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Interstellar (2014)

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2:28 | Trailer
A team of explorers travel through a wormhole in space in an attempt to ensure humanity's survival.

Director:

Christopher Nolan
Popularity
141 ( 9)
Top Rated Movies #30 | Won 1 Oscar. Another 43 wins & 145 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ellen Burstyn ... Murph (Older)
Matthew McConaughey ... Cooper
Mackenzie Foy ... Murph (10 Yrs.)
John Lithgow ... Donald
Timothée Chalamet ... Tom (15 Yrs.)
David Oyelowo ... School Principal
Collette Wolfe ... Ms. Hanley
Francis X. McCarthy ... Boots (as Francis Xavier McCarthy)
Bill Irwin ... TARS (voice)
Anne Hathaway ... Brand
Andrew Borba ... Smith
Wes Bentley ... Doyle
William Devane ... Williams
Michael Caine ... Professor Brand
David Gyasi ... Romilly
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Storyline

Earth's future has been riddled by disasters, famines, and droughts. There is only one way to ensure mankind's survival: Interstellar travel. A newly discovered wormhole in the far reaches of our solar system allows a team of astronauts to go where no man has gone before, a planet that may have the right environment to sustain human life. Written by ahmetkozan

Plot Summary | Plot Synopsis

Taglines:

The end of Earth will not be the end of us. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some intense perilous action and brief strong language. | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK | Canada

Language:

English

Release Date:

7 November 2014 (USA) See more »

Also Known As:

Untitled Steven Spielberg Space Project See more »

Filming Locations:

Okotoks, Alberta, Canada See more »

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Box Office

Budget:

$165,000,000 (estimated)

Opening Weekend USA:

$47,510,360, 9 November 2014

Gross USA:

$188,020,017

Cumulative Worldwide Gross:

$677,471,339
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Datasat | Dolby Digital | IMAX 6-Track | Dolby Surround 7.1 | Sonics-DDP (IMAX version)

Color:

Color (FotoKem)

Aspect Ratio:

1.43 : 1
See full technical specs »
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Did You Know?

Trivia

Production Designer Nathan Crowley based the Endurance's design on the International Space Station: "It's a real mishmash of different kinds of technology; you need analogue stuff, as well as digital stuff, you need back-up systems and tangible switches. Every inch of space is used, everything has a purpose. It's really like a submarine in space." See more »

Goofs

Cooper draws a schematic on the drawing board to depict a landing on a planet close to the black hole. Two scenes later, the drawing is different from the one first shown. See more »

Quotes

Dr. Mann: Your father had to find another way to save the human race from extinction. Plan B. A colony.
Brand: But why not tell people? Why keep building those damn stations?
Dr. Mann: Because he knew how hard it would be to get people to work together to save the species instead of themselves.
Cooper: Bullshit.
Dr. Mann: You never would have come here unless you believed you were going to save them. Evolution has yet to transcend that simple barrier. We can care deeply - selflessly - about those we know, but that empathy rarely extends ...
[...]
See more »

Crazy Credits

The Warner Bros, Paramount, Syncopy and Legendary Pictures logos are brown and dusty, representing Earth's arid dry state in the film. See more »

Alternate Versions

The 70mm IMAX version is two minutes shorter than the regular 70mm, Digital IMAX, 35mm, and digital projection versions. This is because the end credits are played in an abbreviated slide-show form (rather than scrolling from bottom to top), due to the size capacity of the IMAX platters, which can hold a maximum of 167 minutes of film. See more »

Connections

Referenced in PWN: Best of 2016: PWN #12 (2017) See more »

Soundtracks

First Step
Written by Hans Zimmer
See more »

Frequently Asked Questions

See more »

User Reviews

 
Interstellar : An open-hearted & mastered Human Odyssey
1 November 2014 | by tardieu-felixSee all my reviews

