Directed by
| Richard Ayoade | ||
Writing Credits
| Richard Ayoade | ... | (written by) |
| Joe Dunthorne | ... | (novel) |
Cast (in credits order) complete, awaiting verification
Produced by
| Mary Burke | ... | producer |
| Pauline Burt | ... | executive producer |
| Peter Carlton | ... | executive producer |
| Will Clarke | ... | executive producer |
| Stuart Cornfeld | ... | executive producer |
| Rebecca Davies | ... | associate producer: Welsh |
| Ally Gipps | ... | associate producer |
| Mark Herbert | ... | producer |
| Paul Higgins | ... | executive producer |
| Linda James | ... | executive producer |
| Jeremy Kramer | ... | executive producer |
| Cass Marks | ... | line producer |
| Tessa Ross | ... | executive producer |
| Andy Stebbing | ... | producer |
| Ben Stiller | ... | executive producer |
Music by
| Andrew Hewitt | ||
Cinematography by
| Erik Wilson | ... | director of photography (as Erik Alexander Wilson) |
Editing by
| Chris Dickens | ||
| Nick Fenton | ||
Casting By
| Karen Lindsay-Stewart | ... | (as Karen Lindsay Stewart) |
Production Design by
| Gary Williamson | ||
Art Direction by
| Sarah Pasquali | ||
Set Decoration by
| Cathy Cosgrove | ||
Costume Design by
| Charlotte Walter | ||
Makeup Department
| Paul Edmonds | ... | hair stylist: Sally Hawkins and Yasmin Paige |
| Jennifer Harty | ... | makeup artist |
| Tara McDonald | ... | hair designer / makeup designer |
| John Munro | ... | makeup artist |
| Corinne Bossu | ... | makeup artist: dailies (uncredited) |
| Mary Cooke | ... | makeup artist: dailies (uncredited) |
| Jessica Seen | ... | makeup artist: dailies (uncredited) |
Production Management
| Gisela Evert | ... | post-production supervisor |
| Tracey Josephs | ... | head of production: Film4 |
| Fiona Lamptey | ... | production manager: Film4 |
| Fiona Morham | ... | head of production: UK Film Council |
| Barry Ryan | ... | head of production: Warp Films |
Second Unit Director or Assistant Director
| Alex Bowman | ... | trainee assistant director |
| Paul Cathie | ... | second assistant director |
| Dominic Channing-Williams | ... | third assistant director (as Dom Channing-Williams) |
| Joe Geary | ... | first assistant director |
| Ian Hughes | ... | third assistant director (as Ian 'Pebbles' Hughes) |
| Sarah Thomas | ... | trainee assistant director |
Art Department
| Philip A. Brown | ... | art department assistant: draughtsman |
| Ian Cooper | ... | prop hand |
| Peter Hallam | ... | property master |
| Sophie Hervieu | ... | stand-by art director |
| Matthew Ireland | ... | set dresser |
| Kim Miles | ... | prop hand |
| Ren&Ink | ... | scenic artist |
| Chris Rosser | ... | assistant art designer |
| Andy Smith | ... | construction manager |
| Nic Stubbings | ... | dressing prophand |
| Stuart Headley-Read | ... | standby propman (uncredited) |
Sound Department
| Martin Beresford | ... | sound mixer |
| Oliver Brierley | ... | adr mixer |
| James Feltham | ... | re-recording mixer / sound effects editor |
| Alexander Fielding | ... | assistant sound re-recording mixer |
| Nigel Heath | ... | re-recording mixer |
| Lee Herrick | ... | adr editor |
| Lee James | ... | sound maintenance |
| Ben Norrington | ... | dialogue editor |
| Keith Partridge | ... | foley editor |
| Andy Sowerby | ... | sound trainee |
| Adam Armitage | ... | additional sound effects editor (uncredited) |
| Stuart Bagshaw | ... | foley editor (uncredited) |
Special Effects by
| Daniel Bentley | ... | special effects technician: Real SFX |
| Danny Hargreaves | ... | special effects supervisor: Real SFX |
| Gareth Jolly | ... | special effects technician: Real SFX |
| Declan O'Donnell | ... | special effects technician: Real SFX |
Visual Effects by
| Magdalena Berglind | ... | visual effects coordinator: Framestore (as Magdalena Przezdziecka) |
| Oliver Bersey | ... | visual effects artist: Framestore |
| James Long | ... | visual effects data operator: Framestore |
| Alix Ludlam | ... | visual effects artist: Framestore |
| Savneet Nagi | ... | lead visual effects artist: Framestore |
