Directed by
| Mollie Binkley | ||
Writing Credits (in alphabetical order)
| Mollie Binkley | ||
Cast
| Liza Binkley | ... | Sarah | |
 |
Liza Bock | ... | (voice) |
|
|
Lucy Bock | ... | Charlotte Larson |
|
|
Oliver Bock | ... | Neighbor |
|
|
Phil Cairns | ... | (voice) |
|
|
Jim Shelby | ... | (voice) |
Produced by
| John Binkley | ... | producer |
| Liza Binkley | ... | co-producer |
| Oliver Bock | ... | co-producer |
| Michel DeAscentiis | ... | associate producer |
| Aden Glassman | ... | co-producer |
| Natalie Johnson | ... | associate producer |
| Tim Johnson | ... | associate producer |
Music by
| Simon Charles Katz | ||
Cinematography by
| Noah Rosenthal | ||
Editing by
| Jana Fritsch | ||
Production Design by
| Michel DeAscentiis | ||
Set Decoration by
| Oliver Bock | ||
Makeup Department
| Claus Lulla | ... | makeup consultant: to Liza Binkley |
Production Management
| Michael David George | ... | post-production technical supervisor (as Michael George) |
Second Unit Director or Assistant Director
| Liza Bock | ... | third assistant director |
| Aden Glassman | ... | first assistant director |
| Sherri Matthews | ... | second assistant director |
Art Department
| Oliver Bock | ... | property master |
| Michel DeAscentiis | ... | graphic designer |
| Caroline Kerr | ... | original artwork: contributed by |
| Paula Lobo | ... | original artwork: contributed by |
Sound Department
| Tom Clark | ... | post sound recordist |
| Garth Lewis | ... | recording: session director |
| Stan Ng | ... | sound recordist |
| Alan Orr | ... | voice over recording: Scotland |
| Daniel Pagan | ... | supervising sound editor |
| Matt Parra | ... | re-recording mixer / sound effects editor |
Camera and Electrical Department
| Patrick Barcroft | ... | key grip |
| Michel DeAscentiis | ... | first assistant camera |
| Danielle Fairbairn | ... | swing/grip/electric |
| Edd Lukas | ... | gaffer / second unit director of photography |
| Noah Rosenthal | ... | a camera operator |
| Mike Wheet | ... | swing/grip/electric |
Costume and Wardrobe Department
| Catherine Bock | ... | seamstress |
Editorial Department
| Peter Boychuck | ... | end credits: and sequence design and edit |
| Achim Kapitza | ... | colorist |
| Ronny Khalil | ... | end credits: and sequence design and edit |
Music Department
| Lindsay Good | ... | music coordinator |
Script and Continuity Department
| Kosei Seki | ... | script supervisor |
Additional Crew
| Oliver Bock | ... | craft service |
| Ellen Eaton | ... | Medical Research: Consultant to Liza Binkley (as Dr. Ellen Eaton) |
| Sherri Matthews | ... | craft service (as Sherrie Matthews) |
| Camille Spar | ... | craft service |
| Deirdre Stegman | ... | Medical Research: Consultant to Liza Binkley / craft service / on-set medic (as Dr. Deirdre Stegman) |
Thanks
| Irv Bauer | ... | special thanks to |
| Byron Binkley | ... | special thanks to |
| Pepper Binkley | ... | special thanks to |
| Joan M. Cheever | ... | special thanks to |
| Gwen Cruickshank | ... | special thanks to |
| Jim Cruickshank | ... | special thanks to |
| Carrie Goudge | ... | special thanks to |
| Anne Ely Hawkins | ... | very special thanks to |
| Andrew Howie | ... | special thanks to |
| Michael Katleman | ... | special thanks to |
| Mille Kerr | ... | special thanks to |
| Todd Lewis | ... | special thanks to |
| Ian MacGregor | ... | special thanks to |
| Tod A. Maitland | ... | special thanks to |
| Jorge Noujaim | ... | special thanks to |
| Thomas O'Neil | ... | special thanks to |
| Sharam Rad | ... | special thanks to |
| Stacey Rad | ... | special thanks to |
| Camille Spar | ... | special thanks to |
| Jim Spar | ... | special thanks to |
| Judith Weston | ... | special thanks to |
