The 9th annual Florida Experimental Film/Video Festival, aka Flex, was held on February 15-17 in Gainesville, Florida. This year was one of the fest’s competitive years — (it alternates years with a curated event) – so they gave out 12 awards to 14 deserving filmmakers.
Awards were given out to both film and video artists and were broken up into both long form and short form categories. The film awards included projects in 35mm (Scott Stark), 16mm (Robert Todd) and Super 8 (Paul Clipson).
Below is the full list of winners. And below that is the full program lineup of the fest.
Film (long)
1. Scott Stark, Traces ($600 Kodak product grant)
2. Josh Gibson, Kudzu Vine ($200)
3. Shinya Isobe, Eden ($100)
Film (short)
1. Anja Dornieden and Juan David González Monroy, Awe Shocks ($600 Kodak product grant)
2. Robert Todd, Cove ($200)
3. Paul Clipson, Compound Eyes No. 1 ($100)
Video (long)
1. Ben Russell and Jim Drain, Ponce de León ($300)
2. Benjamin Pearson, Former Models ($200)
3. Paul Tarragó,...
Awards were given out to both film and video artists and were broken up into both long form and short form categories. The film awards included projects in 35mm (Scott Stark), 16mm (Robert Todd) and Super 8 (Paul Clipson).
Below is the full list of winners. And below that is the full program lineup of the fest.
Film (long)
1. Scott Stark, Traces ($600 Kodak product grant)
2. Josh Gibson, Kudzu Vine ($200)
3. Shinya Isobe, Eden ($100)
Film (short)
1. Anja Dornieden and Juan David González Monroy, Awe Shocks ($600 Kodak product grant)
2. Robert Todd, Cove ($200)
3. Paul Clipson, Compound Eyes No. 1 ($100)
Video (long)
1. Ben Russell and Jim Drain, Ponce de León ($300)
2. Benjamin Pearson, Former Models ($200)
3. Paul Tarragó,...
- 2/20/2013
- by Mike Everleth
- Underground Film Journal
The fourth annual Strange Beauty Film Festival will screen on January 24-26 at the Manbites Dog Theater in Durham, North Carolina. The fest primarily screens avant-garde and experimental short films.
Special Events: On Jan. 25, Tom Whiteside’s Circle Spiral Slow, featuring films from Whiteside’s film collection accompanied by live music by local band Arrows Out. And on Jan. 26, give your eyes a rest and your ears a workout with the “Strange Beauty Aural Fixation” experimental audio program.
Bad Lit picks: Leslie Supnet’s The Animated Heavy Metal Parking Lot (Jan. 24), which is quite frankly one of the most charming animated films of all time; and Clint Enns’ psychosexual 8-bit adventure ♥++ (Jan. 24). Also be on the lookout for films by Aaron Zeghers, Kelly Sears, Bill Brown, Robert Todd and Roger Beebe.
For more info and to buy tickets, please visit the official Strange Beauty Film Festival website.
Full lineup below:
January 24
8:15 p.
Special Events: On Jan. 25, Tom Whiteside’s Circle Spiral Slow, featuring films from Whiteside’s film collection accompanied by live music by local band Arrows Out. And on Jan. 26, give your eyes a rest and your ears a workout with the “Strange Beauty Aural Fixation” experimental audio program.
Bad Lit picks: Leslie Supnet’s The Animated Heavy Metal Parking Lot (Jan. 24), which is quite frankly one of the most charming animated films of all time; and Clint Enns’ psychosexual 8-bit adventure ♥++ (Jan. 24). Also be on the lookout for films by Aaron Zeghers, Kelly Sears, Bill Brown, Robert Todd and Roger Beebe.
For more info and to buy tickets, please visit the official Strange Beauty Film Festival website.
Full lineup below:
January 24
8:15 p.
- 1/22/2013
- by Mike Everleth
- Underground Film Journal
The 6th annual Sydney Underground Film Festival is taking over all three screens of the Factory Theatre for a blow-out four-day event on Sept. 6-9.
Making it’s World Premiere at the fest on the 8th is the highly anticipated President Wolfman, the latest “green movie” by director Mike Davis that he’s cobbled together from public domain footage and feature films and set to an outrageous new soundtrack. The film looks like it promises to be a rollicking good time.
Other highlights of the fest include Guy Maddin‘s latest trippy film noir, Keyhole, about a mobster revisiting his homestead’s old memories; Bob Ray‘s documentary about Austin, Texas’ homegrown Total Badass; Bobcat Goldthwait’s media takedown God Bless America; Michal Kosakowski’s underground murder fantasy documentary hit Zero Killed; Richard Griffin’s funky The Disco Exorcist; and more.
Some of the extra special events of the fest...
