Directed by
| Roger Michell | ||
Cast
| Queen Elizabeth II | ... | Self (archive footage) | |
Produced by
| Samantha Allwinton | ... | executive producer |
| Hugo Grumbar | ... | executive producer |
| Tim Haslam | ... | executive producer |
| Kevin Loader | ... | producer |
| Rebecca O'Connor Thompson | ... | archive producer |
| Emily Thomas | ... | archive producer |
| Peter Touche | ... | executive producer |
Music by
| George Fenton | ||
Editing by
| Joanna Crickmay | ||
Production Management
| Robert Platt-Higgins | ... | post-production supervisor |
Sound Department
| Martin Cantwell | ... | sound effects editor |
| Brendan Nicholson | ... | re-recording mixer |
Visual Effects by
| John Hardwick | ... | Lead compositor |
| Timothy P. Jones | ... | digital film bureau |
Editorial Department
| Andrew Daniel | ... | colorist |
| Rob Farris | ... | digital intermediate head of post production |
| Evangeline White | ... | digital intermediate assistant producer |
Music Department
| Alex Ferguson | ... | recordist |
| Clifton Harrison | ... | musician: viola |
| Julian Kershaw | ... | orchestrator |
| Gianluca Massimo | ... | assistant engineer |
| Ian Neil | ... | music supervisor |
| Jedidiah Rimell | ... | assistant engineer |
| Barnaby Robson | ... | clarinet solo |
| Graham Sutton | ... | music editor |
| Roger Linley | ... | musician: double bass (uncredited) |
| Laurence Ungless | ... | musician: double bass (uncredited) |
Additional Crew
| Agar Forjan | ... | for Golden Arrow Entertainment |
| Tim Haslam | ... | executive producer |
| Nadine Luque | ... | for Golden Arrow Entertainment |
| Max Pirkis | ... | worldwide sales |
| Maite Villarino Vicente | ... | International Sales |
