User Reviews

Just got out of the Austin premier at SXSW and the whole theatre went nuts for the movie! Emily and Ryan have crazy chemistry and obviously a freaking amazing time shooting this. What a ton of fun!! Its packed with incredible stunts - none of them CGI, its funny and charming and exciting in every second. The camera work is flawless, the cinematography beautiful, the casting perfect, the costumes cool af, they have a DOG!! As a fan of the original series, I loved the movie for its celebration of stund craft and its people. Its a beautiful reminiscence to the original. Defo watching it again when it officially launches. God, I love Ryan and Emily. And thank you so much, David Leitch for making this happen. Seriously. Whatever you touch is incredibly fun to watch. Cant wait for the next one!!!!

In an era where blockbusters often demand homework, with their intricate universes and complex lore, "Barbie" emerges as a delightful outlier. Movies today, from the sprawling epics of "Dune" to the interconnected sagas of the MCU, seem to require a viewer's full dedication-and maybe even a notepad to keep up. This isn't to diminish their artistry, but it's clear that the pure joy of cinema, the sort of effortless fun Hollywood once peddled so well, has become a rare find. A film that welcomes you without prerequisites, "The Fall Guy," seeks to reignite that spark of unadulterated entertainment. It aims to dazzle with the sheer magnetism of its leads, thrust into a whirlwind of romance and adventure, harking back to the days when stunts were real and filmmaking was a team sport, offering a joyride that's as heartwarming as it is thrilling.

Hollywood's narrative-rich turn hasn't dulled the magic of star power, a fact "The Fall Guy" embraces wholeheartedly, reminiscent of a time when the charm of icons like Burt Reynolds was all the spectacle one needed. Ryan Gosling proves his mettle as a jack-of-all-trades, winning hearts even in the most casual settings, his performance in this film further cementing his versatile appeal.

"The Fall Guy" also champions the unsung heroes of cinema: the stunt performers. Through breathtaking feats and daredevil escapades, it pays homage to the risk-takers who've silently shaped cinematic history, although it's not without its critiques, especially in how it sidelines some of its stellar cast in the latter half.

Yet, beyond the adrenaline, there's a poignant commentary on the digital age's challenges to authenticity, making "The Fall Guy" a vibrant counterpoint to the prevailing trends of faceless, CGI-dominated blockbusters. It's a film that doesn't just want to entertain; it wants to remind us of the value of genuine connection, both on the screen and in the stunts that make us hold our breath. In doing so, it doesn't just invite audiences to have fun; it demands it, championing the kind of cinema that's been overshadowed by the gravitas of today's tentpoles.

The Fall Guy acts as a homage to all the stuntmen and stuntwomen out there. This is a love letter to the stunt team, a film dedicated to showing the grittiness and the roughness of the industry and how the movie industry will fall apart without them. Not only that, this is also a film for anyone who loves films or filmmaking in general.

Just like how Barbie was meta for the toy industry, The Fall Guy is meta for the filmmaking industry. Plenty of subtle and hidden messages that were incorporated in the script. Ex: There was one scene that spontaneously mentioned on how the stunt team didn't get any recognition at the Oscars. There was even distinct mentions or references of Taylor Swift, Dune, Kill Bill and Miami Vice amongst many others. Plenty were about the movie industry that if you spotted those things, you would truly have a good time in the cinemas.

Marketed as an action rom-com, this film didn't fill its promise with the comedy. It's an element that's just lacking from beginning 'til the end. Of course, it wasn't empty, it had its moments but for a comedy film, it didn't achieve the bar it was supposed to. You might be smiling or left out a few chuckles, but they weren't anything that were just worth bursting out loud. Again, comedy is extremely subjective.

The Fall Guy did very well the first 30 minutes of the film. Everything you wanted it to be was conveyed really well. David Leitch opened the film about a film who's working for that film. It fully maximizes everything exciting regarding this subject. The main focus was about filmmaking and the stunt community. It shed light on these unsung heroes, showcasing their dedication and talent in bringing action-packed scenes to life. And damn, it is very good and entertaining.

When the second act came in, we started to lose a bit of interest in this movie. Mainly due to its shift of focus that it somehow turned into a murder mystery genre. First act was very good that it talked a lot on filmmaking, and almost every scene was located in a production set. The dialogues were also heavy on that. But the middle part focused more on the murder mystery and romance. While they still included a lot of the meta elements here but they turned its way into a more generic film when it could have been so much more.

