Production Details on Jerry Bruckheimer Films

Director & Story Writer: Dick Richards Art Directors: Carl Anderson, Jack Martin Smith Set Decorator: Walter M. Scott Supervising Film Editor: John F. Burnett ACE Additional Film Editor: Desmond Marquette Special Mechanical FX Supervisor: Cliff Wenger Composer - Stock Music & Score Orchestrator: Jerry Goldsmith Composer: Tom Scott Cinematographers: Lawrence Edward Williams, Ralph Woolsey ASC Cinematographer - Still Photog: Suzan W. Webb Associate Producer: Jerry Bruckheimer Screenwriters: Eric Bercovici, Gregory Prentiss Producer: Paul A. Helmick Unit Production Manager-1st AD: Terry Morse Jr Re-Recording Mixer: Don Bassman Production Sound Mixers: Jesus Gancy, Richard Overton A Camera Operator: Sherman Kunkel B Camera Operator: Lee Smithy 2nd Unit C Camera Operator: Rexford Metz ASC A, B & C 1st AC (1st & 2nd Units): Roger Smith Production Makeup Artist: Del Armstrong Property Master: Douglas Stubbs Stunt Coordinator: Hal Needham Stunts: Denny Arnold, Billy Burton, James Halty Negative Format: 35mm Eastman 100T 5254 AR: 1.85:1 (4-Perf 35mm Spherical) Color Provided by: Deluxe® Budget: 1 Million USD Budget (2022): 7 Million USD Distributed by: Walt Disney Studios Motion Pictures

Director: Dick Richards Art Director: Joe Schiller Set Decorator & Costume Designer: Don Feld Film Editor: Walter Thompson 1st Assistant Film Editor: Joel Cox ACE Composer: Artie Butler Cinematographer: Ralph Woolsey ASC Associate Producer: Jerry Bruckheimer Producers: Michael Gruskoff, Art Linson Writer: John Kaye Unit Production Manager: Clark L. Paylow 1st Assistant Director: Charles Myers 2nd Assistant Director: Henry Lange Jr A Camera operator: Chris Schweibert Production Makeup Artist: Leo Lotito Supervising Property Master: Barry Bedig Production Property Master: Robert Flynn Assistant Property Master: Gene Poseteri Production Special FX Supervisor: Paul Pollard Stunt Coordinator; Buddy Joe Hooker Camera: Panavision® R 200 (35mm Eastman Color Negative Film II, Type 5247) Lenses: Panavision® C-Series AL Primes AR: 2.35:1 (Anamorphic) Budget: 2 Million USD Budget AFI (2022): 11 Million USD Printed on: 35mm Eastman Color SP Print Film, Type 5383 Color Provided by: Technicolor® Attribute: Filmed in Panavision®

Director: Dick Richards Presenter & Executive Producer: Elliot Kastner Art Director: Angelo Graham Set Decorator: Bob Nelson Film Editors: Walter Thompson, Joel Cox ACE Score Composer-Conductor-Orchestrator: David Shire Score Orchestrator: Jack Hayes Production Designer: Dean Tavoularis Cinematographer: John A. Alonzo ASC Executive Producer: Jerry Bick Screenwriter: David Zelag Goodman Producers: Jerry Bruckheimer, George Pappas UPM & Key 1st AD: Tim Zinnemann 2nd Assistant Director: Henry Lange Jr 3rd Assistant Director: David O. Sosna Title Designer: Wayne Fitzgerald Re-Recording Mixer: Dick Portman Music Editor: Ralph James Hall Music Engineer & Score Mixer: Dan Wallin Gaffer: Earl Gilbert A Camera Operator: Chris Schwiebert 1st Assistant A Camera: Chuy Elizondo 2nd Assistant A Camera: Joseph Cosko Jr A Camera Key Grip: Gary Dodd Prop Master: Barry Bedig Executive Accountant: Stanley Mark Production Assistant: Barry Bernardi Stunts: Dave Cass Sr, Bob Herron, Tommy Huff Picture Car Supervisor: John Brumby Production SFX Supervisor: Chuck Gaspar Filming Dates: 23 February 1975 - 6 April 1975 Camera: Panavision R 200 (35mm Eastman Color Negative Film II, Type 5247) Lenses: Panavision Ultra Speed MKII Spherical Primes Capture Format: 4-Perf 35mm Spherical AR: 1.37:1 (Original Ratio), 1.78:1 (Blu-Ray), 1.85:1 (Theatrical Ratio) Budget: 2.5 Million USD Budget AFI (2022): 13.1 Million USD Printed on: 35mm Eastman Color SP Print Film, Type 5383 Attribute: Filmed in Panavision (As Panavision Equipment)

Director, Story Writer & Producer: Dick Richards Presenter: Sir Lew Grade Casting - Rome: Guidarino Guidi Casting - London: Maude Spector Casting - Paris: Catherine Vernoux Casting - Morocco: Larbi Yacoubi Film Editors: Stanford C. Allen, John C. Howard, O. Nicholas Brown Composer & Conductor: Maurice Jarre Production Designer: Gil Parrondo Cinematographer: John Alcott BSC Co-Writer: David Zelog Goodman Producer: Jerry Bruckheimer Associate Producer - Morocco: Patrick Guide Cameras: Arriflex (35mm Eastman 125T 5247) Lenses: Arri Budget: 8-9 Million USD Budget AFI (2022): 39.1-44 Million USD Printed on: Eastman 5383

Director & Writer: Paul Schrader Executive Producer: Freddie Fields Producer: Jerry Bruckheimer Composers: Giorgio Moroder & Blondie Film Editor: Richard Halsey ACE Cinematographer: John Bailey ASC Filming Dates: 13 February 1979 - April 1979 Camera: Panavision Panaflex (35mm Eastman 100T 5254) Lenses: Panavision PanaZooms AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 4.8-5 Million USD Budget AFI (2022): 17 Million USD

Director: John Flynn Presenters: Samuel Z. Arkoff, Sylvio Tabet Composer: Dominic Frontiere Composer (Original Songs): Gerard McMahon Co-Writer: Thomas Dean Donnelly Story Writer: Mark Tulin Executive in Charge of Production: Jere Henshaw Executive Producer: Robert J. Wunsch Producers: Jerry Bruckheimer, William Gilmore Jr Film Editor: David Finfer Cinematographer: Ric Waite ASC Filming Dates: 30 October 1978 - November 1978 Camera: Panavision Panaflex (35mm Eastman 100T 5254) Lenses: Panavision PanaZooms AR: 1.85:1 (4-Perf 35mm Spherical) Color Provided by: Movielab

Director, Writer, EP & 2014 Criterion Transfer Supervisor: Michael Mann Composers: Tangerine Dream Film Editor: Dov Hoenig ACE Production Designer: Mel Bourne Cinematographer: Donald E. Thorin Sr ASC Cinematographer (Special Photog): Gusmano Cesaretti Cinematographer - Add'l Photog: Chris Nibley Producers: Jerry Bruckheimer, Ronnie Caan Unit Production Manager: Gene Levy Additional Cinematographer: Don Cahill Transfer Supervisor-2014 Criterion Release: Lee Kline MVF Burbank Colorist (2014 Criterion Release): Gregg Garvin Camera: Panaflex Gold (35mm Eastman 100T 5247) Lenses: Panavision® Super Speed MKII SL Primes AR: 1.85:1 (Spherical) Budget: 5.5 Million USD Budget AFI (2022): 17.6 Million USD Color Provided by: Technicolor® 2014 Criterion Remaster Color & Finish Provided by: Modern VideoFilm Burbank Attribute: Filmed in Panavision®

Director: Paul Schrader Producer: Charles Fries Writer: Alan Drimsby Special Visual Effects Supervisor: Albert Whitlock Composer: Giorgio Moroder Theme Song Singer & Lyricist: David Bowie Cinematographer: John Bailey ASC Executive Producer: Jerry Bruckheimer Filming Dates: 6 April 1981 - 10 July 1981 Camera: Panavision Panaflex (35mm Eastman 100T 5254 & 125T 5247) Lenses: Panavision Ultra Speed MKII SL Primes & Cooke PanaZooms AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 12.5-18 Million USD Budget AFI (2022): 38.3-55.2 Million USD

Director & Executive Producer: Garry Marshall Film Editor: Dov Hoenig ACE Cinematographer: Donald Peterman ASC Writer: Michael Elias, Rich Eustis Producer: Jerry Bruckheimer Filming Dates: 30 November 1981 - 1 February 1982 Camera: Panavision Panaflex (35mm Eastman 125T 5247) AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 7.02-7.5 Million USD Budget AFI (2022): 21.5-23 Million USD

Director: Adrian Lyne Score Composer: Giorgio Moroder Score Conductor: Sylvester Levay Music Supervisor: Phil Ramone Film Editors: Walt Mulconery, Bud Smith Cinematographer: Donald Peterman ASC Executive Producer: Peter Guber Co-Writer: Tom Hedley Jr Screenwriter: Joe Eszterhas Producer: Jerry Bruckheimer Filming Dates: 18 October 1982 - 30 December 1982 Camera: Arriflex 35 BL (35mm Eastman 125T 5247 & 250T 5293) AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 7-7.5 Million USD Budget AFI (2022): 20.5-22 Million USD

Director: Martin Brest Costume Designer: Tom Bronson Composer: Harold Faltermeyer Associate Producer: Linda Horner Film Editor: Billy Weber ACE, Arthur Coburn ACE Production Designer: Angelo Graham Cinematographer: Bruce Surtees ASC Exec Producer/Unit Prod Manager: Mike Moder Co-Writer: Daniel Petrie Jr Story Writer: Danilo Bach Producer: Jerry Bruckheimer Stunts: Mic Rodgers 1st Assistant Director: Peter Bogart 2nd Assistant Director: Richard Graves Art Director: James J. Murakami Set Decorators: Jeff Haley, John M. Dwyer A-Camera Operator: Jack N. Green ASC SOC A-Camera Assistant: Michael D. Weldon B-Camera Assistant: Jeffrey Lee Miller 2nd Unit Director: Tom Wright Music Consultant: Kathy Nelson 1st Ass't Director (2nd Unit): Steve McRoberts Music Editor: Bob Badami Supervising Sound Mixers: George Watters II, Cecelia Hall Sound Editors: Teri Dorman, Bruce Lacey, Paul Bruce Richardson Re-Recording Mixer: Rick Kline CAS Digital Consultant: Brian Reeves 1st Assistant Editor: Claudia Winkle 2nd Assistant Editor: John A. Haggar 1st Apprentice Editor: Markus Schaub Location Managers: Jim Herbert, Robert C. Decker, William Bowling Production Auditor: Robert Thorson Stunt Coordinator: Gary McLarty Gaffer: Donald O. Nygren Key Grip: Peter Wagner A-Camera Dolly Grip: Peter J. Breen B-Camera Dolly Grip: Jim Rose Production SFX Supervisor: Kenneth D. Pepiot Prop Master: Tom Tomlinson Technical Consultant: Chuck Adamson Art Gallery Consultant: Simon Doonan Computer FX Consultant: Steve Grumette Senior Finishing Colorist (2020 Remaster): Stefan Sonnenfeld ASC Camera: Panaflex Gold (35mm Eastman 125T 5247) Lenses: Panavision Ultra Speed MKII Spherical Primes AR: 1.37;1 (4-Perf 35mm Spherical: Negative Ratio), 1.85:1 (Intended Ratio) Budget: 13 Million USD Budget AFI (2022): 35.1 Million USD Printed on: Fuji Film Titles Designed by: R/Greenberg Associates 2020 4K Remaster Provided by: Company 3 Shot on: Eastman Kodak Film Attribute: Filmed in Panavision

