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Fear the Walking Dead: Breathe with Me (2021)
Season 7, Episode 4
1/10
It's difficult enough to power through the garbage this show shovels out every episode without killing dogs.
25 March 2022
Warning: Spoilers
The best part of Breathe With Me is the comically looking dufus showrunner explaining in the post credit how awesome this, this and this is and how emotionally this and this and then that was for them in this episode. Take one look at this guy and all the awfulness is understandable. So why do I watch? I attach too much to characters if I like them.

I want to see Morgan's journey. But tell me this...if I had told you ten years ago (or so) when Rick rode off towards Atlanta that Morgan would be living in a beached submarine on the coast of nuclear devastated Texas with a woman and a baby but neither of them is a parent of the kid, what would you have thought? This is a live action fantasy horror cartoon and it is poorly done. I mean Victor strand in full blown communist dictator clothing is so bad it wouldn't have made it on Saturday mornings 40 years ago.

I wish I could just forget the characters I like but unfortunately for me, I can see inanimate objects emotionally so I'm hooked once I like any character.

I just hope the guy who lives in his grandparents garage because his parents live in their basement so it wasn't available for him who plays a showrunner on television doesn't kill any more dogs and I will put up with everyone survives ten nuclear detonations and the radiation despite still living within a 100 mile radius. What? Ohhh, yeah, they did say the wind has blown one direction for months so it's all good for them...sigh.

The franchise that really put zombie entertainment into a proper, dramatic and emotional context on television has become a bigger parody of the genre than Z Nation ever considered possible.
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Uncharted (2022)
1/10
Boring mashup of Indiana Jones meets (Inter)National Treasure but less fun
22 February 2022
Warning: Spoilers
The only thing this had going for it heading in is the likable nature of the male leads. Holland and Wahlberg fans are likely bloating the rating early in the release. Unfortunately, the only really decent thing that happens is a huge wooden ship lands on Tati Gabrielle who is surprisingly more unlikable in Uncharted than her other films. Not only is she an absolute sandpaper personality, she makes Wahlberg appear to have amazing depth and range as an actor.

The movie tries really hard to appear smart by trying to make it seem like the characters have amazing abilities. Like the ability to pickpocket something off of someone they never got closer than three feet of reach. Even the inevitable last second escapes are weak. We're to be entertained by two leads possibly drowning in the middle of a movie because the 5 ft tall woman villain is beating on a man so he can't turn a key?

Thank goodness the big wooden boat fell on Gabrielle so any sequels earned because of the source material will not feature her in a recurring role.
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The Gifted (I) (2017–2019)
5/10
Promising opening, questionable direction
26 October 2017
Warning: Spoilers
This is The Tomorrow People with a bigger budget. I really liked the Tomorrow People. The mutated humans fighting against the machine with better special effects and actors due to the bigger budget. Though I thoroughly love Peyton List (the older one) and feel obliged to say that Frequency deserved a better audience.

Amy Acker is excellent in anything. The young actors fit their roles very well mostly. The problem with direction in my opinion is where the show is going with secondary plots.

It is in the fourth episode and the introduction of the cartel where I began to nitpick.

Oh boy! What a unique development. Nobody uses drug cartel story arcs...just nobody. (sarcasm for any who didn't catch it)

A drug cartel led by an unbelievable female character...the actress isn't pulling this off and is the biggest miss in casting to this point. Since all cartels apparently have to be Mexican the pool of actresses available wasn't large I guess?

The worst part is that we will have to accept some unlikely scenario soon where the cartel disrupts the plans of our protagonists in a convoluted manner that will be hard to believe.

One other annoying thing developing is there are already 2 love triangles set on this show in 4 episodes. Both have a male and 2 females. One female is clearly preferred by each of the males and the 2nd female of each triangle is complicated. The male in each really isn't interested, at this time, in the 2nd female but can't reject the 2nd for "reasons".

Drug cartels and love triangles. I have a lot more hope for this show than that and it is concerning they've hit these two things in just 4 episodes.

If you like this genre, The Gifted is a must watch right now because if it hits a positive stride, you won't want to have to make up 3 or 4 seasons the way many have had to choose in regard to Agents of Shield.
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The Mummy (2017)
1/10
Unwatchable garbage
20 June 2017
I spent most of the time in the secluded area I had to watch this film browsing the internet. This doesn't even pass for dumb fun as I enjoy those films. I like all of the Transformer movies for example...just dumb fun can be entertaining for an afternoon.

Actors, who I believe are much better than what is on display in this movie, seem to be going through the motions much of the time. This film is a complete waste of Sofia Boutella and that isn't because I think she has great range as an actress, she's okay and is great to look at, but because it appears they signed her on just to expose her most carnal attributes.

Tom Cruise has reached a point where he is just retracing steps he's already taken in film. Edge of Tomorrow was typical Cruise and entertaining while The Mummy is typical Cruise that fails. It is important that his style mesh well with those around him in a film and that didn't really happen in The Mummy.

