"The 78 Project Movie" is an outgrowth of a music documentary web series that my partner Lavinia Jones Wright and I first launched in the Fall of 2011. Focused around cutting 78 rpm records with contemporary musicians on a 1930's Presto direct-to-disc recorder, in one take, and shot and distributed digitally, it's a project that spans a hundred years of technology. It's also an ongoing multi-platform experience we produce and distribute ourselves. Read More: Why a Grassroots Screening Tour Might Be Right for Your Documentary We'd been doing the web series for about a year when we decided we wanted to make a feature-length documentary that would be a road trip across America to cut 78 rpm records with musicians in their own homes and hometowns, and that would be an intimate look at how musicians from around the country, and from seemingly disparate cultural backgrounds, are united in a shared cultural legacy.
- 6/12/2015
- by Alex Steyermark
- Indiewire
Sundance just ended, and we are already preparing for the next big film festival, South By Southwest. Not too long ago, the festival announced a few of the films premiering this year, but now they’ve announced the main slate. The midnight selections and some inevitable late-breaking additions are still to be announced, but this should be more than enough to get you excited. Along with many World Premieres, and Sundance favorites like Richard Linklater’s Boyhood and Gareth Evans’ The Raid 2, the line up also includes an anniversary screening of The Texas Chain Saw Massacre, and an extended Q&A screening of The Grand Budapest Hotel with Wes Anderson. SXSW 2014 runs March 7 through 15 in Austin, Texas. Check out the line up after the jump.
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Narrative Feature Competition
Eight world premieres, eight unique ways to celebrate the art of storytelling. Selected from 1,324 films submitted to SXSW 2014. Films screening in Narrative...
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Narrative Feature Competition
Eight world premieres, eight unique ways to celebrate the art of storytelling. Selected from 1,324 films submitted to SXSW 2014. Films screening in Narrative...
- 1/31/2014
- by Ricky
- SoundOnSight
Today the South by Southwest (SXSW) Film Conference and Festival announced a diverse features lineup for this year’s Festival, the 21st edition and running March 7 – 15, 2014 in Austin, Texas. The 2014 program expands on SXSW tradition of embracing a range of genres and span of budgets, featuring a wealth of vision from experienced and developing filmmakers alike.
For more information visit http://sxsw.com/film.
Listed in the announcement are 115 of the features that will screen over the course of nine days at SXSW 2014. The lineup below includes 68 films from first-time filmmakers, and consists of 76 World Premieres, 10 North American Premieres and 7 U.S. Premieres. These films were selected from a record 2,215 feature-length film submissions composed of 1,540 U.S. and 675 international feature-length films. With a record number of 6,482 submissions total, the overall increase was 14% over 2013. The Midnighters feature section and the Short Film program will be announced on February 5, with the complete...
For more information visit http://sxsw.com/film.
Listed in the announcement are 115 of the features that will screen over the course of nine days at SXSW 2014. The lineup below includes 68 films from first-time filmmakers, and consists of 76 World Premieres, 10 North American Premieres and 7 U.S. Premieres. These films were selected from a record 2,215 feature-length film submissions composed of 1,540 U.S. and 675 international feature-length films. With a record number of 6,482 submissions total, the overall increase was 14% over 2013. The Midnighters feature section and the Short Film program will be announced on February 5, with the complete...
- 1/31/2014
- by Movie Geeks
- WeAreMovieGeeks.com
After announcing earlier this month that Jon Favreau’s Chef and the Veronica Mars movie will be making their world debuts at SXSW this year, the festival has revealed its full line-up, including further very promising world premieres, alongside appearances from some of the year’s most high-profile films.
The Midnight programme will be announced early next month, along with the Shorts line-up, and the complete Conference slate a little later as well.
Led by Seth Rogen and Zac Efron, Nicholas Stoller’s anticipated R-rated comedy, Neighbors, will be making its world debut at the festival, notably marked out as a ‘work-in-progress’ ahead of its theatrical release in May.