The film begins by establishing at his own rhythm its ambitions: men overexploited land resources, which is why the only goal they have left is to survive. This life is not enough for Cooper, brilliantly played by McConaughey who gave body and soul to this character. But all of this wouldn't hold without the total control of Christopher Nolan, based on the languishing soundtrack by Hans Zimmer, the luminous and impenetrable photography of Hoyte Van Hoytema, and the sincerity of Nolan's directing. He manages to film the characters and to find the right cut at the right time, always in harmony with Hans Zimmer's soundtrack, to give the film an aspiring and inspiring dimension that went missing for many many years. Thus we are transported into the same cockpit that Cooper, we feel the same remorse that he can already feel, we feel the same gravity, and we feel the same fear of the unknown melted with the force of his will. All of this is brilliantly illustrated in a very simple directing choice, which from my point of view is the decisive impetus of the film: to directly jump from when Cooper leaves in his truck, leaving his family behind him, to Endurance taking off. This simple editing decision allows Nolan to give an original movement to his film, and the musical crescendo makes us physically feel the sentimental break between two parts of the film.

You don't necessarily have to understand it immediately : The film will raise questions in you, such as : what is it to be a human being, is there some physical limitations to our humanity, how far could we be willing to go to determine knowledge, is there other dimensions that we can not access to, and above all: what is the nature of this intact and immutable bond that unites us to others wherever we are in the universe ? Is this bond only intelligible, or is it also tangible ? All these questions resonate in harmony in Nolan's Interstellar.

Interstellar is itself a crescendo, increasing sensitivity and creativity. I use the term deliberately because it goes crescendo with the soundtrack by Hans Zimmer, which is one of the most beautiful music ever scored for a sci-fi movie. We are witnessing a perfect musical arrangement, a total symbiosis, a bit like the music of Gravity which had understood very well how to match the image and the rhythm of a sequence to its own musicality. Zimmer's crescendos are giving a new powerful breath to every new scene, whether it is in visually powerful & intense moments or in more intimate moments; it intrudes into our momentary feelings and sensations, and manages to extend them, sometimes almost to choking, before resting on the balance of the film frame along with our mind spell-bounded.

I have seen all the talent of the director that I knew he was outside the norm, but whom I did not know his capacity to reinvent itself. Because this is it: Interstellar is not an action movie, not really a blockbuster, and it goes not entirely but mostly again the expectations of common people. It's much more than that. This is much more than just a sci-fi movie. It is unlike any of his previous films. Some hoped to see Interstellar as Christopher Nolan's best film, and they were disappointed that this was not the case. And indeed, THIS IS NOT THE BEST FILM of Christopher Nolan. Because in a way, IT IS HIS FIRST FILM. I'm not saying that Interstellar is not as good as his other films, it goes beyond all of them. But to me Interstellar is the first film of a new stage in Nolan's filmography ; it is a masterpiece as it the beginning of a work ahead. Interstellar is the proof that Nolan has finally managed, despite all the expectations that were placed on him after the success of The Dark Knight, to move away from his own reputation to create a personal work, original, humble, sincere and deeply, meticulously, measured.

Now, in this third act of the film, it all comes to life with unparalleled strength. Nolan poses and answers questions that raise others. But he focuses his attention on the great mystery of love, that emotional bond that can unite men and sometimes separate them. But Nolan is the only one that can successfully speak of love from a being to another in a film that mainly takes place in a another galaxy. From my point of view, only Solaris by Steven Soderbergh (2002), unfortunately neglected by the audience, was able to accomplish that. Interstellar is based on a premise which is the following : from terrestrial dust to the depths of space and time, we can never be separated from who we are as individuals and as a species, as we always leave a part of ourselves "behind" us. In other words, I could say that this is a human story, and even if we go as far as we want to, if we travel through the universe believing that we can be detached of the one we are fond of, we will only get closer to them. Because the separation, and thus the distance and time, can only ultimately reinforce the relationship between the people who really love each other. Because it is going to the end of the world, when we reach the end of ourselves, that we reach the singularity of the "black hole beyond the horizon" * : it is our humanity. No, I wasn't been able to find any bad flaws in the film. Not one, and I'm still looking. After all, Interstellar is like gravity, "all it takes is a little push ! "

*you'll have to see the movie to figure that one out.

Félix Tardieu, November 1st, 2014


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