At first, the initial situation seems exciting. A soldier (Götz Otto) is arrested for the murder of a woman he doesn't even seem to know. Later, this soldier's superior is kidnapped: By the ex-husband of the first victim. A constellation already familiar from Patricia Highsmith's "Strangers on a Train" - albeit under different circumstances. What follows can hardly be surpassed in triviality. One of the two female inspectors (Ulrike Folkerts) completely backs away from the artificially played male arrogance of the arrested soldier in equally artificially played desperation. One stereotype alternates with the next. A young lawyer appears more as an appendage to this baseless story. It all ends in a not very believable and chaotic rescue operation. Pure chaos.
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