Director: Tony Scott Producer: Jerry Bruckheimer Associate Producer & Co-Writer: Warren Skaaren Composer: Harold Faltermeyer Film Editors: Chris Lebenzon ACE, Billy Weber ACE Production Designer: John De Cuir Jr Cinematographer: Jeffrey Kimball ASC Cinematographer (Aerial & Underwater Units): Jack Cooperman ASC Cinematographer (USFX Crew): Rick Fichter Animation Cinematographer (USFX Crew): Donald Smith Executive Producer/Unit Production Manager: Bill Badalato Writers: Jim Cash, Jack Epps Jr Stunt Coordinator/Stunts: RA Rondell Stunts: Gary Epper, Randy Peters, Steve Holladay, Donna Keegan 1st Assistant Director: Daniel P. Colsrud 2nd Assistant Directors: Sharon Mann, Patrick Cosgrove Supervisor of Special Photographic Effects: Gary Gutierrez Set Decorator: Richard R. Benton Production Special Effects Coordinator: Allen Hall Prop Master: Robert Wade A Camera Operator: John J. Connor B Camera Operator: Bob Carmichael 1st Assistant B Camera: Greg Schmidt 2nd Assistant A Camera: D. Michael Wheeler 2nd Assistant B Camera: William F. Coss Music Editor: Bob Badami 1st Assistant Film Editor: Claudia Finkle 2nd Assistant Film Editor: Mark Elson 1st Apprentice Film Editor: Mike Moskowitz Chief Lighting Technician: Ward Russell Assistant Chief Lighting Technician: Dan Delgado Set Designer: Craig Dennis Edgar Aerial Unit Consultants: Richard Stevens, Thomas R. Harmon Technical Advisor: Peter "Viper" Pettigrew Navy Aerial Unit Coordinator: Robert "Rat" Willard F-14 Aerial Unit Coordinator: Lloyd "Bozo" Abel F-14 Aerial Unit Camera Consultants: John Gilbert, George Leahy Aerial Unit Astrovision & G Cam Op: David B. Nowell ASC Steadicam Operator: Joe Valentine Navy Dialogue Consultant: Jim "Flex" Destafney Aerial Unit A Camera Operator: Nick Alavardo Aerial Unit B Camera Operator: Dan Koblash Aerial Unit D Camera Operator: William Kelley Jr Aerial Unit E Camera Op: CJ "Heater" Heatley Aerial Unit F Camera Operator: George Howe Aerial Unit H Camera Operator: Larry Blanford ASC Production Manager (USFX Crew): Whitney Green Production Coordinator (USFX Crew): Christine Whitney Key Grip (USFX Crew): Peter Thomas Grip (USFX Crew): Jan Heyneker Ass't Grip (USFX Crew): James Campana Model Dept. Sup (USFX Crew): David Sosalla Armature Designer (USFX Crew): Gary Platek Camera Ass't (USFX Crew): John Gadzik Animation Sup (USFX Crew): William Groshelle Animator (USFX Crew): Wes Takahashi Senior Finishing Colorist (2006, 2013 & 2020 Remasters): Stefan Sonnenfeld ASC Stereoscopic Producer (2013 3D Version): Chris Longo Legend3D Stereoscopic Comp Sup (2013 3D Version): Adam Ghering Legend3D Production Coordinator (2013 3D Version): Kevin Bennett Filming Dates: 26 June 1985 - October 1985 Cameras: Arriflex 35-III, Bell & Howell Eyemo + Panaflex Gold (35mm Eastman 125T 5247/400T 5294) Lenses: Panavision C-Series Anamorphic Primes & Super Speed MKII Spherical Primes AR: 1.33:1 (Full Open Matte Negative), 2.00:1 (Univisium: 1998 DVD Version), 2.20:1 (70mm Prints), 2.39:1 (4-Perf Super 35mm)(Anamorphic: Some Shots) Budget: 15 Million USD Budget AFI (2020): 35.6 Million USD Special Visual Effects Provided by: USFX/Colossal Pictures 2006, 2013 & 2020 Remasters Provided by: Company 3 2013 3D Conversion Provided by: Legend3D Attribute: Filmed in Panavision

Director: Tony Scott Composer: Harold Faltermeyer Film Editors: Chris Lebenzon ACE, Michael Tronick ACE, Billy Weber ACE Production Designer: Ken Davis Cinematographer: Jeffrey Kimball ASC Story Writer: Eddie Murphy Co-Writer: Larry Ferguson Producer: Jerry Bruckheimer Unit Production Managers: Fred Caruso, Arthur Seidel Art Director: James J. Murakami Set Decorator: John Anderson A-Camera Operator: Mike Benson SOC B-Camera Operator: Charles Mills Add'l Camera Operators: Robert Edesa, William Kelley Jr Steadicam Operator: Ronald Vidor 1st Assistant A-Camera: Aaron Pazanti Music Consultant for MCA Records: Kathy Nelson Music Editor: Bob Badami Re-Recording Mixers: Rick Kline, Kevin O'Connell Personal Consultant for Bridgitte Nielsen: Anthony Clavet Chief Lighting Technician: Ward Russell Stunt Coordinators: Gary McLarty, Alan Oliney Production SFX Coordinator: Tom Ryba Titles Designer: Dan Curry Senior Finishing Colorist (2020 Remaster): Stefan Sonnenfeld ASC Filming Dates: 10 November 1986 - 20 March 1987 Cameras: Arriflex 35-III, Panaflex Gold & Platinum (35mm Eastman 125T 5247/400T 5294) Lenses: Panavision Ultra Speed MKII Spherical Primes AR: 2.39:1 (4-Perf Super 35mm) Budget: 28 Million USD Budget AFI (2020): 64.1 Million USD 2020 Remaster Provided by: Company 3 Attribute: Filmed in Panavision

Director: Tony Scott Costume Designer: Susan Becker Composer: Hans Zimmer Film Editors: Chris Lebenzon ACE, Billy Weber ACE Supervising Art Directors: Benjamin Fernandez, Thomas Sanders Cinematographer: Ward Russell Cinematographer (Add'l Photography): Charles Mills Executive Producer/Unit Production Manager: Gerald Molen Story Writer: Tom Cruise Co-Writer: Robert Towne Producer: Jerry Bruckheimer Stunt Coordinator: Gary McLarty Stunts: RA Rondell, Gary Hymes, Glenn Wilder, Buddy Joe Hooker 1st Assistant Director: James W. Skotchdopole 2nd Assistant Director: Michael Neumann Set Decorator: Thomas L. Roysden Supervising 1st Ass't Photographer: Gregory Schmidt A-Camera Operator: Michael Genne B-Camera Operator: Tony Gaudioz C-Camera Operator: Aaron Pazanti 2nd Assistant A-Camera: John Skotchdopole Add'l 1st Ass't Camera: Tony Rivetti Steadicam Operator: Robert Ulland Hi-Speed Camera Car Operator: Allan Padelford Racing Consultant: Dan Greenwood 2nd Film Editors: Michael Tronick ACE, Bert Lovitt, Stuart Waks, Robert C. Jones 1st Assistant Editor: Christian Wagner Apprentice Film Editor: Tony Ciccone Re-Recording Mixers: Rick Kline, Kevin O'Connell Add'l Re-Recording Mixer: Greg P. Russell Music Consultant: Kathy Nelson Production SFX Coordinator: Thomas R. Ward Production Assistant: Jake Scott Race Car Coordinator: Steve Boyd Picture Car Coordinator: John Feinblatt Title Designer: Dan Curry 2nd Unit DoP: Chuck Cohen 2nd Unit 1st Ass't Camera: David S. Campbell Senior Finishing Colorist (2020 Remaster): Stefan Sonnenfeld ASC Filming Dates: 11 December 1989 - 7 May 1990 Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman) Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Budget: 60 Million USD Budget AFI (2020): 119.5 Million USD Attribute: Filmed in Panavision

Director: Ted Demme Executive Producer: Jerry Bruckheimer Composer: David A. Stewart Film Editor: Jeffrey Wolf Cinematographer-A Cam Operator: Andy Chmura Co-Writer: Marie Weiss Screenwriter & Producer: Richard LaGravanese Producers: Ron Bozman, Jeff Weiss Filming Dates: 23 June 1993 - 2 September 1993 Camera: Panaflex Platinum (35mm Eastman EXT 500T 5296) Lenses: Panavision Primo Spherical Primes AR: 1.33:1 (4-Perf 35mm SL: Negative Ratio), 1.85:1 (Intended Ratio) Budget: 11 Million USD Budget AFI (2022): Distributed by: Walt Disney Studios Motion Pictures

Director: Michael Bay Composer: Mark Mancina Composer (Add'l Music): Nick Glennie-Smith Costume Designer: Bobbie Read Film Editor: Christian Wagner Production Designer: John Vallone Cinematographer: Howard Atherton BSC Story Writer: George Gallo Producer: Jerry Bruckheimer Stunts: William Burton, Chuck Picerni Jr, Steve Picerni Unit Production Manager: Christopher Conwyn 1st Assistant Director: Bruce Moriarty 2nd Assistant Director: Jonathan M. Watson A-Camera Operator: Doug O'Neons B-Camera Operator: Chris Haagensen Aerial Unit Camera Operators: Dylan Goss, Michael Kelem Chief Lighting Technician: Gary Ryan Stunt Coordinator/2nd Unit Director: Kenny Bates Production SFX Coordinator: Richard Lee Jones Chief Pyrotechnician: Michael Meinardus Re-Recording Mixer: Kevin O'Connell 2nd Unit Director/Director of Photography: Peter Lyons Collister ASC 2nd Unit 1st Ass't Director: Barry H. Waldman 2nd Unit Chief Lighting Technician: Eugene Moffatt Music Consultant: Jeffrey Pollack Interactive Design Creative Director: Kent Demaine Digital Colorist: Steve Rodriguez Senior Finishing Colorist (2018 Remaster): Stefan Sonnenfeld ASC Filming Dates: 27 June 1994 - 31 August 1994 Cameras: Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/200T 5293/500T 5298) Lenses: Panavision Primo Spherical Primes AR: 1.85:1 (Spherical) Budget: 19 Million USD Budget AFI (2022): 34.6 Million USD 2018 Remaster Provided by: Company 3 Attribute: Filmed with Panavision Cameras and Lenses

