Week title “Power Alley,” set in Brazil, follows talented volleyball player Sofia who discovers she is pregnant on the eve of a career-defining game. Seeking an abortion, which is illegal in Brazil, she is confronted by a fundamentalist group who become fixated on stopping her. The film puts sisterhood and collective resistance at the forefront of the story.
“Power Alley” has been sold to Njuta Films, which will distribute in Sweden, September, which will handle the release in Benelux, Cineworx for Switzerland, and Leopardo Filmes for Portugal. The film was already sold to AX1 Films (U.K. and Ireland), and Øst for Paradis (Denmark).
M-Appeal also closed further deals for Cannes Acid title “Let Me Go,” starring Jeanne Balibar.
Cannes Critics’ Week title “Power Alley,” set in Brazil, follows talented volleyball player Sofia who discovers she is pregnant on the eve of a career-defining game. Seeking an abortion, which is illegal in Brazil, she is confronted by a fundamentalist group who become fixated on stopping her. The film puts sisterhood and collective resistance at the forefront of the story.
“Power Alley” has been sold to Njuta Films, which will distribute in Sweden, September, which will handle the release in Benelux, Cineworx for Switzerland, and Leopardo Filmes for Portugal. The film was already sold to AX1 Films (U.K. and Ireland), and Øst for Paradis (Denmark).
M-Appeal also closed further deals for Cannes Acid title “Let Me Go,” starring Jeanne Balibar.
- 10/4/2023
- by Leo Barraclough
- Variety Film + TV
Jonathan Glazer’s “The Zone of Interest” has scored a Fipresci award in Cannes.
The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,” Fipresci stated on Saturday.
“By presenting the horror as something usual, and using everyday-like dialogues, it’s a reflection on ignorance as a disease that connects the past with the present.”
Glazer’s take on a Nazi family living next door to Auschwitz and enjoying it – loosely based on the novel by Martin Amis, who tragically passed away on May 19, just before the premiere – has been getting rave reviews at the French festival, becoming one of the frontrunners for this year’s Palme d’Or.
Christian Friedel stars as real-life SS officer Rudolf Höss, joined by Sandra Hüller playing his wife,...
The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,” Fipresci stated on Saturday.
“By presenting the horror as something usual, and using everyday-like dialogues, it’s a reflection on ignorance as a disease that connects the past with the present.”
Glazer’s take on a Nazi family living next door to Auschwitz and enjoying it – loosely based on the novel by Martin Amis, who tragically passed away on May 19, just before the premiere – has been getting rave reviews at the French festival, becoming one of the frontrunners for this year’s Palme d’Or.
Christian Friedel stars as real-life SS officer Rudolf Höss, joined by Sandra Hüller playing his wife,...
- 5/27/2023
- by Marta Balaga
- Variety Film + TV
That Time of the Month: Halla Offers Ringside Seats to the Courts – Both On and Off
In one’s timeline, it’s the pre-adulthood teenage years that ought to be a moment to learn not curb your enthusiasm. Self-expression, embracing the torpedo speed changes and being careless at the time. You actually want to make mistakes but in Brazilian filmmaker Lillah Halla’s debut, this time period is yellow card level-high dangerous. Coming off the heals of Anita Rocha da Silveira’s Medusa (which also looks at the overreach from the religious right from the perspective of tomorrow’s youth), micro drama Levante (Power Alley) is a thorny look at the political and social snowball effects of unwanted pregnancy – think Citizen Ruth with even fewer option for female healthcare than Never Rarely Sometimes Always.…...
In one’s timeline, it’s the pre-adulthood teenage years that ought to be a moment to learn not curb your enthusiasm. Self-expression, embracing the torpedo speed changes and being careless at the time. You actually want to make mistakes but in Brazilian filmmaker Lillah Halla’s debut, this time period is yellow card level-high dangerous. Coming off the heals of Anita Rocha da Silveira’s Medusa (which also looks at the overreach from the religious right from the perspective of tomorrow’s youth), micro drama Levante (Power Alley) is a thorny look at the political and social snowball effects of unwanted pregnancy – think Citizen Ruth with even fewer option for female healthcare than Never Rarely Sometimes Always.…...
- 5/23/2023
- by Eric Lavallée
- IONCINEMA.com
How did John Cameron Mitchell become the head of this year’s Queer Palm award jury in Cannes? “Sexual favors,” he quips.
While the director of “Hedwig and the Angry Inch” and “How to Talk to Girls at Parties” (which played out of competition at Cannes) is joking, sexuality is at the heart of one of the world’s most prestigious LGBTQ+ film awards. And with more anti-queer legislation being enacted around the world than at any time in recent memory, the attention it brings to films that humanize this scapegoated population is arguably more important than ever.
“The Queer Palm, the festival and any awards help to dignify work, so that it often can be distributed and sometimes celebrated in its own queer-phobic country,” says Mitchell, who helped start a queer dance night at the American Pavilion in 2004 and DJs when he’s in town. “[The trans-themed] ‘Joyland’ was banned in...
While the director of “Hedwig and the Angry Inch” and “How to Talk to Girls at Parties” (which played out of competition at Cannes) is joking, sexuality is at the heart of one of the world’s most prestigious LGBTQ+ film awards. And with more anti-queer legislation being enacted around the world than at any time in recent memory, the attention it brings to films that humanize this scapegoated population is arguably more important than ever.
“The Queer Palm, the festival and any awards help to dignify work, so that it often can be distributed and sometimes celebrated in its own queer-phobic country,” says Mitchell, who helped start a queer dance night at the American Pavilion in 2004 and DJs when he’s in town. “[The trans-themed] ‘Joyland’ was banned in...
- 5/18/2023
- by Gregg Goldstein
- Variety Film + TV
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