Even most of the dialogues during the romance scenes were just not as good as the rest of the script. They just didn't maximize the stuff they were talking about. Some dialogues felt meaningless. Some were just flat out boring. Some have meanings but if only they could polish them, this movie would have been so much better.

Luckily, Ryan Gosling and Emily Blunt sparked a good chemistry on set. Even with a moment of no dialogues, just when they're looking at each other, you'll know well enough their chemistry is just electrifyingly good. There were moments they weren't physically together, but the film showed them on a split screen and etc. But the palpable connection between them remained strong.

The movie redeems itself at the third act. It's a very epic ending and you rarely see this kind of ending in an action rom-com movie. The action and the scope were big and the messages were all very on-point with the whole theme of the film. It's bombastic but it's lovely at the same time. It's less on fighting or punching, but more on the performing of stunts. 2-3 scenes felt and looked like they came straight out from old classic films. There's just a certain way that the ending was shot that it gave a homage to old action movies. It's indeed a sight to behold.

Verdict: A love letter to the unsung heroes, The Fall Guy pays homage to the stunt community, exploring their hardships behind the scenes through the lens of both a director and a stuntman. While it falls short on delivering promised comedy, its first act shines with interesting filmmaking commentary. Despite a weak second act, strong chemistry between Ryan Gosling and Emily Blunt along with an epic finale elevate the film, delivering a visually stunning tribute to classic cinema.

P. S: There's a mid-credit scene! Stay tuned!

It is multiple stunts - ha got you there, right? So no pun intended as always? Now if you think my jokes are weird, prepare yourself for weirder ... action in this one. I remember that I watched the tv show this is based on. But it's been a while - so I do not remember how this fares comedy and humor wise.

That said, Ryan and Emily have bombastic chemistry (sorry?) - the dialog is tight, the action/stunts are amazing .... and the story really works. Add to that a soundtrack that you should absolutely love (even more so if you like 80s music), references to the 80s and another show (including a musical cue ... added to the visuals that is) ... and a lot of fourth wall breaking ... you may even argue: the fourth wall is being evaporated! I reckon that about sums it up.

This is a love song - not just to love (again no pun intended), but to stunt men ... and women of course. A travesty that they have yet to get a section at the Academy Awards. I still can see the unicorn ... it was that good (you'll get it once you watch - also I am of course kidding - no I did not do that - again you'll get it after you've seen the movie).

Important note at the end ... when the credits start rolling, there are some behind the scenes footage you will see. I thought it would go the Jackie Chan route, but it is just showing what happened behind the cameras - and how they did the stunts and the action. Which come to think about it, was the better choice. But that is not all - so if you may not be too interested in that ... there is a bonus scene coming after that ... and it is quite the nice one! The movie itself has some ... interesting actors, I am sure you will find someone to your liking! And almost everyone is fighting ... (maybe not Kung Fu but still ... passionate and well enough) ... I was going to give it a 9, but then I was like ... come on, why not go the full point route?

The Fall Guy acts best as a glorious ode to the art of stunt work. Perhaps never before have a film been focused so much on the unseen heroes behind many great films - the stunt doubles delivering shockingly realistic portrayals of the action. And in that respect The Fall Guys succeeds- it's action sequences are delivered flawlessly, and are breathtaking to behold. They climax to a crescendo at the ending, where a several vehicles crash, flip and explode, all in sync with action involving a helicopter in the sky with our main character. Praise should also be given to the films two charismatic leads. Emily Blunt and Ryan Gosling share palpable chemistry and are simply endearing to behold. They are affable, amiable, and funny. But ultimately my problem with this film is that it is unevenly paced, lacks enough humour, and has too thin a plot to retain an audiences full attention. The films firstly takes too long to get its plot started, resulting in a laborious introduction, a sped through mid section, and a bombastic but slightly rushed ending. The film also does not exert its full potential of comedy. The film does not make use of action comedy(as best exemplified by the Jackie Chan films) or a particularly witty script. Indeed the script is rather dull, sometimes trite, and altogether not very sharp or exciting. Then there is the films plot. I can comment not much other than that it is the recyclable convoluted B-grade plots which are common in movies. It is predictable, ludicrous, and quite inexcusable. So at the end of the day, The Fall Guys is a good comedy that acts as a wonderful tribute to the art of stunt work, bolstered by strong, effervescent performances between its two leads. But for movie watchers who do not care much for the films impressive stunts, The Fall Guys will prove to be a rather empty watch. Serviceable, but unexceptional.