Director: Tony Scott Producer: Jerry Bruckheimer Composer: Hans Zimmer Costume Designer: George Little Film Editor: Chris Lebenzon ACE Production Designer: Michael White Cinematographers: Dariusz Wolski ASC, Dan Mindel ASC BSC SASC Cinematographer (2nd Unit Lighting): Jan Richter-Friis Co-Writer: Michael Schiffer Story Writer: Richard P. Henrick Screenwriter: Quentin Tarantino Stunt Coordinator: Steve Picerni Assoc. Prod/1st AD: James Skotchdopole Unit Production Manager: Michael Fottrell 2nd Assistant Director: John Wildermuth Production VFX Supervisor: Hoyt Yeatman ASC Production Coordinator: Tracy Kettler Ass't Prod Coordinator: Jennifer Good 2nd 2nd Ass't Director: Angela Tortu A-Cam Operator: Michael St. Hilaire SOC A- & B-Camera Operator: Martin Schaer B-Camera/Steadicam Op: Chris Haarhoff Steadicam Operator: Dan Kneece 1st Assistant A-Camera: Dennis Laine 1st Assistant B-Camera: Gregory Schmidt 1st Assistant C-Camera: Heather Page 2nd Assistant A-Camera: John Ellingwood 2nd Assistant B-Camera: Jeff Vine Aerial Unit A-Camera Operator/Director of Photography: Kurt E. Soderling SOC Associate Film Editor: David Dresher Production VFX Editor: Thomas R. Bryant 1st Assistant Editor: Rick Howe 2nd Assistant Editor: Andrea Bottigliero 3rd Assistant Editor: Paul Silver 1st Apprentice Editor: Tzarina Edillon 2nd Apprentice Editor: Guy Sappington Music Editors: Bob Badami, Will Kaplan Supervising Sound Editor: George Watters II Supervising ADR Editor: Juno J. Ellis Supervising Foley Editor: Victoria Martin Re-Recording Mixers: Kevin O'Connell, Rick Kline, Gregory Watkins Add'l Re-Recording Mixer: Greg P. Russell Chief Lighting Technic: Claudia Miranda ASC ACC Assistant Chief Lighting Technician: Al De Mayo Key Grip: J. Michael Popovich Supervising Prop Master: Michael Papac Ass't Prop Masters: Rick Chavez, Randy Gunter Production SFX Coordinator: Alfred DiSarro Production SFX Foreman: Joe Ramsey Art Directors: James Murakami, Donald Woodruff, Dianne Wager Ass't Art Director: Daniel Maltese Set Designers: Richard Lawrence, Nick Navarro Illustrator: Sean Hargreaves Set Decorator: Mickey Michaels Sup Location Manager: Craig Pointes Ass't Location Manager: Mark B. Johnson Advisor to Tony Scott: Neville Shulman DQI VFX Senior Producer: Dennis Hoffman DQI Executive VFX Producer: Keith Shartle DQI Production Coordinator: Crys Forsyth DQI Production Assistant: Brenda Finster DQI FX Photography Sup: Scott Beattie DQI FX Editor: Kevin Clark DQI FX 1st Ass't Editor: Scott Sohan DQI Model Shop Sup: David Goldberg DQI Model Shop Coord: Warren Farinia DQI Model Shop Foreman: John Hess Producer (DQI Underwater Miniatures): Robert Stead DQI Director of Underwater Photography: Jim Dixon DQI Engineering Supervisor: Fred Iguchi DQI DFX Supervisor: Dan DeLeeuw DQI FX Digital Producer: Angelica Casillas DQI Senior CG Animator: Rob Dressel DQI Comp Supervisor: Blaine Kennison DQI Comp Art Director: Marlo Paban DQI Digital Prod Supervisor: Rob Burton VIFX Senior Crew: Rhonda C. Gunner, Richard E. Hollander, Gregory L. McMurry ASC, John C. Wash VIFX Video Supervisor: Janet L. Earl ILM & WKR Model FX Supervisor: Tad Krzanowski Production VFX Producer: Cecil Kramer Underwater Unit Lead Camera Op: Wayne Baker Underwater Unit B-Camera Op: Tom Boyd Underwater Unit 1st Ass't A-Cam: Edward Gutentag Underwater Unit On-Set Tech: Emmanuel Vouniozos Music Scoring Mixer: Jay Rifkin Score Consultant: Alan Meyerson Orchestrators: Bruce Fowler, Ladd McIntosh, Suzette Moriarty Orchestra Conductor: Nick Glennie-Smith Orchestra Contractor: Sandy DeCrescent Choir Recordist: Paul Hulme Choir Conductor: Harry Gregson-Williams Choir Supervisor: Maggie Rodford Assistants to Hans Zimmer: Emma Burnham, Marc Streitenfeld Title Designer: Robert Dawson Senior Finishing Colorist (Home Video Remasters): Stefan Sonnenfeld ASC Filming Dates: 15 August 1994 - 1 December 1994 Cameras: Moviecam Compact, Panaflex GII & Platinum (35mm Eastman EXR 500T 5298) Lenses: Panavision E-Series Anamorphic Primes, 5:1 & 10:1 Anamorphic PanaZooms AR: 2.39:1 (Anamorphic) Budget: 53 Million USD Budget AFI (2022): 97.7 Million USD Visual Effects Provided by: Dream Quest Images Additional Model Effects Provided by: Industrial Light & Magic Score Recorded at: Media Ventures Choir Recorded at: Air Studios, London Produced & Distributed on: Eastman Kodak Film Distributed by: Walt Disney Studios Motion Pictures Home Video Remasters Provided by: Company 3 Attribute: Filmed in Panavision

Director: John N. Smith Film Producer/Exec Music Producer: Jerry Bruckheimer Exec Producers: Sandra Rabins, Lucas Foster Music Supervisor: Kathy Nelson Score Composers & Performers: Wendy Melovin, Lisa Coleman Costume Designer: Bobbie Read Film Editor: Tom Rolf ACE Production Designer: Donald Graham Burt Cinematographer: Pierre Letarte Original Story Writer: LouAnne Johnson Screenwriter: Ronald Bass Unit Production Manager: Peter Bogart 1st Assistant Director: Jerry Gradney 2nd Assistant Director: Eric Wall Production Supervisor: Kim Boyle Art Director: Nancy Patton Set Designer: Philip Toolin Set Decorator: Catherine Mann A-Camera Operator: Chris Squires B-Camera Operator: Kristin R. Glover 1st Assistant A-Camera: Rodney Taylor B-Camera 1st Assistant: Frank Del Baccio 2nd Assistant A-Camera: Andrea Chesney B-Camera 2nd Assistant: Steve Aredas Film Loader: Lydia Smith Associate Film Editor: Vicki Hiatt 1st Assistant Editors: Andi KV Kirk, Gabriel Wrye 1st Apprentice Film Editor: Richie Conkling 2nd Apprentice Film Editor: Gina Zappala Music Editor: Bob Badami Chief Lighting Technician: Tom Stern ASC AFC Ass't Chief Lighting Tech: Victor Perez Supervising Prop Master: Tracy Farrington Ass't Prop Master: Robert Loyal Good Production SFX Coordinator: Darrell D. Pritchett Supervising Location Manager: Barry Gremillion Ass't Location Manager: Gregory Bartlett Production Coordinator: Karen Shaw Ass't Prod Coordinator: Barbara Williams 2nd 2nd Ass't Director: Jessica Kreps Production Associate: Connie Johnson Ass't to Jerry Bruckheimer: Andrew Form Stunt Coordinator: Bernie Pock Music Consultant: Cedra Walton Score Consultant: Carmen Rizzo SF Unit Loc Manager: Jonathan Shedd SF Unit Storyboard Artist: Donna Clyne SF Unit Ass't Prod Coord: Joan Wellman 2nd Unit Director: Eric Schwab 2nd Unit A-Camera Operator/Director of Photography: Kim Marks 2nd Unit 1st Ass't A-Cam: Patrick McArdle 2nd Unit 2nd Ass't A-Cam: Paul G. Sanchez Prod Sup (Add'l Photography): Ross Fanger 2nd AD (Add'l Photography): David Larson Prod Coord (Add'l Photog): Carolyn Hagan Art Director (Add'l Photog): Dan Maltese B-Cam Op (Add'l Photog): Joe Urbanczyk Loc Manager (Add'l Photog): Lisa Stewart Ass't Loc Manager (Add'l Photog): Stephen Fisher Filming Dates: 28 February 1994 - 10 May 1994, January 1995 (Add'l Photography Reshoots) Cameras: Panaflex GII & Platinum (35mm Eastman EXR 500T 5296) Lenses: Panavision Primo Spherical Primes AR: 1.85:1 (Spherical) Budget: 23 Million USD Budget AFI (2022): 42.8 Million USD Produced & Distributed on: Eastman Kodak Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Director/C-Camera Operator: Michael Bay Executive Producer: Sean Connery Composers/Arrangers: Hans Zimmer, Nick Glennie-Smith Composer (Add'l Music): Harry Gregson-Williams Costume Designer: Bobbie Read Film Editor: Richard Francis-Bruce ACE Production Designer: Michael White Cinematographer: John Schwartzman ASC Co-Writers: Jonathan Hensleigh, Aaron Sorkin, Quentin Tarantino Producer: Jerry Bruckheimer Dedicated to: Don Simpson Assoc. Prod/Stunt Coord/2nd Unit Dir: Kenny Bates Ass't Stunt Coordinator: Steve Picerni Stunts: Ivan Bates, Andy Gill, Jack Gill, Mic Rodgers Associate Producer/Unit Production Manager: Barry H. Waldman 2nd Ass't Director/Underwater Unit 1st Ass't Director: John G. Scotti Add'l Film Editors: Mark Goldblatt ACE, Glen Scantlebury ACE Production VFX Supervisor: Hoyt Yeatman Technical Advisor: Harry Humphries 2nd 2nd Ass't Director: Darin Rivetti A-Camera Operator: Mitch Dubin SOC B-Camera/Steadicam Operator: Chris Haarhoff SOC Underwater Unit DoP: Pete Romano ASC Add'l Cinematographer: Mauro Fiore ASC 1st Assistant A-Camera: Christopher Duskin Film Loader: Eric Amundsen Camera Technician: Steven J. Winslow AVID Ass't Editor: Todd E. Miller Re-Recording Mixers: Kevin O'Connell, Greg P. Russell Supervising Music Editor: Bob Badami Chief Lighting Technician: Andy Ryan Ass't Chief Lighting Technician: Brian Evans Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin Production SFX Coordinator: Michael Meinardus Supervising Art Director: Mark W. Mansbridge Art Director: Ed McAvoy Set Decorator: Rosemary Brandenburg VFX Unit VistaVision Camera Operator: Mark Gutterud DQI VFX Producer: Rae Griffith DQI Executive VFX Producer: Dennis Hoffman DQI Effects Photography Supervisor: Scott Beattie DQI Effects Unit DoPs: Kevin Fitzgerald, Rick Johnson, Craig Moore, Brian Mussetter DQI SFX Supervisor: John Gray DQI Model Shop Supervisor: Jim McGeachy DQI Model Shop Coordinator: Warren Farina DQI DFX Supervisor: Dan DeLeeuw SF Unit Production Supervisor: Nancy King 2nd Unit 1st Ass't Director: KC Hodenfield 2nd Unit 2nd Ass't Director: Jeff Okabayashi Alcatraz 2nd Unit DP: Peter Lyons Collister ASC Aerial Unit DoPs: David B. Nowell ASC, Larry Blanford ASC Executive in Charge of Music for Disney: Kathy Nelson Music Contractor: Sandy DeCrescent Assistant to Composers: Marc Streitenfeld Title Designer: Robert Dawson BVI Optical Effects Supervisor: Mark Dornfeld Senior Colorist (2007 Blu-Ray Release): Stefan Sonnenfeld ASC Filming Dates: 30 October 1995 - 22 February 1996 Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/200T 5293/500T 5298) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (Super 35mm) Budget: 75 Million USD Budget AFI (2021): 132.8 Million USD Distributed By: Walt Disney Studios Motion Pictures Visual Effects Provided by: Dream Quest Images Video Displays Provided by: Video Image Additional Optical Effects & Titles Designed by: Buena Vista Imaging Attribute: Filmed with Panavision Cameras and Lenses

