User Reviews

Sarah (Hannah Ward) is a disturbed person who has premonitions and "episodes." She makes Carrie look like a social butterfly. We don't know the exact nature of her reclusive problem, but we do know her parents moved due to her being tormented. The parents must leave and have Lucy (Sage Howard) come over and keep her company. Lucy, invites her friends and they decide to make it a party.

Things turn weird at about 30 minutes into the film with the kids being locked inside the house (with windows). The horror aspect at this point wasn't too bad. When it came time to bring the film home, they came with a twist, one that filled in plot continuity gaps. The problem I had was that the twist lessened the film. They twisted the wrong way.

This is slightly less than a meh rental.

Parental Guide: No f-bomb, sex, or nudity.

A woman with a ton of issues who takes a ton of pills decides to have some friends from school over for a party. The woman has a Final Destination vision and tells them all how they are going to die. All the doors seemed to be locked from the outside trapping everyone inside and soon her predictions come true.

This thing sucked pretty bad. The whole delivery was just awful. Even the setup was hokey and why wasn't anyone trying to get out? The acting was crap as well. The ending to this just made the film even worse. I seen this under the title The Evil Inside but I think Dead Inside was a better description of how you feel afterwards. Avoid this one.

Sarah is a mopey, pale-faced teenager who is about to start at a new school, so her parents arrange for Lucy (Sage Howard) to come round for a sleepover while they go out for the entire night, clearly happy to be away from their miserable daughter. Lucy, not wishing to be stuck with sulky Sarah on her own, invites all of her friends and so begins the world lamest party, any enjoyment sucked out of proceedings by the miserable 'host'. For reasons that make no sense whatsoever, but which suit the plot, all of the doors and windows are automatically locked from the outside, which means that when the 'guests' start to die, as predicted by fun-sponge Sarah, no-one can escape.

This film features loathsome characters who behave implausibly throughout, but that's OK because, in one of the most over-used plot twists in the genre, everything we see is happening inside Sarah's troubled mind. With such an unlikeable bunch of (imaginary) teenagers, one might reasonably expect to derive some pleasure from their untimely (imaginary) demises, but the (imaginary) death scenes are executed in such a lame, bloodless fashion that horror fans are even robbed of that basic pleasure. The film ends, none too soon, with a drawn out 'reveal' whereby Sarah's parents talk through the entire plot twist in detail for those viewers who haven't already figured things out for themselves.

This "movie" stinks from start to finish. It seems to have been shot in almost full darkness, with no lights ~ perhaps a budget factor, but why not choose areas that are fairly bright during the daytime ??? The audio is dreadful, and the "actors" mumble & slur their words ~ at first I thought they must be speaking Swedish or Norwegian, for I could not catch any words at all ! The "story" is rubbish, the effects childish, the direction non-existent. Nothing new or creative here. This is one to AVOID COMPLETELY unless someone pays you a handsome sum to watch it. 0/10.