Disney Apac’s former content chief Jessica Kam-Engle has exited to launch a Banijay Asia venture in Southeast Asia.
The veteran exec has been named EVP & Business Head of CreAsia Studio, which will sit within Banijay Asia and focus on creating local originals and producing adaptations of Banijay formats.
Kam-Engle will report to Dhar, and is responsible for driving business strategy and growth in Malaysia, Indonesia, Singapore, Hong Kong, Philippines, Vietnam and Thailand.
The producer and studio exec is known for runs at HBO Asia, Warner Media Entertainment Networks, MTV Networks/Viacom, MGM Gold Network, Dow Jones Newswires, and Celestial Pictures.
Most recently, she was Head of Content and Development for Disney+ in Apac, during which time she commissioned more than 60 original series such as Korean dramas Moving, Big Bet and Connect; Japanese live action Gannibal; and Chinese-language series Taiwan Crime Stories and Delicacies Destiny. She left the business last year.
The veteran exec has been named EVP & Business Head of CreAsia Studio, which will sit within Banijay Asia and focus on creating local originals and producing adaptations of Banijay formats.
Kam-Engle will report to Dhar, and is responsible for driving business strategy and growth in Malaysia, Indonesia, Singapore, Hong Kong, Philippines, Vietnam and Thailand.
The producer and studio exec is known for runs at HBO Asia, Warner Media Entertainment Networks, MTV Networks/Viacom, MGM Gold Network, Dow Jones Newswires, and Celestial Pictures.
Most recently, she was Head of Content and Development for Disney+ in Apac, during which time she commissioned more than 60 original series such as Korean dramas Moving, Big Bet and Connect; Japanese live action Gannibal; and Chinese-language series Taiwan Crime Stories and Delicacies Destiny. She left the business last year.
- 2/7/2024
- by Jesse Whittock
- Deadline Film + TV
The Exchange has acquired the worldwide sales rights of romantic comedy feature “Worth the Wait,” which stars Lana Condor and Andrew Koji.
The Exchange will introduce the title to buyers at the European Film Market in Berlin, which runs Feb. 15-21.
Set in Seattle and Kuala Lumpur, “Worth the Wait” is a story about the intertwining lives of Asian-American strangers over the course of a year as they find new loves, mend their relationships, and create new connections.
The film, which is in post-production, is directed by Tom Shu-Yu Lin, whose credits include “The Garden of Evening Mists” and “Winds of September.”
“A modern approach to ‘Love Actually’ with a star-studded Asian American cast, Tom made a heartwarming rom-com that is truly worth the wait,” said Nat McCormick, The Exchange’s worldwide sales and distribution president.
Other members of the cast include Ross Butler, Sung Kang, Elodie Yung, Karena Lam...
The Exchange will introduce the title to buyers at the European Film Market in Berlin, which runs Feb. 15-21.
Set in Seattle and Kuala Lumpur, “Worth the Wait” is a story about the intertwining lives of Asian-American strangers over the course of a year as they find new loves, mend their relationships, and create new connections.
The film, which is in post-production, is directed by Tom Shu-Yu Lin, whose credits include “The Garden of Evening Mists” and “Winds of September.”
“A modern approach to ‘Love Actually’ with a star-studded Asian American cast, Tom made a heartwarming rom-com that is truly worth the wait,” said Nat McCormick, The Exchange’s worldwide sales and distribution president.
Other members of the cast include Ross Butler, Sung Kang, Elodie Yung, Karena Lam...
- 2/5/2024
- by Leo Barraclough
- Variety Film + TV
Directors include Huang Hsin-yao, Tom Lin Shu-yu, Lam Sum, Ng Ka-leung and Daishi Matsunaga.
Taiwan’s Golden Horse Film Project Promotion (Fpp) has revealed a diverse selection of 46 films for its 2023 project market, including directors Huang Hsin-yao, Tom Lin Shu-yu and Hsu Chih-yen from Taiwan, Lam Sum and Ng Ka-leung from Hong Kong and Daishi Matsunaga from Japan
The market is scheduled to take place from November 20-22 during the Taipei Golden Horse Film Festival with a the total prize pool of nearly $250,000 (Nt$8m), including a grand prize worth $32,000 (Nt$1m). All projects in the selection are eligible to...
Taiwan’s Golden Horse Film Project Promotion (Fpp) has revealed a diverse selection of 46 films for its 2023 project market, including directors Huang Hsin-yao, Tom Lin Shu-yu and Hsu Chih-yen from Taiwan, Lam Sum and Ng Ka-leung from Hong Kong and Daishi Matsunaga from Japan
The market is scheduled to take place from November 20-22 during the Taipei Golden Horse Film Festival with a the total prize pool of nearly $250,000 (Nt$8m), including a grand prize worth $32,000 (Nt$1m). All projects in the selection are eligible to...
- 9/25/2023
- by Silvia Wong
- ScreenDaily
The 2023 Golden Horse Film Project Promotion, the project market that accompanies the Golden Horse film festival and awards in Taiwan in November, has laid out a huge 64-title selection for its 2023 edition.
