Spike Lee jumped the gun, announcing Palme d’Or winner “Titane” before the other prizes at the Cannes Film Festival awards. The unplanned goof could have robbed the awards of their usual suspense, but instead, created a thrillingly unpredictable energy as presenters and attendees alike tried to imagine how to get the train back on track and what the jury president might do next … while holding their breath for the festival’s second-ever female Palme d’Or winner to accept her prize.
With “Titane,” French director Julia Ducournau (“Raw”) delivers a radical horror vision — a portrait of a serial killer impregnated by a car who disguises her gender and goes incognito as a lonely fireman’s long-lost son — sure to make waves as it rolls out in the wider world.
Turns out, the run-of-show slip was the first of many surprises, which included two ties. When it came time for Ducournau to accept her prize,...
With “Titane,” French director Julia Ducournau (“Raw”) delivers a radical horror vision — a portrait of a serial killer impregnated by a car who disguises her gender and goes incognito as a lonely fireman’s long-lost son — sure to make waves as it rolls out in the wider world.
Turns out, the run-of-show slip was the first of many surprises, which included two ties. When it came time for Ducournau to accept her prize,...
- 7/17/2021
- by Peter Debruge
- Variety Film + TV
The final full day of screenings at the 2021 Cannes Film Festival ended with a statistic, which was delivered by Cannes General Delegate Thierry Fremaux on the stage of the Salle Debussy just before midnight on Friday:
Over the first 11 days of the festival and the thousands of Covid-19 tests administered on the premises each day, 70 people tested positive for the virus. For Fremaux and the festival, the stat – slightly more than the three-positive-tests-per-day estimate made earlier – was still one to celebrate, suggesting that the scaled-down Cannes managed to navigate a difficult time without turning into a superspreader event.
Of course, Fremaux’s announcement preceded the screening of Gaspar Noe’s “Vortex,” a movie about aging, illness and death, which perhaps made it a tricky moment to be celebrating all the negative tests.
The prize parade
According to the awards that have been handed out in Cannes, the festival’s top...
Over the first 11 days of the festival and the thousands of Covid-19 tests administered on the premises each day, 70 people tested positive for the virus. For Fremaux and the festival, the stat – slightly more than the three-positive-tests-per-day estimate made earlier – was still one to celebrate, suggesting that the scaled-down Cannes managed to navigate a difficult time without turning into a superspreader event.
Of course, Fremaux’s announcement preceded the screening of Gaspar Noe’s “Vortex,” a movie about aging, illness and death, which perhaps made it a tricky moment to be celebrating all the negative tests.
The prize parade
According to the awards that have been handed out in Cannes, the festival’s top...
- 7/17/2021
- by Steve Pond
- The Wrap
Unclenching The Fists Photo: Courtesy of Cannes Film Festival The Russian filmmaker Kira Kovalenko’s Unclenching The Fists has won the top accolade in Un Certain Regard, the sidebar section of the Cannes Festival focused this year on emerging film-makers.
The drama, which is set in a former mining town in Russia’s southern region of North Ossetia, tells the story of a young woman trying to break free from her family’s grip.
Kovalenko, who wrote and directed the film, was unable to attend the awards ceremony in person as she is on set for another film.
La Civil Photo: Courtesy of Cannes Film Festival The Icelandic horror-comedy hybrid Lamb, received a special jury prize for originality. The remaining three awards were presented to female-directed films, with French actor-turned-filmmaker Hafsia Herzi’s Marseille-set family drama Good Mother winning a prize for best ensemble performance. Rumanian director Teodora Ana Mihai...
The drama, which is set in a former mining town in Russia’s southern region of North Ossetia, tells the story of a young woman trying to break free from her family’s grip.
Kovalenko, who wrote and directed the film, was unable to attend the awards ceremony in person as she is on set for another film.
La Civil Photo: Courtesy of Cannes Film Festival The Icelandic horror-comedy hybrid Lamb, received a special jury prize for originality. The remaining three awards were presented to female-directed films, with French actor-turned-filmmaker Hafsia Herzi’s Marseille-set family drama Good Mother winning a prize for best ensemble performance. Rumanian director Teodora Ana Mihai...
- 7/17/2021
- by Richard Mowe
- eyeforfilm.co.uk
The jury was headed by UK director Andrea Arnold.
