User Reviews

I really enjoyed Adult Beginners for about the first hour. I was surprised at its score and reception because it was one of the more realistic dramedies about family life and adulthood I've seen in recent memory. The characters felt real, the chemistry was phenomenal, I cared about what was happening, and it was nice to see Nick Kroll playing the straight everyman for once. As great as Kroll was, he didn't quite carry the movie as much as the supporting cast did. Rose Byrne and Bobby Cannavale are fantastic as Kroll's sister and her husband (and their chemistry is palpable, given they're a couple in real life), and they play off Kroll's deadpan humor with sincerity and ease. It was great to see Kroll's character having to redo his entire life, then crashing his sister's place and having to adjust to this family-centered lifestyle. It was honest and heartfelt, and there are moments between Kroll and Cannavale (who plays the brother-in-law) that are genuinely deep and thought provoking. I wanted more of that.

The humor is intermittent. It's not really a laugh-out-loud comedy despite what you might think with this cast. It's far more subdued and dramatic than a typical Nick Kroll vehicle, and it worked. For a while, anyway. The last 30 minutes of this movie felt like the writers tried to tie the movie up in a pretty pink bow as quickly as possible and call it a day. It was so rushed and half-hearted, leaving interesting subplots by the wayside and throwing this faux happily-ever-after ending that completely detracts from the overall tone. Everything is well-paced and subtle before then, taking you along for the ride and keeping you strapped in for every awkward situation or heartfelt moment, but the ending makes it all for nothing. It's like, "That's it? What happened to everything else I just saw?" The authenticity went out the window.

Having said that, Adult Beginners is very relatable. These feel like real people going through real life crises, and each of the main characters have depth and character flaws that you want to be explored. Some of them are, some aren't. Overall though, I enjoyed this movie for what it was, and if you don't mind a lame ending, I think it's definitely worth a watch.

Adult Beginners' plot: After becoming a pariah to just about everyone he's connected with after a failed product launch, self-centred entrepreneur Jake (played by stand-up comic Nick Kroll) returns to his childhood home where his sister, Justine (played by Rose Byrne), and brother-in-law, Danny (played by Bobby Cannavale), live with their three-year-old son. As Jake licks his wounds and contemplates his next step, he comes to appreciate the value of family and the virtue of humility.

Kroll would seem to be an unlikely candidate to play a character who rediscovers their humanity in a comedic film with touchy feely leanings like Adult Beginners, considering the abrasive nature of his stand-up act and his television roles on The League and Kroll Show. His snide personality is intact initially, mind you, but that edge is gradually dulled as Jake is welcomed into his sister's home and takes on the nanny responsibilities for his nephew. The fish-out-of-water scenario rarely yields impactful results, however, be they of the moving or comedic variety, and the movie rarely goes anywhere you're not expecting it to. Kroll acquits himself decently with the limited material, as do Byrne and Cannavale, who are given their own marital issues to wrestle with as a subplot. Peripheral characters played by Jane Krakowski, Josh Charles, Paula Garces, and Joel McHale barely register, although one scene with Saturday Night Live's Bobby Moynihan playing a former classmates of Jake's delivers the movie's best laughs and will ring true for anyone who's had one of those run-ins with someone from your past that you wouldn't even want as a Facebook friend.

Adult Beginners disappoints with its skimpy joke-to-laugh ratio and ability to move the viewer with Jake's transformation, adding up to a slight movie that's unlikely to stay with you for very long.

The story background seems like another classic of s man rebuilding his life after a sudden loss. The main focus on the family and relationship drama feels really nice. The way the movie's script depicts the many small things happening in Jake's life is really nice that it feels so subtle and smooth. The movie literally didn't have any increase or decrease in mood, and just dominantly play on a single track of story development. The smaller things seem unpredictable, although their consequences seem so very predictable once they have come on-screen. The acting overall is quite a good bit. Rose Byrne's acting still feels okay although the character doesn't really need much more development. Nick Kroll really gets the comedy side nicely, just at the right portion. Bobby Cannavale's acting really balances the whole set.

