When one looks at the lesser known work of the Lumieres' anonymous team of cameramen, one is struck by the fact that they took just as much care on these as the better known work. There is still the carefully chosen vantage point for traffic around one end of a suspension bridge in Budapest. There are still the conflicting lines of movement -- the vehicles and people walking across the bridge in both directions and people walking past the bridge, from the left edge of the frame to the right and vice versa.
As an American, as a New Yorker, it is obvious to me why I find their view of the Brooklyn Bridge more accessible -- and also their views of various Parisian landmarks. However, this is certainly competently executed.
As an American, as a New Yorker, it is obvious to me why I find their view of the Brooklyn Bridge more accessible -- and also their views of various Parisian landmarks. However, this is certainly competently executed.
