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8/10
Delivers exactly what I was looking for
20 June 2023
Disappointed by this show's current rating. Maybe I'm giving it an 8 to compensate for that, but this show delivered exactly what I was looking for.

We all know about the Theranoses, the Bernie Madoffs, the FTXes. I wanted to see some frauds that I've never heard of. This show gave me that and it gave it to me succinctly.

All the scams were unique with some exceptions (the first and last episode were basically the same kind of scam, just by different people).

In the Fiber Feud episode I don't even think there *was* a scam. Sure, it had people I generally disliked, but no scam there in my opinion. And yet, I was riveted. And that's something I want to thank the creators of this show for. Y'all created something interesting to watch.
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Lightyear (2022)
6/10
Lightyear's first 30 minutes are good and the next hour is mediocre
2 July 2022
Warning: Spoilers
How did this happen?

For the first 30, the main emotional pull for us was the relationship between Buzz and Alisha. To do this, the movie spends some time getting a couple of points across:

1. Alisha is the only person Buzz connects with. Alisha is the only person we see Buzz showing interest in knowing; for example, he says he'd "like to meet her" when Alisha brings up the fact that she's engaged to someone. This is crucial because we see that Alisha is important to Buzz.

2. Alisha is a True Friend to Buzz. After Buzz makes the lethal mistake of marooning the entire group of humans on a planet, she doesn't bash him and instead tries to figure out how to move forward. Alisha seems to be a saint because I'd probably at least throw a tantrum when my friend severs me from the rest of my life, but hey that's Alisha. This all makes us, the audience, generally like her.

And those two points makes the ending of the first 30 minutes hit with emotion. I don't want to make it seem like the first 30 is this mindblowing achievement in film. It isn't. It probably wouldn't even reach top 10 moments in Pixar's filmography. They could've made it better by investing even more minutes into Alisha/Buzz's relationship and less into random plot logic things. There's probably only 5 minutes in total of interaction between them. But in film, when you do something right, even if you only invest a handful of minutes into doing it, it can still be fine, if not amazing.

So at the end of the first 30, with the main emotional pull of the movie gone, we're thinking "what now?"

The movie tries to give us an answer to that question. It wants the emotional pull to now be:

Buzz's relationship with the rookies, but mainly Izzy.

And as it turned out, this pull did not work as well as the Alisha story. It doesn't connect. Their relationship feels like it's happening more for logical reasons rather than emotional ones. We never really see what they mean to each other, never really see Buzz sad during the moments he's apart from Izzy.

It's the same for Izzy. When Buzz is taken by Zurg, Izzy does seem distressed for a moment. But then when we cut back to her, she's sad, but not that sad. She seemed more bothered by the fact that she isn't living up to the Hawthorne name. For the rest of the rookies, they're all bantering about instead of being devastated by the fact that Buzz just got taken and is being killed for all they know.

Compared to Alisha's story, the relationships here just don't really seem to matter. I think the writers were just so obsessed with hammering home themes by making the characters tunnel-vision onto their personal issues (Buzz with working with others, Izzy with not living up to her last name) that it overshadowed the relationships. Personal issues we generally don't care about. Relationships we do. It's just how the human brain works. So when everybody reconnects at the end it all feels pretty meh.
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Host (II) (2020)
9/10
Specifically perfect film
29 May 2022
We all watch movies for various reasons and the all-time great movies exceed our expectations for a majority of those reasons. They have characters we relate to and believe are real, a theme that resonates, and a plot that makes us want to finish.

This film is not like those films. This film barely cares about any of those things. But the one thing it does care about, it does it perfectly. You watch this film when you want to watch jump scare set pieces. That's it. And if that's all you want out of a movie, then this film's the Mona Lisa.

Imagine you're itching to get drunk. Absolutely plastered. Soused. Do you go to a high-class respected restaurant? You have to wait in line, they force you to order food first, the food comes in waves in order for you to experience it the way the chef wants you to, etc. No. You go to a bar. This film is like a no-limit no-wait Bar for alcoholics. I'm a fan.
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Sea Fever (2019)
7/10
A disappointing 7
16 May 2022
From the beginning this movie was different from most horror/horror-adjacent films. The characters felt real, the scenario was generally unique, and the build-up to around the mid point really got me. I thought I had found a hidden gem.

But it turns out this movie is a disappointing 7.

The reason: there was no climax. There was no WOW moment. There was no "here's johnny!", there was no alien coming alive to a blood test.

This movie is like an ambient song. You're vibing with it, but you're wishing it would have the chutzpah to make you feel something really dreadful.

It's funny, if you put your standard terrible horror movie and this movie into a blender and mixed it, I suspect you'd get something nice. Standard horror goes for too much sensory stimulation and not enough authenticity, whereas this is the opposite. You combine the two, at a high enough concentration, and you might just get something game-changing - like Hereditary.
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Turning Red (2022)
6/10
Something that holds it back
11 March 2022
This movie didn't touch me emotionally as much as it could have. The main reason is that it is unclear why the panda needs to be stopped.

Almost every single experience Mei has as a panda is positive. Her friends love it, her schoolmates love it, it gives her strength to stand up to bullies. All of this makes us hard to understand the perspective of her mom. It makes the drama between them emotionless because it's black and white. It essentially boils down to this: parents = strict = they don't get it = they're bad.

Compare this to a previous Pixar film, Finding Nemo. In the beginning we see Marlin lose his whole family. After that, he's overprotective. There's understanding here. We emotionally understand why Marlin is anxious. We also understand why Nemo wants to be free. We understand the drama, and are emotionally moved when it's resolved at the end.

Turning Red doesn't have that. We never think Ming has a reasonable position. Ming is always the one that needs to change and accept Mei. That might be what they're going for, but it sure does make for a tepid story.

But let's play a game of what-if. Imagine how much more heartfelt and deeper this story would've been if we saw glimpses of when Ming was a child. Imagine if we saw Ming born after her parents immigrated to Toronto. Imagine if we saw Ming become a panda and, in contrast to Mei's experience, was actually rebuked by her schoolmates and friends. Let's say people weren't as accepting then and so the correct strategy was to bury it. And now, with those experiences in mind, she tries to pass those strategies onto Mei which fails.

That all probably wouldn't track with the metaphor of the panda being puberty and stuff. And it would maybe change the soul of the movie. But I can personally say it'd be more engaging for me than watching white winning over black.
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Inside No. 9: The Trial of Elizabeth Gadge (2015)
Season 2, Episode 3
9/10
Some thoughts on why I believe it's lower rated
22 April 2021
Warning: Spoilers
I am shocked to see "The Trial ..." is one of the lower rated of Inside No 9. I have some thoughts on why this might be.

This episode has a lot going for it: it might be the funniest episode on the whole damn show ("ecstasy...") and it has a hateful villain who gets his comeuppance. But all of this is tempered with the downbeat ending - that Gadge was in fact a witch. Indeed, the ending is much more of a gut punch than it seems on the surface, because this also means that the bloodthirsty Warren and greedy villagers were after all correct! This is all hard to stomach because it basically turns the theme into "sometimes prosecuting someone without care for truth can still be the right thing" which is obviously hard to accept. I don't think the people watching the ep will be conscious of this fact; instead, they'll just believe it's one of the weaker "meh" episodes because of how "off" the ending feels. I also don't believe that Reece and Steve were going for this when they were writing it. They were most likely just trying to add in one more twist, not realizing the thematic effect on the whole episode that twist would have.

"The Trial of Elizabeth Gadge" is interesting to me because it shows the power of theme. It matters and you should always know what you're saying. And that people will respond to it even if they don't consciously know it.
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