"The Fall Guy" is insanely fun, with incredibly cool action scenes, romantically charming elements, and a captivating world of stuntmen. It's full-on entertainment, especially for film enthusiasts, with meticulously crafted action sequences in both real and fake movies that look fantastic, grand, and impressively complete. Both Ryan Gosling and Emily Blunt have impeccable chemistry, and the portrayal of the stuntman profession is sharp. The film cleverly satirizes the Hollywood industry with excellence.

Watching this movie in theaters is an absolutely delightful experience. Director David Leitch nails every aspect of the film, truly delivering on the action-packed excitement.

Action and romance with doses of duplicity and deciet combine to make this a broadly appealing and enjoyable romcom.

Film-making and the role of the stuntman are the backdrop of course.

The script is tight - the nerd in me delighted in noticing good use of foreshadowing. No apparently trivial moments go to waste, some passing comments or props reveal their true purpose later as in any well-scripted play or film. I won't be offering spoilers though.

The visuals are well worth it with the viewer also at times invited to figuratively sit next to the crew and catch a glimpse of how stunts are performed.

Enjoyable on many levels, not least of which being the polished performances of Ryan Gosling, Emily Blunt and supporting cast.

Essentially a romantic comedy but, traditional males, you won't be disappointed.

"The Fall Guy" is an action comedy film loosely based on the 1980s TV series of the same name. Directed by David Leitch ("Atomic Blonde", "Deadpool 2", "Bullet Train") and starring Ryan Gosling and Emily Blunt, it is a fun ode to the often overlooked stunt workers of the film industry.

Eighteen months after a near fatal accident on set, stuntman Colt Seavers (Ryan Gosling) returns to work as the stunt double for famous film star Tom Ryder (Aaron Taylor-Johnson) on an action movie being filmed in Sydney, Australia. One day during filming, Tom suddenly goes missing, which causes major problems for the film's first-time director Jody Moreno (Emily Blunt) who just so happens to be Colt's ex-girlfriend. With production shutting down indefinitely, Colt decides to seek out for Tom himself to save both Jody's film and her reputation as an up-and-coming filmmaker. While searching the unfamiliar city, Colt soon finds himself framed for a crime he didn't commit, leading to a series of events that put his life in far more danger than any stunt he has ever performed.

When watching an action movie, it can be easy for us to neglect just how much effort goes into some of the intense stunt work taking place onscreen. Most of the brave men and women responsible for this are frequently risking their lives for the sake of our entertainment and often end up forgotten in favour of the more well-known actors they are doubling for. If you're like me, I think it's about time major accolades are handed out to these performers at mainstream award ceremonies as a formal way of acknowledging all of their hard work. "The Fall Guy" pays an affectionate tribute to these stunt performers in a film that manages to both entertain and serve as a reminder of some of the lengths these people will go to ensure audiences always keep coming back for more.

As a demonstration of the intricacies in this line of work, the film opens on Colt performing a stunt that almost costs him his life. We see him being strapped into a harness intended to drop him from the top floor of the inside of an office building, with the real actor Tom watching on from a safe distance. Of course, things go horribly wrong for poor Colt, as the straps suddenly fail and cause him to plummet several storeys without any means of saving himself. His serious injuries force him to sit out working for over a year, and during his period of recovery he starts to notice the consequences of working in the shadows of somebody famous for too long.

Later, as Colt wanders the streets at night, he passes by various billboards and ads adorned with pictures of Tom plastered all over them. This causes a man at a nightclub to mistake Colt for Tom due to a passing physical resemblance, though the stunt performer quickly proves that he has more gumption than the famous actor ever did. Colt is then tasked with being the valet driver for the man at the club, in a scene where he lets loose and drives the car as quickly as possible, much to the owner's surprise. This is intended to establish that while someone like Tom is recognised the world over as an action star, there are still those who question if it is really him doing all of his own stunts. Colt is naturally the one doing all the hard work, and it is here we see the parallels drawn between an actor with a "tough guy" image versus a real tough guy who did long term damage to his body only for someone else to take the credit.