Jake (Nick Kroll) screws up a business deal and loses lots of money. His investors are angry. He leaves NYC and goes back to the family home. His sister Justine (Rose Byrne) is pregnant and puts him to work babysitting his nephew Teddy. Her husband Danny (Bobby Cannavale) is fixing up the home for sale. She signs Jake up with Teddy in a swim class for mommy and kid. Jake suspects that Danny is cheating with the real estate agent.

Rose Byrne is utterly charming. Bobby Cannavale is a great suburban dad. Nick Kroll is fine for this role although his big screen charisma is still in doubt. The material feels lighter than it could have been. The drama is not pushed that hard. There is one good moment when Justine downplays something which actually elevates the material. There are a couple of those scenes and the really endearing Byrne which make this better than nice.

Rushed resolution takes away from well-acted intelligently written comedy.

The movie starts really slow ,, not much comedy to laugh at ,, but the plot grows gradually until it peaks after the swimming pool "adult beginners" thingy. The screenplay is just okay ,, the writing seems to be getting involved much more with the drama than it is with the comedy ,, not much excitement or unpredictability, you can easily know where things are going in the movie. Honestly, the trailer was kinda misleading with all of these funny bits which seem to reflect the 5% comedy in the movie.

As for the cast, Nick Kroll and Rose Byrne performances was fine they reflected the depressed newly parent pregnant woman and post- failing business guy. For me ,, and as a supposedly comedy movie,, the scenes with Jason Mantzoukas, Bobby Moynihan and Joel McHale had much more comedy and "giggles" than the leads.

Overall,, the movie wen just okay,, for me it deserves no higher than 5 as a rating the IMDb average rating by 1,518 users is 5.5 which seems close enough ;)

This film tells the story of a high flying entrepreneur who lost everything on the night of his company launch. With nothing under his belt, he goes unannounced to his sister's home to stay a few months. The problem is, he and his sister aren't even close.

"Adult Beginners" is a fun film. It tells the way Jake slowly reconnects with his sister Justina, who haven't seen each other for a year. In the three months they stay together, they grow closer to each other and even make amends of the troubled past. The topic is dealt with in a light hearted manner so that it's not grim at all, but still provides the emotional roller-coaster amidst the laughters. It highlights the divide between work and family, and makes people reflect on the importance of connecting with your family. It's a nice film to watch.

Jake is not awesome. Jake is also broke and now stuck living on his sister's air mattress in New Jersey in the independent comedy Adult Beginners.

Adult Beginners appears to be judged a bit more harshly, and rather unjustly, due to individual viewers' biases against Nick Kroll. The plot may not be the most original, but the characters are real and identifiable, and as far as indie films go, a well done effort.

Jake, played by Nick Kroll, is an entrepreneur behind the next big tech item. Unfortunately, its production is doomed and he is out his entire investment, his and several others' large venture capital. What does one do when they've failed in Manhattan? Why, go back to your family with your tail between your legs to the suburbs of New Jersey! His sister Justine, played by Rose Byrne, isn't completely pleased but agrees to let him stay for three months and watch her and her husband's (Bobby Cannavale) son.

The plot has been done to death, and that is the only thing working against Adult Beginners as a film. The character types are also far from original, from the narcissistic protagonist to the less than perfect family he is forced to stay with. So, you may ask yourself, why bother watching the movie? Because, Adult Beginners is enjoyable. The drama of the story is not too serious so the film still has an 'escapist' effect. The writing is natural and fluid and the acting realistic and entertaining. The fun is in the medley of recognizable faces that make cameos throughout the film. It seems unfathomable that someone could hate Adult Beginners because it is a perfectly likable film, and is in fact, quite a nice watch and I would do it again.

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Jake (Nick Kroll) a guy who's been living the bachelor start up life but finds himself without money or friends after his tech investment start up project goes belly up. He goes back to his childhood home where his older sister, Justine (Rose Byrne), lives with her husband and 3 year old son. She's pregnant, trying to sell her house, discontent with her job, and isn't particularly happy to see her brother who only shows up when he needs something. Nevertheless, she lets him stay and he takes over as nanny to her 3 year old son.