These include 39 film projects at various stages of development and financing; a further seven works in progress; and the 18-previously announced series at project stage.
The event, which runs Nov. 20-22, offers a $31,000 (Nt$1 million) first prize and a total prize pool of $250,000 (Nt$8 million) from sponsors and industry sources. All selected projects are also eligible to apply to two Taicca funding initiatives: the Creative Content Development Program and the International Co-funding Program.
Among the Taiwanese filmmakers: Huang Hsin-yao, the director of “The Great Buddha+” and “Classmates Minus,” takes on the legend of Taiwanese treasure hunters in “Super-Reasoning Treasure Hunt”; Tom Lin Shu-yu, director of “Winds of September” and “The Garden of Evening Mists,” teams up with Kimi Hsia...
These include 39 film projects at various stages of development and financing; a further seven works in progress; and the 18-previously announced series at project stage.
The event, which runs Nov. 20-22, offers a $31,000 (Nt$1 million) first prize and a total prize pool of $250,000 (Nt$8 million) from sponsors and industry sources. All selected projects are also eligible to apply to two Taicca funding initiatives: the Creative Content Development Program and the International Co-funding Program.
Among the Taiwanese filmmakers: Huang Hsin-yao, the director of “The Great Buddha+” and “Classmates Minus,” takes on the legend of Taiwanese treasure hunters in “Super-Reasoning Treasure Hunt”; Tom Lin Shu-yu, director of “Winds of September” and “The Garden of Evening Mists,” teams up with Kimi Hsia...
- 9/25/2023
- by Patrick Frater
- Variety Film + TV
Getting In Front Of The Competition
The International Olympic Committee said on Thursday that Swiss-based, Chinese-owned Infront Sports & Media would handle broadcast right sales in much of Asia for the next series of Summer and Winter games.
The deal covers 22 territories including Afghanistan, Brunei, Cambodia, Chinese Taipei, Hong Kong, Indonesia, Iran, Kazakhstan, Kyrgyzstan, Laos, Malaysia, Mongolia, Myanmar, Papua New Guinea, Philippines, Singapore, Tajikistan, Thailand, Timor-Leste, Turkmenistan, Uzbekistan and Vietnam – but not China, Japan or South Korea, and runs 2026-2032. That means it will cover the Milan-Cortina 2026 Winter Olympics and the Los Angeles 2028 and Brisbane 2032 Summer games. The 2030 Winter Olympics, which have yet to be allocated a host, and all Youth Olympic Games during this period will also be covered.
Infront, which is headed by Philippe Blatter and has been owned by China’s Dalian Wanda since 2015, replaces the Japanese advertising and marketing giant Dentsu, which had handled the rights...
The International Olympic Committee said on Thursday that Swiss-based, Chinese-owned Infront Sports & Media would handle broadcast right sales in much of Asia for the next series of Summer and Winter games.
The deal covers 22 territories including Afghanistan, Brunei, Cambodia, Chinese Taipei, Hong Kong, Indonesia, Iran, Kazakhstan, Kyrgyzstan, Laos, Malaysia, Mongolia, Myanmar, Papua New Guinea, Philippines, Singapore, Tajikistan, Thailand, Timor-Leste, Turkmenistan, Uzbekistan and Vietnam – but not China, Japan or South Korea, and runs 2026-2032. That means it will cover the Milan-Cortina 2026 Winter Olympics and the Los Angeles 2028 and Brisbane 2032 Summer games. The 2030 Winter Olympics, which have yet to be allocated a host, and all Youth Olympic Games during this period will also be covered.
Infront, which is headed by Philippe Blatter and has been owned by China’s Dalian Wanda since 2015, replaces the Japanese advertising and marketing giant Dentsu, which had handled the rights...
- 6/16/2023
- by Patrick Frater
- Variety Film + TV
Exclusive: Lana Condor (To All The Boys franchise), Andrew Koji (Bullet Train), Ross Butler (Shazam! franchise), Sung Kang (Fast & Furious franchise) and Elodie Yung (The Cleaning Lady) are among those set to star in Worth the Wait, a romantic comedy marking the U.S. directorial debut of award-winning Taiwanese filmmaker Tom Shu-Yu Lin (The Garden of Evening Mists), which has wrapped production in Vancouver and Kuala Lumpur.
Others cast include Karena Lam (American Girl), Osric Chau (Supernatural), Ali Fumiko Whitney (The Road Dance), Ricky He (From), Kheng Hua Tan (Crazy Rich Asians) and Yu-Beng Lim (Rebel Moon).
An English-language indie set against the intercontinental backdrops of Seattle and Kuala Lumpur, which is said to be in the vein of Love Actually, Worth the Wait follows a year in the interconnected lives and romances of an all-Asian ensemble cast. Script is written by Maggie Hartmans. Producers include Dan Mark and...
Others cast include Karena Lam (American Girl), Osric Chau (Supernatural), Ali Fumiko Whitney (The Road Dance), Ricky He (From), Kheng Hua Tan (Crazy Rich Asians) and Yu-Beng Lim (Rebel Moon).
