(1943)

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6/10
Liberace
boblipton26 May 2023
Liberace plays a nice, high-speed version of the "Tiger Rag" in this soundie.

Soundies were meant to be played on a device known as the Mills Panoram, a music jukebox that was popular in the early 1940s. They, and their competitors were installed in bars, diners, and similar venues. You put in a dime, and you got a three-minute performance, not just of the music, but of the performer syncing to recording. There were more than 2500 soundies released, and they were often the starting point for a career in the movies or, as here, television.

Liberace began his Hollywood career in 1943, when besides making this, he played the piano in MGM;s BEST FOOT FORWARD. Here, he is seated at a white grand piano, dressed in a white dinner jacket. While two lovely but inert young ladies stand on either side of him, he plays the song with many a flourish of his hands. It's a staging technique he would later use in his television appearances.
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7/10
Without The Mononym
atlasmb13 November 2023
In this short, "Walter" plays the title piece without the rhinestones, candelabra, or extraneous showmanship that audiences would love him for later. This performance, stripped of those distractions, displays the talent of Liberace unencumbered. And it is a joy to watch.

The arrangement is perfect for demonstrating Liberace's raw musicianship and his alacrity over the keyboard. Thankfully this film exists so that we may witness the origins of his career and assess his technique without extraneous flourish or staging. In the same way, I have enjoyed the rare recordings of Jack Benny playing the violin without comedic effect, and Victor Borge or Oscar Levant playing the piano without punchlines.
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