This set up had some really good potential. It could have been a good story about a guy who finds himself at a loss without a job, living in his hometown, and not knowing what to do with his life but the movie falls flat at really exploring the themes it sets up. It splits its focus between Jake and his sister without really fleshing out either of them enough. Too many elements are introduced (learning to take care of his nephew, Justine's dissatisfaction with her job, the marriage issues, Justine feeling betrayed by her brother for not being around, Jake's lonliness) that it all gets lost. If the writers had focused on just one or two of these things, the movie would have been stronger.The ending is so rushed and the stakes so low, that I felt kind of cheated.

I also have to mention that I have a huge pet peeve about the fact that Justine was pregnant, but barely looked pregnant throughout the movie.

Kroll and Byrne do a good job with the script they are given which left me feeling again like this movie could have been so much better. I found Kroll amazingly likable and sweet and for me, that made this movie worth watching.

For most independent drams helmed by either the Duplass brothers Jay and Mark, or their production company aptly named "Duplass Brothers Productions," the stakes are relatively low for the characters. The films are human dramas centered around realism, naturalism in the acting, and complete and total "directness" when it comes to the filming style (this style and approach has gone on to be known as "mumblecore"). Most of the films from this approach have been winning or at least adequate, in my mind, because often times, in addition to exploring a series of characters, some likable, some not, most of whom, however, real, they give the audience complex ideas to consider and themes to ponder about whilst watching the film. They're almost the "what would you do?" series of films.

The stakes in Adult Beginners, though, are far too low. At not even ninety minutes, the film races past and forgets to have anything potentially threatening or contemplative happen. Even for this eclectic and minimalist genre, it's a shell of a film that has an idea, characters, and potential, though it forgets the lemon and lime to its custard.

The story concerns a hipster entrepreneur named Jake (Nick Kroll), who moves in with his estranged, pregnant sister Justine (Rose Byrne) following the failure of his company on the eve of its big launch. The company was said to usher in a whole new world of technological progress, but when a deal with the developer fell through during the celebration, millions of dollars from investors were lost and, in just twelve hours, Jake went from being a renowned innovator to a complete fraud. Justine lives with her husband Danny (Bobby Cannavale) and their three-year-old son in the suburbs, and, in an effort to rebound Jake on his feet, Justine and Danny pay Jake to babysit their son. As expected, this is easier said than done and Jake winds up struggling to keep up with their child. On top of that, Danny is harboring a secret, Justine is secretly depressed and desperate for some kind of social interaction and companionship, and Jake's narcissism is addressed all while the three souls search for some level of contentment in their routine lives.

This scenario isn't foreign to many mumblecore and contemporary independent films in America. Adult Beginners tackles familiar ideas of post-college disillusionment and the cruel realization of many narcissists (or general workaholics) that their ways of life have, in turn, paved a path for them that includes alienation from the ones they love, high stress-levels, recurring sadness, and a lack of free time to indulge in activities that were once top priority for them.

The problem is, with that sole paragraph, I developed the characters in this film more than director Ross Katz or writers Jeff Cox and Liz Flahive do. The film meanders on, with impossibly low stakes for the characters, drama that never gets serviced or fizzles before it can really develop, and, in turn, a film that finds itself plodding along in a manner that doesn't make it that funny on a comedic level or that investing on a dramatic level. Adult Beginners is keen with waiting for something happen to it rather than making something happen to the characters or their situations.

The performers here have proved themselves capable, and to be fair, they're not the reason this project is so mediocre. While Kroll executes the lacking charm of an egotist, Byrne does some of her best work here by simply being a likable and emotionally honest presence. She doesn't decorate her character in theatrics or impossibly unreal beauty where she looks glamorous going out to get her mail in the morning. She's an honest, overworked, and under-appreciated young mother, who leads a great marriage, though that's about it. Her likability and relatability is high here and she dazzles from her first moment on screen. Finally, there's Cannavale, another fun and charismatic presence in nearly everything he's done (particularly Danny Collins as of late), and his character's duality here - though contrived and a bit of a wrench in the story - is the most daring Adult Beginners is throughout its entire story.

