User Reviews

The episode is a good idea based on the well established premise of the Big Brother watching your every move knowing just how to manipulate you to achieve its own nefarious end. It is well shot and well acted. It lets you establish real empathy with the main character, albeit in a manner which can be possibly considered crude or rough around the edges. I think conspiracy theorists will find this story anthemic, but don't let this take away anything from the overall production value.

The episode is a fusion of many current issues. Terrorism, racism, increasing government surveillance.

Foster Lee and her activist mother have moved east to an advanced technological society from their bubble in the west, which is more low tech. However Foster and others at school who do not have have a Dex (A handheld tracking and tech device) are treated as second class people, even viewed as terrorists. Those with a Dex look like people from the town where The Stepford Wives reside which deep down is a rather nasty, consumerist society, where you do not get something for nothing.

A fellow student helps Foster get a Dex illegally. The device has a tutorial voice who initially helps her but then inflames her paranoia.

This is a well constructed pacy episode that maybe simplifies its story a bit too much. The viewer immediately is suspicious of the voice from the device and its motives as you figure that the government is inventing scare stories to control the population.

Really enjoyed this episode,. Special effects are. spectacular. The acting is great although mum's character was a little overbearing.

I would have given 10 stars, but the ending was very patronising. We didn't need to see the person behind the voice of Ethan. It was as though we are stupid and needed the outcome spoon fed to us It should have just ended with the speech. No need to explain what went on, it was clearly obvious. I wonder if the book does the same?

Yet another good entry in this Philip K Dick Anthology. The approach of this one appears more aimed at today's teen market weaned on similarly dystopian near-future scenarios like "The Hunger Games" or "The Maze Runner" focusing as it does on the 16 year old daughter of a prominent spokeswoman for one side of opposing factions in a long-running phoney war, the mother meeting senior counterparts on the other side to ostensibly discuss a peace settlement. Trouble is, the other side parleys fake news to its citizens like today's Kim Jung In or Putin which should have been a warning to the mother and daughter but somehow manages to go unheeded.

So said mother probably unwisely let's her daughter loose into this unfamiliar society while she attends her meetings and encourages the young girl to effectively take a gap year learning the ways of her fellow school mates. Not unnaturally she doesn't fit in and casts about looking for friends where she can find them, resorting to wearing the strange wrist-bands the other kids wear which while facilitating school lessons and communications nevertheless have the distinct hint of Big Brother about them. The show makes a good point about modern-day youth interacting more with their comms than in person which leads to the young girl being led to make a choice as to who she can trust, the real-life fellow pupils she meets or the voice in her ear, supposedly watching out for her like a stream of consciousness guardian angel.

Besides the above, references to the use of children in today's warfare in essence as suicide bombers gave the programme an up to date feel, but in the end I didn't enjoy the bleak conclusion or the cynical way adults use youth for their own nefarious tastes.

This episode seemed a little more fleshed out than some others I've seen already and the central character of the exploited daughter likewise appeared just a little too easily led to her acts of betrayal, especially with her mom right there with her. So while it made some telling points which are highly topical today perhaps I found the teen-condescending storyline just a little off the mark for me.

Best of the season for sure. So relevant and makes me want to turn off my phone. We are living in dangerous times for sure and this is a cautionary tale much like the Handmaid's Tale.

I give every version of Dick' s work at least a try. Watched a couple of episodes here. Only ok for me If you're a Dick fan they don't even begin to come close to the worlds and words he creates in print If you haven't read any of his books you might find a whole new world.

An interesting episode at its core with some paranoia-inducing scenes, even if mild ones, good acting and flow, up until the totally unnecessary ending!

There's definitely a pattern here. The episodes that completely ignore the PKD stories they are supposedly based on are all just awful (the unwatchable "Crazy Diamond" being the bottom of the barrel). Not that the others are anything great, but the ones that at least retain some key recognizable elements of the PKD stories (e.g. "Impossible Planet" or "Human Is" or "Commuter") are at least mediocre to good. This episode is supposedly based on "Foster, You're Dead," but there is NOTHING from that story anywhere in the episode other than a name (and even that is flipped from a last to first name for no apparent reason), and it is just a muddled, boring mess.

Watching this episode after listening to today's newscast and our current POTUS calling for his ideas to make safer schools, I had to shudder. The technology is almost here now and, as always it's about control and money. I need to look and see just when DIck wrote this story and would like to read it to see how much the script was updated to fit in today's current political mood.

Politics aside, the plot was somewhat predictible and I didn't find the acting or production quality as good as some of the others. But all in all still far better than 90% of anything else on the small screen.

This is a great episode focused on two groups of people not unlike Americans. There's the establishment "in" group that believes you need to trade freedom for security. For your freedom you will receive high technology and lose your privacy. The other group prefers freedom and is willing to give up high technology to maintain privacy and personal freedom. The establishment group is taught that the "out" group is evil and that they are terrorists even though nobody has ever seen any actual terrorism. They say if you're on the "inside", you're perfectly safe except they show "in" group members violating each other. You're only protected from those on the outside of the group. We can all figure out for ourselves who is who in this drama so I hope that everyone pays close attention to why creating these groups is never a good thing.

I mean what more can I say. 20 minutes in you'll know how this one ends.

One more story with very clear leftist political analogies.

The story here is sheer cringe, given the machine that produced it. It's absolutely basic "Yay, freedom, don't trust the System, man, don't trust the Corporations, man, the Corporations, they're are all Corporatey..."

Then the very same hypocrites who conceived, wrote, and starred in this will turn their other face and InstaTweet every moment of their brand-name consumer lives using their iPhones, and cheer-lead every fear-and-obey order issued to them by the State, just as long as the puppet that they prefer is fronting it, without a shred of self awareness or discomfort.

It shouldn't fool a child, and yet it does, over and over again. Mainstream commercialised compliant rebellion sells, and that's what's being peddled here.

As a production, it's decent enough, carried by a strong performance by Annalise Basso, only playing 4 years younger than her real age, not yet quite creepy. Contrast with the 29 year old Alice Lee pretending to be 16. Maura Tierney chews the scenery as the stereotypical rebel mom that we're supposed to identify with, and the rest of the cast are just irrelevant bit parters who aren't given real characters.

The pacing, cinematography and editing are decent enough, it's just in the appallingly clumsy premise that it falls flat, and doesn't recover it with anything like a fresh, original or honest twist.