| Darran Nicholson | ... | visual effects artist: Framestore |
| Paul O'Brien | ... | lead visual effects artist: Framestore |
| Simon Whalley | ... | executive visual effects producer |
| Will Yarrow | ... | visual effects artist: Framestore |
Stunts
| Ray De-Haan | ... | stunt coordinator (as Ray De Haan) |
| Claire Hay | ... | stunt double |
Camera and Electrical Department
| Lee Bagley | ... | camera tracking vehicle driver |
| Luke Chidgey | ... | video playback trainee |
| Jon Garwes | ... | focus puller (as Jonathan Garwes) |
| Andy Lowe | ... | gaffer |
| Sarah Mahoney | ... | camera trainee |
| Bashart Malik | ... | second clapper loader |
| Lee Martin | ... | rigging gaffer |
| Richard Philpott | ... | second camera operator |
| Iwan Prys Reynolds | ... | focus puller |
| Dean Rogers | ... | still photographer |
| Shirley Schumacher | ... | second camera assistant |
| Trevor Speed | ... | clapper loader |
| Del Strachan | ... | grip |
| Dave Ainley | ... | Electrician: dailies (uncredited) |
| John Davis | ... | clapper loader: dailies (uncredited) |
| Matt King | ... | generator operator (uncredited) |
| Richard Swingle | ... | clapper loader: dailies (uncredited) |
| Matt Wilson | ... | additional electrician (uncredited) |
Casting Department
| Emma Stafford | ... | casting director: northern |
Costume and Wardrobe Department
| Carly Adey | ... | costume trainee |
| Sophie Shardelow | ... | costume trainee: dailies |
| Dan Summerville | ... | costume assistant (as Dan Sommerville) |
| Hannah Walter | ... | costume supervisor |
Editorial Department
| Simon Bance | ... | digital intermediate recording manager |
| Tonia Cohen | ... | negative checker: Capello |
| Michele De Benedetti | ... | digital intermediate film scanning manager |
| Julie Harding | ... | digital intermediate producer |
| Myfanwy Harris | ... | digital intermediate producer |
| Adam Inglis | ... | colorist |
| Jules Jackson | ... | post-production coordinator (as Jules Zabbar) |
| Rob May | ... | on-line editor |
| Mark Neale | ... | first assistant editor |
| Jack Rhys Phillips | ... | assistant colorist |
| Tony Ray | ... | digital intermediate executive |
| Paul J. Wright | ... | digital intermediate supervisor |
| Katie Bullock-Webster | ... | post-production coordinator (uncredited) |
| Sean Higgins | ... | digital intermediate assistant (uncredited) |
| Rahat Kulshreshtha | ... | post-production assistant (uncredited) |
Location Management
| Jason Keatley | ... | assistant location manager |
| Iwan Roberts | ... | location manager |
Music Department
| James Bellamy | ... | music editor |
| Phil Canning | ... | music supervisor |
| The Composers Ensemble | ... | musicians: orchestra |
| Karen Fielding | ... | music consultant |
| Andrew Hewitt | ... | conductor / orchestrator |
| Jake Jackson | ... | score engineer & mixer |
| Chris Lewis | ... | composer assistant |
| Alex Turner | ... | musician / songs by |
| Mary Wiegold | ... | musician contractor |
| Mikael Carlsson | ... | soundtrack producer (uncredited) |
Script and Continuity Department
| Joe Dunthorne | ... | script consultant |
| Carole Salisbury | ... | script supervisor |
Transportation Department
| Tony Cosh | ... | facilities manager: Andy Dixon Facilities |
| Janine H. Jones | ... | driver (as Janine Jones) |
| Phoebe Vale Markham | ... | driver (as Phoebe Markham) |
| Mark Murray | ... | driver: location minibus, Heritage Mini Bus |
| Iolo Rhisiart | ... | driver |
| Alex Williams | ... | driver |
Additional Crew
| Darren Agnew | ... | title designer: Framestore |
| Emily Anderton | ... | production executive: UK Film Council |
| Geraldine Atlee | ... | senior business affairs executive: UK Film Council |
| Bethan Bannister | ... | investment executive: Wales Creative IP Fund |
| Craig Barwick | ... | production accountant |
| Rachel Beardsley | ... | fund coordinator: Wales Creative IP Fund |
| Chris Besseling | ... | uk senior marketing manager for Studiocanal |
| Angelica Bolognesi Bonacini | ... | voice actress: Yasmin Paige |
