Singapore producer Jeremy Chua, who produced this year’s Cannes Camera d’Or winner Inside The Yellow Cocoon Shell, has been appointed general manager of the Singapore International Film Festival (Sgiff).
Chua takes up the post on January 1, 2024, and will jointly lead the festival with Programme Director Thong Kay Wee. Emily J Hoe is stepping down after delivering four editions of the festival, including two that were severely impacted by the pandemic.
Founder of Singapore-based production outfit Potocol, Chua also produced or co-produced Nicole Midori Woodford’s Last Shadow At First Light, Jow Zhi Wei’s Tomorrow Is A Long Time, Makbul Mubarak’s Autobiography and Bui Thac Chuyen’s Glorious Ashes.
He was presented with the Fiapf Award for outstanding contribution to Asia Pacific Cinema at this year’s Asia Pacific Screen Awards in Australia.
Sgiff wrapped on December 10 with Inside The Yellow Cocoon Shell, directed by Vietnam’s Pham Thien An,...
Chua takes up the post on January 1, 2024, and will jointly lead the festival with Programme Director Thong Kay Wee. Emily J Hoe is stepping down after delivering four editions of the festival, including two that were severely impacted by the pandemic.
Founder of Singapore-based production outfit Potocol, Chua also produced or co-produced Nicole Midori Woodford’s Last Shadow At First Light, Jow Zhi Wei’s Tomorrow Is A Long Time, Makbul Mubarak’s Autobiography and Bui Thac Chuyen’s Glorious Ashes.
He was presented with the Fiapf Award for outstanding contribution to Asia Pacific Cinema at this year’s Asia Pacific Screen Awards in Australia.
Sgiff wrapped on December 10 with Inside The Yellow Cocoon Shell, directed by Vietnam’s Pham Thien An,...
- 12/13/2023
- by Liz Shackleton
- Deadline Film + TV
Chua was lead producer on ‘Inside The Yellow Cocoon Shell’.
Jeremy Chua, producer of Cannes award-winning feature Inside The Yellow Cocoon Shell, has been appointed general manager of the Singapore International Film Festival (Sgiff).
The announcement coincided with the closing of a bumper edition of Sgiff, where Inside The Yellow Cocoon Shell was named best Asian feature film at the Silver Screen Awards.
Chua will assume the role on January 1 and jointly lead the festival with Thong Kay Wee, who has been programme director since 2021. Emily J Hoe is stepping down as executive director after delivering four editions since 2020.
Chua...
Jeremy Chua, producer of Cannes award-winning feature Inside The Yellow Cocoon Shell, has been appointed general manager of the Singapore International Film Festival (Sgiff).
The announcement coincided with the closing of a bumper edition of Sgiff, where Inside The Yellow Cocoon Shell was named best Asian feature film at the Silver Screen Awards.
Chua will assume the role on January 1 and jointly lead the festival with Thong Kay Wee, who has been programme director since 2021. Emily J Hoe is stepping down as executive director after delivering four editions since 2020.
Chua...
- 12/12/2023
- by Silvia Wong
- ScreenDaily
Indian film project “Notun Gur – A New Sweetness” has attracted a host of international co-producers.
Fran Borgia of Akanga Film Asia, Singapore, Camera d’Or winner Vimukthi Jayasundara of Film Council Productions, Sri Lanka, Ivy Yu-Hua Shen of Betula Films, Taiwan and Ajay Rai of In Front Films, U.K. have boarded the project as international co-producers.
The script is by Deyali Mukherjee, who will also direct. The producer is Sriram Raja of India’s Srdm Productions. Indian producers on board include Prateek Chakravorty of Pramod Films and Samir Sarkar of Magic Hour Films. The film is currently in the financing stage.
Raja was selected at the Asian Producers Network (Apn), an initiative of the Singapore International Film Festival (Sgiff) Film Academy, as an emerging producer. The mentors are Borgia, Lorna Tee and Park Heeseong of the Korean Film Council (Kofic).
“This is an exclusive program for independent producers who...
Fran Borgia of Akanga Film Asia, Singapore, Camera d’Or winner Vimukthi Jayasundara of Film Council Productions, Sri Lanka, Ivy Yu-Hua Shen of Betula Films, Taiwan and Ajay Rai of In Front Films, U.K. have boarded the project as international co-producers.
