Because it's not about 'Titans': mostly it's 'Nightwing & His Amazing Friends'. Come for Titans, get lots of Dick instead. For instance, if they showed paid half as much time attention to Gar's romantic relationships as Dick's...
"Souls" was kind of change for that, as there was no Thwaites and we got mostly Roth & Leslie. And only nine episodes in for Rachel. Remember back in season 1 when she was a big part of the show? Not so much, now. Glad the production staff spent a year getting us invested in her.
We also got a fair amount of Hank, and the interplay between him and Donna was probably the most entertaining part of the show. That, and the Tim/Donna running gag with him calling her "Miss Troy" and her being offended by it.
For those who asked, Hank's presence was presumably to make up for the lousy way the production staff took him off the show, just to make Jason look tough (when he isn't), and a Big Bad. I'm of two minds about this. We got a decent going-away for Hank, and he was kind of a fifth-wheel on the show so if anyone had to die, it should have been him. But I would have rather had Alan Ritchson, who showed here that he could be entertaining. And he's always shown that. At least Hank has a personality. Everyone else but Dick has been pretty much backburnered. At least Ritchson had the acting power to go up against the PS's seeming obsession with Dick.
Want to see what I mean about how the interest is in Dick & His Amazing Friends? Why do we get anything about Bruce? He's feeling suicidal. Who cares? The show is 'Titans', not 'Gotham 2.0'. Donna gets sent back to save... Bruce? Why? It just makes it seem like Bruce is an important part of 'Titans'. Guess what? He isn't.
But the episode taught us more about Tim. But... so what? The only reason Tim is important is because the PS is counting on the viewers to remember who he is in the comics. And do the Titans need another non-powered martial artist? Particularly if they redeem and bring back Jason, like they keep hinting at it?
The tropes about the afterlife, like a train and bridge, were hardly original. Neither were the Dementor-like ghouls. What made them interacting was the character interaction. Tim/Donna, Donna/Hank, Hank being unable to get his guns back and getting other stuff drawn from his subconscious instead (even Hank's subconscious is apparently obsessed with Dick), the Don/Hank reunion (I'd watch a show about the half-brothers fighting ghouls in the afterlife!), and the cinematography.
The Rachel subplot was kind of eh. They spent eight episode keeping Rachel off-screen, and then we had an episode about her learning to move on from being off-screen. The whole bit about how she can't move on from Donna's death, and it's about her rather than Donna, loses its impact because not only did Rachel not seem that interested in Donna in the first place, but at best that was eight episodes ago and one season gap. Even if Rachel felt that way... who the heck remembers or cares?
And parts of it didn't make sense. Lydia wants Rachel to move on from fighting... by having Myrrha train Rachel to fight blindfolded? Or is that avoiding an attack? Granted, the Titans don't do much fighting but that's the best part of the show when they do. Why the emphasis on defighting?
Overall, the episode was better than average because of the cinematography and the character moments. But the PS has set a low bar for the show to be "average" or "better than".
But that's just my opinion, I could be wrong. What do you think?
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