Benjamin Sniddlegrass and the Cauldron of Penguins (2011) Poster

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Top marks for effort but fails on ideas, material and execution – even those that get the in-"jokes" will struggle with it
bob the moo9 February 2011
It is very unlikely that you have stumbled onto this film and are watching it out of context. It is almost certain that you have come to this film because you already know the joke and listen to Mark Kermode and Simon Mayo on Radio Five Live. This film was created following a throw away comment by Mark that Percy Jackson & The Lightening Thief was a rip-off of Harry Potter and could have be called anything – this title being the first thing that came to his mind. As is the way with the show, listeners got involved on the text etc and before long we had posters for this fictional film but it took a year for a listener to decide to spend their own money to make it a real film. It was only fair that I put my £7 in and give it a look.

OK, so let me get the congratulations out of the way; well done to Dylan for making this happen off a throwaway remark in the podcast – his name is all over the credits and he not only made it but also put together the premier and got lots of coverage for doing so. The effort and motivation is commendable – it is just a shame that with that motivation did not come good ideas. In essence the whole film (from title on down) is an in-joke for those that listen to Wittertainment (the in-joke name for the Kermode & Mayo film podcast); while I am not a fan of how silly they have become of late with listeners thinking up silly duo names, listing their degrees and all those "hellos" (even Jason Isaacs tried to hint he wants it wound up – it fell on deaf ears), I am "target audience" for this film. With the origins of the idea it is a film that should be funny, sharp, stylish and punchy but sadly here it is pretty much the opposite of that.

The amateur production values are to be accepted and I didn't have too much of an issue with the budget – it was the content I had issues with. All the in-jokes are here to be see (Witter, Fairport Convention, David Morrissey, Werner Herzog etc) but they are mostly done in rather obvious and unfunny ways – mostly shoehorned in and seen for miles and the audience is expected to enjoy them just because they are from the podcast. "Unfortunate Event" was well used but the majority clunk onto the screen like Jacob Marley's chains. The decision to make a film over an hour long appears to have been a mistake because what comic value could have come from the in-jokes is lost in a lot of other stuff. This "other stuff" is the same skiffle song several times, lots of pointless "plot" and lots of dialogue scenes with nothing of interest or humour said in them. Of course the production values don't help but I have seen many short films made on shoe-string budgets (including, for example, the Super8 series) which are punchy, clever, stylish and funny.

In reality this is what BSATCOP should have been – a short film, perhaps even an animation. The absurd title demands fun; it suggests a wacky film and "wacky" is rarely a quality you want to have come at you for over an hour. An overblown action animation with a sharp punchy script and an aim beyond just referencing words said on a podcast would have been great. BSATCOP should have been that; it should also have had a script that focuses on what the title is making fun of – generic Hollywood films, clichés and so on. Sadly when it comes down to it the only part of the film that felt fresh and amusing was the Bond-esque title sequence with penguins and guitars flying around the screen. After that the poor script, lack of sparkle, lack of laughs and lack of anything to really hold the interest just gradually wore me down over the remaining time (of which there was far too much). Those with no knowledge of the podcast will have turned it off after 10 minutes – those who love their Wittertainment will stick with it out of loyalty and hope, but will not find their effort rewarded.

The in-joke had potential but none of it makes it into the film. I would love to see someone take the title and make an animated short film or an online comic strip but to try and make it into a full-length (ish) film with story, characters and performances was a very tall order and it was one that Dylan is not up to. It is admirable that someone picked up on this and had the drive and motivation to make this happen – I just wish that it had been someone with good ideas.
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3/10
As good as you could hope for, given the budget.
Bloom___4 March 2012
Warning: Spoilers
It may well be the strangest raison d'être of a film in movie history. Film critic Mark Kermode, in reviewing Percy Jackson and the Lightning Thief, derides Harry Potter wannabes and says – in an entirely throwaway remark – that you might as well make a film called 'Benjamin Sniddlegrass and the Cauldron of Penguins'. On the other side of the world, Australian Jeremy Dylan takes him at his word and with a gang of friends, and almost no money whatsoever, turns a sarky joke into a feature film packed with wittertaining references.