The script is by Deyali Mukherjee, who will also direct. The producer is Sriram Raja of India’s Srdm Productions. Indian producers on board include Prateek Chakravorty of Pramod Films and Samir Sarkar of Magic Hour Films. The film is currently in the financing stage.
Raja was selected at the Asian Producers Network (Apn), an initiative of the Singapore International Film Festival (Sgiff) Film Academy, as an emerging producer. The mentors are Borgia, Lorna Tee and Park Heeseong of the Korean Film Council (Kofic).
“This is an exclusive program for independent producers who...
- 12/10/2023
- by Naman Ramachandran
- Variety Film + TV
One of the most popular events at the 34th Singapore International Film Festival (Sgiff) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges.
Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively. The latter was selected as Singapore’s entry to the 2024 Oscars.
Among Chen’s fellow panelists, Jow Zhi Wei’s “Tomorrow is a Long Time” premiered at the Berlinale this year; Nicole Midori Woodford’s “Last Shadow at First Light” at San Sebastian; and Nelson Yeo’s “Dreaming & Dying” won two major awards at Locarno.
Also on the panel were Kelvin Tong and Chai Yee Wei whose “A Year of No Significance” and “Wonderland,” respectively,...
Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively. The latter was selected as Singapore’s entry to the 2024 Oscars.
Among Chen’s fellow panelists, Jow Zhi Wei’s “Tomorrow is a Long Time” premiered at the Berlinale this year; Nicole Midori Woodford’s “Last Shadow at First Light” at San Sebastian; and Nelson Yeo’s “Dreaming & Dying” won two major awards at Locarno.
Also on the panel were Kelvin Tong and Chai Yee Wei whose “A Year of No Significance” and “Wonderland,” respectively,...
- 12/10/2023
- by Naman Ramachandran
- Variety Film + TV
The projects will be pitched at South Asia’s largest film market.
India’s Film Bazaar market has revealed the 20 projects selected for this year’s Co-Production Market.
The invited titles originate from 11 countries and will be pitched to producers, distributors, festival programmers, financiers and sales agents at Goa’s Marriott Resort from November 20-24.
The line-up includes projects from India, Bangladesh, Sri Lanka, the US, UK, Singapore, Germany, France, Poland, Luxembourg and Israel.
Scroll down for full list of projects
Titles include The Distant Near, directed by UK-based Polish director Rafael Kapelinski who won a Crystal Bear at the...
India’s Film Bazaar market has revealed the 20 projects selected for this year’s Co-Production Market.
The invited titles originate from 11 countries and will be pitched to producers, distributors, festival programmers, financiers and sales agents at Goa’s Marriott Resort from November 20-24.
The line-up includes projects from India, Bangladesh, Sri Lanka, the US, UK, Singapore, Germany, France, Poland, Luxembourg and Israel.
Scroll down for full list of projects
Titles include The Distant Near, directed by UK-based Polish director Rafael Kapelinski who won a Crystal Bear at the...
- 10/26/2023
- by Michael Rosser
- ScreenDaily
Chinese superstar actor and producer Fan Bingbing will be the 2023 recipient of the Singapore International Film Festival’s (Sgiff) Cinema Icon Award.
The festival will screen three of Fan’s films, curated by her – the recent “Green Night,” “Buddha Mountain” and “Double Xposure” – and the star will walk the red carpet on opening night, Nov. 30. As previously announced, Malaysian Cannes winner and Oscar contender “Tiger Stripes” will open Sgiff.
The Cinema Icon Award and the International Federation of Film Critics (Fipresci) Award are being reintroduced. They were last part of the Sgiff Silver Screen Awards in 2019 and 2006 respectively. Past winners of the Icon Award include Michelle Yeoh (Malaysia), Simon Yam (Hong Kong), Koji Yakusho (Japan), Joan Chen (U.S./China) and Yao Chen (China).
This year, the outstanding contribution to Southeast Asian cinema award is awarded to White Light Post in recognition of its award-winning achievements in post-production work.
The...