An English-language indie set against the intercontinental backdrops of Seattle and Kuala Lumpur, which is said to be in the vein of Love Actually, Worth the Wait follows a year in the interconnected lives and romances of an all-Asian ensemble cast. Script is written by Maggie Hartmans. Producers include Dan Mark and...
- 6/15/2023
- by Matt Grobar
- Deadline Film + TV
Fifth Season Distribution Team
Fifth Season, the TV company previously known as Endeavor Content, has announced a raft of executive appointments that constitute a major expansion of its Europe-Middle East-Africa television distribution team.
Jennifer Ebell has been promoted from senior VP of Emea sales to executive VP of Emea sales and acquisitions. Under this expanded role, Ebell will now oversee the company’s London-based acquisitions team, which is led by Liz Tang, who was recently promoted from director, content to executive director, acquisitions. Ava Mustos also joined the team in January as associate director of acquisitions from BBC Studios, reporting to Tang.
Additionally, Fabio Tinchant has been promoted from executive director sales, French Europe, Cee, Mena & Turkey to VP sales for the same markets, with the addition of southern Europe to his remit. Based in Rome, Maria Grazia Ursino has also joined as director, southern Europe.
Additionally, the company is making new hires.
Fifth Season, the TV company previously known as Endeavor Content, has announced a raft of executive appointments that constitute a major expansion of its Europe-Middle East-Africa television distribution team.
Jennifer Ebell has been promoted from senior VP of Emea sales to executive VP of Emea sales and acquisitions. Under this expanded role, Ebell will now oversee the company’s London-based acquisitions team, which is led by Liz Tang, who was recently promoted from director, content to executive director, acquisitions. Ava Mustos also joined the team in January as associate director of acquisitions from BBC Studios, reporting to Tang.
Additionally, Fabio Tinchant has been promoted from executive director sales, French Europe, Cee, Mena & Turkey to VP sales for the same markets, with the addition of southern Europe to his remit. Based in Rome, Maria Grazia Ursino has also joined as director, southern Europe.
Additionally, the company is making new hires.
- 2/6/2023
- by Patrick Frater
- Variety Film + TV
Exclusive: Prodigal, Inc, the L.A.-based entertainment company headed by Arvind Ethan David, a producer of the Tony Award-nominated Jagged Little Pill, has hired Tarquin Pack, producer of films including Kick-Ass, Kick-Ass 2, The Debt, Stardust and X-Men: First Class, as Producer + Head of Film & TV.
Said Pack in a statement, “Arvind and the team at Prodigal have demonstrated excellence across theatre, television, film – and even expanded during the pandemic into tabletop gaming, escape rooms and audio dramas. I look forward to actively growing our presence in the U.K. and am thrilled to build on the many projects we currently have in development,”
Pack, based out of the United Kingdom, will oversee development and production for film and TV for Prodigal, along with current Director of Development and Head of Audio, Brittany Chapman.
“The last few years of producing amidst a pandemic showed us that we couldn’t stay as we were,...
Said Pack in a statement, “Arvind and the team at Prodigal have demonstrated excellence across theatre, television, film – and even expanded during the pandemic into tabletop gaming, escape rooms and audio dramas. I look forward to actively growing our presence in the U.K. and am thrilled to build on the many projects we currently have in development,”
Pack, based out of the United Kingdom, will oversee development and production for film and TV for Prodigal, along with current Director of Development and Head of Audio, Brittany Chapman.
“The last few years of producing amidst a pandemic showed us that we couldn’t stay as we were,...
- 4/4/2022
- by Greg Evans
- Deadline Film + TV
Film scholar and former director of Taiwan’s Film Archive Huang Jianye is set to chair the jury for the 58th iteration of the Taipei-based Golden Horse Awards, the festival said Wednesday.
The awards are now heading into the third year without participants from China after a controversial awards speech in 2018 included mentions of Taiwanese independence. The comments led Beijing to order its citizens to make a hasty retreat that year and impose a ban on attending what had once been known as the Oscars of Asia.
Without China’s presence, the Golden Horse Awards have shrunk in scope, but are still soldiering on. Festival screenings are set to begin Nov. 11 ahead of the awards ceremony on Nov. 27 in Taipei.
Joining Huang on the jury this year will be Japanese producer Osaka Fumiko, a frequent collaborator of Hou Hsiao-hsien and Jia Zhangke; producer Lee Lieh; director Chen Yu-Hsun (“My Missing Valentine...
The awards are now heading into the third year without participants from China after a controversial awards speech in 2018 included mentions of Taiwanese independence. The comments led Beijing to order its citizens to make a hasty retreat that year and impose a ban on attending what had once been known as the Oscars of Asia.
Without China’s presence, the Golden Horse Awards have shrunk in scope, but are still soldiering on. Festival screenings are set to begin Nov. 11 ahead of the awards ceremony on Nov. 27 in Taipei.
Joining Huang on the jury this year will be Japanese producer Osaka Fumiko, a frequent collaborator of Hou Hsiao-hsien and Jia Zhangke; producer Lee Lieh; director Chen Yu-Hsun (“My Missing Valentine...
