Reviews

'Mr. Bates vs The Post Office' is a riveting drama, rooted in the harrowing true story of a grave miscarriage of justice within the British postal system.

Spanning four meticulously crafted episodes, the series masterfully unfolds the plight of the postmaster. Each frame is a testament to their struggle, painting a vivid narrative of the characters' lives, as they are ensnared in a web of malfunctioning systems.

At its core, the drama is a profound exploration of the human condition, laying bare the chilling ease with which integrity can be compromised. It exposes a system riddled with faults, where the higher echelons either staunchly refuse to acknowledge the truth or conceal it, sacrificing hundreds of innocent lives in the process.

This series is not merely a drama, it's a stark reminder of one of the most egregious legal and ethical scandals in modern history. 'Mr. Bates vs The Post Office' is more than just a show, it's a necessary watch, a mirror held up to the darkest corners of bureaucratic failings and human vulnerability.

'Let's Get Divorced' is a romantic comedy that also serves as a political satire. While it had the potential to secure a 9/10 rating, it ultimately fell short, settling for a 6/10 due to several key issues.

Plot Overview.

The narrative centres on a married couple: Taishi Tokairin, a newly-elected member of the Diet, and Yui Kurosawa, an actress. Despite five years of matrimony, the couple find themselves drifting apart, laying the groundwork for a complex tale.

Entertainment Value.

As a comedy, the show delivers an engaging storyline and thought-provoking concepts. It is an excellent choice for a weekend binge, particularly if you're interested in Japanese social and political satire. The drama adeptly subverts reality, offering unexpected twists and incisive commentary.

Directing and Immersion.

While the show aspires to meld comedy with serious social and political satire, the execution often leaves much to be desired. The juxtaposition of comedy and seriousness often results in a discordant narrative, akin to mixing oil with water. Although the majority of scenes are well-directed, pivotal moments that should serve as the story's anchor are hurried or lack sufficient detail. This disrupts the viewer's immersion and raises questions about the quality of the production.

Character Development.

The character development in the show is more confusing than seamless. A pitch-perfect dark comedy without character development, or a drama with robust character development, could have easily garnered a 9/10 rating. However, the emotional arcs of the characters are ambiguously portrayed, and the genre appears to shift as the series unfolds. This lack of focus not only confuses the viewer but also undermines the show's identity, exacerbating issues related to directing and immersion.

Despite its flaws, 'Let's Get Divorced' remains a show worth watching. It provides sufficient entertainment value and social commentary to keep audiences engaged, even if it fails to fully realise its potential.

Derived from the evocative manga by Yoko Nemu, Turn to Me Mukai-kun offers an alternative approach to the overcrowded genre of romantic comedy dramas. At its heart is Mukai, a rather plain office worker who has forsaken love for a decade after an unceremonious break-up with his last significant other, Miwako. However, his humdrum existence takes a turn when Nakatani, a temporary worker, enters the scene.

A Break from Tradition. What sets this drama apart from its contemporaries is its unconventional format. It sidesteps typical rom-com tropes to provide a more realistic, albeit sometimes jarring, account of attraction and human connection. This deviation is both its strength and weakness, while it adds layers of authenticity, it sometimes disrupts the narrative flow, creating an uneven viewing experience.

Hits and Misses. The series shines when it delves deep into the often confusing dynamics of love, marriage, and loneliness. It tackles the disparity between attraction and emotional intimacy, crafting scenes that resonate on a visceral level. However, the drama's attempt to balance this intricate exploration with everyday mundanities occasionally falls flat.

A Work in Progress. Is it groundbreaking? Perhaps not. But it's not a run-of-the-mill rom-com either. Turn to Me Mukai-kun may not hit all the right notes, but its discord adds a unique flavour to a genre often criticized for its predictability.

Nolan has dropped the obsessive stage magicians fiction of back in 19C London an absolutely stunning way.

Exquisite supporting characters and props are delivering the fiction more believable. The Prestige shows the genius way to develop characters in a critical situation. The Prestige is the most entertaining but masterpiece of magician film of all time.

Provides a great experience at the time of AI robots are widely available in the public. The situation and conflicts are fairly possible and realistic.

Have thought and tried to find this kind of story game for ages. 'Detroit: Become Human' just blow up experience way beyond expectation with detailed storytelling, graphics rendering and game control.

Accurately represented conflicts between a Korean school girl and ordinary family in Gangnam district in 1994.

Korean family living in the same format of house as others. The purpose of children's life is captivated in school and cram school to be enrolled in the top university. Not much conversation between parents and children apart from school record. Therefore life in children is no fun at all.

Narrated well about how the schoolgirl tried to find the purpose of life and small fun things from the boring but unfair life.

The Fantastic Beasts 1 was the most amazing wizard film. This second film something went wrong on cinematography. Two third of scenes are eye candy that not necessary. Visualising the story done way too lacking and boring. Disappointed so much.

The original Star Wars IV released in 1977 and it was the most avant-garde Science-Fiction(Sci Fi) feature film that audiences have had an innovative experience of the universal scale of mythology, intricate cinematography and also conceptual props design at the time. Star Wars VII The Force Awakens is the story about 30 years after Star Wars VI.

Pros. The original casting in Star Wars IV, V, VI are appears in Star Wars VII. The film completed with the same look and feel of the original Star Wars such as special effect and therefore time line looks like real. If you have seen the original Star Wars film in theatre you might feels back in the time.

Cons. No story during three decades, insufficient character development and no backstory about main acts such as Rey, Finn and Kylo Ren. Poorly scripted dialogue and inadequate plots that leads main acts doesn't look a right in time and location. They are not charismatic either. The biggest disappointment on Star Wars VII is no novelty existed. The film has almost the same props, cinematography, design concept, and winning strategy that noting has been improved from the 30 years behind the original Star Wars time line.

Overall If you are expecting an imaginative mythology that equivalent to the original Star Was film, Star Wars VI is not the right film. However it is good to see the original casting again.