Being a film about stunt performers, you'd be correct in assuming that there will be scenes of car chases, explosions, shoot-outs, and inside references to other movies that contain all of the above. Director David Leitch, himself a former stuntman, makes good use of this film's premise to poke fun at the world of stunt work in a respectful, tongue-in-cheek manner. In particular, the film humorously calls out the similarity of its plot to that of 1993's "The Fugitive", with Colt realising he has been relegated to a role mirroring Harrison Ford on the run despite his innocence. This leads to some exciting chase scenes taking place throughout the streets of Sydney, with the action even finding its way onto the iconic Harbour Bridge. Not since "Mission: Impossible 2" has the city of Sydney been featured so prominently in a Hollywood action movie, and the film uses this uncommon location to its advantage.

We also see during the filming of the "movie-within-a-movie" how tedious it must be for Colt being forced to perform the same stunts over and over. Many of these stunts usually involve subjecting himself to painful situations, like being set on fire or thrown out of a car window. On top of that, it is shown that many of those working on the film don't even bother to acknowledge him by name, dismissing him as merely "The Stuntman". Seeing this side to stunt work told from the perspective of an actual performer like Leitch certainly gives the film a sense of authenticity in his storytelling, especially when done in a way that helps the viewer understand the difficult process undergone by these hardworking crew members.

Though not the first time he's played a movie stuntman (see 2011's "Drive"), Ryan Gosling fits into the role of Colt perfectly, approaching the character with considerably more humour and less stoicism. Gosling does a great job balancing out Colt's tough, resilient image of a stunt performer with that of someone who genuinely cares about those who are likely to eclipse his success. It is Colt's familiarity with the combative nature of his career choice that allows him to handle himself during any kind of physical altercation, usually resulting in him gaining the upper hand against adversity. In spite of everything he goes through, you've got to admire Colt for his work ethic, as well as his personal obligation to help complete this movie at all costs.

Emily Blunt is a great addition to the cast as well, with her character Jody taking on the role of a rookie filmmaker finally getting her big break in the industry. Her chemistry with Gosling works quite well in the film's favour, showcasing her secret longing to rekindle an old romance while still maintaining a level of professionalism. I also found it interesting to see how the film touched upon Jody's insistence on having her story told exactly to her specifications, even if it caused her to lock horns with the film's producers and cast members. This was likely done as a commentary on the way a director's vision can often end up compromised in favour of what the studio higher ups want to see instead, which is still an ongoing problem in Hollywood today.

As an appreciation of stunt workers everywhere, "The Fall Guy" is an appropriately fun ride that virtually all audiences are bound to enjoy, with no prior knowledge of the film industry required. It is comforting to know that behind every great action sequence in the movies we watch, there will always be those brave people willing to risk everything in the name of entertainment. Though we may be waiting a long time before stunt performers receive the mainstream recognition they deserve, we at least have this film to remind us of their significance until that day arrives. If anything, thanks to this film, that day might come sooner rather than later.

I rate it 8/10.

"The Fall Guy" is a movie filled with action-packed stunts, displaying David Leitch's passion for movies and stunts. Being an ex-stuntman and body double himself, he has put his heart and soul into this film.

The movie revolves around Colt (Ryan Gosling), a skilled stuntman who suffers a severe injury on set. After a year of being away from the movie industry and his girlfriend Jody (Emily Blunt), who is the director of a new movie, Colt is approached by Gail (Hannah Waddingham), one of the producers of the movie, to help find Tom Ryder (Aaron Taylor-Johnson), the main actor of the movie, who has gone missing. Colt travels to Sydney to help find him and make a comeback to the movie scene.

I really enjoyed watching this movie. The stunts were flawlessly executed and the movie references and jokes blended in seamlessly, making them funny and natural. It's refreshing to see a comedy blockbuster that's both original and entretaining. The star-studded cast added to the overall freshness of the movie.

M-Rating: 7.4/10.

It's high noon on the edge of the universe in "The Fall Guy" a movie that's been done before a lifetime ago as a TV series in 1981, before my son was born.

So, what is with Hollywood's obsession with remaking old TV series?