- 11/3/2021
- by Rebecca Davis
- Variety Film + TV
The new project is titled ’Septette: More Stories Of Hong Kong’.
Hong Kong-based Media Asia is lining up a second omnibus project looking back at the history of Hong Kong, entitled Septette: More Stories Of Hong Kong, with the focus on emerging rather than veteran filmmakers.
Last year, Media Asia’s Septet: The Story Of Hong Kong, which was selected for the Cannes 2020 Label, featured seven short films from directors such as Ann Hui, Johnnie To, Tsui Hark and Patrick Tam. The film, which To produced, also screened as the opening film of Busan International Film Festival and played in the Limelight section of Rotterdam.
Hong Kong-based Media Asia is lining up a second omnibus project looking back at the history of Hong Kong, entitled Septette: More Stories Of Hong Kong, with the focus on emerging rather than veteran filmmakers.
Last year, Media Asia’s Septet: The Story Of Hong Kong, which was selected for the Cannes 2020 Label, featured seven short films from directors such as Ann Hui, Johnnie To, Tsui Hark and Patrick Tam. The film, which To produced, also screened as the opening film of Busan International Film Festival and played in the Limelight section of Rotterdam.
- 3/1/2021
- by Liz Shackleton
- ScreenDaily
Kam-Engle will be responsible for local-language content to expand the company’s direct- to-consumer offerings.
The Walt Disney Company Asia Pacific has appointed Jessica Kam-Engle as head of content & development, Apac, to oversee the delivery of local-language content across the region.
Content and development teams in each Asian market will report to Kam-Engle as well as their respective in-market leaders and will be responsible for developing, producing, and acquiring content to expand the company’s direct- to-consumer offerings.
Disney has so far rolled out its streaming services Disney+ Hotstar in Indonesia and Disney+ in Singapore.
Kam-Engle was previously at HBO Asia...
The Walt Disney Company Asia Pacific has appointed Jessica Kam-Engle as head of content & development, Apac, to oversee the delivery of local-language content across the region.
Content and development teams in each Asian market will report to Kam-Engle as well as their respective in-market leaders and will be responsible for developing, producing, and acquiring content to expand the company’s direct- to-consumer offerings.
Disney has so far rolled out its streaming services Disney+ Hotstar in Indonesia and Disney+ in Singapore.
Kam-Engle was previously at HBO Asia...
- 2/25/2021
- by Liz Shackleton
- ScreenDaily
Netflix Korean-language “Crash Landing on You” was named as the best drama series at the third running of the Asian Academy Creative Awards. Malaysia-Singapore co-production “The Garden of Evening Mists” was named as the best feature film.
Singapore actors features prominently among the performance winners. Yeo Yann Yann was named best lead actress for her role in HBO’s “Invisible Stories,” while Lina Ng was named best supporting actress for “Last Madame.”
The awards ceremony was staged over two nights within a high-tech 3D virtual environment. That made it one of the most ambitious prize shows of this coronavirus-hit year. Aaca’s red carpet merged 6 remote studios and a multitude of feeds to allow celebrities from all over the region to strut their stuff as if for real.
The event is a part of the Singapore Media Festival, which also includes the Singapore Film Festival and the Asian Media Forum.
Singapore actors features prominently among the performance winners. Yeo Yann Yann was named best lead actress for her role in HBO’s “Invisible Stories,” while Lina Ng was named best supporting actress for “Last Madame.”
The awards ceremony was staged over two nights within a high-tech 3D virtual environment. That made it one of the most ambitious prize shows of this coronavirus-hit year. Aaca’s red carpet merged 6 remote studios and a multitude of feeds to allow celebrities from all over the region to strut their stuff as if for real.
The event is a part of the Singapore Media Festival, which also includes the Singapore Film Festival and the Asian Media Forum.
- 12/4/2020
- by Patrick Frater
- Variety Film + TV
By Abdul Rahman Shah
“What’s even a Malaysian cinema?” was the question my mind ponders, as I think of a way to introduce this overview without boring the readers on the aftereffect of colonial decision-making that influenced and still influencing how we, Malaysians, perceive ourselves as Malaysians. Where the answer to it would differ greatly between and within historians, academics, cultural professors, politicians, artists and so on depending on how they would define what is uniquely, culturally Malaysian when we are so diverse. There is no one definition that everyone would agree to outside of the boring legislative perspective of having an identification card and/or passport identifying you as a Malaysian.
So, how do we define Malaysian cinema when it is hard to even define what is being Malaysian? Although there are attempts at defining “national cinema” in Malaysia such as the Finas Act 1981 which defines it through...
“What’s even a Malaysian cinema?” was the question my mind ponders, as I think of a way to introduce this overview without boring the readers on the aftereffect of colonial decision-making that influenced and still influencing how we, Malaysians, perceive ourselves as Malaysians. Where the answer to it would differ greatly between and within historians, academics, cultural professors, politicians, artists and so on depending on how they would define what is uniquely, culturally Malaysian when we are so diverse. There is no one definition that everyone would agree to outside of the boring legislative perspective of having an identification card and/or passport identifying you as a Malaysian.