Director: Simon West Producer: Jerry Bruckheimer Composers: Marc Mancina, Trevor Rabin Costume Designer: Bobbie Read Film Editors: Chris Lebenzon ACE, Steve Mirkovich ACE, Glen Scantlebury ACE Supervising Art Director: Edward T. McAvoy Cinematographer: David Tattersall BSC Exec Producers: Chad Oman, Lynn Bigelow Kouf Exec Producers/Co-Writers: Jonathan Hensleigh, Jim Kouf Exec Producer/Unit Prod Manager: Peter Bogart Writer: Scott Rosenberg 1st Assistant Director: Mike Topoozian 2nd Assistant Director: Bob Wagner Visual Consultant: Deborah Evans production VFX Supervisor: David Goldberg Associate Producer, Supervising Stunt Coord & 2nd Unit Director: Kenny Bates Stunt Actor: Mark Ginther Stunt Co-Coordinator: Steve Picerni Stunts: Jack Gill, Steve Kelso, Phil Neilson Production Supervisors: Carl Griffin, Mark Indig Technical Consultants: Katherine Humphries, Harry Humphries Production Coordinator: Jacqui Popelka Ass't Prod Coordinators: Kristie Anne Reed, Gary L. Trentham Key 2nd 2nd Ass't Director: Allen Kupetsky Tattoo Designer: Kirby White A-Camera Operator: Michael St. Hilaire SOC B-Camera/Steadicam Op: David Emmerichs SOC 1st Assistant A-Camera: Johnny Karls 1st Assistant B-Camera: Heather Page 2nd Assistant A-Camera: Garrett Benson 2nn Assistant B-Camera: Charles B. Katz 2nd Assistant Steadicam: Janene Garey A-Camera Loader: Steven Aredas B-Camera Loader: Jasmine Kaiser 1st Assistant Editors: Tim Alverson ACE, Joel Negron ACE Lightworks 1st Ass't Editor: William Yeh 2nd Assistant Editor: Jeffrey L. Jamison 3rd Assistant Editor: Richard Villa 1st Apprentice Editor: Cort Wright 2nd Apprentice Editor: Olivia Patton Lightworks 2nd Ass't Editor: Todd Miller Lightworks 3rd Ass't Editor: Sara Hyoun Production VFX Editor: Kathy Chasen-Hay Post-Production Assistant: Jason Fetchik Supervising Sound Editor: George Watters II Post-Production Supervisor: Pat Sandston Re-Recording Mixers: Kevin O'Connell, Greg P. Russell Music Supervisor: Kathy Nelson Supervising Music Editor: Bob Badami Music Editors: Will Kaplan, Zigmund M. Gron Supervising ADR Editor: Juno J. Ellis Supervising Dialogue Editor: Teri E. Dorman Supervising Foley Editor: Victoria Martin Sound Design Supervisors: Chris Boyes, Dave Farmer Ass't Sound Design Supervisors: Shannon Mills, Matt Wood Foley Artist: Dan O'Connell ADR Mixer: Thomas O'Connell Add'l Re-Recording Mixer: Gregory H. Watkins Post-Production Accountant: Ric Morelli Chief Lighting Technician: Bobby L. Burton Rigging Gaffer: Michael Bonnaud Key Grip: J. Michael Popovich Supervising Prop Master: Mike Blaze Ass't Prop Masters: Randy Gunter, Stan Cockerell Aerial Unit Coordinators: Craig Hosking, J. David Jones, Dirk Vahle Production SFX Coordinator: Chuck Stewart Production SFX Foremen: Paul Lombardi, John D. Milinac SFX Dept. Coordinator: Nancy A. King Co-Art Director: Chas Butcher Ass't Art Directors: Cosmas A. Demetriou, Mark Hofeling Set Designers: Barbara Mesney, Daniel R. Jennings Set Decorator: Debra Echard Construction Foreman (LA): Frank Carter Const. Foreman (Wendover): W. Scott Mason Supervising Location Manager: Ron Carr Ass't Location Manager: Mimi R. Davis 2nd 2nd Ass't Director: Scott Harris DQI Senior VFX Producer: Rae Griffith-Gagnon DQI Executive VFX Producer: Keith Shartle DQI Production Coordinator: Michele Dani Linse DQI CG Supervisor: Darin A. Hollings DQI Digital Comp Supervisor: Marlo J. Pabon DQI Lead Compositor: Amy Pfaffinger DQI Digital VFX Coord: Kathryn Liotta-Couture DQI Production Assistant: Jon Eichelberger DQI Digital Color Timer: Jay Cox DQI Data Management Sup: Hank Barrio DQI S&R Techs: Rick Lopez, Doug Delaney, Mark Canas DQI Digital Systems Administration Supervisors: James Healy, John Kennedy, Paul Takahashi DQI Digital Ops Manager: Mike Gunning DQI Head of Digital Technology: Rob Burton DQI Digital Dept. Supervisor: Mitch Dobrowner MWD Matte Painting Sup: Craig Barron ASC DQI VFX Editor: Frank Soronow DQI VFX 1st Ass't Editor: Daniel Arkin DQI VFX 2nd Ass't Editor: Doug Campbell Moco Unit Sr Engineering Supervisor & DQI VFX 3rd Ass't Editor: Fred Iguchi DQI Negative Cutter: Cynthia Feyrer Moco Programmer/Operator (Moco Unit): Kevin Fitzgerald Moco Technician (Moco Unit): Craig Moore Moco Unit Production Assistant: Ron Annunziata Moco Unit Camera Technician: Shawn Jolicoeur Hi-Speed Miniatures Unit Prod Sup: David Rimer Hi-Speed Miniatures Unit Prod Manager: Maura McCoy Hi-Speed Miniatures Unit Ass't Coordinator: Laura Anderson Director of Miniature Photography (Hi-Speed Miniatures Unit): Scott Beattie Hi-Speed Miniatures Unit A-Cam Op: Michael May Hi-Speed Miniatures Unit 1st Ass't A-Camera: Stephanie Rogers Hi-Speed Miniatures Unit B-Cam 1st AC: David Goldenberg Hi-Speed Miniatures Unit C-Cam 1st AC: Mark Fragale Hi-Speed Miniatures Unit D-Cam 1st AC: Jeff Gershman Hi-Speed Miniatures Unit Gaffer: Martin Hall Hi-Speed Miniatures Unit SFX Coord: John Gray Hi-Speed Miniatures Unit SFX Foreman: Don Gray Miniatures Sup (Model Construction): Michael Stuart Miniatures Art Director (Model Construction): Forrest Anthony Leathers Model Dept. Sup (Model Construction): Jim McGeachy Model Dept. Coord (Model Construction): Warren Farina Art Dept. Sup (VFX Art Dept.): Allen Battino Plate Sup (Plate Photography Unit): Chuck Schuman A-Cam Op (Plate Photography Unit): Kim Marks SOC 1st Ass't A-Cam (Plate Photography Unit): Ed Gutentag 1st Ass't B-Cam (Plate Photography Unit): Peter Schmitt 1st Ass't C-Cam (Plate Photography Unit)/LV Unit VistaVision 1st Ass't A-Cam: Evan Nesbitt 2nd Ass't A-Cam (Plate Photography Unit): Carol Ogihara Moco Programmer (Plate Photography Unit): Tim Taylor CFC CG FX Supervisor: Rob Hodgson CFC CG FX Producer: Janet Yale LV Unit Set Designer: Stan Tropp 2nd Unit Director: Peter Bloomfield Unit Prod Manager (2nd Unit): Wayne Carmona 2nd Unit 1st Ass't Director: Greg Simmons 2nd Unit 2nd Ass't Director: David Ascher 2nd Unit 2nd 2nd Ass't Dir: John Hermansen 2nd Unit DoP: Ueli Steiger ASC 2nd Unit A-Camera Operator: Jim LeBlanc 2nd Unit B-Camera Operator: Mark Streapy Aerial Unit Prod Supervisor (LV): Todd Smith Aerial Unit DoP: Dean Lyras Aerial Unit C-123 Flight Engineer: Al Redick Aerial Unit Technician: Alby Redick II Aerial Unit A-Camera Operator: Ron Goodman Aerial Unit B-Camera Operator: Hans Bjerno Aerial Unit Assistant: Ralph Mendoza VIFX VFX Producer: Rhonda C. Gunner VIFX 24FPS Operators: Richard E. Hollander, John C. Wash VIFX CG Supervisor: Gregory L. McMurry ASC VIFX 24 FP Supervisor: Candy S. Brock VIFX Screen Graphs Supervisor: Patti Cerami Score Conductors & Orchestrators: Gordon Goodwin, Nick Glennie-Smith Score Orchestrator: Bruce Fowler Orchestra Recordist & Mixer: Steven Kempster Orchestra Contractor: Sandy DeCrescent Score Supervisors: Paul Linford, Christopher Ward Title Designer: Robert Dawson BVI VFX Supervisor: Mark Dornfeld BVI Digital VFX Supervisor: Christopher Dierdorff Dedicated to: Phil Swartz Home Video Colorist: Stefan Sonnenfeld ASC Filming Dates: 24 June 1996 - November 1996 Cameras: Arriflex 35-III, Bell & Howell Eyemo, Panaflex Platinum, Panastar + VistaVision (35mm Eastman EXR 50D 5245/Kodak Vision 320T 5277/Vision 500T 5279) Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Canon Primes AR: 2.39:1 (Anamorphic)(VistaVision: Visual Effects) Budget: 75 Million USD Budget AFI (2022): 131.3 Million USD Printed on: Eastman EXR 2386 Visual Effects & Matte Paintings Provided by: Dream Quest Images & Matte World Digital Opticals & Additional Visual Effects Provided by: Buena Vista Imaging Produced & Distributed on: Eastman Film Distributed by: Walt Disney Studios Motion Pictures Home Video Master Provided by: Company 3 Attribute: Filmed in Panavision