As stated, this is like a main-course without any kind of flavorful zest or kick to make it come alive. At most, it's a completionist film for its genre and the Duplass brothers' productions. Where Adult Beginners could've explored the idea of unfit adults getting ready to own the title in their daily activities by raising kids, holding jobs, and assimilating to mainstream culture - as the story and the genre suggests - it settles for something lower than bare minimum, which is its existence.

Starring: Nick Kroll, Rose Byrne, Bobby Cannavale, and Joel McHale. Directed by: Ross Katz.

Honestly, I was surprised by how much I enjoyed this movie! The characters were lovable, and the plot line was close to nil (as in, close to no drama for the sake of drama, WHOO!) Hudson was a hilarious second character, and I enjoyed his devoted support to Jake; hooray for buddies! I will admit that I wasn't as invested in the beginning, but the steady, almost melancholy beat kept me. There was a fine line that they had to walk with one of the plot points, but they handled it well by appealing to our desire to see the good in people. The last, almost epilogue-like leg sort of confused me because it was a bit of an abrupt shift. I must applaud the casting of Teddy because he seemed very natural, although I did catch him looking at the camera once or twice. All in all, it was a movie about family coming and going, and I think that they did it well.

This movie can be pretty misleading , if you have read the plot and visited the IMDb page before watching the movie you might think its really a comedy , I mean , Just take a look at the cast : Nick Kroll , Joel McHale , Jane Krakowski etc. The truth is that the movie has more solid drama elements that comedy ones , Sure i had a couple of laughs here and there but i would not even include the comedy in the description . Don't get me wrong , the movie is pretty good , the acting and the plot are very well made . In conclusion , I would recommend this movie to watch with the wife or girlfriend , It has a heart warming touch to it somehow.

Rose Byrne and Bobby Cannavale have been dating since 2012 and have made three films together in that time. She's the Australian beauty known for the "X-Men" and "Insidious" films, as well as 2014's "Neighbors" and 2011's "Bridesmaids". He's the tall, dark and handsome actor who played Al Pacino's estranged son in "Danny Collins" (2015), Cate Blanchett's would-be suitor in "Blue Jasmine" (2011) and did a season each of "Nurse Jackie" and "Boardwalk Empire". Together, Byrne and Cannavale have made 2014's "Annie" and 2015's spring releases "Adult Beginners" and "Spy". Now, you may be wondering why I've devoted the opening paragraph of my review of "Adult Beginners" (R, 1:30) to the relationship between two of the movie's stars. Well, it's because that's the most interesting thing about this movie. Nick Kroll (who has had a recurring role on "Parks and Recreation" and has his own show on Comedy Central) came up with the story, and stars in "Adult Beginners" as Jake, a self-centered tech guru whose career gets off track, leading him to move in with his sister, Justine (Byrne) and her husband, Danny (Cannavale). Justine, who's expecting her second child, and Danny, who's building the young family a new home, let Jake earn his keep (and saves them some money) by providing day care for their 3-year-old son, Teddy (played by twins Caleb and Matthew Paddock). Jake is predictably inept at taking care of the lad, but he isn't the only adult in the film with an underdeveloped sense of self. Along with Jake, Justine and Danny also feel and act like overgrown kids, or… adult beginners.

The film's title actually refers to the fact that Jake and Justine never learned to swim, but they end up taking little Teddy to a swim class taught by Miss Jenn (Jane Krakowski), who encourages them to take an adult beginners swim class. Other familiar faces that pop up in minor roles include Josh Charles ("The Good Wife") as Jake's prospective employer, Joel McHale ("Community") as Jake's shallow best friend and Bobby Moynihan ("SNL"), who plays a socially awkward former high school classmate of Jake's. After riding a pretty steep learning curve, and with the help of fellow nanny, Blanca (Paula Garcés), Jake starts to get the hang of being Teddy's nanny, but being in his sister's home for a period of months exposes him to some family drama that he would rather have avoided, but has to deal with.