Russian director Kira Kovalenko’s family drama Unclenching The Fists has won the top prize of Cannes Un Certain Regard 2021.
Kovalenko’s second feaure following 2016’s Sofichka is handled internationally by Wild Bunch.
The jury prize went to Sebastian Miese’s Great Freedom, a love story that tracks the persecution of homosexuality in Germany over the decades following the Second World War. It is the Austrian director’s second film following Still Life and is sold by The Match Factory.
The ensemble prize was awarded to French director Hafsia Herzi’s...
Russian director Kira Kovalenko’s family drama Unclenching The Fists has won the top prize of Cannes Un Certain Regard 2021.
Kovalenko’s second feaure following 2016’s Sofichka is handled internationally by Wild Bunch.
The jury prize went to Sebastian Miese’s Great Freedom, a love story that tracks the persecution of homosexuality in Germany over the decades following the Second World War. It is the Austrian director’s second film following Still Life and is sold by The Match Factory.
The ensemble prize was awarded to French director Hafsia Herzi’s...
- 7/16/2021
- by Louise Tutt
- ScreenDaily
“Unclenching The Fists,” a Russian drama directed by Kira Kovalenko, won the top prize in the Un Certain Regard sidebar competition at Cannes. And shortly after the awards were announced, the UK streamer and distributor Mubi acquired all North American rights to the film, an individual with knowledge told TheWrap.
Mubi has been on a buying spree out of the festival — earlier in the week, the distributor acquired another Un Certain Regard prize winner, “Great Freedom,” as well as “Lingui, The Sacred Bonds” from the main competition. Mubi also picked up the UK, Ireland, Latin America and India rights to “Unclenching the Fists.”
Awards for the Un Certain Regard were announced Friday in a ceremony at the Debussy Theatre at Cannes.
Andrea Arnold, who was also at the festival behind her documentary “Cow,” was president of the Un Certain Regard jury. She led a jury that included director Mounia Meddour,...
Mubi has been on a buying spree out of the festival — earlier in the week, the distributor acquired another Un Certain Regard prize winner, “Great Freedom,” as well as “Lingui, The Sacred Bonds” from the main competition. Mubi also picked up the UK, Ireland, Latin America and India rights to “Unclenching the Fists.”
Awards for the Un Certain Regard were announced Friday in a ceremony at the Debussy Theatre at Cannes.
Andrea Arnold, who was also at the festival behind her documentary “Cow,” was president of the Un Certain Regard jury. She led a jury that included director Mounia Meddour,...
- 7/16/2021
- by Brian Welk
- The Wrap
Cannes — At a banner ceremony for female filmmakers, Russian writer-director Kira Kovalenko’s sophomore feature “Unclenching the Fists” won the top prize for best film in the Un Certain Regard section at the Cannes Film Festival this evening.
The film, a powerful study of a young woman attempting to assert her independence in a North Ossetian mining town with a bitter legacy of violence, was one of four female-directed features to take awards from a jury headed by British director Andrea Arnold — a Cannes veteran whose first documentary, “Cow,” was unveiled in Cannes Premieres this year.
Arnold cited the “explosion of originality, physicality and feeling” in Kovalenko’s film as their primary motivation for awarding it the top prize. Shortly after the ceremony, it was announced that Mubi had picked up Kovalenko’s film for distribution in North America, the U.K. and other territories.
Arnold is noted for her...
The film, a powerful study of a young woman attempting to assert her independence in a North Ossetian mining town with a bitter legacy of violence, was one of four female-directed features to take awards from a jury headed by British director Andrea Arnold — a Cannes veteran whose first documentary, “Cow,” was unveiled in Cannes Premieres this year.
Arnold cited the “explosion of originality, physicality and feeling” in Kovalenko’s film as their primary motivation for awarding it the top prize. Shortly after the ceremony, it was announced that Mubi had picked up Kovalenko’s film for distribution in North America, the U.K. and other territories.
Arnold is noted for her...
- 7/16/2021
- by Guy Lodge
- Variety Film + TV
Kira Kovalenko’s Russian drama Unclenching The Fists won the Grand Prize in Cannes Film Festival’s Un Certain Regard sidebar this year.
The film is produced by Ukranian-Russian super-producer Alexander Rodnyansky with Sergey Melkumov. Set in a former mining town in North Ossetia, the pic follows a young woman who struggles to escape the stifling hold of the family she loves as much as she rejects. Mubi has taken rights to the pic for North America, UK and Ireland, Latin America and India, the streamer said on Twitter.