Director & Producer: Michael Bay Producers: Jerry Bruckheimer, Gale Anne Hurd Sup. Exec in Charge of Music: Kathy Nelson Music Supervisor: Bob Badami Composer: Trevor Rabin Composer - Add'l Music: Harry Gregson-Williams Costume Designer: Michael Kaplan Additional Costume Designer: Magali Guidasci Production Visual FX Supervisors: Pat McClung, Richard Hoover Film Editors: Mark Goldblatt ACE, Chris Lebenzon ACE, Glen Scantlebury ACE Production Designer: Michael White Cinematographer: John Schwartzman ASC Cinematographer (Int'l Unit): Mark Plummer Cinematographer (Add'l Photog) & A Cam Op: Mitchell Amundsen ASC SOC Cinematographer - AP: Janusz Kaminski ASC Exec Producer/Co-Writer: Jonathan Hensleigh Executive Producer: Chad Oman Story Writer: Robert Roy Pool Co-Writers: Tony Gilroy, Shane Salerno Screenwriter: JJ Abrams Assoc. Producer & UPM: Barry H. Waldman 1st Assistant Director: KC Hodenfield 2nd AD & 2nd Unit 1st AD: Jeff Okabayashi Associate Producer: Pat Sandston AP, SC & 2nd Unit Director: Kenny Bates Narrator: Charlton Heston Stunts: Ivan Bates, Steve M. Davison, Andy Gill, Phil Neilson, Charlie Picerni, Steve Picerni 2nd 2nd Assistant Director: Nick Satriano Supervising Art Director: Geoff Hubbard Art Director: Lawrence Hubbs Assistant Art Director: Doug J. Meerdink Vehicle Designer: Harald Becker B Cam & Steadicam Op: David Emmerichs SOC Underwater Unit DoP: Pete Romano ASC Libra Head Technician: Chad Rivetti Product Placement Consultant: David B. Leener Add'l Film Editor: Michael Miller Associate Film Editors: Roger Barton ACE, Todd E. Miller Supervising VFX Editor: Jim May ACE Production DFX Producer: Michael Cooper AVID Ass't Editor: Joel Negron ACE Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell Chief Lighting Technician: Andy Ryan Ass't Chief Lighting Technician: Brian Evans Rigging Gaffer: Jeffrey P. Soderberg Production SFX Supervisor: John Frazier SFX Set Foreman: Jim Schwalm Underwater Unit 1st Ass't Camera: Brad Peterman Aerial Unit DoPs: David B. Nowell ASC, Kurt E. Soderling SOC Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin Asteroid Consultant: Ivan Bekey NASA Consultant: Joseph P. Allen Mission Control Advisor: Jerry Bostick Technical Advisor: Harry Humphries Prop Shop/Electronic Effects Supervisor: Gustavo Ferreyra Effects Unit Camera Operator: Tom Fraser DQI VFX Producer: Rae Griffith DQI VFX Production Manager: Crys Forsyth-Smith DQI Executive VFX Producer: Keith Shartle DQI DFX Supervisor: Darin Hollings DQI VFX Editor: Amy Pawlowski DQI Director of Miniature Photography (Motion Control 1st Unit): Scott Beattie DQI Motion Control 1st Unit Gaffer: Martin Hill DQI Motion Control 2nd Unit DoP: Mike Talarico DQI High-Speed Miniatures Unit DoP: Scott Campbell DQI High-Speed Miniatures Unit Gaffer: Mike Curtis DQI High-Speed Miniatures Unit SFX Coordinators: John Gray, John Striber DQI Model Construction VFX Art Director: Mike Stuart DQI Model Construction Miniatures Set Designer: Susan Hippen DQI Model Construction Model Shop Supervisor: Smokey Stover DQI Model Construction Model Shop Coordinator: Warren Farina DQI VFX Supervisor (Paris Destruction Sequence): Hoyt Yeatman DQI DFX Supervisor (Paris Destruction Sequence): Dan DeLeeuw DQI VFX Unit Camera Operator (Paris Destruction Sequence): Kevin Fitzgerald DQI VFX Production Manager (Paris Destruction Sequence): David PI James DQI SFX Coordinator (Paris Destruction Sequence): Richard Helmer DQI SFX Supervisor (Paris Destruction Sequence): Bill Schrimer DQI Compositing Supervisor (VFX Shoot Crew): Adam Howard DQI VFX Project Supervisor (VFX Shoot Crew): David Sanger DQI VFX Illustrator (VFX Shoot Crew): Tracey Wilson DQI VFX Administrator (VFX Shoot Crew): Jennifer Nickson DQI VFX Plate Unit DoP (VFX Shoot Crew): Timothy Angulo DQI VFX Unit DoPs (VFX Shoot Crew): Philip Timme, Tony Cutrono DQI VFX Unit Gaffer (VFX Shoot Crew): Dennis McHugh DQI DFX Coordinator (VFX Shoot Crew): Mandy Kisthardt Cinesite Digital VFX Supervisor: Carlos Arguello Cinesite Digital VFX Producer: Aaron Dem Cinesite VFX Producer: Karin Joy Cinesite Composite Supervisor: Kevin Lingenfelser Cinesite Digital Compositors: David Lingenfelser, Patrick Tubach Cinesite CGI Supervisor: Sean Dever Cinesite CGI Animators: Lubo Hristov, Richard Kidd Cinesite Matte Painting Supervisor: Charles Darby Cinesite Roto Supervisor: Karen Klein CFC DFX Supervisor: Rob Hodgson CFC DFX Producer: Aisling O'Brien CFC Executive DFX Producer: Daniel Lombardo Tippett Studio VFX Supervisor: Bruce Nicholson Tippett Studio Animation Supervisor: Blair Clark Tippett Studio Digital Lighting Supervisor: Julie Newdoll Tippett Studio Compositing Supervisor: Zoe Peck Tippett Studio VFX Producer: Ken Kokka Tippett Studio VFX Coordinator: Molly Lynch Tippett Studio Art Department Supervisor: Joel Friesch Tippett Studio DFX Animation Supervisor: Darby Johnson Editel Executive DFX Producer: Melissa Hagman Editel DFX Producer: Janette Shaw Blue Sky/VIFX VFX Supervisor: Richard E. Hollander Blue Sky/VIFX VFX Producer: Josh R. Jaggers Blue Sky/VIFX Digital VFX Supervisor: Anthony Max Ivins Digital Domain VFX Supervisor: Erik Nash Digital Domain VFX Creative Supervisor: Robert Legato ASC Digital Domain VFX Producer: Cari Thomas Digital Domain Digital Compositing Supervisor: Mark O. Forker Digital Domain Digital 3D Supervisor: Matthew Butler Digital Domain Digital Production Manager: Lisa Spence Digital Domain VFX Associate Producer: Steve Dietrich Digital Domain VFX Coordinator: Jennifer Califano Digital Domain Digital Compositor: Darren Poe Rainmaker DFX Supervisor: Peter Sternlicht Rainmaker DFX Producer: Tim Belcher MWD VFX Supervisor: Craig Barron ASC MWD VFX Producer: Krystyna Demkowicz 525 Executive VFX Producer: Jenny Bright Digital Magic DFX Supervisor: Bryan Grill Digital Magic DFX Producer: JB Levine Digital Magic CG Supervisor: Stephen Brand POP Digital Compositor: Michael Peterson BVI VFX Supervisor: Mark Dornfeld BVI Digital VFX Supervisor: Christofer Dierdorff Miniatures VFX Art Director: George Trimmer Miniatures Supervisor: Alan Faucher Ass't Miniatures Supervisor: Erika McKee Miniatures VFX Set Designer: Lorrie Steiben Physical Effects Supervisor: Richard Stutsman 2nd Unit DoP: Mauro Fiore ASC 2nd Unit 1st Ass't A-Camera: Chris Schenck Kennedy Space Center/Florida Unit Production Coordinator: Leslie Stevens Kennedy Space Center/Florida Unit Add'l 2nd AD: Jayson Merrill Galveston & Johnson Space Center/Houston Unit Production Supervisor: Nancy King Unit Production Manager (NYC Unit): Carl Clifford NYC Unit Chief Lighting Technician: William O'Leary NYC Unit Aerial DoP: Larry Blanford ASC Int'l Unit Associate Producer: Scott Gardenhour Int'l Unit Aerial Coordinator: Fred North Title Designer: Robert Dawson Producer - 1999 Criterion DVD: Karen Stetler Co-Producer & Menu Designer - Criterion DVD: Sean Wright Anderson Exec Producer - 1999 Criterion DVD: Pete Becker Technical Director - '99 Criterion DVD: Lee Kline PMs - '99 Criterion DVD: Cathy Gray, Grace Kim Editorial Coordinator - Criterion DVD: Shannon Attaway Audio Coordinator & Mixer + Commentary Editor & Recordist - Criterion DVD: Michael W. Wiese Commentary Editors - 1999 Criterion DVD: Rex Arthur, Fletcher Chenn Asst Audio Editor - Criterion DVD: Heather Shaw MGRS LA Commentary Recordist - 1999 Criterion DVD: Julien Cook PNP DC Commentary Recordist - Criterion DVD: Dave Berger Westlake LA Commentary Recordist - Criterion DVD: Charity Lomax BPS NYX Commentary Recordist - Criterion DVD: Butch Jones MVF Telecine Colorist - 1999 Criterion DVD: Skip Kimball Production Assistant - Criterion DVD: Peter Hahn Contributor - Criterion DVD: Jeanine Basinger Final Colorist - Blu-Ray: Stefan Sonnenfeld ASC Filming Dates: 27 August 1997 - 29 January 1998 Cameras: Bell & Howell Eyemo, Panaflex Lightweight, Platinum, Panastar & VistaVision (35mm Eastman EXR 100T 5248/200T 5393/Kodak Vision 500T 5279) Lenses: Panavision Primo AL 11:1 + 3:1 Hubble Zooms, C- & E-Series AL Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VV: VFX) Budget: 140 Million USD Budget AFI (2021): 238.7 Million USD Digital Visual Effects & Animation Provided by: Dream Quest Images, Cinesite & Computer Film Company Rock Storm Sequence Designed by: Tippett Studio & Editel "End of the World" Opening Sequence Designed by: Blue Sky/VIFX, Digital Domain, Rainmaker, Matte World Digital & Digital Magic Digital Compositing Provided by: 525 Post & Pacific Ocean Post Opticals & Additional Visual Effects Provided by: Buena Vista Imaging 1999 Criterion DVD Master Provided by: Modern VideoFilm 2010 Blu-ray Master Provided by: Company 3 Distributed By: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Director: Tony Scott Composers: Trevor Rabin, Harry Gregson-Williams Costume Designer: Marlene Stewart Film Editor: Chris Lebenzon ACE Production Designer: Benjamin Fernandez Cinematographer: Dan Mindel ASC BSC SASC Executive Producer: Chad Oman Exec Producer/2nd Unit Director: James W. Skotchdopole Producer: Jerry Bruckheimer Co-Writers: Tony Gilroy, Aaron Sorkin Unit Production Manager: Eric McLeod Associate Producer: Pat Sandston Stunt Coordinator: Charles Picerni Jr Stunts: Jeff Imada, Troy Brown Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin Art Director: James J. Murakami Lead Set Designer: Peter J. Kelly Baltimore Unit Set Designer: Andrew Menzies Graphic Designer: Jason Sweers A-Camera Operator: Martin Schaer B-Camera Operator: P. Scott Sakamoto SOC C-Camera Operator: Paul Edwards Add'l Camera Operator: Chris Haarhoff 1st Assistant A-Camera: John Skotchdopole 1st Assistant B-Camera: John T. Connor 1st Assistant C-Camera: Jeff Vine 2nd Assistant A-Camera: Daniel Moder 2nd Assistant D-Camera: Sergius Nafa Nofield Location Consultant: Marshall Vernet Set Decorator: Garrett Lewis Chief Lighting Technic: Claudio Miranda ASC ACC Mechanical FX Coordinator: Michael Meinardus Mechanical Effects Set Foreman: David Fletcher Associate Film Editor: Joel Negron ACE Optical Supervisor: Ladd Lanford Music Supervisor: Bob Badami Music Supervisor/Exec in Charge of Music: Kathy Nelson Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell Digital Graphics Supervisor: Chris B. Holt Director of Aerial Photography: David B. Nowell ASC Aerial Unit 1st Ass't Camera: Scott C. Smith Aerial Unit Gyrosphere Ass't Camera: Richard Brooks Burton Technical Advisors: Chase Brandon, Larry Cox, Harry Humphries, Martin Kaiser, Anthony Pellicano, Stephen Uhrig Technical Consultant: Don Ferrarone Visual Consultant: Dariusz Wolski ASC Production VFX Supervisor: James E. Price Mill Film Executive VFX Producer: Robin Shenfield Mill Film DFX Supervisor/Lead Compositor: Tim Burke Mill Film VFX Producer: Robin Griffin Mill Film DFX Producer: Emma Norton Mill Film VFX Coordinator: Diana Stulic Mill Film Lead CGI Artists: Ben White, Tim Zaccheo Mill Film CGI Artists: Kevin Modeste, Chris Shaw Mill Film VFX Unit DoP: John Mathieson BSC Digiscope Executive VFX Producer: Mary Stuart Welch Digiscope DFX Supervisor: Dion Hatch Digiscope DFX Producer: Lauren Lyn Schulman Digiscope Lead Digital Artist: Todd Mesher Digiscope Digital Artist: Grady Cofer Orchestra Contractor: Sandy DeCrescent Filming Dates: 5 November 1997 - 6 April 1998 Cameras: Arriflex 35-III, 435, Panaflex Millennium, Lightweight & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279) Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Anamorphic Canon Zooms AR: 2.39:1 (Anamorphic) Budget: 90 Million USD Budget AFI (2020): 143.7 Million USD Distributed by: Walt Disney Studios Motion Pictures Special Digital Visual Effects Provided by: Mill Film & Digiscope Computer Graphics Provided by: Black Box Digital Miniature Effects Provided by: Asylum Attribute: Filmed in Panavision

