Phillip and Elizabeth work with a number of KGB 'marks' whilst tensions surface about the potential recruitment of Paige.
This is a strong start to the third series that introduces a number potentially interesting sub-plots and sews seeds of conflict between the lead characters.
The plot is all about setting the scene for the characters and themes. We are introduced to some new people who's involvement with the Jennings links either directly or thematically to their feelings about Paige. Much like the second season opening, it starts and ends with some quite nasty sequences that feel like a hook for audience intrigue. These undoubtedly will serve as plot devices to push events forward through the season.
Series two concluded with the reveal of the second generation initiative, where the soviet ideology of individuals 'belonging to the cause' was pushed to the forefront. Phillip has a remarkably different attitude when it comes to his children and he appears very unwilling to allow Paige to be treated the way he and Elizabeth treat their marks. This concept raises a number of questions and it will hopefully be a compelling journey to find the answers.
All performances are excellent as always, with the addition of Frank Langella to the cast making it even better.
The cinematography and editing are as strong as ever.
This is a strong start to the third series that introduces a number potentially interesting sub-plots and sews seeds of conflict between the lead characters.
The plot is all about setting the scene for the characters and themes. We are introduced to some new people who's involvement with the Jennings links either directly or thematically to their feelings about Paige. Much like the second season opening, it starts and ends with some quite nasty sequences that feel like a hook for audience intrigue. These undoubtedly will serve as plot devices to push events forward through the season.
Series two concluded with the reveal of the second generation initiative, where the soviet ideology of individuals 'belonging to the cause' was pushed to the forefront. Phillip has a remarkably different attitude when it comes to his children and he appears very unwilling to allow Paige to be treated the way he and Elizabeth treat their marks. This concept raises a number of questions and it will hopefully be a compelling journey to find the answers.
All performances are excellent as always, with the addition of Frank Langella to the cast making it even better.
The cinematography and editing are as strong as ever.