Elsewhere, the jury led by British filmmaker Andrea Arnold awarded its Jury Prize to Sebastian Meise’s Austrian movie Great Freedom. Mubi also bought that movie, which is set in post-war Germany and tells the story of a man who is imprisoned time and time again for being homosexual, here in Cannes.
The Ensemble Prize went to Hafsia Herzi’s Bonne Mere.
The film is produced by Ukranian-Russian super-producer Alexander Rodnyansky with Sergey Melkumov. Set in a former mining town in North Ossetia, the pic follows a young woman who struggles to escape the stifling hold of the family she loves as much as she rejects. Mubi has taken rights to the pic for North America, UK and Ireland, Latin America and India, the streamer said on Twitter.
Elsewhere, the jury led by British filmmaker Andrea Arnold awarded its Jury Prize to Sebastian Meise’s Austrian movie Great Freedom. Mubi also bought that movie, which is set in post-war Germany and tells the story of a man who is imprisoned time and time again for being homosexual, here in Cannes.
The Ensemble Prize went to Hafsia Herzi’s Bonne Mere.
- 7/16/2021
- by Tom Grater
- Deadline Film + TV
News comes as Lea Seydoux tests positive in Paris, casting doubt on Cannes attendance.
Cannes Film Festival director Thierry Frémaux has denounced “silly” rumours of Covid spread at the festival, claiming that “there is no Cannes cluster”.
Speaking before a screening of Hafsia Herzi’s Un Certain Regard title Bonne Mere at 2pm on Saturday July 10, Frémaux read a statement to the audience in which he said there were no positive tests at all at the festival on Friday July 9.
Frémaux provided data on the number of tests given and cases contracted at the festival. He also sought to reassure...
Cannes Film Festival director Thierry Frémaux has denounced “silly” rumours of Covid spread at the festival, claiming that “there is no Cannes cluster”.
Speaking before a screening of Hafsia Herzi’s Un Certain Regard title Bonne Mere at 2pm on Saturday July 10, Frémaux read a statement to the audience in which he said there were no positive tests at all at the festival on Friday July 9.
Frémaux provided data on the number of tests given and cases contracted at the festival. He also sought to reassure...
- 7/10/2021
- by Ben Dalton
- ScreenDaily
Cannes' Official Selection for its 74th edition, running July 6-17.
In Competition
Annette, Leos Carax (France) - Opening Film
The Story of My Wife, Ildikó Enyedi (Hungary)
Benedetta, Paul Verhoeven (Netherlands)
Bergman Island, Mia-Hansen-Love (France)
Drive My Car, Rysuke Hamaguchi (Japan)
Ha’Berech (Ahed’s Knee), Nadav Lapid
Casablanca Beats, Nabil Ayouch (Morocco)
Compartment No. 6, Juho Kuosmanen (Finland)
The Worst Person in the World, Joachim Trier (Norway)
La Fracture, Catherine Corsini (France)
The Restless, Joachim Lafosse (Belgium)
Paris 13th District, Jacques Audiard (France)
Lingui, Mahamat-Saleh Haroun (Chad)
Memoria, Apichatpong Weerasethakul (Thailand)
Nitram, Justin Kurzel (Australia)
France, Bruno Dumont (France)
Petrov’s Flu, Kirill Serebrennikov (Russia)
Red Rocket, Sean Baker (USA)
Flag Day, Sean Penn (USA)
The French Dispatch, Wes Anderson (USA)
Titane, Julia Ducournau (France)
Tre Piani, Nanni Moretti (Italy)
Tout s'est Bien Passé, François Ozon (France)
A Hero, Asghar Farhadi (Iran)
Un Certain Regard
Moneyboys, C.B. Yi (Austria)
Blue Bayou, Justin Chon (USA)
Freda, Gessica Geneus (Haiti)
Delo (House Arrest), Alexey German Jr. (Russia)
Bonne Mere, Hafsia Herzi (France)
Noche de Fuego, Tatiana Huezo (Mexico)
Lamb, Valdimar Johansson (Iceland)
Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)
After Yang, Kogonada (USA)
Let There Be Morning, Eran Kolirin (Israel)
Unclenching the Fists, Kira Kovalenko (Russia)
Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)
Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)
Great Freedom, Sebastian Meise (Austria)
La Civil, Teodora Ana Mihai (Romania / Belgium)
Gaey’s Wa’r, Na Jiazuo (China)
The Innocents, Eskil Vogt (Norway)
Un Monde, Laura Wandel (Belgium)
Out of Competition
De Son Vivant, Emmanuelle Bercot (France)
Emergency Declaration, Han Jae-Rim (Korea)
The Velvet Underground, Todd Haynes (USA)
Bac Nord, Cédric Jimenez (France)
Aline, The Voice of Love, Valérie Lemercier (France)
Stillwater, Tom McCarthy (USA)...