Director: David McNally Composer & Music Consultant: Trevor Horn Composers (Add'l Music) & Score Arrangers: Steve Bartek, Garry Hughes, Jamie Muhoberac Music Supervisors: Kathy Nelson, Bob Badami Costume Designer: Marlene Stewart Film Editor: William Goldenberg ACE Production Designer: Jon Hutman Cinematographer: Amir Mokri Exec Producers: Mike Stenson, Scott Gardenhour Producers: Jerry Bruckheimer, Chad Oman Writers: Kevin Smith, Jeff Nathanson, Carrie Fisher, Gina Wendkos Key Unit Prod Manager: Alma Kuttruff Sup Unit Prod Manager (Main & NY Units): Carl Clifford 1st Assistant Directors: Thomas J. Mack, Stephen Dunn 2nd Assistant Directors: David Kelley, Christina Stauffer Associate Producers: Pat Sandston, Jennifer Krug Worthington, Jeff Eamer Choreographer: Travis Payne Add'l Choreographer: Lavelle Smith Jr Special Appearance: LeAnn Rimes Photographer Actor: Michael Bay Stunt Coordinator (NY): Danny Aiello III Stunt Coordinator (LA): Buddy Joe Hooker Bridget Moynahan Stunt Double (NY): Kelly Craig Fire Breathing Technician: Ted Shred Exec in Charge of Prod: Kristie Anne Reid Production Supervisor: Christine Fransen Prod Coordinator: Melissa Wiechmann Ass't Prod Coordinator: Lisa Davidson Art Directors: Gae Buckley, Bruce Alan Miller Set Decorator: Rosemary Brandenburg Add'l Costumer: Ann Foley A-Camera Operator: Will O'Drobinak SOC B-Camera/Steadicam Op: Stephen St. John 1st Assistant A-Camera: Steven Meizler 1st Assistant B-Camera: Joe Miller 2nd Assistant A-Camera: Tom Jordan 2nd Assistant B-Camera: Mark Spath Prod Placement Advisor: David B. Leener 1st Assistant Editor: Monica Anderson 1st Ass't Editor/AVID: Bryan H. Carroll 2nd Assistant Editor: Fabienne Rawley 1st Apprentice Editor: Gary Lynn Trentham Post-Prod Coordinators: Shannon Wynne, Allison Siddons Post-Prod Assistants: Brett M. Reed, Tami R. Goldman Music Editor: Shannon Erbe Super Music Prod Mixer: Joseph Magee Music Prod Ass't: Katie Greathouse Sup Sound FX Editor: Randle Akerson Supervising Dialogue Editor: Teri E. Dorman Supervising ADR Editor: Juno J. Ellis Supervising Foley Editor: Victoria Martin ADR Mixer: Thomas O'Connell Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell Prod Supervisor (Add'l Photography): Diane Sabatini Gaffer: Max Pomerleau Rigging Gaffer: George A. Hock Key Grip: Michael J. Coo Supervising Prop Master: Kirk Corwin Ass't Prop Master: John Curtis Pattison Production SFX Coordinator: Joe Ramsey 2nd 2nd Ass't Directors: Andrew Ward, Jack Steinberg Set Designers: John Warnke, John Perry Goldsmith Supervising Location Manager: Janice Polley Ass't Location Managers: Steven Lee, Julie Hannum Bartending Consultant: Jennifer Curran Consultants: Elizabeth Gilbert, Liliana Lovell Clogging Consultant: Stephen Harbin Score Mixers & Recordists: Tim Wiedner, Steve Macmillan Strings Orchestrator & Conductor: David Campbell Strings Recordist: Peter Fernandez Music Coordinator: Mary Anne Campagna Title Designer: Robert Dawson NY Unit 2nd Ass't Directors: Gregory Hale, Denis Doyle NY Unit Art Directors: Ray Kluga, Richard Butler NY Unit Ass't Art Director: Henry Dunn NY Unit Set Decorator: Beth Rubino NY Unit Ass't Set Decorator: Paul Cheponis NY Unit 1st Ass't B-Camera: Tim Metivier NY Unit 2nd Ass't B-Cam: Jamie Fitzpatrick NY Unit 1st Ass't Editor: John Hill NY Unit 2nd Ass't Editor: Morgan A. Neville NY Unit Chief Lighting Tech: William Ward NY Unit Rigging Gaffer: James Malone NY Unit Prop Master: John B. McDonnell NY Unit Ass't Prop Master: Clifford Klatt NY Unit SFX Supervisor: Steven Kirshoff NY Unit SFX Coordinator: Robert J. Scupp NY Unit Prod Coordinator: Shell Hecht NY Unit Ass't Prod Coord: Karen Sossiadis NY Unit 2nd 2nd Ass't Dir: Eric Yellin NY Unit Ass't Loc Manager: Jack Bavaro 2nd Unit Director/Director of Photography: Dariusz Wolski ASC 2nd Unit A-Camera Operator: Kenn Ferro 2nd Unit B-Cam Op: Simon Jayes SOC ACO 2nd Unit 1st Ass't A-Camera: Glenn Deitell 2nd Unit 2nd Ass't A-Camera: Daniel Taylor 2nd Unit 2nd Ass't B-Camera: Kenneth C. Bender Home Video Colorist: Stefan Sonnenfeld ASC Filming Dates: 14 August 1999 - 3 December 1999 Camera: Panaflex Platinum (35mm Kodak Vision 200T 5274/500T 5219) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (4-Perf Common-Top Super 35mm) Budget: 45 Million USD Budget AFI (2022): 73.4 Million USD Main Titles Designed by: Asylum VFX Produced & Distributed on: Eastman Kodak Film Distributed by: Walt Disney Studios Motion Pictures Home Video Mastering Provided by: Company 3 Attribute: Filmed in Panavision

