pbn

This is a pretty good show, and it's interesting to watch the Swiss turning their banking system into dramatic material in these post-financial crisis times. The ending is good, so keep watching.

A few things could have been handled better, including the American link, and I found the lead performance of Elisabeth somewhat misguided: Although she is supposedly an independent and experienced woman, she is played as a nervous and emotional being, unable to keep a cool head even as she sees the importance of her chosen mission.

"Smukke mennesker" is being cited as the box office bomb of the year in Danish cinemas, but I was captivated by it. Its multiple story lines of connected characters and its somewhat bleak and depraved point of view have critics throwing up comparisons to this and that source of inspiration, but I found the characters and the themes of sexual identity engaging on their own.

I was particularly impressed by Sebastian Jessen in arguably the leading role as the attractive, even beautiful young man who seems to decide to spend his youth on his own, away from parents or obligations, selling sexual favours with little discrimination, but not without empathy. Mille Hoffmeyer Lehfeldt is equally daring as a school teacher who chases some kind of physical fulfillment after losing a breast to cancer surgery. Bodil Jørgensen ('Idioterne') comically retires from the company where the young boss doesn't know anything about her, then loses her husband on the same day and has absolutely nothing to do. Henrik Prip, who I have never before considered an interesting actor, makes his woman-abusing, self-hating, therapist-seeking character seem almost likable. The supporting cast make excellent contributions.

There are numerous surprising or poignant or plain funny moments, some of them cringeworthy like the meeting of the young man with the old widow - on her couch. The characters, flawed as they are, made me care. I could have done without the chapter headings, which gave the proceedings a pompous edge and seemed to slow down an otherwise well-edited film. The ending presents an absurdly coincidental chance meeting, but I was happy to see the story go there.

This film takes a look at gay cinema as it has developed over the last decades. It is not thorough or precise enough to be a true historical treatment of the subject, but rather lets its interviewees make their points without much opposition. Someone is allowed to say that he thinks the first "gay" movie was made in 1985, but we don't hear his reasons for the assertion. The upside is that there are some good interview bits in here, notably with John Waters, Tilda Swinton and Gus Van Sant.

There is no narrator or presenter, everything is interviews and film clips. The chosen film clips are sometimes linked neatly to fitting words by the interviewees, but overall the film feels slower than it needs to be. I saw this on Danish television; it looked to have been produced to be multilingual needing only subtitles to adapt from territory to territory.