Wasn't 112 episodes from the 80's enough for most of us?

A lack of creativity would be the answer.

Still it was shot in Sydney.

Meaning at the very least it employed a lot of Australian cast and crew which is great for our local film industry.

Play the drinking game "Spot the Aussies and Great Australian Landmarks" and you'll be inebriated before you leave the cinema.

The chemistry between the two stars is palpable and a chance for the biggest stars form "Barbie" and "Oppenheimer" to unite on the big screen.

Ryan Gosling is the titular stuntman as "Colton Seavers" in this big budget adaptation.

Although this is not the best project to choose after his role as "Ken" in 2023's smash hit.

It's not the first time Gosling has played a stunt performer, remember "Drive" from 2011?

Meanwhile Emily Blunt plays "Jody" the director of the movie within the movie and does her best in this lightweight action, comedy, romance with fast talking repartee between the two.

Watch out for: Aaron Taylor-Johnson ("Bullet Train") as "Tom Ryder" the star of this fictional movie.

And also "Ted Lasso" favourite Hannah Waddingham as the Producer of said film.

Plus the TV show's famous vehicle, the GMC K-2500 Wideside.

Director David Leitch started his career as a stuntman in movies like "Blade".

No one is calling this Oscar bait even though it stars 3 Oscar nominees, but it is what it is a fun, not always funny movie, that is an escape from your everyday so you can forget about your worries, shocking news headlines, the cost of living etc for just over 2 hours. (at least 30 minutes too long)

Blink and you'll miss it: Six million dollar man SFX during a slow motion fight scene (due to Lee Majors ("The Six Million Dollar Man ") playing the OG "Colton Seavers".

There is plenty of foreshadowing of later events in "The Fall Guy".

The ripper soundtrack opens with Kiss and AC/DC and just keeps pumping out the classic metal bangers.

Please avoid the terrible playlist someone has made on Spotify calling itself "The Fall Guy" (Soundtrack) because it's not even remotely close to the true soundtrack.

Listen out for: the original TV series theme song in the closing credits sung by Lee Majors who has a cameo in this motion picture version.

Even Heather Thomas, the original "Jody", makes an appearance.

Stay for the end credits where you get a sneak peek at the movie within a movie they've been making, "Metal Storm" and meet the real stuntmen and women behind "The Fall Guy".

This flick celebrates the art of stunt performing at every opportunity and could be a fun date night where you'll find yourself reciting some of the lines to your partner on Valentine's Day.

Who knows maybe this movie could convince the Academy to add a "Stunt" category next year?

Almost ok! But not good or great. Could had been.

It was evident that the makers of this movie never saw more than couple of episodes of Fall guy the TV series it's based on. There were more reference to Miami vice tv series than the actual tv series this movie is supposedly based on. First half an hour or so of the movie was pure cringe. The dialogues were written by couple of teenagers who were probably paid in TikTok views. The rom com scenes were cringy and unwatchable.

Action sequences and stunts were excellent but kept getting interrupted by really really awful cringy love story. One scene ( not a spoiler) where the action sequence keeps breaking away to a cringey Karakoram no , made us almost walk out of the movie.

Some of the acting is sooo bad.

If you make a movie based on the TV series Atleast watch every episode of it. We did. The tv series that made every kid want to get a pickup truck and be a stunt man. The tv series which made kids attempt dangerous stunts on their bikes.

And the actual fall guy Lee majors. Makes an appearance post credit? Really. Why even bother.

Was ok but a missed opportunity to make it great.

I was thinking about writing a full blown review covering the story and the characters, the acting and the stunts and everything, but then I realized that I'm so far off point.

It's Ryan Gosling and Emily Blunt falling in love while Gosling takes a beating with a mafia-related plot. Don't overthink it, you'll ruin it.

It's fun, it's exciting, it's that early Tom Cruise vibe of movie, like Knight and Day. Sit down, relax, grab some popcorn and just enjoy giving your brain a bit of break. Not everything has to be some convoluted political plot like Dune, some things are just for fun.