"Adult Beginners" wants to be a poignant reflection on what it means to be an adult, and make us laugh in the process. It fails on both counts. The conversations and scenes meant to deliver the movie's message are few, far between and not really integral to the other goings-on. The jokes are not few and far between, but they're also not very funny. The cast member who comes closest to amusing is Moynihan, but only in two brief scenes. The three main adult characters are unsympathetic and the actors playing them are uncharismatic. Cannavale, who has done some great work over the past couple years, unconvincingly bounces back and forth between clueless and angry. Byrne, whose career has had as many misses as hits, was funnier in "Neighbors" – and that ain't saying much. Kroll sleepwalks through his role, a self-absorbed sad-sack, a la Adam Sandler, but not as entertaining. McHale and Krakowski could have brightened things up a bit, but instead are relegated to thankless roles that make almost no use of their considerable comedic talents.

The scenes depicting Jake's struggles with his new position as glorified babysitter are uninspired and the other gags involving kids aren't only unfunny, they're offensive, that is, unless you find pregnant women getting drunk, couples having sex while toddlers are left to fend for themselves and frequent swearing in front of small children to be humorous. And speaking of the language in this movie, I'm no prude and I think that some well-placed cussing can even be pretty funny, but this script drops f-bombs and other colorful words like they're going out of style. The foul language doesn't advance the plot, doesn't make the movie any funnier and seems to have pointlessly saddled this film with an unnecessarily restrictive MPAA rating. This film gives us too little of what could have made it entertaining, too much of what distracted from its potential and makes me think the title would be better used to describe the people who made this movie. "Adult Beginners" gets a "D".

This film's surface is good enough to make it entirely watchable and even enjoyable, which is why it just sneaks into a 7 for me, rather than getting a 6. And I recall thinking that there was one smart move by the filmmakers, where they made a choice that wasn't the obvious one.

However, not only can I not remember what that was (six months after seeing the film), I can barely remember the story. There are some movies that start evaporating from your brain the moment the credits start to roll, and this movie is pretty much the archetype. Nevertheless, if you're easy to please, you will be entertained.

'ADULT BEGINNERS': Three Stars (Out of Five)

A comedy-drama flick co-written by and starring Nick Kroll; as a failed entrepreneur who's forced to move in with his sister and her husband, and become the nanny of their three-year-old son, when his company goes under (overnight). The film also stars Rose Byrne and Bobby Cannavale (a real life couple) and it costars Joel McHale, Paula Garces, Josh Charles, Mike Birbiglia and Bobby Moynihan. It was written by Kroll, Jeff Cox and Liz Flahive (all first time feature film writers) and directed by first time feature filmmaker Ross Katz. The movie is mildly funny, and mildly moving, but ultimately forgettable.

Kroll plays Jake; an entrepreneur who invests all of his money, and his friends' money, in a project that fails overnight. He asks his pregnant sister, Justine (Byrne), and her husband, Danny (Cannavale), to move in with them. In exchange they ask him to babysit their three-year-old son (Caleb and Matthew Paddock). Jake, of course, learns about adult responsibilities, for the first time in his life, and bonds with the kid.

The movie is funny; if you like Nick Kroll, but especially for it's supporting turns (from McHale, Moynihan, Birbiglia and others). It's also moving and inspiring, at times, and Byrne and Cannavale give good performances as well. It's just not that funny, or that emotional (not in a memorable way). I don't have any major complaints with the film though.

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I had high hopes for Nick Kroll, Rose Byrne & the other actors in this movie, since I enjoy The League, SNL, The Soup & Neighbors etc. I watched the entire film unfortunately it had an extremely stale story line, to the point I did not care at all to see the ending. Seemed dull enough to fast forward until the end. Character development was non-existent, Nick Kroll should never be the lead in a movie, I'm unsure if its his acting or poor script writing. The script was so predictable & over done. The acting does seem forced & unnatural, not sure why this movie was made, maybe the Duplass brothers have money to waste? If you wanna regret an hour & a half of your life watch it, if you want to laugh & be captivated don't press play.