So, how do we define Malaysian cinema when it is hard to even define what is being Malaysian? Although there are attempts at defining “national cinema” in Malaysia such as the Finas Act 1981 which defines it through...
- 5/18/2020
- by Guest Writer
- AsianMoviePulse
Osaka Asian Film Festival is held yearly under the theme of “From Osaka to All of Asia!” We are pleased to announce the line-up of the 15th edition of Oaff.
The number of selected films is 64 in total, the highest number ever for the festival, and they include 14 World Premieres, 12 International Premieres, and 3 Asian Premieres. Films from 23 countries and regions, including China, Hong Kong, Taiwan, Korea, Thailand, Malaysia, Indonesia, the Philippines, Singapore, Cambodia, India, Bangladesh, Nepal, Kazakhstan, Poland, France, Germany, Denmark, Portugal, Italy, the USA, Mexico and Japan, will be screened.
Opening Film
The Garden of Evening Mists
by Tom Shu-yu Lin (Malaysia) Japan Premiere
Closing Film
Kamata Prelude
by Nakagawa Ryutaro, Akiyama Mayu, Yasukawa Yuka, Watanabe Hirobumi (Japan) World Premiere
Competition
This section will present 15 films chosen from films completed on or after 1st October 2018 and unreleased in Japan. The international jurors will choose the winners of the Grand...
The number of selected films is 64 in total, the highest number ever for the festival, and they include 14 World Premieres, 12 International Premieres, and 3 Asian Premieres. Films from 23 countries and regions, including China, Hong Kong, Taiwan, Korea, Thailand, Malaysia, Indonesia, the Philippines, Singapore, Cambodia, India, Bangladesh, Nepal, Kazakhstan, Poland, France, Germany, Denmark, Portugal, Italy, the USA, Mexico and Japan, will be screened.
Opening Film
The Garden of Evening Mists
by Tom Shu-yu Lin (Malaysia) Japan Premiere
Closing Film
Kamata Prelude
by Nakagawa Ryutaro, Akiyama Mayu, Yasukawa Yuka, Watanabe Hirobumi (Japan) World Premiere
Competition
This section will present 15 films chosen from films completed on or after 1st October 2018 and unreleased in Japan. The international jurors will choose the winners of the Grand...
- 2/8/2020
- by Adriana Rosati
- AsianMoviePulse
The Osaka Asian Film Festival, Western Japan’s largest showcase of films from Asia, has announced the line-up of its 15th edition, which will unspool March 6-15 at venues in Osaka, Japan’s second-largest city.
The opening film is “The Garden of Evening Mists,” Taiwanese director Tom Lin Shu-yu’s drama about a woman who falls in love with a Japanese former soldier-turned-gardener in the turbulent early days of Malaysia’s post-colonial era. Following its premiere at last year’s Busan festival, the film played at festivals in Hong Kong and Taipei, and had opened commercially in Hong Kong, Malaysia and Singapore.
The closing film is “Kamata Prelude,” an omnibus by four up-and-coming Japanese directors about the struggles of a young actress (Urara Matsubayashi). Matsubayashi, who starred in the 2018 indie hit “The Hungry Lion,” also serves as the film’s producer.
Oaff will screen a total of 64 films – a festival record – from 23 countries and regions.
The opening film is “The Garden of Evening Mists,” Taiwanese director Tom Lin Shu-yu’s drama about a woman who falls in love with a Japanese former soldier-turned-gardener in the turbulent early days of Malaysia’s post-colonial era. Following its premiere at last year’s Busan festival, the film played at festivals in Hong Kong and Taipei, and had opened commercially in Hong Kong, Malaysia and Singapore.
The closing film is “Kamata Prelude,” an omnibus by four up-and-coming Japanese directors about the struggles of a young actress (Urara Matsubayashi). Matsubayashi, who starred in the 2018 indie hit “The Hungry Lion,” also serves as the film’s producer.
Oaff will screen a total of 64 films – a festival record – from 23 countries and regions.
- 2/7/2020
- by Mark Schilling
- Variety Film + TV
Marking its 15th edition this year, The Osaka Asian Film Festival (Oaff), under programming director Teruoka Sozo, will again select high-quality Asian films. The Competition section, which receives increased recognition every year, will again select films previously unreleased in Japan. The Indie Forum section, special programs and other sections will also feature a wide variety of excellent Asian films.
The full Programme will be announced on the 7th of February 2020
“The Garden of Evening Mists”
Osaka Asian Film Festival 2020 will open with the gorgeous Malaysian Historical Drama “The Garden Of Evening Mists“, directed by Tom Shu-yu Lin and starring Lee Sinje, Abe Hiroshi and Sylvia Chang. The film, a historical drama based on a novel by Malaysian writer Tan Twan Eng, depicts the woman’s struggle to honour the memory of her sister through making a garden in post-war Malaysia. It will have its Japanese Premiere on March 6 at Umeda...