The festival will screen three of Fan’s films, curated by her – the recent “Green Night,” “Buddha Mountain” and “Double Xposure” – and the star will walk the red carpet on opening night, Nov. 30. As previously announced, Malaysian Cannes winner and Oscar contender “Tiger Stripes” will open Sgiff.
The Cinema Icon Award and the International Federation of Film Critics (Fipresci) Award are being reintroduced. They were last part of the Sgiff Silver Screen Awards in 2019 and 2006 respectively. Past winners of the Icon Award include Michelle Yeoh (Malaysia), Simon Yam (Hong Kong), Koji Yakusho (Japan), Joan Chen (U.S./China) and Yao Chen (China).
This year, the outstanding contribution to Southeast Asian cinema award is awarded to White Light Post in recognition of its award-winning achievements in post-production work.
The...
- 10/25/2023
- by Naman Ramachandran
- Variety Film + TV
Malaysian Tiger To Roar In Singapore
“Tiger Stripes,” the Malaysian coming-of-age, body horror film that debuted in Cannes’ Critics Week section has been set as the opening title for this year’s Singapore International Film Festival (Nov. 30 – Dec. 10). Directed by Amanda Nell Eu, the film is a multinational coproduction that involved Singapore-based Fran Borgia and Akanga Film.
A handful of other Singaporean titles have also been teased by the festival, which will not make its full lineup announcement until Oct. 25. Three will play in competition: “Tomorrow Is a Long Time,” directed by Jow Zhi Wei; “Dreaming & Dying,” directed by Nelson Yeo; and “Last Shadow at First Light,” directed by Nicole Midori Woodford.
Veteran local director Kelvin Tong will also launch his “A Year of No Significance.” The film takes audiences back more than 50 years to Singapore in the 1970s, when a Chinese-educated architect is forced to navigate the cross-roads...
“Tiger Stripes,” the Malaysian coming-of-age, body horror film that debuted in Cannes’ Critics Week section has been set as the opening title for this year’s Singapore International Film Festival (Nov. 30 – Dec. 10). Directed by Amanda Nell Eu, the film is a multinational coproduction that involved Singapore-based Fran Borgia and Akanga Film.
A handful of other Singaporean titles have also been teased by the festival, which will not make its full lineup announcement until Oct. 25. Three will play in competition: “Tomorrow Is a Long Time,” directed by Jow Zhi Wei; “Dreaming & Dying,” directed by Nelson Yeo; and “Last Shadow at First Light,” directed by Nicole Midori Woodford.
Veteran local director Kelvin Tong will also launch his “A Year of No Significance.” The film takes audiences back more than 50 years to Singapore in the 1970s, when a Chinese-educated architect is forced to navigate the cross-roads...
- 10/12/2023
- by Patrick Frater
- Variety Film + TV
Bradley Liew of Epicmedia Productions (Philippines), Stefano Centini of Volos Films (Taiwan/Italy) and Singapore’s Huang Junxiang have reunited to launch two genre projects at the Busan International Film Festival’s Asian Contents and Film Market.
The trio previously teamed on Sundance Midnight hit, “In My Mother’s Skin” by Kenneth Dagatan, which was recently ranked number six on Variety’s Best Horror Movies of 2023. The film was acquired by Amazon Studios and will stream on Prime Video from Oct. 12.
The producers are backing Dagatan’s “Molder,” a body-horror supernatural thriller set in a sleepy Italian town where an elderly Filipino immigrant struggling with signs of early onset dementia, grapples with the sudden disappearance of his wife and the mysterious young man who claims to have placed a curse upon them. The film aims to blend both Filipino folklore based supernatural horror with the experiences of the Filipino diaspora in Italy.
The trio previously teamed on Sundance Midnight hit, “In My Mother’s Skin” by Kenneth Dagatan, which was recently ranked number six on Variety’s Best Horror Movies of 2023. The film was acquired by Amazon Studios and will stream on Prime Video from Oct. 12.
The producers are backing Dagatan’s “Molder,” a body-horror supernatural thriller set in a sleepy Italian town where an elderly Filipino immigrant struggling with signs of early onset dementia, grapples with the sudden disappearance of his wife and the mysterious young man who claims to have placed a curse upon them. The film aims to blend both Filipino folklore based supernatural horror with the experiences of the Filipino diaspora in Italy.
