I don't get how mainstream movies in America continue to churn out the exact same movie every year, and people just allow it to happen?
Such awful writing for young teens. It's clear that the writers had no idea what interactions between young kids are actually like. You have the main characters (Oakes Fegley) surrounded by such flat, unfunny, one-dimensional characters that add no value to the story. One owns a snake? Another has a sister that likes to embarrass him for no reason (there's a scene where she meets him at the lunch area and tells his friends about his fungus problem) and there's a girl who seems to be there more so for gender diversity rather than anything else.
Then there's the main character's parents, who are meant to be "goofy" and try to portray a more 'realistic' type parents, but try too hard to be as funny as the parents from Easy-A and yet they fail miserably.
And then there's Robert De Niro, who has fallen under the trope of "Old man played by famous actor from the 70's, now trying to understand how to use technology, because ha-ha, old famous man don't know how to turn on an iPhone".
The plot revolves around Robert De Niro and Oakes Fegley. Robert De Niro's character, Ed, has supposedly lost the plot? Because he didn't know how to work a self-checkout machine at a Walmart. So he goes to move in with his daughter (played by Uma Thurman). The conflict is that Oakes Fegley's character, Peter, has to move his bedroom to the attic to cater to Ed on account of him being old and can't use stairs I guess? (Ignoring the fact that Ed has no issue playing game of dodgeball with his other 'old' pals at a trampoline park). So Peter decides to wage a war against Ed, for no other reason than to get his old room back. Ed doesn't really want to be involved. He just wants to go about his day in peace and fawn over the loss of his late wife (which I guess is supposed to add depth to his character, but, just like Peter's friends, the dead wife adds no value to the story, but more so a shrug-of-the-shoulder type plot device).
This takes up most of the movie. Just a grandfather and his grandson playing pranks on each other, all over a bedroom. That's about it really. The pranks are supposed to add comedic value to the movie, but they're so predictable that you could smell it from a mile away. Pullings screws out of the furniture, setting alarms off at unexpected times, manipulating one another into doing something that turned out to be a trap. From this you can get a sense of where the story is going to go, and that's exactly where it goes.
Ed and Peter develop a liking towards each other (because, you know, they're related after all) but the pranks become too much and people get hurt, and that's the climax of the story. Apologies are exchanged, feelings spill out. The end.
It's a movie that has been done time and time again, and will most likely continue to be made till the end of time. It makes for a quick buck, put together under a huge Hollywood budget, you bring in a couple of famous actors (Robert De Niro, Christopher Walken, Uma Thurman) and, hey, you have a movie! The humour is predictably slapstick when it comes to the pranks, and the interactions between the teens are too dry and are trying so hard to be relatable to the younger generation, but it fails to do so because the writers do not know how to accurately portray young teens in an authentic yet funny way. Its mindless storytelling is insulting to any viewer of any age, and it should not be viewed by anyone. Let the production companies sweep this under the rug and pretend that it doesn't exist.
It's a movie that has been done time and time again, and will most likely continue to be made till the end of time. It makes for a quick buck, put together under a huge Hollywood budget, you bring in a couple of famous actors (Robert De Niro, Christopher Walken, Uma Thurman) and, hey, you have a movie! The humour is predictably slapstick when it comes to the pranks, and the interactions between the teens are too dry and are trying so hard to be relatable to the younger generation, but it fails to do so because the writers do not know how to accurately portray young teens in an authentic yet funny way. Its mindless storytelling is insulting to any viewer of any age, and it should not be viewed by anyone. Let the production companies sweep this under the rug and pretend that it doesn't exist.
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