Making it’s World Premiere at the fest on the 8th is the highly anticipated President Wolfman, the latest “green movie” by director Mike Davis that he’s cobbled together from public domain footage and feature films and set to an outrageous new soundtrack. The film looks like it promises to be a rollicking good time.
Other highlights of the fest include Guy Maddin‘s latest trippy film noir, Keyhole, about a mobster revisiting his homestead’s old memories; Bob Ray‘s documentary about Austin, Texas’ homegrown Total Badass; Bobcat Goldthwait’s media takedown God Bless America; Michal Kosakowski’s underground murder fantasy documentary hit Zero Killed; Richard Griffin’s funky The Disco Exorcist; and more.
Some of the extra special events of the fest...
- 8/30/2012
- by Mike Everleth
- Underground Film Journal
Australia’s Revelation Perth International Film Festival will be holding it’s explosive 15th annual edition on July 5-15 with one of it’s most jam-packed lineups yet.
One of the most special events that Revelation will be holding is July 14‘s retrospective of the films of Jeff Keen, the pioneering British underground filmmaker who very sadly just passed away on June 21. Keen’s work has been having a major resurgence lately and Revelation is the latest organization to so boldly feature his breathtaking experimental film work, from classics like 1967′s Marvo Movie to modern films like Artwar (1993) and Joy Thru Film (2000). This is absolutely an event not to be missed.
Another staggering event this year is a very special live presentation of Crispin Hellion Glover‘s notorious underground films What Is It? and It Is Fine! Everything Is Fine. (Click film titles for Bad Lit reviews!) These very...
One of the most special events that Revelation will be holding is July 14‘s retrospective of the films of Jeff Keen, the pioneering British underground filmmaker who very sadly just passed away on June 21. Keen’s work has been having a major resurgence lately and Revelation is the latest organization to so boldly feature his breathtaking experimental film work, from classics like 1967′s Marvo Movie to modern films like Artwar (1993) and Joy Thru Film (2000). This is absolutely an event not to be missed.
Another staggering event this year is a very special live presentation of Crispin Hellion Glover‘s notorious underground films What Is It? and It Is Fine! Everything Is Fine. (Click film titles for Bad Lit reviews!) These very...
- 6/26/2012
- by Mike Everleth
- Underground Film Journal
By Mike Fleming
Last week at the 29th Street Ballroom, Houston animator Kelly Sears screened some of her work for the latest installment of Experimental Response Cinema. The room, decorated with Seventies mansion kitsch and lit with an oversized disco ball, was a good match for an animation style that made use of found footage, discarded periodicals, books and archival images.
Sears showed a refreshingly varied selection of works that explored dilemmas like the desire to be connected with one another and the relationship between technology and privacy (Voice on the Line, 2010; The Drift, 2007), as well as what she describes as "the darker side of working out" (The Body Besieged, 2009).
Another piece, Once It Started It Could Not End Otherwise (2011), used images harvested from discarded yearbooks to tell a story about a high school in the middle of being consumed by some unknown force. The work, like most of her others,...
Last week at the 29th Street Ballroom, Houston animator Kelly Sears screened some of her work for the latest installment of Experimental Response Cinema. The room, decorated with Seventies mansion kitsch and lit with an oversized disco ball, was a good match for an animation style that made use of found footage, discarded periodicals, books and archival images.
Sears showed a refreshingly varied selection of works that explored dilemmas like the desire to be connected with one another and the relationship between technology and privacy (Voice on the Line, 2010; The Drift, 2007), as well as what she describes as "the darker side of working out" (The Body Besieged, 2009).
Another piece, Once It Started It Could Not End Otherwise (2011), used images harvested from discarded yearbooks to tell a story about a high school in the middle of being consumed by some unknown force. The work, like most of her others,...
- 6/11/2012
- by Contributors
- Slackerwood
The 19th annual Chicago Underground Film Festival, which just ran for the entire first week of June at the Gene Siskel Film Center, have announced their award winners. Picking the winners this year was a jury composed of Julia Gibbs (University of Chicago’s Film Studies Center), Dan Koretzky (Drag City Records) and Jonathan Marlow (Fandor).
Awards were given in seven categories, each of which have a singular winning film and several honorable mentions. Taking home the coveted Made in Chicago Award was Jesse McLean‘s experimental short film Remote, a haunting meditation on nature and technology.
Other short films winning awards were Ben Russell‘s ethnographic film River Rites for Best Documentary Short, Bryan Boyce‘s hilarious Walt Disney’s Taxi Driver for Best Film Using Appropriation or Pre-existing Material and Peter Jessien Laugesen’s Nature’s Voice for Best Animation/Experimental Short.
On the feature film front, Daniel Schmidt...
