Directed by
Mollie Binkley |
Writing Credits (in alphabetical order)
Mollie Binkley |
Cast
Liza Binkley | ... | Sarah | |
Liza Bock | ... | (voice) | |
Lucy Bock | ... | Charlotte Larson | |
Oliver Bock | ... | Neighbor | |
Phil Cairns | ... | (voice) | |
Jim Shelby | ... | (voice) |
Produced by
John Binkley | ... | producer |
Liza Binkley | ... | co-producer |
Oliver Bock | ... | co-producer |
Michel DeAscentiis | ... | associate producer |
Aden Glassman | ... | co-producer |
Natalie Johnson | ... | associate producer |
Tim Johnson | ... | associate producer |
Music by
Simon Charles Katz |
Cinematography by
Noah Rosenthal |
Editing by
Jana Fritsch |
Production Design by
Michel DeAscentiis |
Set Decoration by
Oliver Bock |
Makeup Department
Claus Lulla | ... | makeup consultant: to Liza Binkley |
Production Management
Michael David George | ... | post-production technical supervisor (as Michael George) |
Second Unit Director or Assistant Director
Liza Bock | ... | third assistant director |
Aden Glassman | ... | first assistant director |
Sherri Matthews | ... | second assistant director |
Art Department
Oliver Bock | ... | property master |
Michel DeAscentiis | ... | graphic designer |
Caroline Kerr | ... | original artwork: contributed by |
Paula Lobo | ... | original artwork: contributed by |
Sound Department
Tom Clark | ... | post sound recordist |
Garth Lewis | ... | recording: session director |
Stan Ng | ... | sound recordist |
Alan Orr | ... | voice over recording: Scotland |
Daniel Pagan | ... | supervising sound editor |
Matt Parra | ... | re-recording mixer / sound effects editor |
Camera and Electrical Department
Patrick Barcroft | ... | key grip |
Michel DeAscentiis | ... | first assistant camera |
Danielle Fairbairn | ... | swing/grip/electric |
Edd Lukas | ... | gaffer / second unit director of photography |
Noah Rosenthal | ... | a camera operator |
Mike Wheet | ... | swing/grip/electric |
Costume and Wardrobe Department
Catherine Bock | ... | seamstress |
Editorial Department
Peter Boychuck | ... | end credits: and sequence design and edit |
Achim Kapitza | ... | colorist |
Ronny Khalil | ... | end credits: and sequence design and edit |
Music Department
Lindsay Good | ... | music coordinator |
Script and Continuity Department
Kosei Seki | ... | script supervisor |
Additional Crew
Oliver Bock | ... | craft service |
Ellen Eaton | ... | Medical Research: Consultant to Liza Binkley (as Dr. Ellen Eaton) |
Sherri Matthews | ... | craft service (as Sherrie Matthews) |
Camille Spar | ... | craft service |
Deirdre Stegman | ... | Medical Research: Consultant to Liza Binkley / craft service / on-set medic (as Dr. Deirdre Stegman) |
Thanks
Irv Bauer | ... | special thanks to |
Byron Binkley | ... | special thanks to |
Pepper Binkley | ... | special thanks to |
Joan M. Cheever | ... | special thanks to |
Gwen Cruickshank | ... | special thanks to |
Jim Cruickshank | ... | special thanks to |
Carrie Goudge | ... | special thanks to |
Anne Ely Hawkins | ... | very special thanks to |
Andrew Howie | ... | special thanks to |
Michael Katleman | ... | special thanks to |
Mille Kerr | ... | special thanks to |
Todd Lewis | ... | special thanks to |
Ian MacGregor | ... | special thanks to |
Tod A. Maitland | ... | special thanks to |
Jorge Noujaim | ... | special thanks to |
Thomas O'Neil | ... | special thanks to |
Sharam Rad | ... | special thanks to |
Stacey Rad | ... | special thanks to |
Camille Spar | ... | special thanks to |
Jim Spar | ... | special thanks to |
Judith Weston | ... | special thanks to |