User Reviews

In 1978, the film magazine Cinefantastique ran a cover story on an upcoming SF movie, The Primevals, then in preproduction. The Primevals, an ambitious effort on a modest budget, was intended as a showcase for stop-motion animation.

I was in college at the time, and as an animation fan I was pretty excited about seeing this movie. As it turned out, I had to wait just a little longer than expected. Forty-six years, to be exact. It never occurred to me that I'd be nearly eligible for Social Security before The Primevals finally came out.

You see, the initial effort to make the movie fizzled. It was revived in 1994, when the live action and some of the effects were shot. Then the studio behind the project went bankrupt, and the movie, still in post-production, was shelved. It remained in limbo for decades until producer Charles Band and effects expert Chris Endicott worked out a plan to finish it. By that time, the film's guiding light, animator-writer-director David Allen, was long gone, having died of cancer in 1999.

With a new crew of animators, newly repaired or entirely refashioned models, and digital composites instead of back projection, The Primevals finally completed its remaining effects shots (or all the essential ones, anyway; the plot was slightly streamlined as a cost-cutting measure).

As of June, 2024, the movie has been released to streaming services. I watched it last night. As I expected, it often betrays its humble origins, with uneven performances and an overall "1980s TV" quality, which is especially noticeable in the overbright and rather flat lighting. Nevertheless, given the budget and the technology, it's an impressive piece of work - and obviously a labor of love for the creators. Allen and his colleagues made a real effort to elevate the stop-motion genre, eschewing dinosaurs and mythological creatures in favor of a more complex scenario involving alien contact and directed evolution. They also worked hard to integrate the stop-motion elements into the story in a natural way, rather than using them as standalone set pieces, as was too often the case.

The irony is that after all this time, The Primevals can no longer serve its intended purpose as proof of the viability of hand-crafted animation effects in a digital world. That ship has sailed. Instead, the movie will likely go down as the last live-action feature film to use stop-motion creatures in a big way. It's probably not the legacy Dave Allen wanted, but it does assure him of a small place in movie history. And it's a great gift for stop-motion fans like me.

Kudos to Endicott, Band, and their associates for making The Primevals a reality - finally!

Usually when a project has been shelved for a long time it's for a reason - either it's not that good to begin with or there's just not enough time or money to finish it properly. Thankfully The Primevals was the latter.

When I read the film's history I was fascinated by it - a movie almost fifty years in the making just couldn't be otherwise. David Allen had a distant vision of how it was going to be way back in the late sixties but only came as close as shooting it in the mid-nineties but still wasn't able to finish it before his death in 1999. Only twenty years later the movie was picked up to finally be finished and to pay proper respects to its original idea and the people behind the 1990s production. So, was it all worth waiting that long for? Absolutely.

First and foremost, The Primevals is a movie without CGI which is obscenely rare in the 21st century - instead it utilizes stop-motion, animatronics and puppetry to bring its creatures to life - a long forgotten art form since the rise of computers in the late 1970s, and it makes this movie truly stand out above all the recent ones. Sure, the creatures don't look realistic enough this way but this story is not about realism, it's about the soul.

Nowadays people tend to have completely forgotten what cinema is all about - originality, new ideas that give you food for thoughts, something you haven't seen or heard before, and not just a pretty picture with words. Don't get me wrong, The Primevals is no Citizen Kane, nor is it 2001: A space odyssey or even Star Wars - its story is far from being original even remotely as we've seen many alike examples in the 1950s and 1960s during the second Renaissance of stop motion movies but it's something that this work of art represents that makes it worthy being released now, in 2024. I'm sure would it have been released as soon as David Allen pitched his idea to the producers, or even in the 1990s when he shot the movie it would have been instantly lost among its contemporaries but today it ought to be remembered as a relic that's still more relevant and way better than most of its contemporaries.

The stop motion itself is nearly perfect and I was amazed at how well it's handled in the movie. The same was with the music score - simply beautiful, grandiose and is suitable for something more epic than what was on the screen but not less impressive in any way. The only downpoint is probably the actors and their wooden performances that hadn't given us the full spectrum of emotions when on a journey discovering a brand new world - it felt more like they've been doing this every other Sunday. The narrative moves itself here and the actors blindly follow it - it's not that uncommon in adventure flicks but still, it would have been nice to have at least one charismatic character among the bunch presented in The Primevals but there was none.

Overall I feel like no matter when the movie's released and what production hell it's been through The Primevals is a well-crafted picture hands down and I would have given it the same rating despite the circumstances.

Finally we have a Harryhausen´s movie in the 21ts century, in 2024. This is incredeible! The tribute they pay to films like Willis O´ Brian stop motion´s FX in King Kong is fantastic!

Against the CGI, we have animatronics, practical FX, some CGI, but low and a story like Harryhausen´s movies told us. Actors are in a second position in this movie; the really stars are the puppets in stop motion (there is one scene where we can see hundreds of them moving). I never thought we could see again something like this in big screen. The technique of stop motion is incredibly well done. The motion of the puppets and the realism in the mixing with real life caracters is incredibly well done!

The plot and the acting is a little bit hole, I mean we see woodden faces and a poor acting but, what the hell? For a fan of Harryhausen´s movie and a person that is bored with CGI, we have here a great achievement.

This is a movie that Joe Dante, John Landis, Guillermo del Toro, Tarantino and Christopher Nolan would like to see; so if you are one of those crazy people that love the old Sci fi B series or Z series cinema, this is yours! Don´t miss it!

Well done Charles Band, David Allen and company from FULL MOON Features!

7 stars out of 10.

Watching this movie I soon found it very familiar in it's production. It seemed to be the good old times of the 1980's when some very good movies were made. This one had very familiar music to what was produced in those times.

I have now seen the IMDb review of michaelprescott-00547 and he enlighted me that this project originated in the late 70's but never saw the light then.

A very nice movie was finally made and I can give this a sound 7 stars. I see that another movie is made or being made this year (2024) by David Allen, but on checking the information, it is a documentary on this movie and probably why it took so long to come to fruition.

A movie that is brand new and yet very dated.

I loved watching the original Jason and the Argonauts as a kid and this took me back in a good way to the stop motion genius of Ray Harryhausen.

It has be said that this is not of that quality. The plot is quite silly. The acting is generally weak from (apart from Judith Mills) a bunch of nobodies.

That being said, the film is rather light hearted, good natured and zips along without outstaying its welcome.

The film is worth seeing if only for the story attached to the making of it. Check out the trivia section.

Nice to see a movie that wasn't created for modern audiences again.

Heavens where to start, from the wooden acting to the poor backdrops this film is destined for the bin. So bad I even stopped fast forwarding it to see if it got any better. It didn't. Regardless of the Ray H lovers out there the rest of the film, including the editing, is a disaster from start to finish. The acting, well where do I start, bad and more wooden than the stop motion figures. The scenery was put together by a blind person and if they had seen their efforts and the big screen I think they would quit the business and rightly so. So bad but not even in a funny way, the creatures keep changing size and the people die and come back again. Oh dear me no.