I have to wonder how low the public ratings would be on sites like this if the Scientology crowd wasn't attempting to jack up the votes? Thankfully the near future has Cruise returning to his roots in Mission Impossible and another Edge of Tomorrow feature.

Spend your time in the theater this summer watching anything else and save The Mummy for a rainy day on DVD if you feel you have to see it for yourself...or at least find a corner of the theater away from any other viewers. You'll most likely be browsing the internet before it is over no matter where you watch.
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Buffy the Vampire Slayer: Band Candy (1998)
Season 3, Episode 6
1/10
Any episode with Joyce Summers is extremely hard to watch
9 February 2017
Any episode with Joyce Summers is extremely hard to watch

I'm not sure that the actor portraying Joyce had much of a chance the way she is written but she didn't help the character with the lack of heart she put into her effort. Extremely cliché out of touch with the youth adult was somehow considered cutting edge at the end of the 1990's apparently.

This installment practically is a satire of the overly protective, ignorant to reality (the reality of Buffy, that is), nature of Joyce Summers. The writers should have realized how awful the regular character is when the satire was among the character's best received moments on the show.

The overall story of Band Candy is relatively entertaining. The main characters who are often portrayed as irresponsible until they have to save the world get a turn at being alone in the role since all of the adults have apparently taken on the childlike tendencies of the teenagers.

I'm a beyond middle aged geek who has watched most every genre show but managed to somehow never watch Buffy until now. I enjoyed Charmed and Angel having watched them both when they were the morning fare on TNT.

There have been moments through seasons one and two that I have enjoyed Buffy but as season three is progressing it is turning into more of a love to hate it watch...I'm determined to finish but it's not going to be easy at this rate.
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The Thinning (2016)
2/10
I think this movie wanted to make a political statement...
13 December 2016
Warning: Spoilers
There are definitely spoilers that follow.

The requirement to suspend one's disbelief is large in this film. It also seems to be written by a strong left leaning liberal mind but that's almost a certainty in our entertainment culture in the US.

First, one must accept that the United Nations has grown to a point where it can dictate to all nations an annual 5% reduction in population as a response to Climate Change.

Then it must be accepted that Americans have willingly approved a system that executes a large number of school age children one every year for low test scores. This starts with children in the 1st grade.

As if The Purge isn't out there enough already this film includes the execution of what appears to be more than 5% of each school's class when you look at the class size and number of students executed...starting with 5 year old children.

I'm not sure if this is supposed to make us fear Climate Change or politicians more as it is implied this is very popular with the Texas government and its Governor who will run for President. Obviously this couldn't have happened in California, right?

The big twist at the end is that a huge global business is behind it all and the kids aren't actually being executed...they're being forced to work at the factory making the tablets the students use for the annual test.

It didn't show any younger or older children at that point so maybe they work for one year and then they execute them...hard to know...what is certain is that even 5% of every child taken every year would be way more tablet assemblers than required.

They take 5% every year from 1st to 12th grade...essentially only 54 of 100 survive to graduate high school.

Here is another thing that must be accepted...the parents who allow their children to go to school one day knowing 1 in 20 won't return home also do not demand their body to have a funeral..to bury.

These are just a few of the major things you must accept to begin enjoying this movie...a low budget is not responsible for a nonsensical story plot.
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10/10
Has any film left as many unanswered questions and still delivered its complete message before Midnight Special?
25 November 2016
As the credits began to roll on this film I found myself with two prevailing thoughts. I had neither in a particular order so I am not numbering them one and two but I have to list one first and the appropriate one to begin with is the message in this film.

At the end I found myself contemplating the easy to follow yet easy to miss message about family in Midnight Special. It was easy to miss because of the other thought that there is enough material and intriguing story with open questions to build a franchise.

A significant portion of science fiction fans want explanations and details about the mysteries in a film and they're simply not going to find that in this movie.

Alton is the eight year old son of parents who have been separated by circumstances that are not in their control but the backstory is vague. The important part is that the father had stayed and watched over his son from a distance and when the time came he acted to take his son back so he could help him get to where he is supposed to be going.

Alton has apparently revealed the outcome of the trip without being able to provide details specifically how they will get to their destination which leaves open the possibility that they won't arrive in time. A brief conversation between the parents reveals that the father has been shown a very brief vision what will happen if they are successful.

The journey is about parents and a child and what they would do to make sure he would get to where he is supposed to be in life...even if that might be both a beginning and an end.

Before writing this, I wondered if I had received what Jeff Nichols was presenting. I found an interview he had given and said,

"When I was writing the film I was a new father. When I write my films I try to find some palpable emotion to put in my films. I think that's the best way to communicate with the audience. And filmmaking is a really tricky process, takes a long time, and there are so many variables that go in, and you have to have this really strong emotion to make it through development. And with this it was the fear of losing my son. When I was conceiving of the film and he was 8 months old he had a febrile seizure, and my wife and I dealt with the reality of losing him. And I was terrified by that. In fact I was paralyzed for a couple of months."

