CIA agents and best friends Tuck and FDR have been benched because someone's after them. Tuck is divorced and not close to his son; FDR is a ladies' man. Tuck places his profile on a dating site; Lauren sees it and goes out with him. She later bumps into FDR; he hits on her and she goes out with him. She's intrigued by both of them. When they learn they're both dating her, they agree to let her choose, but they can't help using their skills to keep tabs on her and each other, and sabotage each other's dates with her.Written by
Making FDR (Chris Pine) and Tuck (Tom Hardy) believable as CIA agents was tasked to Paul Maurice, a military advisor with extensive wartime experience, who serves as the film's CIA technical advisor. Maurice worked closely with Pine and Hardy to give them a high proficiency in weapons-handling and hand-to-hand combat. See more »
In the sushi bar scene, the neon sushi sign is facing inward and reads "SUSHI". It should be facing outward for which it would read "IHSUS" inside the restaurant. See more »
All eyes are up.
Sat cams are good.
Target is inbound.
ETA five minutes.
Mission is a go. Repeat, you are green to go. Intercept and apprehend the Heinrich brothers. Secure the device. And remember, this mission is covert.
See more »
Home video releases of the film contain three alternate endings. In the first alternate ending, Lauren is kidnapped and taken to a warehouse alongside FDR and Tuck, where she is forced to choose which one of them will be killed by the other. The ensuing action leads to the car chase featured at the end of the film. The second alternate ending shows Lauren choosing Tuck over FDR, with FDR carrying on life as a singleton. The third and final alternate ending sees FDR holding Tuck after the final explosion, as Lauren looks on. See more »
Written by Sade (as Helen Adu) and Ray St. John (as Raymond William St. John)
Performed by Sade
Courtesy of Sony Music Entertainment (UK) Limited and Epic Records
By arrangement with Sony Music Licensing See more »
If you wanted to make a movie that was successful at the box office, you could plug the story lines of the top 25 movies for the last 10 years into a computer and have it generate a plot. It would probably come up with a new genre called the 'romantic action comedy'. It would probably come up with, 'This Means War'. I spent most of the movie trying to figure out who it was targeted for. First, no adult with a few functioning neurons will find the plot compelling. I doubt if women would find the romance unforgettable. I, therefore, concluded that the movie was targeted towards 15 year old boys out on their first dates. Yes, there are the obligatory action scenes with the required number of explosions and car chases, but this is mainly to wake up the 13-year-olds who fell asleep during the 'romantic' scenes. The comedy, and I am stretching the dictionary definition of that word here, comes mainly from the sexual remarks of Chelsea Handler and are directed at the same sleepy 13-year-olds.
It's too bad. I like Reese Witherspoon and, prior to this movie, I had concluded that she was never in a bad movie. Isn't she being offered any better roles than this? It is one of the few movies where you feel sorry for the guy who gets the girl. Actually, by that point in the movie, you really don't care. Yet, the sad truth, the very sad truth is that the movie will probably be a box office hit, a fact that will generate more movies in this genre and keep computer programmers employed for years to come.
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