This movie has an all star cast and some feel good moments, but ultimately leaves much to be desired.

It feels very similar to "Our Idiot Brother" which came out a few years before, but with less satisfying punches.

I really like the actors in this film and wanted to like this film, but ultimately I was a little disappointed. There were few laughs in the film and most of them were in the 2 minutes that Bobby Moynihan was on screen. It's probably worth checking out some of the actors/filmmakers' other works instead of this one.

After watching this flick I kept trying to figure out its message ... because it came across to me as a message type story. Well I came up with many messages. The main message being - "family first" - maybe?

The script is first class, the acting is just fine, the music, sets, editing is wonderful. But at movies end you feel a bit lost. The only weak point in the story is when Jake tells his sister about her husbands secret, it seemed a bit forced and contrived. The argument just doesn't hold up to support Jake spilling the beans!

And what about Justine's job? That issue just fades away when Jake moves back into the city for his new job. There just isn't enough foundation on each character to hold the story together.

Jake and Justine are victims of loosing something that they held dear in their lives. Plus Jake looses out professionally and Justine looses her image of her husband. And at end it just doesn't come together. But it's not a bad movie.

I've never heard of Nick Kroll but was a big fan of Rose Byrne's. I'd also enjoyed Ross Katz's other films.

I was looking forward to seeing Adult Beginners quite a lot at this years festival.

That anticipation quickly turned to annoyance just a few minutes in. The story is thin and cliché, but what's worse is it bored me tears.

I did not buy Nick Kroll as a lead (since not to be rude he is not a good looking man,) and he doesn't have the name recognition you'd expect in such a key role.

The film seemed so derivative throughout. Where did I see this before kind of reaction. The only good part of it all was that I didn't pay for it.

I can't in good conscience give this hackneyed dreck more than one star.

Greetings again from the darkness. It's certainly understandable that the Duplass Brothers ("The League") are working relentlessly to take advantage of their window of creative opportunity. In the vein of their HBO show "Togetherness", this is another com-dram with the theme of thirty-somethings coming to terms with adulthood and responsibility.

In their role as Producers for this latest project, Team Duplass has assembled a strong group: director Ross Katz (himself best known as a Producer of In the Bedroom and Lost in Translation), and funny folks Nick Kroll, Rose Byrne, Bobby Cannavale, Joel McHale, Jane Krakowski, Bobby Moynihan, Paula Garces, and Celia Weston. Unfortunately, the script does not rise to the level of the on screen talent, leaving us with a mostly benign story with few laughs and little message.

Things kick off with Kroll's character in full crash-and-burn mode when his entrepreneurial offering "Mind's I" implodes just before it is scheduled for rollout. He loses his money, his investors' money, and most any semblance of the fair weather friends one accumulates while living the high life in NYC. Packing up what little dignity he retains, Kroll heads to the suburbs to live with his pregnant sister (Rose Byrne), her husband (Bobby Cannavale) and their 3 year old son Teddy.

It's not that the path is obvious, but rather than it's executed so blandly. The zingers and physical humor are mostly lacking, and the film can't seem to decide if it wants us to laugh, or if it would rather prove how tough parenthood and adulthood and responsibility can be. Bobby Moynihan spikes the comedy in a short scene, and Paula Garces may be the most interesting character despite only appearing in a few scenes. The swimming lessons sequences led by Jane Krakowski are mostly vacuous, and are used instead to focus on the insecurities of Kroll and Byrne. As in "Togetherness", the kids seem to be an afterthought … like a lamp … but less than a sconce.

The scenes are well paced and the story clicks right along, but overall it plays more like a TV show … albeit one with an abundance of cursing, too few laughs, and no new insight into the tough world that awaits as we step out of childhood (evidently in our mid-30's).