As narrator Stephen Fry briefly explains in an uncannily familiar set- up, Benjamin Sniddlegrass (Andrew Griscti) lives in the bathroom of his unpleasant Aunt David Morrissey. One day, he's magically transported from Cockfosters to Sydney, where the mysterious Pentangle (Alec Doomadgee) explains that he's a 'wit', a wizard selected for training at the famous Fairport Academy. Benjamin is an unwitting (sorry) celebrity at the school, since his parents were killed battling the evil Lord Emmerich, also presumed dead; but he has more immediate matters to address, such as a burgeoning friendship with bright-eyed third-year student Scarlett McKenna (Catherine Davies) and a chance to watch long- dead music heroes, specifically skiffle king Johnny Leroy (Jon Sewell). However, events take a surreal turn when Emmerich – and penguins – start appearing in Benjamin's dreams, forcing the student to seek assistance and a less-than-magical 'potion' to keep him awake, provided by the school's exchange headmaster, Werner Herzog (Dorian Newstead).

It would be condescending to judge BSATCOP by different standards to any other film, and in a totally objective light you'd have to say it's not brilliant. The reason for this is almost entirely attributable to the fact that it's as cheap as – let's follow the form – nuts, and looks it. I can't be bothered to count exactly how much of the movie is actual footage and how much is titles or scenes played through a different filter, but to make the film last more than an hour Dylan replays scenes until they become over-familiar, interspersed with what amount to Powerpoint graphics (I think we get four sets of titles, in all). The film displays all the hallmarks of student film-making, using real locations and making do with what's available: entirely understandable, but (for example) was there really no better alternative to a grungy student bar for Emmerich's lair? The plot too is at the mercy of the ultra-low budget (£6,000, roughly), which allows only the most cursory parody of the Harry Potter movies – we're talking very low-grade magic – and no set-pieces to speak of (unless you count rescue from a pool table as an action set-piece).

That said, Benjamin Sniddlegrass does – just about – manage to tell a story, and has fun while it's doing it. The acting from the leads is pretty decent for a student film, and there's something approaching chemistry between Griscti and Davies, bolstered by a saucy streak that has nothing to do with J.K. Rowling's work (the banter while playing pool is pure smut, in a good way); the Maurice Binder-like titles are also surprisingly effective, accompanying the bombastic theme song (the music in general is good, depending on your tolerance for skiffle). Dylan makes a virtue of the film's cheapness, and while it never reaches great heights of excitement, I didn't have time to get bored either. I enjoyed individual jokes, like the Wicker Basket of Times Past, very much.

The question I haven't answered so far is 'Do you have to know the context of the film's genesis to appreciate it?', and my answer is 'I don't know'. I am a regular podcaster of Drs Mayo and Kermode film review show on Radio 5 Live, and as such did enjoy the little references to the show's in-jokes and memes – even if no-one directly says hello to Jason Isaacs. However, apart from knowing where the title came from and who Werner Herzog is, I don't think it does matter much if you're aware of the film's background. Anyway, let's face it, if you're not a fan of the good doctor (and the fake one), your chances of stumbling on this movie by mistake are pretty slim.

Benjamin Sniddlegrass and the Cauldron of Penguins is a brave, not to say lunatic, attempt at making a mountain out of a molehill; and while it would have obviously been a better film with another 20,000 or so dollars thrown at it, it contains enough good material to be perfectly watchable. Personally, I think the film shows some talent – Peter Jackson started off mega-cheap, and look where he ended up - and I'd quite like to see the proposed follow-up, Benjamin Sniddlegrass and the Death of Narrative Cinema. Minute for minute, and balancing assets against flaws, I genuinely thought the film was on a par with Ang Lee's Hulk, Eagle Eye and The Da Vinci Code. And it's a lot better than that particular favourite of Dr K's, Angels and Demons.
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