Exclusive: Cinetic International licences the documentary in five territories and is closing offers in four.
Cinetic International has announced it has licenced Score: A Film Music Documentary in Germany (Nfp), Italy (Feltrinelli), Japan (Unplugged), Scandinavia (NonStop), South Korea (Movement) and is closing offers in Israel, the Netherlands, Spain, and the UK.
Score: A Film Music Documentary, directed by Matt Schrader, gives viewers a look inside the musical challenges and creative secrecy of the world’s most widely known music genre: the film score.
The film features composers Hans Zimmer, Danny Elfman, Trent Reznor, Randy Newman, and Quincy Jones, among many others.
The film had its international premiere at Cph:dox and will continue its roll out internationally in the coming months.
The film will be released theatrically in the Us on June 16 via Gravitas Ventures.
Robert Kraft, Trevor Thompson, Kenny Holmes and Nate Gold produced, while Schrader and Jonathan Willbanks served as executive producers.
Cinetic International has announced it has licenced Score: A Film Music Documentary in Germany (Nfp), Italy (Feltrinelli), Japan (Unplugged), Scandinavia (NonStop), South Korea (Movement) and is closing offers in Israel, the Netherlands, Spain, and the UK.
Score: A Film Music Documentary, directed by Matt Schrader, gives viewers a look inside the musical challenges and creative secrecy of the world’s most widely known music genre: the film score.
The film features composers Hans Zimmer, Danny Elfman, Trent Reznor, Randy Newman, and Quincy Jones, among many others.
The film had its international premiere at Cph:dox and will continue its roll out internationally in the coming months.
The film will be released theatrically in the Us on June 16 via Gravitas Ventures.
Robert Kraft, Trevor Thompson, Kenny Holmes and Nate Gold produced, while Schrader and Jonathan Willbanks served as executive producers.
- 6/15/2017
- ScreenDaily
Criterion digitally restores this earlier release, a combination offering of Robert Siodmak’s 1946 film noir masterpiece The Killers paired with Don Siegel’s retro 1964 remake. Famed adaptations of Ernest Hemingway’s short story, both filmmakers take liberties with the original material to create aggressively different products. Siodmak’s version is not only the German ex-pat’s enduring masterpiece, it’s a definite cornerstone of classic American film noir. Though Siegel’s 60s rehash is considered tacky pastiche of the era, it’s brutal, hard boiled B-grade pulp, notable for its own significant instances.
Siodmak’s version arrived during a golden era of noir, premiering a year after WWII officially ended, with cinematic masculine representation on the eve of an overhaul as method acting would soon reign supreme. Hemingway’s spare story gets a face life from Anthony Veiller (The Stranger; Night of the Iguana), using the murder as a jumping...
Siodmak’s version arrived during a golden era of noir, premiering a year after WWII officially ended, with cinematic masculine representation on the eve of an overhaul as method acting would soon reign supreme. Hemingway’s spare story gets a face life from Anthony Veiller (The Stranger; Night of the Iguana), using the murder as a jumping...
- 7/14/2015
- by Nicholas Bell
- IONCINEMA.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.