After final credits, the ambiguous feeling about this obvious beautiful film. I love the great work of Noemie Merlant and the courage to drive a so delicate theme and the result.
I appreciate the storztelling, especially the flashbacks.
I was seduced by the dialogues between Benjamin and the old people, small, so significant stories crafted by memories and fair deffinitions of love.
I preserve as precious gift the scenes of soap baloons.
And, yes, indeed, I becomes, scene by scenes, one of admirers of Noemie Merlant.
But, for theme, for ambiguity, for hard yty to offer a realistic story, inspired by real fact, for, no doubts, my circle of prejudices, I feel it very strange and far and too provocative this film.
I appreciate the storztelling, especially the flashbacks.
I was seduced by the dialogues between Benjamin and the old people, small, so significant stories crafted by memories and fair deffinitions of love.
I preserve as precious gift the scenes of soap baloons.
And, yes, indeed, I becomes, scene by scenes, one of admirers of Noemie Merlant.
But, for theme, for ambiguity, for hard yty to offer a realistic story, inspired by real fact, for, no doubts, my circle of prejudices, I feel it very strange and far and too provocative this film.