TLDR: this movie wants to have fun, so don't ruin it's vibe with your overanalyzing 😅

1st half is not action heavy but romance elements are sweet and the chemisty between cast is evident

Emily's delivery is top notch in every scene from romance to action

Ryan's deadpan is legendary at this point

Really liked Winston being a movie geek stunt coordinator, quoting from action movies

2nd half of the movie had great action scenes

I was expecting Tropic Thunder but with romance going into the movie and left satified with the cute and sweet romance scenes between Ryan and Emily and the final action sequence

If I had to make a bad comment, it would be that some funny scenes in the trailer were changed (police ice cream - I remembera fist) but understandable as the scenes themselves were actually serious.

I prefer to review movies as a whole but the lines between the acts in this movie are so obvious that sort of renders reviewing this movie as a whole impossible. Also the quality difference between the acts is so evident that reviewing the movie as a whole wouldn't do justice, to the last act that is.

First act, we are introduced to the characters. And you better believe me when I say that the movie takes its sweet time with the first act. It takes too long and provides too little in the great scheme of things. I can't see the general audience enjoying this at all however this act is likely to prove to be more bearable if you're into production side of movies.

Second act, the movie's entire tone suddenly changes with one phone call and it becomes a murder mystery. Now, the problem here is apparent. We have a case at hand but why should the audience care about it? There are better movies out there with more intriguing mysteries. No one's going to buy a ticket to the Fall Guy for the murder mystery element. The movie itself didn't advertise itself a murder mystery either. It was advertised as a RomCom and an Action movie. However, the movie barely delivers its promises up until the last act.

Romance is surely there but there are times it feels too forced. You know how the saying goes, "Show, don't tell.". Well, while the chemistry between Ryan Gosling and Emily Blunt is clearly there, there are times in the movie where they try too hard to sell it and it comes off as superficial. Regarding other elements, comedy and humor is barely there. It is rather dry in that regard and action, well, let's cover that in our review of the third act.

Third act is clearly the saving grace of this movie. You can sort of see it coming halfway through the second act and it really is "bombastic". But does it really make up for the two lacking acts of the movie? Well, see the movie for yourself and be the judge of that.

This is the best movie I have seen in a while!

I don't get how people can not like it, if they like movies overall.

It doesn't suppose to have a complex plot, it doesn't have to have complex romance, it is not about that!

It is about movies, movie industry and so many senses there, so many references, you just need to pay some attention and notice, that everything that is happening has its reference.

Yes, first 15 minutes, you have to wait, it's a bit slow and feels strange, but it is sooooo much worth it! Ryan and Emily - are top choices for this movie, it does feel like the male role war written for other Ryan Rainolds, there are so many references to his roles, and that is why I think it is great they took other Ryan, which feels like it is intentional.

The gun, the pillow, the UNICORN for God's sake, it is all so cool, it is done in a masterpiece way, to show what we see in so many movies.

And main thing - this movie is what the trailer shows it will be! You don't feel fulled, like I was when I watched Civil war, or most of the stuff that now goes to the cinemas.

The trend of 3 hour epics, with overly serious narrative, performances, and character development that require 100% attention has dominated cinema for the last decade across every genre.

The fun popcorn flick, that dominated the 80s and 90s that made you laugh, with great on screen chemistry between the leads, with a visual spectacle and banging soundtrack is a lost art.

Here's a throwback to that era - Blunt and Gosling are great on screen together, simple narrative with some fun (yet predictable) twists and turns and visually great with all bells and whistles of modern filmmaking. Never taking itself seriously with a wink to the audience - grab your popcorn, and your choc top and enjoy 2hrs of fun.

Inspired by the Lee Major's starring TV show of the same name that ran for 5 seasons from 1981-86, David Leitch's modern take on The Fall Guy comes at a time when Hollywood is crying out for an American summer blockbuster hit that ignites box office booths when most others are floundering and while there's a chance this Ryan Gosling and Emily Blunt starring action comedy does make a decent dent at the global box office, Leitch's well-intentioned big budget affair is sadly another recent blockbuster that doesn't hit the mark.

An amalgamation of a bevy of ideas, Fall Guy acts as a crowd-pleasing action ride, a generic romantic comedy centred around Gosling's long-suffering stuntman Colt Seavers and Blunt's up and coming director Jody Moreno, a love letter to the stunt community and an underdeveloped mystery that see's Seavers enlisted to help track down Aaron Taylor-Johnson's missing Hollywood leading man Tom Ryder.