The full Programme will be announced on the 7th of February 2020
“The Garden of Evening Mists”
Osaka Asian Film Festival 2020 will open with the gorgeous Malaysian Historical Drama “The Garden Of Evening Mists“, directed by Tom Shu-yu Lin and starring Lee Sinje, Abe Hiroshi and Sylvia Chang. The film, a historical drama based on a novel by Malaysian writer Tan Twan Eng, depicts the woman’s struggle to honour the memory of her sister through making a garden in post-war Malaysia. It will have its Japanese Premiere on March 6 at Umeda...
- 2/4/2020
- by Adriana Rosati
- AsianMoviePulse
“Of course it’s a loss,” commented executive committee chairman, Ang Lee, on the lack of mainland Chinese entries.
Two Taiwanese titles, Chung Mong-hong’s A Sun and John Hsu’s Detention, were the big winners at the 56th Golden Horse Awards in Taipei on Saturday night (November 23), each taking five prizes.
Chung’s drama, about a family torn apart when the youngest son is sent to a juvenile detention centre, won in both the best narrative feature and best director categories and also took prizes for best leading actor (Chen Yi-wen), best supporting actor (Liu Kuan-ting) and best film...
Two Taiwanese titles, Chung Mong-hong’s A Sun and John Hsu’s Detention, were the big winners at the 56th Golden Horse Awards in Taipei on Saturday night (November 23), each taking five prizes.
Chung’s drama, about a family torn apart when the youngest son is sent to a juvenile detention centre, won in both the best narrative feature and best director categories and also took prizes for best leading actor (Chen Yi-wen), best supporting actor (Liu Kuan-ting) and best film...
- 11/24/2019
- by 14¦Screen staff¦0¦
- ScreenDaily
Chung Mong-hong’s Taiwanese family drama A Sun scooped the best narrative feature prize at the 2019 Golden Horse Awards, which were held today in Taipei. Scroll down for the full list of winners.
Chinese authorities boycotted this year’s ceremony, provoked by political fallout from last year’s ceremony, meaning no Chinese actors, directors and producers were entered into the nominations pool. As such the winners are primarily from Taiwan, as well as other Asian nations including Malaysia and Singapore.
A Sun, which premiered at Toronto, follows a family of four that fractures under the weight of unmet expectations, unexpected tragedy, and uncompromising pride. It also won best director for Chung Mong-hong – his second win in the category after he triumphed for The Fourth Portrait in 2010 – as well as best leading actor for Chen Yi-wen, and the supporting actor and editing prizes.
John Hsu’s psychological horror-thriller Detention was also...
Chinese authorities boycotted this year’s ceremony, provoked by political fallout from last year’s ceremony, meaning no Chinese actors, directors and producers were entered into the nominations pool. As such the winners are primarily from Taiwan, as well as other Asian nations including Malaysia and Singapore.
A Sun, which premiered at Toronto, follows a family of four that fractures under the weight of unmet expectations, unexpected tragedy, and uncompromising pride. It also won best director for Chung Mong-hong – his second win in the category after he triumphed for The Fourth Portrait in 2010 – as well as best leading actor for Chen Yi-wen, and the supporting actor and editing prizes.
John Hsu’s psychological horror-thriller Detention was also...
- 11/23/2019
- by Tom Grater
- Deadline Film + TV
It’s finally time for the prestigious Taiwanese Award Ceremony “Golden Horse Awards” (23rd November 2019) and this is year the event is heavily influenced by the the snowballing effect of director Fu Yue’s cry for independence during her acceptance speech for the documentary “Our Youth In Taiwan” at last year’s edition. The statement caused a stir, ended with China boycotting the Golden Horse and Hong Kong directors being advised to stay away.
On the other hand, China’s Golden Rooster Awards has just opened and announced that from now on it will be held permanently in Xiamen and annually, instead of every two years. Therefore the two events will happened almost at the same time.
The “Golden Horse Awards” lineup is consequently “different” this year and – to stay positive – Taiwanese film-makers will have a greater chance to showcase their work and be awarded.
Leading the competition is the horror movie “Detention” with 12 nominations,...
On the other hand, China’s Golden Rooster Awards has just opened and announced that from now on it will be held permanently in Xiamen and annually, instead of every two years. Therefore the two events will happened almost at the same time.
The “Golden Horse Awards” lineup is consequently “different” this year and – to stay positive – Taiwanese film-makers will have a greater chance to showcase their work and be awarded.
Leading the competition is the horror movie “Detention” with 12 nominations,...
- 11/23/2019
- by Adriana Rosati
- AsianMoviePulse
Despite rising political antagonism, China and Taiwan have for years been able to put aside their differences for a night of shared glitz and glamour at the annual Taipei-based Golden Horse Awards, known as Asia’s Oscars. But with cross-strait relations at a nadir, that’s about to change.
Chinese-language cinema is set for a showdown the weekend of Nov. 22-24, when China’s Communist Party-approved film awards, the biannual Golden Roosters, go head-to-head with the Golden Horse Awards on the same exact day. In a retaliatory move, Beijing has scheduled its ceremony to coincide with Taipei’s event, which itself angered mainland nationalists in 2018 by honoring a pro-Taiwan independence filmmaker. Chinese authorities have banned all of their industry professionals from attending the rival ceremony and intimidated others regionally with the threat of blacklisting.