David Gordon Green’s acclaimed Joe will make its Us premiere, having bowed at Venice and then Toronto last year. Early reviews have Nicolas Cage giving one of the finest performances of his career, with Tye Sheridan (Mud) excellent alongside him.
The Midnight programme will be announced early next month, along with the Shorts line-up, and the complete Conference slate a little later as well.
Led by Seth Rogen and Zac Efron, Nicholas Stoller’s anticipated R-rated comedy, Neighbors, will be making its world debut at the festival, notably marked out as a ‘work-in-progress’ ahead of its theatrical release in May.
David Gordon Green’s acclaimed Joe will make its Us premiere, having bowed at Venice and then Toronto last year. Early reviews have Nicolas Cage giving one of the finest performances of his career, with Tye Sheridan (Mud) excellent alongside him.
- 1/30/2014
- by Kenji Lloyd
- HeyUGuys.co.uk
Not sure if there is a Short Term 12 equivalent in this year’s Narrative Feature Comp, but on paper SXSW programmers are serving up a mean (and the usual lean group of 8 out of a whopping 1,324 film entries) for the upcoming competitiuon of eight which includes notable entries (that we’ve been tracking for a good time now) such as Zachary Wigon’s The Heart Machine, John Magary’s The Mend, Leah Meyerhoff’s I Believe in Unicorns and Lawrence Michael Levine’s Wild Canaries. Undoubtedly one of the most anticipated docs of the year, on the non-fiction side we find Margaret Brown’s The Great Invisible. Below you’ll find a breakdown of the other sections (notable world preems in We’ll Never Have Paris and Faults (see Mary Elizabeth Winstead above), some Sundance items with Texan connections and other nuggets.
Narrative Feature Competition
Eight world premieres, eight...
Narrative Feature Competition
Eight world premieres, eight...
- 1/30/2014
- by Eric Lavallee
- IONCINEMA.com
Alongside Miami’s Art Basel — the international art show that runs through Saturday — Ifp has teamed with One Million Square Feet of Culture to guest curate a series of technology-centric events. Installed at the Wynwood Cigar Factory across (more precisely) 3,045 square feet are three programs: Emotional Arcade, The 78 Project, and BlabDroids. Designed by Brent Hoff and Alex Reben, modified Eeg headsets are the tricks of the trade in the Emotional Arcade, where unchecked emotions are a game-winning currency. Alex Steyermark and Lavinia Jones Wright view The 78 Project as an opportunity to record today’s music with yesterday’s technology. Using […]...
- 12/4/2013
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
Alongside Miami’s Art Basel — the international art show that runs through Saturday — Ifp has teamed with One Million Square Feet of Culture to guest curate a series of technology-centric events. Installed at the Wynwood Cigar Factory across (more precisely) 3,045 square feet are three programs: Emotional Arcade, The 78 Project, and BlabDroids. Designed by Brent Hoff and Alex Reben, modified Eeg headsets are the tricks of the trade in the Emotional Arcade, where unchecked emotions are a game-winning currency. Alex Steyermark and Lavinia Jones Wright view The 78 Project as an opportunity to record today’s music with yesterday’s technology. Using […]...
- 12/4/2013
- by Sarah Salovaara
- Filmmaker Magazine - Blog
The following is a guest post, presented by Ascap Composer Spotlight, by Alex Steyermark, the director of The 78 Project, Losers Take All, One Last Thing and Prey For Rock & Roll. Steyermark has also worked as a music supervisor and music producer for such people as Ang Lee and Spike Lee, and is a member of the Columbia University Faculty, running the Ascap/Columbia University Film Scoring Workshop. Dogme Manifesto and current filmmaking trends notwithstanding, if you’ve decided that music is something you want for your film, and you’re at that point in your production where your musical needs are […]...
- 8/9/2013
- by Alex Steyermark
- Filmmaker Magazine-Director Interviews
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