Director: Dominic Cena Music Supervisors: Kathy Nelson, Bob Badami Composer: Trevor Rabin Composers (Add'l Music): Paul Linford, Tim Heintz Film Editors: Thomas Muldoon, Chris Lebenzon ACE Costume Designer: Marlene Stewart Production Designer: Jeff Mann Cinematographer: Paul Cameron ASC Exec Producer/Co-Writer: Jonathan Hensleigh Exec Producers: Chad Oman, Denice Shakarian Halicki, Robert Stone, Webster Stone Exec Producer/Unit Production Manager: Barry H. Waldman Producers: Jerry Bruckheimer, Mike Stenson Screenwriter: Scott Rosenberg 1st Assistant Director: Steve Danton 2nd Assistant Director: David J. Venghaus Jr Associate Producers: Pat Sandston, Aris McGarry 2nd Unit Director/Director of Photography: Philip C. Pfeiffer 2nd Film Editor: Roger Barton ACE Production VFX Supervisor: Boyd Shermis Supervising Stunt Coordinator: Chuck Picerni Jr Co-Stunt Coordinator: Johnny Martin Stunts: Andy Gill, Jack Gill, Freddie Hice Production Supervisor: Diane L. Sabatini Precision Driving Team Coordinators: Bill Young, John McKnight Production Coordinator: Trevor Waterson Ass't Production Coordinator: Elona Tsou 2nd 2nd Ass't Director: Philip L. Hardage Art Directors: Stacey Mann, Andrew Laws Ass't Art Director: Martin Whist Set Designers: Greg Hooper, Eric Sundahl Graphic Designer: David E. Scott Exec in Charge of Production: Kristie Anne Reed A-Camera/Steadicam Op: James Michael Muro B-Camera Operator/2nd Unit Add'l DoP: Chris Moseley A-Camera Operator (Add'l Photography)/1st Ass't A-Camera: Dana Gonzalez ASC 2nd Assistant A-Camera: Glenn D. Kaplan 1st Assistant B-Camera: Lee Blasingame 2nd Assistant B-Camera: Joe A. Martinez Film Loader: Peter Geraghty Product Placement Advisor: David B. Leener Add'l Film Editor: Joel Negron ACE Production VFX Editor/1st Ass't Editor: Paisley Pappe AVID 1st Ass't Editor: Jason Hellmann Post-Production Coordinator: Shannon Wynne Post-Production Assistant: Katie Greenhouse Supervising Music Editor: Will Kaplan Ass't Music Editor: Angelo Palazzo Supervising Sound Editor: George Watters II Re-recording Sound Mixers: Kevin O'Connell, Greg P. Russell Supervising Dialogue Editor: Teri E. Dorman Supervising ADR Editor: Juno J. Ellis Supervising Foley Editor: Victoria Martin Chief Lighting Technician: Jeffrey Murrell Ass't Chief Lighting Tech: Steve Reinhardt Rigging Gaffer: Brian R. Lukas Production SFX Coordinator: Michael Meinardus Production SFX Foreman: Anthony Simonaitis SFX 1st Unit Foreman: David Fletcher Supervising Prop Master: Michael Papac Set Decorator: Don Diers Supervising Location Manager: Laura Sode-Matteson Aerial Unit Coordinator/Helicopter Pilot: Chuck Tamburro Aerial Unit Helicopter Pilot: John Tamburro Aerial Unit Co-Pilot/Helicopter: Wayne F. Richardson Technical Advisors: Harry Humphries, Jaime Baez GSGI Law Enforcement Consultants: Edward W. Clair, Michael Mello, David Woofter, Todd D. Taylor Picture Car Coordinator: Michael D. Antunez Vehicle Designers: Chip Foose, Steve Stamper Score Recordist: Steve Kempster Score Conductor & Orchestrator: Gordon Goodwin Orchestra Contractor: Sandy DeCrescent Title Designer: Robert Dawson Digital Telecine Colorist: Stefan Sonnenfeld ASC 2nd Unit 1st Ass't Director: Lisa Satriano 2nd Unit 2nd Ass't Director: Nick Satriano 2nd Unit Prod Coordinator: Page Rosenberg-Marvin 2nd Unit A-Camera Operator: Don Reddy 2nd Unit B-Camera Operator: Joseph Valentine 2nd Unit 1st Ass't A-Camera: Duane Manwiller 2nd Unit 1st Ass't B-Camera: Trevor Loomis 2nd Unit 2nd Ass't A-Camera: Glenn Brown 2nd Unit 2nd Ass't B-Camera: Don "Jr" Duffield 2nd Unit Gaffer: Alan Brownstein 2nd Unit Prop Master: Clifford R. Bernay TSL Senior VFX Producer: John Kilkenny TSL Digital Comp Supervisor: Jammie Friday TSL CG Supervisor: Charles Anderson TSL DFX Producer: Allyse Manoff TSL Texture Map Painter: David Palmer TSL Matte Painter: Karen DeJong TSL Digital VFX Color Timer: Elisabeth Cotter TSL Digital VFX Coordinator: Erik Muenker TSL Production Coordinator: Julie D. Milstead TSL Ass't Prod Coordinator: Jennifer Meislohn TSL VFX Editor: Joseph Yanuzzi Asylum VFX Digital VFX Supervisor & Inferno Artist: Nathan McGuinness Asylum VFX DFX Producer: Donna Langston Asylum VFX Prod Coordinators: Darcie Tang, Jeff Werner Asylum VFX Technical Supervisor: Tommy Hooper Special Thanks: Michael Lynton Filming Dates: 24 May 1999 - 10 October 1999 Cameras: Arriflex 35-III, 435 & Panaflex Platinum (35mm Kodak Vision 200T 5274/500T 5279) Lenses: Panavision C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 90-103.3 Million USD Budget AFI (2022): 146.9-168.6 Million USD Printed on: Kodak Vision Premier 2393 Visual Effects, Main Titles & Digital Opticals Designed by: Asylum VFX & The Secret Lab Selective Telecine Finish Provided by: Company 3 Produced & Distributed on: Eastman Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Director: Boaz Yakin Music Supervisors: Kathy Nelson, Bob Badami Composer/Orchestrator: Trevor Rabin Composer, Orchestrator & Arranger (Marching Band Music): Sidney James Costume Designer: Judy Ruskin Howell Film Editor: Michael Tronick ACE Production Designer: Deborah Evans Cinematographer: Philippe Rousselot ASC AFC Executive Producer: Mike Stenson, Michael Flynn Producers: Jerry Bruckheimer, Chad Oman Writer: Gregory Allen Howard Unit Production Manager: Tom Luse 1st Assistant Director: Randy Fletcher 2nd Assistant Director: Brian O'Kelley Associate Producers: Pat Sandston, Jennifer Krug Worthington Exec in Charge of Production: Kristie Anne Reid Production Coordinator: Katie Willard Troebs Ass't Prod Coordinator: Tatiana Komlos 2nd 2nd Ass't Director: Dale Pierce Nielsen Add'l 2nd Ass't Director: Matt Feitshans Art Director: Jonathan Short Ass't Art Director: Tim Beach Set Decorator: Anne Kuljian A-Camera Operator: Neal Norton B-Camera Operator: Paul Varrieur 1st Assistant A-Camera: Pam Rittlemeyer 1st Assistant B-Camera: David Galbraith 2nd Assistant B-Camera: Robert McMahon Football Coordinator: Mike Fisher Ass't Football Coord: Derrick Lassic Product Placement Advisor: David Leener Choir Director: Tim Thompson 2nd Film Editor: Greg Parsons 2nd Assistant Director: Aaron Brock 1st Apprentice Film Editor: Anna Wilborn Post-Production Coord: Shannon Wynne Post-Production Ass't: Tami R. Goldman Music Editor: William Kaplan Supervising Foley Editor: Victoria Martin Chief Lighting Technician: Jack English Rigging Gaffer: Danny Mooradian Balloon Light Supervisor: Eric Hirsch Supervising Prop Master: Dwight Benjamin Creel Production SFX Coordinator: Robert M. Shelley Jr Production SFX Foreman: Lisa Reynolds Supervising Location Manager: Maida Morgan Ass't Location Manager: Laura Lancas Extras On-Set Coordinator: Greg Cotton 2nd Unit Director/Director of Photography: Alexander Witt ASC 2nd Unit 1st Ass't Director: Cellin Gluck 2nd Unit 2nd Ass't Director: Todd Turner 2nd Unit A-Camera Operator: Ken Fisher 2nd Unit 1st Ass't A-Cam: Robert Robinson 2nd Unit 1st Ass't B-Camera: Dudley J. Voll 2nd Unit 2nd Ass't A-Camera: Chris Jones 2nd Unit 2nd Ass't B-Cam: Todd Marshall 2nd Unit Chief Lighting Tech: Brian Gunter 2nd Unit Location Manager: AB Cooper A-Camera Op (Titan 16mm Footage): Ryan Hurst B-Cam Op (Titan 16mm Footage): Sean Mewshaw Score Mixers/Recordists: Dennis S. Sands, Steve Kempster Score Orchestrator: Gordon Goodwin Orchestra Contractor: Sandy DeCrescent Title Designer: Robert Dawson Sr Finishing Colorist (2021 Re-Release): Stefan Sonnenfeld ASC Filming Dates: 3 October 1999 - 14 December 1999 Cameras: Arriflex 435 & Panaflex Platinum (35mm Eastman EXR 59D 5245/Kodak Vision 500T 5219) Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 30 Million USD Budget AFI (2022): Main Titles Designed by: Asylum VFX Produced & Distributed on: Eastman Kodak Film Distributed by: Walt Disney Studios Motion Pictures 2021 Remaster Provided by: Company 3 Attribute: Filmed in Panavision

Director, Producer & C Camera Op: Michael Bay Writer & Executive Producer: Randall Wallace Producer: Jerry Bruckheimer Executive Producers: Mike Stenson, Chad Oman Executive Producer & UPM: Barry H. Waldman EP & 2nd Unit Director: Bruce Hendricks Cinematographer: John Schwartzman ASC Cinematographer (Add'l Photog & 2nd Units): Mitchell Amundsen ASC SOC VFX Cinematographer (ILM Miniatures Unit) & B Camera Operator: Kim Marks SOC Production Designer: Nigel Phelps Film Editors: Chris Lebenzon ACE, Steven Rosenblum ACE, Mark Goldblatt ACE, Roger Barton ACE Production VFX Supervisor & 2nd Unit Director: Eric Brevig Costume Designer: Michael Kaplan Composer: Hans Zimmer Unit Production Manager: Kelly Van Horn Associate Producer & Key 1st AD: KC Hodenfield 2nd Assistant Director: Jeff Okabayashi Music Supervisors: Bob Badami, Kathy Nelson Associate Producer: Pat Sandston Assoc. Producer-Supervising Stunt Coordinator: Kenny Bates ILM Sr VFX Producers: Ned Gorman, Janet Healy ILM Co-Visual Effects Supervisor: Edward Hirsh ILM Visual FX Associate Supervisor: Ben Snow Stunt Co-Coordinator: Steve Picerni, Andy Gill Stunts: Ivan Bates Aerial Unit Coordinator & Pilot: Alan Purwin Aerial Unit Director & Director of Photography: David B. Nowell ASC Aerial Unit Pilot: Kevin LaRosa Production Supervisors: Trevor Waterson, Tina Newman Script Coord-Research Associate: Matthew Cohan Supervising Art Director: Martin Laing 2nd Art Director: Jon Billington Visual Consultant: Robert Consing Conceptual Illustrator: Guy Hendrix Dyas A Cam/Steadicam Operator: Robert Presley SOC Film Loader: Daniel McFayden VFX Unit VistaVision Assist A Cam: Chris Schenck Plate Unit 1st Assistant A Camera: John Gazdik VFX Unit Camera Operator/Aerial Unit Wescam Operator: Kurt E. Soderling SOC Aerial Unit 1st Ass't Camera: Scott C. Smith Aerial Unit 1st Ass't Gyrosphere Operator: Richard Brooks Burton Aerial Unit Wescam Technician: Steven J. Winslow Underwater Unit DoP: Pete Romano ASC Libra Head Operator: Chad Rivetti SWS Effects Supervisor: John Rosengrant SWS On-Set Supervisor: Scott Stoddard SWS Key Makeup Effects Artist: Shane Patrick Mahan Add'l Costume Designers: Gary Eastman, Mitzi Haralson Chief Lighting Technician: Andrew Ryan Ass't Chief Lighting Technician: David Christensen Set Electrician/Underwater Unit Gaffer: William Cueto Rigging Gaffer: Jeffrey P. Soderling Add'l Film Editor: Jim May ACE Associate Film Editor: Joel Negron ACE Assoc. Film Editor/AVID Ass't Editor: Tony Ciccone Supervising SFX Coordinator: John Frazier SFX Set Coordinator: Jim Schwalm SFX 2nd Unit Set Coordinators: Danny Cangemi, Bill Aldridge Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell Sound Designer: Ethan Van Der Ryn Prop Master: Charles M. Stewart Set Decorator: Jennifer Williams Conceptual Advisor to Michael Bay: Mark Palansky ILM CG Supervisor: Michael Bauer ILM Compositing Supervisor: Marshall Richard Krasser ILM VFX Art Director: Alex Jaeger ILM CG Sequence Supervisors: Joel Aron, Hayden Landis, David Horsley, Steve Braggs ILM Lead Animation Artists: Scott Benza, Scott Wirtz ILM Physical Model Supervisor: Michael Lynch ILM Technical Director: Russell Earl ILM Digital Artists: Raul Essig, Blake Sweeney ILM Lead Development Artist: Craig Hammack ILM VFX Technical Director: Mohen Leo ILM Digital Compositor: Greg Maloney ILM DFX Artist: Ken McGaugh ILM Lead Digital Artist: Doug Sutton ILM CG Animators: Paul Kavanagh, Doug E. Smith ILM CG Modelers: Bruce Holcomb, Simon Cheung ILM 3D Matchmove Supervisor: Terry Chostner ILM 3D Matchmove Artists: Wendy Hendrickson-Smith, Pat Turner ILM Digital Paint & Roto Supervisor: Katharine Baird ILM Digital Timing Supervisor: Kenneth Smith ILM VFX Coordinators: Susan Greenhow, David Gray, Lindsey Cline ILM Miniatures Unit VFX DoPs: Martin Rosenberg, Vance Piper, Ray Gilberti, Carl Miller ILM Miniatures Unit Practical Effects Supervisor: Geoffrey Heron ILM Miniatures Unit Chief Model maker: Brian Gernand ILM Miniatures Unit Plate Coordinator: Margaret Lynch ILM Senior Staff: Jim Morris, Chrissie England Asylum VFX Supervisor: Nathan McGuinness Asylum VFX Producer: Kathy Chasen-Hay Asylum VFX Executive Producer: Emma McGuinness Asylum VFX Lead Inferno Artist: Pierre LaQuerre Asylum VFX Inferno Artist: Phil Brennan Asylum VFX 2D Artist: Patrick Kavanaugh 2nd Unit 1st Ass't Director: Bruce Moriarty 2nd Unit Camera Operator: Michael Stone Hawaii Unit Supervising Art Director: Geoff Hubbard Hawaii Unit Art Director: Mark W. Mansbridge Baja Unit Executive Producer: Scott Gardenhour Baja Unit Production Supervisor: Christine Fransen Unit Production Manager (Baja Unit): Hector Lopez Baja Unit Set Decorator: Hugo Reyes England Unit Line Producer: Selwyn Roberts England Unit Production Coordinator: Emily Stillman-Carr England Unit 2nd Ass't Director: Michael Stevenson Music Contractor: Sandy DeCrescent Title Designer: Robert Dawson Panavision Lens Technician: Dan Sasaki ASC Home Video Colorist: Stefan Sonnenfeld ASC Filming Dates: 10 April 2000 - 15 September 2000 Cameras: Arriflex 35-III, 416, 435, Bolex, Bell & Howell Eyemo, Panaflex XL, Platinum, Panastar, Photo-Sonics 4ML & VistaVision (8mm, 16mm & 35mm Kodak Vision 200T 5274/320T 5277/500T 5279/7279) Lenses: Panavision C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic)(Spherical 16mm & Super 8mm: Some Shots)(VistaVision: Visual Effects) Budget: 140 Million USD Budget AFI (2021): 219.8 Million USD Printed on: Kodak Vision 2383 & Vision Premier 2393 Distributed By: Walt Disney Studios Motion Pictures Special Makeup Effects Designed & Created by: Stan Winston Studio Special Visual Effects & Animation Provided By: Industrial Light & Magic + Asylum VFX Attribute: Filmed in Panavision