- 10/8/2023
- by Naman Ramachandran and Patrick Frater
- Variety Film + TV
Celebrated Singaporean producer Jeremy Chua and emerging Philippines talent Rafael Manuel have teamed on “Filipinana,” a selection at the Busan International Film Festival’s Asian Project Market this year.
The film will follow 17-year-old girl Isabel, who spends her whole day teeing-up balls for golfers at a country club. She feels strangely drawn to club president Dr. Palanca, but as she starts to piece together a more violent picture of what lies behind the club’s pristine facade, she comes to realize that what began as an innocent infatuation is rooted in a more sinister, shared history.
“Filipinana” is based on the short film of the same name that won the Silver Bear for best short at the 2020 Berlinale. The project began life as a feature film script that Manuel wrote when he was at film school in London in 2018. Manuel ultimately decided it would be better to build a...
The film will follow 17-year-old girl Isabel, who spends her whole day teeing-up balls for golfers at a country club. She feels strangely drawn to club president Dr. Palanca, but as she starts to piece together a more violent picture of what lies behind the club’s pristine facade, she comes to realize that what began as an innocent infatuation is rooted in a more sinister, shared history.
“Filipinana” is based on the short film of the same name that won the Silver Bear for best short at the 2020 Berlinale. The project began life as a feature film script that Manuel wrote when he was at film school in London in 2018. Manuel ultimately decided it would be better to build a...
- 10/6/2023
- by Naman Ramachandran
- Variety Film + TV
Many famous musicians want to get the attention of Bob Dylan by performing a cover of one of his songs. Sometimes, Dylan feels honored by these covers as they are performed by someone he deeply admires. One Bob Dylan cover by a rock icon is what Dylan considers the “highlight of [his] career.”
Bob Dylan considered Elvis Presley one of his heroes Bob Dylan | Jeffrey R. Staab/CBS
Many would consider Bob Dylan to be a musical hero of theirs, but the same could also be said about Elvis Presley. Dylan listened to Elvis at a young age, and the king of rock is what inspired him to pursue a career in music. According to Goldmine, Dylan once said hearing Elvis for the first time was like “busting out of jail.”
“When I first heard Elvis’ voice, I just knew that I wasn’t going to work for anybody and nobody...
Bob Dylan considered Elvis Presley one of his heroes Bob Dylan | Jeffrey R. Staab/CBS
Many would consider Bob Dylan to be a musical hero of theirs, but the same could also be said about Elvis Presley. Dylan listened to Elvis at a young age, and the king of rock is what inspired him to pursue a career in music. According to Goldmine, Dylan once said hearing Elvis for the first time was like “busting out of jail.”
“When I first heard Elvis’ voice, I just knew that I wasn’t going to work for anybody and nobody...
- 4/8/2023
- by Ross Tanenbaum
- Showbiz Cheat Sheet
Fontaines D.C. have released their cover of Nick Drake’s cherished “‘Cello Song.” The recording serves as first single off of a forthcoming tribute project, The Endless Coloured Ways – The Songs of Nick Drake, out on July 7th via Chrysalis Records.
Adopting a different approach than Drake’s original (first released on 1969’s Five Leaves Left), Fontaines switch out the bustling acoustics and the titular cello for a driving backbeat, a soundscape of guitars, and a haunting melody that, all combined, use Drake’s same spark to light a whole new flame. Hearing vocalist Grian Chatten croon the final verse, “So forget this cruel world/ Where I belong/ I’ll just sit and wait/ And sing my song,” it makes one reflect on how Drake would feel if he could see the impact he’s made on so many artists since his tragic death in 1974. Watch the music video for Fontaines D.
Adopting a different approach than Drake’s original (first released on 1969’s Five Leaves Left), Fontaines switch out the bustling acoustics and the titular cello for a driving backbeat, a soundscape of guitars, and a haunting melody that, all combined, use Drake’s same spark to light a whole new flame. Hearing vocalist Grian Chatten croon the final verse, “So forget this cruel world/ Where I belong/ I’ll just sit and wait/ And sing my song,” it makes one reflect on how Drake would feel if he could see the impact he’s made on so many artists since his tragic death in 1974. Watch the music video for Fontaines D.