The mainland’s boycott has put Chinese cinema in a bind. Without mainland films, the Golden...
Chinese-language cinema is set for a showdown the weekend of Nov. 22-24, when China’s Communist Party-approved film awards, the biannual Golden Roosters, go head-to-head with the Golden Horse Awards on the same exact day. In a retaliatory move, Beijing has scheduled its ceremony to coincide with Taipei’s event, which itself angered mainland nationalists in 2018 by honoring a pro-Taiwan independence filmmaker. Chinese authorities have banned all of their industry professionals from attending the rival ceremony and intimidated others regionally with the threat of blacklisting.
The mainland’s boycott has put Chinese cinema in a bind. Without mainland films, the Golden...
- 11/20/2019
- by Rebecca Davis
- Variety Film + TV
After a typhoon wiped out Wednesday evening events in Busan and brought back memories of last year’s drenching, organizers of the Busan International Film Festival must be mighty pleased to have got proceedings under way Thursday largely as planned.
Indeed, by the time the opening ceremony got under way around sunset on Thursday the problem was heat and humidity. A slight evening breeze was most welcome as local and international celebrities wafted along the red carpet in the city’s landmark Busan Cinema Center.
The ceremony kicked off with a choir of children that provoked delighted cooing from the audience.
While Korean and Japanese politicians at national level have engaged in one of the most bitter diplomatic rows in years, the Busan festival, no stranger to political intrigues, has deliberately kept its doors open. Not only is the opening film “The Horse Thieves” a Japanese-Kazakh co-production, the festival’s...
Indeed, by the time the opening ceremony got under way around sunset on Thursday the problem was heat and humidity. A slight evening breeze was most welcome as local and international celebrities wafted along the red carpet in the city’s landmark Busan Cinema Center.
The ceremony kicked off with a choir of children that provoked delighted cooing from the audience.
While Korean and Japanese politicians at national level have engaged in one of the most bitter diplomatic rows in years, the Busan festival, no stranger to political intrigues, has deliberately kept its doors open. Not only is the opening film “The Horse Thieves” a Japanese-Kazakh co-production, the festival’s...
- 10/3/2019
- by Variety Staff
- Variety Film + TV
by Nathaniel R
A lonely student and his teacher become friendly in "Wet Season"
Usually the Golden Horse nominations are a fun and glamorous mix of all the hot movies and movie stars from various Chinese language countries. This year, however, due to political fallout from a speech last year and a Chinese boycott because of increasing tension between the way China sees Taiwan and the way Taiwan sees itself, no films from Mainland China are competing (which takes out a huge chunk of movies and a lot of the most famous movie stars). So the bulk of the features nominated this year are features from Taiwan with a little Malaysia, Singapore and Hong Kong thrown in.
Best Narrative Feature
A Sun (Taiwan) Suk Suk (Hong Kong) The Garden of Evening Mists (Malaysia) Wet Season (Singapore) Detention (Taiwan)
You may have noticed that Taiwan's current Oscar submission Dear Ex (streaming...
A lonely student and his teacher become friendly in "Wet Season"
Usually the Golden Horse nominations are a fun and glamorous mix of all the hot movies and movie stars from various Chinese language countries. This year, however, due to political fallout from a speech last year and a Chinese boycott because of increasing tension between the way China sees Taiwan and the way Taiwan sees itself, no films from Mainland China are competing (which takes out a huge chunk of movies and a lot of the most famous movie stars). So the bulk of the features nominated this year are features from Taiwan with a little Malaysia, Singapore and Hong Kong thrown in.
Best Narrative Feature
A Sun (Taiwan) Suk Suk (Hong Kong) The Garden of Evening Mists (Malaysia) Wet Season (Singapore) Detention (Taiwan)
You may have noticed that Taiwan's current Oscar submission Dear Ex (streaming...
- 10/2/2019
- by NATHANIEL R
- FilmExperience
The nominations for this year’s Golden Horse Awards in Taiwan were unveiled Tuesday, with no Chinese films in contention amid the political fallout from last year’s ceremony.
Now in their 56th year, the awards have traditionally been seen as among the most prestigious for Chinese-language film. But tension bubbled over last year after Taiwanese filmmaker Fu Yue said onstage during an acceptance speech that she hoped Taiwan could be regarded as “independent.”
China classifies Taiwan as a renegade province rather than a separate country, and, according to various reports, authorities declared that China’s actors, directors and producers would not be allowed to submit to year’s Golden Horse Awards.
Instead, this year’s nominees list is largely composed of Taiwanese films, with a handful of features from Hong Kong and elsewhere also up for prizes. Taiwan’s Detention, John Hsu’s thriller, leads the pool with 12 noms including Best Narrative Feature,...
Now in their 56th year, the awards have traditionally been seen as among the most prestigious for Chinese-language film. But tension bubbled over last year after Taiwanese filmmaker Fu Yue said onstage during an acceptance speech that she hoped Taiwan could be regarded as “independent.”
