Reviews

To sum up this short...

Entitled naive foreign fortune hunters decide to leave their own country by boat and willingly put their own life at risk. Shortly they are found by a bunch of naive white knights. When going get though these white knights realize they have put their own life at risk. They decide to leave the entitled naive foreign fortune hunters, to save them self. But by a miracle these entitled naive foreign fortune hunters get to land. Then they start a pity campaign to blame the white knights. So they can get their entitled fortune and live the comfortable life in the new country they have arrived.

So is this a good tv show?.. no, it has terrible production, acting, special effects, everything is pretty much bad. The agenda of this tv show is what clearly is the most important here. It's made to make you as the watcher feel pity for these naive entitled foreign fortune hunters that decide to put their own life at risk for fortune, and if you don't agree you are a racist. The conclusion is, don't waste your time on this, this ain't entertainment but propaganda.

This is an incredibly love story. At first, i thought it was just gonna be the usually common love story between two students and nothing special. But while i watched it the movie slowly showing its meaning and purpose. I changed my mind and simply love it.

Saku as the main character shown as easy going but awkward a student. While Aki as the girl he love is more cheerful and active. The story begin 17 years later when tragedy strikes Aki and Saku couldn't bear it, he couldn't accept the facts and still living in his past, hoping for the impossible future. Saku, goes back home, then try to remember all his past in order to accept it rather than forgetting the past. The story goes back and the tragedy has once again opened an old wound in Saku's heart.

The movie last for almost 2 hours, but i was sucked into the story at start and was clued to the screen. While the story unfold on the screen there wasn't one boring moment. This is one of the saddest drama movies i have seen, it's a real tearjerker. It deals with the permanence of love in a most touching and original way. If your looking for a love movie this is an absolutely must see, i highly recommend it.

This is a great documentary, a real treasure. Popcorn Sutton was my kind of American, and the way the feds hounded him into ending his own life over some untaxed white lightning is a disgrace. This film is much cheerier than that, though, it features Popcorn and friends building their site and distilling the good stuff from the mash while explaining the process and talking story. The instructions shown here on how to make a backwoods still amount to a full lesson by the last of the breed on how to do this, and are both comprehensive and simple. Filmed in the mountains of North Carolina, The Last One is a journey deep into Southern Appalachia, and Appalachian culture, as seen through the lens of a mason jar.

This is a good movie i gave it an 8. Since there is no plot at IMDb yet, here is the plot translated from Sweden to English, enjoy.One night two vampire sisters, Vera and Vanja, make a fatal mistake that forces them to run and fight for their lives while being chased by a biker-gang.On this particular night Vanja has also promised herself to share a life-changing secret with her sister Vera; Vanja is ready to try to give up the outcast vampire life, adjust to the real world and live amongst the humans. Vera, her sister, is frightened by a vampire-life in solitude and is willing to do almost anything to stop her sister from leaving her behind. At the same time the biker gang is closing in...

So what is this movie about then?... so far ten persons have given this movie a rating without knowing what it's about. Here is a short summary of the movie.

A welfare officer take 3 girls and 4 boys with criminal backgrounds. On a trip to the Norwegians mountains for two weeks. Where he hope they are gonna learn from their mistakes. Giving the youth a positive belief in them self, will hopefully get them on the right path and out of the criminal ways. If they don't success it's its back to jail, but the mountain glacier and the isolation brings surprises, that no one did think of. the trip turns into a fight of life and death, where the youths must fight together to survive.

I have seen this movie and can highly recommend it, it's one of Norway's movie gems. I watched this on VHS back in the day.

in short...

In this experimental film, shot entirely within one room, a woman who waits in prison for her execution, dreams, masturbates, somehow kills her executioner, and survives.

or in more detailed words....

Euridice in Hell with code numbers BA 2037 is expecting Orpheus to bring her back to the world above. The Waiting Woman, Euridice. Waiting for an order to be moved from her jail house. The Man that Leaves every morning from her bed. Their relationship is vague. They seem to feel familiar with one another. People on the Skylight. They live around the jail house, trying to get inside. Vera. She never appears. She has been killed in a Luna Park. Man on the Phone. He insists that he was the woman's lover a long time ago. He has evidence of Vera's death. Computer's Voice on the Phone. It's gonna' give her the order to move. Postman. He delivers to her an envelope with unknown contents. She refuses to accept it. The Night Visitor. Orpheus. He is an executioner. He can walk freely around the city.

Kamilla was originally released in Sweden in 1981, then made the specialty-house rounds in the US four years later. Nina Knapskog is astonishingly perceptive as the 7-year-old daughter of bitterly battling parents. Seeking an escape from the vitriol, Nina develops of friendship with a lonely little boy. Together the kids form a united front against the nastiness and callousness of the rest of the world. Echoes of the earlier child's eye view foreign classic Forbidden Games are inescapable, but the sheer virtuosity of Kamilla enables it to stand on its own lofty merits.

Movie Details Title: Kamilla Running Time: 100 Minutes Status: Released Country: Norway Genre: Drama

This is a tale that has an epic scope in scenery "the northern snow-covered lands of coastal Norway" and is dramatized by moments of tumultuous stormy weather. But the focus is on Heikki (Stein Bjorn) a young man who is inspired by the northern lights to take a horse-drawn sled and make his way to the sea, hoping to come back with abundant fish. He is overtaken by a snowstorm and is forced to find shelter in a small, isolated cabin that is home to a half-crazy widow, her baby, and a blind man. Driven to arson by her internal demons, the woman destroys the cabin. She and the blind man perish, but Heikki manages to save the baby. He is now faced with an even greater challenge as he holds the infant and looks in the direction of the coastline.