| Mary Brehony | ... | legal services: Film Agency Wales, Brehon & Co |
| Laurence Brown | ... | legal services: Warp Films |
| Sue Bruce-Smith | ... | head of commercial development: Film4 |
| Kathleen Butler | ... | head of development: Film4 |
| Neil Calder | ... | completion guarantor: Film Finances |
| Chris Collins | ... | senior production executive: UK Film Council |
| Rebecca Coppin | ... | legal services: Wales Creative IP Fund, Lee & Thompson (as Rebecca Pick) |
| J.B. Cosh | ... | caterer: Abadia Catering (as JB Cosh) |
| Bethan Cousins | ... | fund manager: Wales Creative IP Fund |
| Leonard Crooks | ... | head of New Cinema Fund: UK Film Council |
| Kate Crowther | ... | production executive: Film Agency Wales |
| Paul Dray | ... | lab contact: Deluxe London |
| Illtud Llyr Dunsford | ... | liaison: Wales Screen Commission |
| Sam Dwyer | ... | archive researcher / archive researcher: Stalkr |
| Zoe Flower | ... | unit publicist: EM-Foundation |
| Berenice Fugard | ... | head of acquisitions: Optimum Releasing |
| Neil Gillard | ... | legal advisor: Coutts & Co, Reed Smith |
| Owain Gillard | ... | liaison: film commission |
| Gwen Gorst | ... | production runner |
| Robin Gutch | ... | managing director: Warp Films |
| Ruth Hodgson | ... | completion guarantor: Film Finances |
| Steve Joberns | ... | auditor: Shippleys |
| Gareth Jones | ... | post-production accountant |
| Janine H. Jones | ... | runner (as Janine Jones) |
| Sharon Lock | ... | title designer: Framestore |
| Louise Long | ... | legal and business affairs: Film4 |
| Kristy Luxford | ... | head of servicing: Optimum Releasing (as Kristy Thomason) |
| Phoebe Vale Markham | ... | runner (as Phoebe Markham) |
| Lisa Marsden | ... | insurance agent: Media Insurance Brokers |
| Alex Marshall | ... | head of business affairs: Warp Films / head of business and legal affairs |
| Matt McNally | ... | electronic press kit |
| Alison Meese | ... | acquisitions manager: Optimum Releasing |
| Christos Michaels | ... | legal services: Wales Creative IP Fund, Lee & Thompson |
| Stephen Murphy | ... | head of legal: Optimum Releasing |
| Adam Partridge | ... | talent development services: Film Agency Wales |
| Danny Perkins | ... | chief executive officer: Optimum Releasing |
| Keith Potter | ... | head of talent: Film Agency Wales |
| Amanda Pyne | ... | production finance: UK Film Council |
| Iolo Rhisiart | ... | runner |
| Niall Shamma | ... | head of finance: Warp Films |
| Hannah Simpson | ... | production coordinator |
| Penny Skuse | ... | liaison: Wales Screen Commission |
| Hugh Spearing | ... | head of marketing: Optimum Releasing |
| Emma Stevens | ... | dialect coach |
| Jane Trower | ... | first assistant accountant |
| Natalie Usher | ... | additional legal work: Warp Films, Lee & Thompson (as Natalie Bass) |
| Victoria Wheel | ... | production secretary |
| Alex Williams | ... | runner |
| Emma Stevens-Johnson | ... | Dialect Coach (uncredited) |
| Eva Yates | ... | assistant: Tessa Ross (uncredited) |
Thanks
| Dagny Ayoade | ... | special thanks |
| Layide Ayoade | ... | in loving memory |
| Michael Cera | ... | special thanks |
| Caroline Chignell | ... | special thanks |
| Eric D'Souza | ... | special thanks |
| Amina Dasmal | ... | special thanks |
| Lydia Fox | ... | special thanks (as Lydia Ayoade) |
| Anne Henry | ... | thanks (as Anne Smith) |
| Jen Kenwood | ... | special thanks |
| Avi Korine | ... | special thanks |
| Harmony Korine | ... | special thanks |
| Shane Meadows | ... | special thanks |
| Stephen Merchant | ... | special thanks |
| Christopher Morris | ... | special thanks (as Chris Morris) |
| Claire Nightingale | ... | special thanks |
| Chris O'Dowd | ... | special thanks |
| Simon Prosser | ... | special thanks |
| Faisal A. Qureshi | ... | special thanks |
| Philip Raskind | ... | special thanks (as Phillip Raskind) |
| Laura Tunstall | ... | special thanks |
| Jo Unwin | ... | special thanks |
| Mial Watkins | ... | special thanks |
| Hugo Young | ... | special thanks |