- 3/1/2023
- by Jo Vito
- Consequence - Music
Jow Zhi Wei’s feature debut “Tomorrow is a Long Time” which screens in the Generation 14plus program of the Berlinale, is a personal portrait of the working class milieu, and the preassure the hard-labour puts on people who maintain the industry. A large part of inspiration comes from the director’s upbringing, but as he would underline later, only in terms of understanding how fragile the lives of those who struggle to survive is. Just like in his shorts, the topic of family relationships and closeness to death play a significant role in the script.
Jow Zhi Wei studied at Le Fresnoy (France) and Lasalle College of the Arts (Singapore), and was the alumni of the Golden Horse Film Academy in 2010, under the mentorship of Hou Hsiao-hsien who is one of his biggest influences. Before venturing into the world of features, he has made three short films:...
Jow Zhi Wei studied at Le Fresnoy (France) and Lasalle College of the Arts (Singapore), and was the alumni of the Golden Horse Film Academy in 2010, under the mentorship of Hou Hsiao-hsien who is one of his biggest influences. Before venturing into the world of features, he has made three short films:...
- 2/23/2023
- by Marina D. Richter
- AsianMoviePulse
Iván & Hadoum, a Spanish feature film project, to be directed by Ian de la Rosa, has won the Eurimages Co-Production Development Award, along with a $21, 000 (€20,000) endowment, beating out the more than 30 pitches at this year’s Berlinale Co-Production Market. Spanish producers Avalon PC took the top prize, presented by European film fund Eurimages to support the development of the project.
A Ukrainian pitch, The Blindsight, from 2Brave Productions, won a Eurimages Special Co-Production Development Award. Ruslan Batytskyi is set to direct the feature.
The Vff Talent Highlight Award, which comes with a $10,600 (€10,000) bursary, went to God and the Devil’s Cumbia by Mexican director Carlos Lenin, pitched by its producers Daniel Loustaunau of Colectivo Colmena, nd Paloma Petra of Huasteca Casa Cinematográfica. The project also won the inaugural World Cinema Fund Audience Strategies Award, an in-kind prize, presented to a Co-Production Market project from a Wcf-supported country. The producers and...
A Ukrainian pitch, The Blindsight, from 2Brave Productions, won a Eurimages Special Co-Production Development Award. Ruslan Batytskyi is set to direct the feature.
The Vff Talent Highlight Award, which comes with a $10,600 (€10,000) bursary, went to God and the Devil’s Cumbia by Mexican director Carlos Lenin, pitched by its producers Daniel Loustaunau of Colectivo Colmena, nd Paloma Petra of Huasteca Casa Cinematográfica. The project also won the inaugural World Cinema Fund Audience Strategies Award, an in-kind prize, presented to a Co-Production Market project from a Wcf-supported country. The producers and...
- 2/22/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Nothing can damage you as much as your upbringing, and the lack of parental love at home. Growing up with a single father Chua (multiple awarded Taiwanese actor/ director/ screenwriter Leon Dai) who is incapable of expressing his emotions, the sixteen-year-old Meng (Edward Tan) is slowly transforming into the spitting image of him, projecting the frustration and anger about the life he was born into. “Can you stop being a good-for-nothing? is the thing he gets to hear between the blows he endures at home, instead of comfort for being the targeted victim at school. From a peaceful and loving boy, he briefly becomes a radically opposite person, pushed to evolve into another working class bully. So, where does he go from there once the father is dead and gone?
Tomorrow is a Long Time is screening at Berlinale
Jow Zhi Wei paints a painfully relatable picture of broken family relationships,...
Tomorrow is a Long Time is screening at Berlinale
Jow Zhi Wei paints a painfully relatable picture of broken family relationships,...
- 2/19/2023
- by Marina D. Richter
- AsianMoviePulse
Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate.
Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia.
Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.
A winner of several project development and market prizes at Seafic,...
Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia.
Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.
A winner of several project development and market prizes at Seafic,...
- 2/18/2023
- by Naman Ramachandran
- Variety Film + TV
The slate of offerings from Taiwan at this year’s European Film Market is a solid one, without a doubt. Among the 92 titles of films and projects, there are recent Golden Horse award-winning titles as well as new regional and international co-productions, both completed or works in-progress, in a diverse range of genres that come with promising premises, and a delegation of at least 10 sales companies that will present at the event in Berlin.