Allan (Bentein Baardson) and Lisa (Petronella Barker) flee the war-torn city of Sweetwater with their young son for the safety of the municipal dump in this sleepy war drama. They join other displaced survivors who were driven from their homes. After Lisa gives birth to another child and Allan has a fling with the prostitute Mary Diamond (Alsphonsia Emmanuel), he trades Lisa for a gun. Allan leads a resistance group trying to retake their city who would rather fight and die than live in exile.

Movie Details Title: Sweetwater Running Time: 120 Minutes Status: Released Country: Norway, Sweden Genre: Drama

To all appearances a hippie misplaced in time, Sara (Amanda Ooms) arrives in Oslo from Karachi bearing a suitcase full of heroin and is promptly picked up by the police. In order for the authorities to find out the real reason for her having the suitcase, she is hidden away at a policeman's vacation home. She is a really odd, jittery person, prone to teasing her policeman guard sexually by doing such things as painting her nude body and parading before him. The beleaguered cop manages (barely) to resist her blandishments and is able to prevent her from harming herself. Meanwhile, the mystery of the missing suitcase begins to have interesting consequences, leading to a final shootout between the police and the bad guys.

A seemingly trivial situation A son goes for a walk with his father. But, the son is in his forties, living his own life. The father is over 70. The only thing these two men apparently have in common is that they go for a walk together once a month. With brilliantly executed dialogue, the history of the 20th century and all its absurdities are revealed in front of our eyes. The deepest areas of human relationships are uncovered. The relationship between a father and son has never been described in such an interesting way: Two grown-up men who respect, hate and love each other, all at once. There is nothing extreme about it, but it is something intimately familiar to anyone who has lived long enough to be able to talk with their fathers in middle age. The destinies of both the protagonists clash, mingle and, immediately afterwards, move away by centrifugal force. For a moment, they are friends, for a moment a father and son and for a moment, they are complete strangers

Sharon, the only survivor of the explosion of the salvage ship Dark Star, is having a hard time with the insurance company in furnishing them with a satisfactory explanation about her accident. She tells the story of her horrible experience, but is considered crazy - no one believes her when she tells about the existence of living dead on an island that can't be found on any nautical map. About one year later... Barker, representative of an important pharmaceutical company, is the only one to believe Sharon, and as there is no news of a scientific crew sent six months earlier to capture some samples of those beings, he convinces her to join the rescue team and take part in the mission. Sharon and the rescue team arrive on the island armed and equipped like marines, and set forth to carry out their task. They reach what seems to be a lab, and discover diverse glass coffins containing horrible genetically-altered mutants, apparently dead. All of a sudden a woman with her belly torn open emerges from the vapours and attacks Barker, who is saved by the swift intervention of Taylor. Their detectors signal another moving presence... they find a baby boy-monster... they are able to destroy it with the help of a flame-thrower. When the members of the scientific crew are located, it is decided to go and recover them in order to leave the island. They come across remains of human fetuses. They battle against horrible creatures - the living-dead children of genetic mutations. Some of them fall prey to those monsters... They must leave the island, but the submarine won't be back for another ten days. An S.O.S. is sent. Truth comes to light: it is Barker who has the task of bringing back one of those creatures to his company... even at the cost of their lives. After escaping from the attack of a myriad of living-dead mutants, Taylor and Sharon discover something hellish: The Nest, where the female members of the scientific crew are used as incubators for those horrendous mutant children - a new generation of zombies. With their flame-thrower they burn all those little zombies. An explosion follows. Sharon manages to escape, but...

As he is helping a young child find his bicycle, which may have been stolen, lawyer Lex Larsen (Frank Krog) stumbles onto a situation in which the boy's mother Vigdis Wang (Kristin Kajander) is being threatened with rape by gang of delinquents. After sending the boys packing, the woman discovers that Lex is a lawyer and asks him to help her get a divorce from her husband, whom she is no longer living with. When that same husband is found on Vigdis' living room floor quite dead, suspects multiply, beginning with the Vigdis herself. Is the murderer her boss, who may or may not be her lover? Is it an old family friend? Her hyper-religious sister? In this detective story, Lex attempts to find out, but meanwhile one suspect after another is being killed.

Nina (Silvia Myhre) goes off to the countryside with her parents on a brief vacation where she encounters a boy hiding up in a tree (Prebar Skjoensberg). The two soon become best friends, sharing an opposite problem: Nina's parents are too overprotective and the little boy's parents are a little negligent (they do not really know where is he most of the time). So Nina and the little boy run off together for awhile, earnestly discussing topics that deal with life from a seven-year-old's perspective. Maybe both sets of parents will soon be in for a bit of behavior modification, as their children unknowingly or not, start to have an effect on their elders.

This melodrama is based on the best-selling autobiography of Ida Halvorsen, a part-time prostitute with a life that was difficult to survive. Ida (Kristin Kajander) grew up with an alcoholic father, and after she married an alcoholic, her life went from early marital bliss to misery. She had a child during that marriage, took drugs, and turned to prostitution to get the money she needed. Along the way, many characters she met were dangerous and in more than one instance almost killed her. For Norwegians who are familiar with her story, the ending to the film will be recognized as incomplete, the story continues. For other audiences the ending might be a little grim.

A man falls out of his small boat and while on the thin line between life and death he looks back over his life. Using the context of a drowning man who reviews his life and past major events in his last moments, this long, pessimistic film looks at ponderous and depressing subjects: young hotheads only interested in expounding their viewpoints, corpses in a concentration camp, Norwegians giving a "heil Hitler" one-armed salute to the Gestapo leader in Oslo in 1941, the atomic bomb explosions in World War II, and personal issues of bad relationships. It seems like everything in the world is going down with the drowning man.