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Virtual crud
28 May 2003
Warning: Spoilers
Who in God's name was in charge of deciding which minds to liberate from the Matrix? I imagined the inhabitants of Zion to be a collection of scientists, politicians, engineers, mathematicians, great thinkers --men and women of strength, sobriety, discipline, and purpose. Looks like they got the Burning Man crowd instead -- a bunch of clowns gyrating underground in the orgiastic throes of bacchanalia, bumping and grinding to a technobeat soundtrack, banging on bongos or gongs like hippies at the beach. Few rave parties last as long as the celebration scene from this awful, unbearably long and joyless ride. "Matrix Reloaded" itself is a kind of SPOILER, but if you are excited about seeing this nonsense, beware of the SPOILER ahead:

The climax of "Matrix Reloaded" involves a scene where Neo discovers that the Matrix was actually built by Colonel Sanders, who then proceeds to give a nearly 20-minute "before I kill you, Mr. Bond"-type speech about the meaning of life, the futility of action, the illusion of choice, KFC's secret recipe, and on and on. He does so by seeming to repeat the same five sentences over and over and over again, in different orders, inserting the words "vis-a-vis" and "ergo" every once in a while to make it all sound smart and logical. I've sat through get-rich-quick infomercials at 2 AM which held my attention better.

The Matrix could turn out to be the first "blender religion," as it's obvious that the Warschauwszchkiyi Brothers just pureed a random sampling of Eastern, Western, Southern, and Northern religions into a chunky spew of impotent hokum - and some meatheads are really buying into this, taking it ALMOST as seriously as the cardboard cutouts that make up the sleepwalking characters in "Matrix Reloaded." There's even something decidedly "Phantom Menace-esque" about all the scenes of political intrigue involving Zion's councils, committees, and chambers of commerce. I half-expected Jar-Jar to pass through frame. And the CG fights suck. Notice how LITTLE Neo resembles Keneau Reeves when his battle against the army of Agent Smiths heats up.

Anyway, the first "Matrix" was interesting, revolutionary, yada yada yada. "Reloaded" is overbaked, self-important nonsense. Absurd. Can't wait for "Revolutions."
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Lost Highway (1997)
Think about it...but not too hard
12 May 2001
Admittedly, I hated this film when I first saw it on video.

Then I heard David Lynch say something which forced me to broaden my mind a bit:

He said that, with 'Lost Highway,' he was simply attempting to FILM A NIGHTMARE.

Watch it again with this in mind, and you will have a new appreciation for the film and for David Lynch. Let the specifics of the 'plot' glide right through your consciousness...don't detain them in your rational mind - they'll just get all backed up while you try to 'explain' the movie to yourself. Lynch is intelligent enough to realize that true nightmares are illogical and incomprehensible, and made all the more nightmarish the more illogical and incomprehensible they are. Ever had one? A nightmare? If you have, you know the best ones are those that leave a vivid footprint of fear in your waking mind, but whose characters and events elude any effort to have a rational order imposed upon them.

Those who really dig this film because it makes them feel 'in' on something which defies conventional understanding are, I believe, just a bit self-absorbed. It's not that complicated of a film, it just APPEARS so. And, by the same token, those who rigidly condemn the film as 'pretentious' and 'muddled' are, unfortunately, rather unwilling to think just slightly to the left of normal for two hours. There's nothing like a well-told story, to be sure - and there's absolutely nothing wrong with RESOLUTION...I prefer it, in fact. But 'Lost Highway' needs to be seen less as a story and more as a kind of PSYCHOLOGICAL SIMULATOR RIDE.

Kudos to Lynch for daring to risk being so misunderstood...and he has proven time and again that he can successfully tell a good story - one with a beginning, middle, and end - so I will give him the benefit of the doubt.

Rent 'Lost Highway' and 'The Straight Story,' Lynch's delicately beautiful ode to the oft-forgotten simplicity of life. The depth and scope of the man's capacity for probing the respective darkness and bittersweet gentility of the human experience is on full display in these two films.

Then just relax. And be willing to learn and to grow as a sentient human being. I did.
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Earthquake in New York (1998 TV Movie)
Wow...
23 December 2000
Just finished watching this mercilessly horrid waste of time.

Movie summary: an hour of bad acting, an earthquake, a second hour of bad acting while walking in circles around the same pile of rubble.

Michael Moriarty clearly wanted to be somewhere--ANYWHERE--but on the set of this "movie." Either that or he was preoccupied with the most unremarkable, tepid, and mundane sentences any actor could be unfortunate enough to deliver. The poor guy couldn't even manage to take his hands out of his pockets, he was so bored.

The Statue of Liberty scenes are excruciating. I've seen better CG on Half-Life. I kept rooting for that whole mess of snotty teenagers to fall to their deaths. Dig that dude asking the girl out on a date WHILE TRYING TO AVOID DYING IN AN EARTHQUAKE! Yeah, RIGHT.

And how about the shameless plugs for mindless patriotism? That wistful, admiring gaze up at the replica of the torch inside the base of the Statue of Liberty, and mommy singing "The Star Spangled Banner" to her little girl who's trapped under a pile of rubble (unscathed, mind you...just trapped.) And by the way, someone explain to me HOW IN GOD'S NAME the doll which she had just been holding ended up ON TOP of the pile of rubble beneath which the kid was now trapped?

Seal this one up in a barrel marked HAZARDOUS and drop it in the same landfill with ASTEROID and TORNADO.
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