China classifies Taiwan as a renegade province rather than a separate country, and, according to various reports, authorities declared that China’s actors, directors and producers would not be allowed to submit to year’s Golden Horse Awards.
Instead, this year’s nominees list is largely composed of Taiwanese films, with a handful of features from Hong Kong and elsewhere also up for prizes. Taiwan’s Detention, John Hsu’s thriller, leads the pool with 12 noms including Best Narrative Feature,...
- 10/1/2019
- by Tom Grater
- Deadline Film + TV
Films from mainland China are completely absent from the list of nominees announced Tuesday for the annual Golden Horse Awards. And with only a handful of titles from Hong Kong on the list, the competition has devolved into a mostly Taiwanese affair.
The awards, based in Taiwan and chaired by Oscar-winner Ang Lee, have traditionally been considered the most prestigious prizes for films in the Chinese language. But a political spat at last year’s ceremony, where a Taiwanese award-winner infuriated mainland Chinese attendees and the Beijing regime by giving a speech in favor of Taiwanese independence, sparked a pullout by mainland films from this year’s contest. China considers self-governing, democratic Taiwan as part of its rightful territory, to be retaken by force if necessary.
Hong Kong titles in the running for Golden Horse Awards include Ray Yeung’s “Suk Suk,” best song nominee “My Prince Edward,” and documentary “Bamboo Theatre.
The awards, based in Taiwan and chaired by Oscar-winner Ang Lee, have traditionally been considered the most prestigious prizes for films in the Chinese language. But a political spat at last year’s ceremony, where a Taiwanese award-winner infuriated mainland Chinese attendees and the Beijing regime by giving a speech in favor of Taiwanese independence, sparked a pullout by mainland films from this year’s contest. China considers self-governing, democratic Taiwan as part of its rightful territory, to be retaken by force if necessary.
Hong Kong titles in the running for Golden Horse Awards include Ray Yeung’s “Suk Suk,” best song nominee “My Prince Edward,” and documentary “Bamboo Theatre.
- 10/1/2019
- by Patrick Frater
- Variety Film + TV
Korean entertainment powerhouse Cj Entertainment has amped up its overseas filmmaking efforts to the point that it is now producing more movies outside Korea than at home.
At FilMart in Hong Kong, Cj unveiled a slate of 13 new titles hailing from the U.S., Turkey, Thailand, Indonesia and Vietnam.
“Our aim is to find hidden gem-like creators in local industries, and support them … by producing quality local films together,” said Jerry Ko, Cj’s head of international.
“We are not just passive investors. In Thailand and Vietnam we are working with partners but are also fully involved in packaging, casting, distributing and selling,” said Choi Yeonu, chief producer within Cj’s international production team. “And we have strong IP.”
The company’s “Miss Granny” has been remade in seven countries, while its “Sunny” has been made in Korea, Vietnam and Japan. A fourth, in Indonesia, was unveiled earlier this month.
At FilMart in Hong Kong, Cj unveiled a slate of 13 new titles hailing from the U.S., Turkey, Thailand, Indonesia and Vietnam.
“Our aim is to find hidden gem-like creators in local industries, and support them … by producing quality local films together,” said Jerry Ko, Cj’s head of international.
“We are not just passive investors. In Thailand and Vietnam we are working with partners but are also fully involved in packaging, casting, distributing and selling,” said Choi Yeonu, chief producer within Cj’s international production team. “And we have strong IP.”
The company’s “Miss Granny” has been remade in seven countries, while its “Sunny” has been made in Korea, Vietnam and Japan. A fourth, in Indonesia, was unveiled earlier this month.
- 3/19/2019
- by Patrick Frater
- Variety Film + TV
South Korea’s Cj Entertainment has picked up international sales rights to ambitious Malaysian drama “The Garden of Evening Mists.” The film’s cast mixes high profile Asian and Western stars.
The picture is an adaptation of a novel of the same title by Tan Twan Eng, which was nominated for the Man Booker Prize in 2012. It tells a tale of cultural complexity shortly after World War II in British-controlled Malaya. The story features a female law graduate who seeks a quiet life in the idyllic Cameron Highlands, but finds love and a common interest in gardening in the arms of a mysterious Japanese man.
Production is by Astro Shaw, part of the Astro part of pay-tv giant, and HBO, with financial support from the National Film Development Corporation of Malaysia (Finas). Shooting wrapped in August, and delivery is set for 2019.
“Garden” is directed by Taiwan’s Tom Lin and...
The picture is an adaptation of a novel of the same title by Tan Twan Eng, which was nominated for the Man Booker Prize in 2012. It tells a tale of cultural complexity shortly after World War II in British-controlled Malaya. The story features a female law graduate who seeks a quiet life in the idyllic Cameron Highlands, but finds love and a common interest in gardening in the arms of a mysterious Japanese man.
Production is by Astro Shaw, part of the Astro part of pay-tv giant, and HBO, with financial support from the National Film Development Corporation of Malaysia (Finas). Shooting wrapped in August, and delivery is set for 2019.
“Garden” is directed by Taiwan’s Tom Lin and...
- 11/14/2018
- by Patrick Frater
- Variety Film + TV
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