With this in mind, no one can accuse Leitch's film of resting on its laurels but despite appearing to have its heart in the right place, too much of Fall Guy feels forced, underdeveloped and at the same time overstated, making this a a film likely to appease easy going audiences initially but a film that disappears from people's memories before a second thought.

A one time stuntman himself, David Leitch has found success over the past decade with his ability to instil many of his films with the right amount of zany energy, comedic chops and action beats, with his work on successful outings such as Deadpool 2 and the highly underrated at the time Bullet Train perfect examples of the type of film Fall Guy wants to be and with it missing the mark in many of the elements that made those films so much fun, at the very least you'd expect the action heavy segments of Fall Guy too fly but even the key action moments here never take off, with no set pieces likely to be considered again once the next scene rolls around.

Trying to be so many things at any one time, there's a distinct lack of focus that embodies Fall Guy's long in the tooth runtime that runs out of steam early, picks up momentum when Seavers rolls into Sydney after a long term hiatus in the industry and then loses significant amounts of good will and energy when a quite terrible last act takes hold, with this lack of focus constantly bringing any wins the film has back to earth, no more evident than in the films constant back and forwards between events on the set of Seavers and Moreno's new movie, Seavers investigation into Ryder's disappearance and then Gosling and Blunt's forced feeling will they or won't they romance.

With so many things going on and film struggling to deliver on the spectacle front, hopes of Fall Guy being saved on the comedic front are not too be found with minor chuckles the order of the day as many of the films big set-ups and over-delivered back and forwards lacking the smarts or charms that could've made even some of the minor potential moments something worth celebrating with Fall Guy also in particular marking a moment in Gosling's career as it stands where his schtick that his finely attuned over the most recent parts of his career showing genuine wear and tear.

Not playing the exact same pretty dumb he did with The Nice Guys or Barbie or the sleek comedic charmer he did with La La Land or Crazy, Stupid, Love. There's still a sense of over familiarity with Gosling's turn as the potentially genius/potentially misguided Seavers and there's not many moments in Fall Guy where you feel Gosling is really owning proceedings here, marking this role down as a key career moment for the beloved star where he will either continue to bunker down with this type of project or start to recognise it is perhaps time he gave this version of Gosling the A-lister a rest.

A well-intentioned film and entirely inoffensive, there's glimpses of the film Fall Guy just might have been and there's going to be some fans of the film unearthed no doubt but overall this films the exact type of forgettable Hollywood film the industry really didn't need right now.

Final Say -

Failing to excel in the action or comedic stakes and unable to do much with the chemistry between Gosling and Blunt that could've been mined far greater than it was here, The Fall Guy is a disappointingly lacklustre and disjointed outing that has strangely been greeted with a far kinder critical reception than it deserves.

2 unicorns out of 5

Jordan and Eddie (The Movie Guys)

Sorry, couldn't agree with the critics giving glaring reviews. I am not sure what they found in the sloppy script and even sloppier direction.

I am giving it 5/10 only for the occasional comedies that made me laugh and the beautiful locations in Sydney. Some of the stunts were truly impressive, but I guess that was a core requirement for a movie about a stuntman.

The chemistry between Gosling and Blunt was lifeless. There was no spark even in the most romantic scenes. Emily Blunt is one of the overrated actors getting a lot of attention in Hollywood nowadays, in my opinion.

The pace was rather uneven, and it did not feel like it was planned - but rather lack of. At times, it felt such a drag that I could not connect to what these characters were doing on the screen.

Not worth spending your hard earned money at the theatres.

Here's my gripe with this movie: it's about 40 minutes too long, the pacing is all over the place and it has no idea what kind of movie it wants to be. It wasn't particularly funny, I chuckled about 4 times. It didn't really work as an action movie, because the bulk of the action takes place in the final 20 or so minutes, and the couple of fights and chases which come earlier are separated by long dull scenes of dialog. Sooooooooo much bland dialog. A chase scene which repeatedly cuts to people talking... and not in a funny or meaningful way. A scene where I though "They're talking about split screen, and this is shown to us in split screen, that's pretty neat"... but the scene kept on going and going without doing anything for the plot. I found myself looking at my watch and thinking "We're 30 minutes in, and virtually nothing has happened yet". That turned into an hour. Then 1 hour and 30. OK, now they're finally ramping up things. Yeah.

