Geovanni Molina loves two things: Bigfoot and stock footage. And not necessarily in that order.
After writing a review for his first feature, a documentary made entirely of stock footage and narrated by ai, I was expecting this to be more of the same and was going to simply rearrange the paragraphs and post the same review as a comment on his filmmaking style, but ol Geovanni proved me wrong. He actually made a narrative fiction piece!
Ok well kind of. It's still largely made of stock footage and three actors against a lot of green screens. One of those actors is Geovanni.
To watch them interact with stock footage of people being counters at airports or see police officers dubbed to say things while the lips say other things is hilarious.
The plot involves two men and the son of one of them who go into the woods to find some gold a criminal buried. They find bigfoot instead.
To say more is pointless. This film is unintentional comedy gold akin to birdemic. If you liked that film, Bigfoot the Monster Within should be right up your alley.
After writing a review for his first feature, a documentary made entirely of stock footage and narrated by ai, I was expecting this to be more of the same and was going to simply rearrange the paragraphs and post the same review as a comment on his filmmaking style, but ol Geovanni proved me wrong. He actually made a narrative fiction piece!
Ok well kind of. It's still largely made of stock footage and three actors against a lot of green screens. One of those actors is Geovanni.
To watch them interact with stock footage of people being counters at airports or see police officers dubbed to say things while the lips say other things is hilarious.
The plot involves two men and the son of one of them who go into the woods to find some gold a criminal buried. They find bigfoot instead.
To say more is pointless. This film is unintentional comedy gold akin to birdemic. If you liked that film, Bigfoot the Monster Within should be right up your alley.