Awards were given in seven categories, each of which have a singular winning film and several honorable mentions. Taking home the coveted Made in Chicago Award was Jesse McLean‘s experimental short film Remote, a haunting meditation on nature and technology.
Other short films winning awards were Ben Russell‘s ethnographic film River Rites for Best Documentary Short, Bryan Boyce‘s hilarious Walt Disney’s Taxi Driver for Best Film Using Appropriation or Pre-existing Material and Peter Jessien Laugesen’s Nature’s Voice for Best Animation/Experimental Short.
On the feature film front, Daniel Schmidt...
- 6/8/2012
- by Mike Everleth
- Underground Film Journal
It's another week free of hype and blockbuster films, with plenty of gems around Austin to keep film fans pleased, especially classic film fans. The Paramount Theatre kicks off its highly anticipated Summer Classic Film Series next Thursday night with To Kill a Mockingbird and Pillow Talk.
Galveston-based animator and filmmaker Kelly Sears will be in town to screen a series of short works for the Experimental Response Cinema on Wednesday, May 23, 7:30 pm, at Spider House. This 2011 Texas Filmmaker Production Fund (Tfpf) recipient has had her experimental films screened at Los Angeles Film Festival, Sundance, and SXSW Film Festival including the animated short horror film Once It Started It Could Not End Otherwise. Her films feature images of the past to tell modern stories through the use of analog and digital animation.
The Alamo Drafthouse is screening the classic movie Rashomon at the Ritz on Monday at 7:30 pm...
Galveston-based animator and filmmaker Kelly Sears will be in town to screen a series of short works for the Experimental Response Cinema on Wednesday, May 23, 7:30 pm, at Spider House. This 2011 Texas Filmmaker Production Fund (Tfpf) recipient has had her experimental films screened at Los Angeles Film Festival, Sundance, and SXSW Film Festival including the animated short horror film Once It Started It Could Not End Otherwise. Her films feature images of the past to tell modern stories through the use of analog and digital animation.
The Alamo Drafthouse is screening the classic movie Rashomon at the Ritz on Monday at 7:30 pm...
- 5/18/2012
- by Debbie Cerda
- Slackerwood
Having been around for eighteen years, the Chicago Underground Film Festival has continually changed what it defines as “underground.”
So its 19th annual edition, which will be held on May 31 to June 7 at the Gene Siskel Film Center, feels like its most experimental edition in recent years.
While things kick off on the 31st with the Vice-produced anthology film The Fourth Dimension by Alexsei Fedorchenko, Harmony Korine and Jan Kwiecinski, the rest of the fest is packed with feature-length and short experimental work, documentaries and alternative narratives.
Some of the experimental feature highlights include the vastly prolific Robert Todd‘s Master Plan, which examines theories of modern housing from private residences to prisons; Australia’s two-person art collective Soda_Jerk’s epic rip on media piracy, Hollywood Burn; Michael Kosakowski’s compendium on murder fantasies, Zero Killing; L.A. filmmaker Daniel Martinico’s meditation on the acting process, Ok, Good...
So its 19th annual edition, which will be held on May 31 to June 7 at the Gene Siskel Film Center, feels like its most experimental edition in recent years.
While things kick off on the 31st with the Vice-produced anthology film The Fourth Dimension by Alexsei Fedorchenko, Harmony Korine and Jan Kwiecinski, the rest of the fest is packed with feature-length and short experimental work, documentaries and alternative narratives.
Some of the experimental feature highlights include the vastly prolific Robert Todd‘s Master Plan, which examines theories of modern housing from private residences to prisons; Australia’s two-person art collective Soda_Jerk’s epic rip on media piracy, Hollywood Burn; Michael Kosakowski’s compendium on murder fantasies, Zero Killing; L.A. filmmaker Daniel Martinico’s meditation on the acting process, Ok, Good...
- 5/8/2012
- by Mike Everleth
- Underground Film Journal
Student-run at the University of Wisconsin, Milwaukee, the Milwaukee Underground Film Festival will once again screen a selection of phenomenal experimental and avant-garde short films from all over the world. The 2012 edition will run May 4-5 at various locations around Milwaukee, including the Uwm Union Theatre, Walker’s Point Center for the Arts and the the Peck School of the Arts Kenilworth Studios.
Some films to look out for at the fest include Georg Koszulinski‘s tranquil landscape experimental documentary The Search for Norumbega; new animation films by Jodie Mack (Point de Gaze) and Ben Popp (Lazslo Lassu); Clint Enns‘ environmental search for the spiritual, Connecting With Nature; two films by Winnipeg’s Aaron Zeghers, The Story of Thomas Edison and I See a Light; a visually arresting Chromadepth experiment from Kerry Laitala, Chromatic Cocktail 180 Proof; plus, films by Jim Haverkamp, Lyn Elliot, Tony Gault, Kelly Sears and more.