Blunt's is utterly wasted in this film. She could have been replaced by a faceless voice a'la "Bullet Train" and it would have made very little difference. Palmer was decent (didn't even recognize her right away), but she had only like 5 minutes of screen time. Taylor-Johnson did an OK job as the arrogant movie star whom Gosling's character doubles, but he was missing for half of the movie, so didn't really make up for the blandness of pretty much everyone else. And that includes Gosling. There were several well placed cameos, but those were too short to elevate the movie in any significant way.

As they're both adaptations of 80's TV shows where comedy mixes with action, then it's worth comparing "The Fall Guy" to 2010's "The A-Team". Yes, that movie is not well regarded, but frankly speaking it was way more entertaining than what I watched in the cinema today. The dialog was way tighter and served a purpose, the romantic interest wasn't just a pretty face, it fully embraced it's ridiculous premise and actually had charismatic main characters. All things which "Fall Guy" misses.

TL;DR: save your money and wait until the movie reaches streaming services. Then you can watch it while doing chores etc, and have the option to zone out during the many many many boring bits.

With a movie like this you don't expect much. You do expect it to be funny, slick and entertaining. But you don't expect it to be too long. This film is too long. Gosling tries very hard all through the movie and is a genuine star. Blunt is gorgeous but to be honest looks bored. Every body else is just filler. The plot is silly but that's okay. The stunts are great but there are far too many. Overall the movie is so shallow it's difficult to write enough about it to meet the required characters for this review. I'm glad it finished as I was bored about 30 minutes out. And that's a pity. Oh well.

Well I went into this movie thinking High Hopes was filmed here in Australia. I'm an Australian thought it would be okay. Some good actors. The first five minutes was okay then. It just got plain boring. I got lost with the plot. Didn't have a clue what was going on, yeah there was plenty of action. Nothing wrong with that maybe too much action yeah I know it's about stuntman but still. I was Dozing off halfway through the movie milt date was on the phone playing games. That's how bad this movie was .The plot was really hard to follow as mentioned before the action sequences were very good but the whole gist of the movie lost me after 10 minutes a couple of cameos towards the end with Lee Majors Heather Thomas from the original full guy TV series Didn't even save this movie. Save your cash.

David Leitch's latest action-comedy, The Fall Guy, boasts a charming cast and a premise ripe with comedic potential. However, much like a stuntman missing his mark, the film stumbles in its execution, leaving me with a feeling of "been there, done that."

The plot centres around Colt Seavers (Ryan Gosling), a washed-up stuntman lured back into the game when a Hollywood star mysteriously vanishes from a big-budget production. While the idea of a stuntman doubling as an investigator is intriguing, the mystery itself feels derivative. We've seen this whodunit play out countless times before, complete with red herrings, double-crosses, and a climax that feels telegraphed a mile away.

The film's saving grace, however, is its charismatic lead duo. Gosling brings a winning blend of cockiness and vulnerability to Colt, while Emily Blunt shines as Jody Moreno, the film's sharp-tongued director and Colt's potential love interest. Their banter is genuinely funny at times, and their chemistry is undeniable. But even their talents can't elevate the film's predictable script, riddled with clichés and groan-worthy jokes.

Leitch, known for his work on action films like John Wick, delivers on the stunt sequences. The practical effects are impressive, showcasing the daring and skill of stunt performers. There's a clear love for the craft on display, reminiscent of classic action comedies like Rush Hour. However, the frenetic editing style, with its rapid cuts and shaky camerawork, often undermines the impact of these scenes, leaving me feeling disoriented rather than exhilarated.

The Fall Guy tries to capture the spirit of 80s action-adventure flicks, but it lacks the heart and humour of those films. The soundtrack, while energetic, leans heavily on nostalgia without offering anything fresh. The cinematography is serviceable, but the use of colour feels bland and uninspired.

Ultimately, The Fall Guy is a frustrating missed opportunity. It has the potential to be a crowd-pleaser, but its derivative plot, underwhelming direction, and forgettable score hold it back. While there are moments of genuine amusement, thanks largely to the cast, the film feels like a pale imitation of its action-comedy predecessors.

So, should you see it? If you're looking for a mindless action flick with a forgettable plot and some decent stunts, The Fall Guy might do it for you. But for those seeking a truly entertaining and clever experience, this one's a flop.