The cinema at its beginning was simple and uncomplicated. All the cost of the photographer - or the director - was then to come up with a valid idea for photography, and then to implement it and photograph it as it is in its real place in nature, without interference in the spatial or temporal background of the event. Was actually done by the Lumiere brothers in France when they sent photographers around the world to film short films made of only one scene, where people were photographed waiting for the train or they were out of a factory and so, and because the world was new to the film, everyone was dazzling () And translate it into animated images that match the original , So the focus of directors and photographers on the machine itself and in their images more than their focus on what can be created by these images of symbols and meanings and what they can add to the impact on them, they were dealing with superficially justified! I'm yo yo no yo.
But with the rapid expansion of cinema, with the increase in the number of films and the arrival of producers to the maximum extent available to them at the time, there was a need for innovation and development in the nature of the material picture, and appeared with a generation of pioneers of cinema innovators, including the French (George Mellie) The film magician, the artist who developed the first brick of cinematography and montage techniques of cutting, blending, script, decoration and visual effects.
Born to a wealthy family in Paris on December 8, 1861, he grew up with passion and passion for drawing and making sketches of landscape scenes. When he took charge of one of his father's factories, he studied machinery until he became a skilled mechanic, He then traveled to London for the purpose of learning English, and there he was constantly frequented by the magician. When he returned to Paris, he became a follower of another Houdini in his theater called the Houdini Theater. In 1888, This theater is with the supervor and we're a ned of platform.
While the competition was heated between America and France over who was privileged to make the best film machine, the Lumière were preparing for the first real cinema show through their Cinematograph and on December 28, 1895, Grand Café (George Mellie) is among the attendees.
He showed a way to expand the entertainment in his small theater, and with an effective alternative to his modest screen, which displays a collection of pictures at the end of each presentation, he immediately spoke to the Lumiere brothers to buy or rent this machine , But the two brothers rejected this offer and rejected others on the grounds that their father saw it is unsecured to sell a commodity has no commercial future!
(Robert Paul) to Paris, with a number of bioscopes, which bought him an instrument and a number of American films (Edison) and opened the first cinema house in the world at the Houdini Theater ), And after a period of other films, decided to shoot the films himself, based on the technical mechanical background, unlike the mechanism of the bioscope to shoot instead of the presentation, and bought a large amount of raw film and then invented a primitive punching machine and a special device for the processing of films, In 1896 he produced his first film, followed by a movie (card game) free of tricks and tricks In the beginning of 1896, he was filming the traffic in the film, and he discovered the heroine in the film using the camera. The Paris Opera Square, during which the camera was slightly damaged, stopped it for a minute. When he repaired it and resumed the shooting, he saw the pictures there. He noticed that some of the cars were changing, the bus disappeared and replaced by an ambulance. The men turned into women. Mrs. Wellna, the innovative trick, has brought this trick into his films In his sequel (William Tal's adventures - 1898), Never is an armored suit in which life goes on.
Milih's knowledge of hard photography and his experience with the cinematic camera revealed new ways in which the camera itself tricks. Among these are mixing and distinguishing features. In cinematography, photography technique was used in a fading shot, These methods reflect what Millie meant when he said, "In cinema, you can make the impossible." In 1897, Millet built a full studio equipped with all the scenes he needed, as if he were in his own theater. In this studio he could make (I'm a historicist as if it were a living being now and b Wallpapers of affinity to their real counterparts as he did in (The Question of Dreyfus - 1899) and (Edward VII coronation - 1902).
In 1902, Millet produced one of his best films, "Journey to the Moon", which was considered the first science fiction film in the history of cinema. This film is considered to be the age of photography, the quality of the footage, its innovative atmosphere, In his specially made music, and in his sarcastic style, which was not familiar at the time. His idea is about a trip by a group of scientists to the moon back and forth and exposed during their journey
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