Such a strong line-up of films available for international sales can be understood as a snapshot of current state of Taiwan cinema. There’s an emergence of a generation of new talent who dare to challenge the status quo of filmmaking and storytelling, and the ambition to reach an audience beyond the self-governed island is loud and clear. This is especially true following the international attention that “A Sun” and “The Falls” had previously garnered, the...
Such a strong line-up of films available for international sales can be understood as a snapshot of current state of Taiwan cinema. There’s an emergence of a generation of new talent who dare to challenge the status quo of filmmaking and storytelling, and the ambition to reach an audience beyond the self-governed island is loud and clear. This is especially true following the international attention that “A Sun” and “The Falls” had previously garnered, the...
- 2/16/2023
- by Vivienne Chow
- Variety Film + TV
A first trailer has been unveiled for debutant filmmaker Jow Zhi Wei’s “Tomorrow is a Long Time,” which will have its world premiere at the Berlin Film Festival’s Generation 14plus strand.
The film follows sixteen-year-old Meng for whom life is not the most fulfilling, with him lounging at home with his grieving father on a daily basis, being excluded from his family’s past and forced into bullying other kids at school. Everything changes when he is thrown into a life-altering adventure that propels him into an exciting unfamiliar landscape.
The cast includes Taiwanese filmmaker and actor and Golden Horse award winner Leon Dai, emerging Singaporean actor Edward Tan making his screen debut, Jay Victor, Julius Foo and Lekheraj Sekhar.
Producers include Fran Borgia (Locarno winner “A Land Imagined”), Jeremy Chua (Venice winner “Autobiography”), Stefano Centini (“In My Mother’s Skin”), Xavier Rocher (Locarno winner “The Sacred Spirit”) and...
The film follows sixteen-year-old Meng for whom life is not the most fulfilling, with him lounging at home with his grieving father on a daily basis, being excluded from his family’s past and forced into bullying other kids at school. Everything changes when he is thrown into a life-altering adventure that propels him into an exciting unfamiliar landscape.
The cast includes Taiwanese filmmaker and actor and Golden Horse award winner Leon Dai, emerging Singaporean actor Edward Tan making his screen debut, Jay Victor, Julius Foo and Lekheraj Sekhar.
Producers include Fran Borgia (Locarno winner “A Land Imagined”), Jeremy Chua (Venice winner “Autobiography”), Stefano Centini (“In My Mother’s Skin”), Xavier Rocher (Locarno winner “The Sacred Spirit”) and...
- 2/9/2023
- by Naman Ramachandran
- Variety Film + TV
Drama marks the feature directorial debut of Singapore’s Jow Zhi Wei.
Berlin-based Pluto Film Distribution Network has acquired worldwide sales rights to Tomorrow Is A Long Time, the feature directorial debut of Singapore’s Jow Zhi Wei, ahead of its premiere in the Berlinale Generation 14plus competition.
Shot in Singapore and Taiwan, the father-son relationship drama is a coproduction between Fran Borgia’s Akanga Film Asia (Singapore), Stefano Centini’s Volos Films (Taiwan), Xavier Rocher’s La Fabrica Nocturna Cinéma (France), Jeremy Chua’s Potocol (Singapore) and Ico Costa’s Oublaum Filmes (Portugal).
The film focuses on a pest...
Berlin-based Pluto Film Distribution Network has acquired worldwide sales rights to Tomorrow Is A Long Time, the feature directorial debut of Singapore’s Jow Zhi Wei, ahead of its premiere in the Berlinale Generation 14plus competition.
Shot in Singapore and Taiwan, the father-son relationship drama is a coproduction between Fran Borgia’s Akanga Film Asia (Singapore), Stefano Centini’s Volos Films (Taiwan), Xavier Rocher’s La Fabrica Nocturna Cinéma (France), Jeremy Chua’s Potocol (Singapore) and Ico Costa’s Oublaum Filmes (Portugal).
The film focuses on a pest...
- 2/1/2023
- by Silvia Wong
- ScreenDaily
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