The...
Some films to look out for at the fest include Georg Koszulinski‘s tranquil landscape experimental documentary The Search for Norumbega; new animation films by Jodie Mack (Point de Gaze) and Ben Popp (Lazslo Lassu); Clint Enns‘ environmental search for the spiritual, Connecting With Nature; two films by Winnipeg’s Aaron Zeghers, The Story of Thomas Edison and I See a Light; a visually arresting Chromadepth experiment from Kerry Laitala, Chromatic Cocktail 180 Proof; plus, films by Jim Haverkamp, Lyn Elliot, Tony Gault, Kelly Sears and more.
The...
- 4/30/2012
- by Mike Everleth
- Underground Film Journal
Over at Hammer to Nail, Michael Tully has announced the winner for the inaugural edition of his monthly Short Film Contest. This month’s winner, Kelly Sears’ Once It Started It Could Not End Otherwise, is available to watch online, and it’s unforgettable; a nightmare-ish collage of refracted high school memories, manipulated yearbook photos, and an escalating sense of dread.
You can stream Once It Started It Could Not End Otherwise over at Vimeo. My advice – don’t watch it at work unless you want your coworkers to see your terrified face.
Previously supported by Rooftop’s Filmmakers’ Fund, Sears’ short was chosen by a panel of judges including filmmaker David Gordon Green, reRun Gastropub curator Aaron Hillis, and Hammer to Nail editor Michael Tully. As part of her prize, Sears will receive fee waivers to several major Us film festivals, as well as a full review on Hammer...
You can stream Once It Started It Could Not End Otherwise over at Vimeo. My advice – don’t watch it at work unless you want your coworkers to see your terrified face.
Previously supported by Rooftop’s Filmmakers’ Fund, Sears’ short was chosen by a panel of judges including filmmaker David Gordon Green, reRun Gastropub curator Aaron Hillis, and Hammer to Nail editor Michael Tully. As part of her prize, Sears will receive fee waivers to several major Us film festivals, as well as a full review on Hammer...
- 2/22/2012
- by Dan Schoenbrun
- Filmmaker Magazine - Blog
Robert G. Putka‘s Mouthful and Jared Varava‘s Tumbleweed! are two short films that have been selected to screen at the 2012 SXSW Film Festival, which will run in Austin, TX on March 9-17.
Mouthful is Putka’s second short film, a verbally raunchy comedy starring Eilis Cahill and Conor Casey as a young couple whose relationship becomes strained thanks to an overly frank discussion about their sexual histories. The film was recently reviewed on Bad Lit: The Journal of Underground Film saying “one shouldn’t assume too much how the premise of a young man and woman discussing [male] anatomy will play out.”
Putka has also mounted an IndieGoGo campaign to help fund his filmmaking team’s trip to SXSW and for marketing material, such as posters, T-shirts, press kits and such. If you want to help out, please visit the Mouthful IndieGoGo page.
Tumbleweed! is the latest collaboration between...
Mouthful is Putka’s second short film, a verbally raunchy comedy starring Eilis Cahill and Conor Casey as a young couple whose relationship becomes strained thanks to an overly frank discussion about their sexual histories. The film was recently reviewed on Bad Lit: The Journal of Underground Film saying “one shouldn’t assume too much how the premise of a young man and woman discussing [male] anatomy will play out.”
Putka has also mounted an IndieGoGo campaign to help fund his filmmaking team’s trip to SXSW and for marketing material, such as posters, T-shirts, press kits and such. If you want to help out, please visit the Mouthful IndieGoGo page.
Tumbleweed! is the latest collaboration between...
- 2/10/2012
- by Mike Everleth
- Underground Film Journal
Liv Mjönes, Ruth Vega Fernandez, With Every Heartbeat Breakthrough Selections Expecting: In Chile, a young girl and her boyfriend wait for a black-market drug to take effect in this tense and insightful examination of teen pregnancy. Dir/Scr Francisca Fuenzalida. Chile. U.S. Premiere. Light Of Mine: Rapidly going blind, photographer Owen and his wife Laura take a life-changing trip to Yellowstone National Park where they experience a beauty that rivals their tragedy. Dir Brett Eichenberger. Scr Jill Remensnyder. USA. Three And A Half: Three women risk everything and travel to the northwest Iranian border in hopes of escaping prison and reuniting with their comrades. Dir/Scr Naghi Nemati. Cast Samaneh Vafaiezadeh, Shooka Karimi, Negar Hassanzadeh, Mehdi Poormoosa. Iran. U.S. Premiere. With Every Heartbeat: In this Swedish romantic drama, uptight Mia attends her father’s engagement party and not only gains a stepmother, but also a new lover,...
- 10/23/2011
- by Andre Soares
- Alt Film Guide
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.