Midnight Special is an intriguing Science Fiction film with a family message that has created a world that would be fascinating to see continued. If not in a sequel, then perhaps in novel or short story. Even though that is true, it stands alone as a film perfectly well for those who will appreciate the journey of parenthood.

Quote obtained from http://www.cinemablend.com/new/Heartbreaking- Story-Inspired-Jeff-Nichols-Write-Midnight-Special-118887.html and retrieved on 11/26/2016
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Drive (I) (2011)
8/10
A fine way to waste an afternoon
7 December 2013
Warning: Spoilers
Introduction: For a film to make an enjoyable impression, it doesn't have to grab your attention from the beginning but it sure helps. Drive is successful in drawing its audience into the story with slightly suspenseful chase scene.

It would have been one notch better if the writers could have developed a better way to divert the traffic copter other than a fortuitous shooting at another location just when Ryan Gosling's character needed it the most. The rest of the opening sequence seems so well planned out that the one questionable getaway moment can be overlooked.

Main course: About 45 minutes into the story I stopped the video and checked the description. I try to enter into viewing movies with only a brief idea of the plot to avoid spoiling too much. At the point this was looking like a race car movie with a love twist, I decided to make sure Cole Trickle wasn't going to make an appearance.

Once spoiled, I was pleased to find that the writers at least had a few surprises to deliver. It seemed certain that Gosling and Mulligan would have an opportunity to get together and the death of her husband wasn't a shock. The setup with the second car, however, wasn't expected although from the moment it rolled into the parking lot something was clearly not right.

It was amusing to watch the girls at what I guess was a strip joint dressing room. Gosling is beating this guy, sticking a bullet in his mouth and they're sitting around taking it in while another casually walks up and hands him a cell phone. All in a days work at a bordello in LA I reckon.

Satisfying conclusion? For the most part, the conclusion to this violent downtown western is sealed up nicely but there is just enough left open for the viewer to make some decisions on their own. That will not sit well with a select group of people, I am sure, but for those who like to imagine their happy ending this is wrapped up nicely.

The people who need to be shoved off the end of a long pier get what is coming to them in the end. A few who don't have it coming to them meet their demise as well but that is necessary to make the bad guys look like really bad guys. If you haven't watched this, be prepared for some graphic violence.

So, if you found a body in a parking lot next to a bag with a million dollars in it, would you call the police?
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American Warships (2012 Video)
4/10
If I were to rate this movie based on my expectations, it would be higher than a 4
20 May 2012
I noticed that there have been two somewhat positive reviews of this movie and both of them have received heavy marks for not being helpful to readers. It makes me wonder if there is an anti-Asylum contingent (or individual) with an axe to grind.

Having played golf for years I am used to driver knockoffs that don't measure up to the real thing but that typically are far more worthy than most movie knockoffs created by Asylum. So it is surprising to me that I didn't feel that way at the conclusion of American Warships.

Sure there is a certain amount of bad acting and scripted clichés that might make you wince but it is not to the level expected of Asylum.

Most end of the world, mega disaster movies seem to eventually leave me thinking that they were fun but I've seen it before. In AW, there is an appearance of creativity that manages to present something that I didn't feel as though I've seen it dozens of times.

For free television and original programming, AW manages to at least put forth a plot that might have been really interesting with a big budget. Don't enter this expecting a "Transformers" meets "Pearl Harbor" and accept it for what it is and I believe you'll be entertained.

That's a giant leap forward for Asylum on SyFy.
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Christmas Do-Over (2006 TV Movie)
2/10
Where was the groundhog?
16 December 2006
Warning: Spoilers
I really enjoy many of the low budget, made for TV Christmas movies. ABC Family, Hallmark and Lifetime are a few of the networks that have produced some very special, heart-warming stories. Right now I envision an executive at ABC Family who is in fear of not having a job at the turn of the New Year.

Yeah, it was that bad. Jay Mohr had a few okay moments, but overall he didn't provide much of a performance. Combine that with the script and (non)supporting cast and you have a long, dull two hours that could have been better spent shoveling snow.

Peas on Earth! Jesus fighting! Easy Bake Oven! A BRAND New Car! The winning lottery numbers! Belching Christmas carols at the dinner table!

The movie tries quite a few outlandish style gags and goofs but the cast simply fails to back any of it up with any sort of reaction worthy of the stunts.

This movie isn't worth a whole lot more, but I do have to ask just where in the name of all creation did Todd disappear to when Jay Mohr and his ex-wife finish the movie playing tonsil hockey? One would think that a guy who started the day by buying his girlfriend a new car and planning a huge moment to ask her to marry him in front of the whole family would only vanish into thin air after he hid the bodies!
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