In Competition
Annette, Leos Carax (France) - Opening Film
The Story of My Wife, Ildikó Enyedi (Hungary)
Benedetta, Paul Verhoeven (Netherlands)
Bergman Island, Mia-Hansen-Love (France)
Drive My Car, Rysuke Hamaguchi (Japan)
Ha’Berech (Ahed’s Knee), Nadav Lapid
Casablanca Beats, Nabil Ayouch (Morocco)
Compartment No. 6, Juho Kuosmanen (Finland)
The Worst Person in the World, Joachim Trier (Norway)
La Fracture, Catherine Corsini (France)
The Restless, Joachim Lafosse (Belgium)
Paris 13th District, Jacques Audiard (France)
Lingui, Mahamat-Saleh Haroun (Chad)
Memoria, Apichatpong Weerasethakul (Thailand)
Nitram, Justin Kurzel (Australia)
France, Bruno Dumont (France)
Petrov’s Flu, Kirill Serebrennikov (Russia)
Red Rocket, Sean Baker (USA)
Flag Day, Sean Penn (USA)
The French Dispatch, Wes Anderson (USA)
Titane, Julia Ducournau (France)
Tre Piani, Nanni Moretti (Italy)
Tout s'est Bien Passé, François Ozon (France)
A Hero, Asghar Farhadi (Iran)
Un Certain Regard
Moneyboys, C.B. Yi (Austria)
Blue Bayou, Justin Chon (USA)
Freda, Gessica Geneus (Haiti)
Delo (House Arrest), Alexey German Jr. (Russia)
Bonne Mere, Hafsia Herzi (France)
Noche de Fuego, Tatiana Huezo (Mexico)
Lamb, Valdimar Johansson (Iceland)
Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)
After Yang, Kogonada (USA)
Let There Be Morning, Eran Kolirin (Israel)
Unclenching the Fists, Kira Kovalenko (Russia)
Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)
Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)
Great Freedom, Sebastian Meise (Austria)
La Civil, Teodora Ana Mihai (Romania / Belgium)
Gaey’s Wa’r, Na Jiazuo (China)
The Innocents, Eskil Vogt (Norway)
Un Monde, Laura Wandel (Belgium)
Out of Competition
De Son Vivant, Emmanuelle Bercot (France)
Emergency Declaration, Han Jae-Rim (Korea)
The Velvet Underground, Todd Haynes (USA)
Bac Nord, Cédric Jimenez (France)
Aline, The Voice of Love, Valérie Lemercier (France)
Stillwater, Tom McCarthy (USA)...
- 6/3/2021
- IMDbPro News
Cannes is back in full force with the announcement of the Official Selection for the film festival’s 74th edition. Taking place in July after having been originally scheduled for May, Cannes is returning with an in-person event after the pandemic forced the festival to cancel in 2020. Spike Lee, who was supposed to head the jury and premiere his “Da 5 Bloods” out of competition last year, is returning to Cannes 2021 as jury president. Films such as Wes Anderson’s “The French Dispatch,” Leos Carax’s “Annette,” and Paul Verhoeven’s “Benedetta” were all supposed to premiere at Cannes 2020 but are now confirmed for Cannes 2021 after waiting a year to be unveiled to the world.
Given this is the first Cannes in the Covid pandemic era, there are as many questions about the event’s safety protocols as there are about the lineup. Cannes general delegate Thierry Frémaux told IndieWire...
Given this is the first Cannes in the Covid pandemic era, there are as many questions about the event’s safety protocols as there are about the lineup. Cannes general delegate Thierry Frémaux told IndieWire...
- 6/3/2021
- by Zack Sharf
- Indiewire
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