Director/Producer: Ridley Scott Screenwriter: Ken Nolan Producer: Jerry Bruckheimer Executive Producers: Simon West, Mike Stetson, Chad Oman Executive Producer/Unit Production Manager: Branko Lustig Cinematographer: Slawomir Idziak AIC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Composer: Hans Zimmer Costume Designers: Sammy Sheldon, David Murphy Music Supervisors: Kathy Nelson, Bob Badami Associate Producer/1st Ass't Director: Terry Needham Associate Producers: Harry Humphries, Pat Sandston Dedicated to: Elizabeth Jean Scott Unit Production Manager: Pamela Hochschartner 2nd Assistant Director: Darin Rivetti 2nd Unit Director: Alexander Witt ASC 2nd Unit 1st Ass't Director: Adam Somner Additional Unit Director: Nicholas Livesey Production SFX Supervisor/Morocco Unit Prosthetics FX Supervisor: Neil Corbould A-Camera/Steadicam Operator: Daniele Massaccesi B-Camera Operator: Martin Kenzie BSC Aerial Unit DoP: John Marzano Associate Film Editor: Wesley Sewell Post-Production Supervisor: Teresa Kelly Production VFX Supervisor: Tim Burke Production VFX Producer: Emma Norton 1st Assistant A-Camera: Tony Rivetti 2nd Assistant A-Camera: Fionn Comerford 2nd 2nd Ass't Director: Basil Bryant Grillo SFX Test Technician: Malcolm Crash Corbould Aerial Unit Coordinators: Marc Wolff, David Paris Aerial Unit Cameraman: Michael Kelem Consultant: Mark Bowden Music Contractor: Sandy DeCrescent 2nd Unit Camera Operator: Ronald Hersey 2nd Unit Steadicam Operator: Zoran Mikincic 2nd Unit Action Vehicle Coordinator: Waldron LaMora Morocco Unit Production Manager: Jamal Souissi Morocco Unit SFX Coordinator: Carol McAulay Morocco Unit Ass't SFX Supervisor: Paul Corbould Morocco Unit SFX Floor Supervisor: Andrew Williams Morocco Unit SFX Workshop Supervisor: David Brighton Morocco Unit SFX Lead Senior Technician: Ian Corbould Morocco Unit Prosthetics Ass't Supervisor: John Schoonraad Morocco Unit Prosthetics Workshop Supervisors: Cliff Wallace, David Hunter Mill Film Executive VFX Producer: Robin Shenfield Mill Film Digital VFX Supervisor: Simon Stanley-Clamp Mill Film CG Supervisor: Laurent Hugueniot Mill Film VFX Production Supervisor: Susi Roper Mill Film VFX Coordinator: Laya Armian Asylum VFX Supervisors: Nathan McGuinness, David MV Jones Asylum Executive VFX Producers: Blondel Aidoo, Emma McGuinness Asylum VFX Producer: Lindsay Burnett Asylum CG Producer: Jeff Werner Asylum Inferno Artists: Phil Brennan, Jeff Olm Telecine Colorist: Stefan Sonnenfeld ASC Filming Dates: 3 March 2001 - July 2001 Cameras: Arriflex 35-III, 435 ES, Moviecam Compact & SL (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 250D 5246/320T 5277/500T 5279) Lenses: Zeiss Ultra Primes & Angenieux HR Zooms AR: 2.39:1 (Super 35mm) Budget: 92 Million USD Budget AFI (2021): 144.4 Million USD Printed on: Kodak Vision Premier 2393 Music Production Services Provided by: Media Ventures, Santa Monica, CA Visual Effects Provided by: Mill Film & Asylum Telecine Finish Provided by: Company 3 Attribute: Camera Systems, Grip & Electrical Equipment Provided by Arri/Munich

Director: Joel Schumacher Director (2nd Unit NY & Prague)/Associate Producer & Supervising Stunt Coordinator: Ken Bates Director (2nd Unit NY & Prague)/Associate Producer: Eli Richbourg Music Supervisors: Kathy Nelson, Bob Badami Composer/Orchestrator: Trevor Rabin Composer (Featured Music): Tricky Costume Designer: Beatrix Pasztor Film Editor: Mark Goldblatt ACE Production Designer: Jan Roelfs Cinematographer: Dariusz Wolski ASC 2nd Unit Cinematographer (2nd Unit NY & Prague): Josh Bleibtreu ASC Executive Producer: Chad Oman Unit Prod Manager (Prague Unit)/Executive Producer: Clayton Townsend Exec Producer/Story Writer: Gary Goodman Producers: Jerry Bruckheimer, Mike Stenson Story Writer: David Himmelstein Screenwriters: Jason Richman, Michael Browning Unit Production Manager: Jonathan Filley 1st Assistant Director: Mark Cotone 2nd Assistant Director: Eric Henriquez Associate Producer: Pat Sandston Co-Associate Producers: David Minkowski, Matthew Stillman Co-Stunt Coordinator: Eric Yansick Aerial Unit Helicopter Pilots: Kevin LaRosa Sr, William Richards Exec in Charge of Production: Kristie Anne Reed Supervising Art Director: Wray Steven Graham Set Decorator: Leslie Ann Pope A-Camera/Steadicam Op: Andrew Casey B-Camera Operator: Bruce MacCallum C-Camera Operator: Michael Green 1st Ass't A-Camera: John Skotchdopole 2nd Assistant A-Camera: Phil Dutton 1st Assistant B-Camera: Edwin Effrein 2nd Assistant B-Camera: Jennifer Koelster, Lee Kazista Camera Loader: Jesse S. Champ III Prod Coordinators: Kate Kelly, Anita Sum Ass't Prod Coordinator: Reid Warman Production Secretary: Wynn Peterson Operations Secretary: Tracy Palkuniewicz 2nd 2nd Ass't Director: Mark Carter Add'l 2nd 2nd Ass't Dir: Paul Hogan Sup Location Manager: Sam Hutchins Ass't Location Manager: Jeffrey Angel Post-Prod Coordinator: Tami R. Goldman 2nd Film Editor: Robert K. Lambert ACE Add'l Film Editor: Tony Ciccone Production VFX Editor: Kathy Chasen-Hay 1st Assistant Editor: David S. Feldman 2nd Assistant Editor: Christine Kim 3rd Assistant Editor: Joe Mosca Film Editorial Assistants (NY): John Hill, Michael Fay, James Cohen, Janice Kuehnlian Supervising Music Editor: Jeanette Surga Music Editor: Jennifer Nash Ass't Music Editor: Katie Greathouse Supervising Sound Editor: George Watters II Sound Editors: F. Hudson Miller MPSE, RJ Palmer MPSE Supervising Dialogue Editor: Teri E. Dorman Sup ADR Editor: Victoria Rose Sampson Supervising Foley Editor: Victoria Martin Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell Chief Lighting Technician: Petr Hilnomaz Ass't Chief Lighting Tech: Thomas Landi Rigging Gaffer: Richard Dolan Supervising Prop Master: Thomas Saccio Ass't Prop Master: Ruth Di Pasquale Prop Assistant: Joel Barkow Production SFX Coordinator: Conrad Brink Production SFX Technician: Mikel Maggi Camera Scenic Artist: James Covington Consultant: Don Ferrarone Product Placement Advisor: David Leener Chess Consultant: Aaron Louis Tordini Research Consultant: Vanessa Bendetti Music Consultant: Michael McQuarn Music Programmer: Paul Linford Score Mixer & Recordist: Steven Kempster Orchestra Conductors: Gordon Goodwin, Don Harper Music Contractors: Sandy DeCrescent, David Lowe Title Designer: Robert Dawson Asylum VFX Supervisors: Kathy Siegel, Nathan McGuinness Asylum Exec VFX Producers: Blondel Aidoo, Emma McGuinness Asylum VFX Producer: Lindsey Burnett Asylum CG Producer: Jeff Werner Asylum VFX Coord: Jimmy Batchelder Asylum FX Ass't Coord: Andy Foster Asylum Inferno Artist: Phil Brennan Asylum 2D Artist: Joe Ken Asylum VFX Editor: Kristopher Kasper Asylum FX 1st Ass't Editor: Zach Justman Asylum Head of Technology: Tom Hooper Prague Unit Prod Sup: Gary Wordham Unit Manager (Prague Unit): Jana Hrbkova Prague Unit 1st Ass't Director: Mirek Lux Prague Unit 2nd Ass't Dir: Martin Sebik Art Director (UK): Alan Gilmore Art Director (CZ): Jindrich Koci Ass't Art Director (UK): Robert Cowper Ass't Art Director (CZ): David Baxa Draftsman (UK): Brendan Rankin Set Dresser (US): Russell Anderson Standby Set Dresser (CZ): Jindra Rada Prague Unit B-Camera Op: Martin Schaer Prague Unit 1st Ass't B-Camera: Jan Carda Prague Unit 2nd Ass't B-Camera: Sarka Frankova Prague Unit Loc Manager: Pavel Mrkous Prague Unit 1st Ass't Editor: Sarka Nemcova Prague Unit 2nd Ass't Editor: Jitra Frimlova Prague Unit Gaffer: Petr Konrad Rigging Gaffer (UK): Ronald Phillips Rigging Gaffer (CZ): Vaclav Cermac Prague Unit Prop Master: Karel Vanasek Prague Unit Pic Car Coord: Marcel Hana Prague Unit Ass't PCC: Jiri Fleischer Prague Unit SFX Coord: Joss Williams Prague Unit SFX Tech: Terry Flowers 1st Ass't Dir (2nd Unit NY): Stewart Hagen 2nd Ass't Dir (2nd Unit NY): Chris Surgent Prod Sup (2nd Unit NY): Thomas Hayslip Ass't Art Dir (2nd Unit NY): Douglas Huszti 1st Ass't A-Cam (2nd Unit NY): W. Steven Peterson 2nd Ass't A-Cam (2nd Unit NY): Francis Spieldenner B-Cam Op (2nd Unit NY): Patrick B. O'Brien 1st Ass't B-Cam (2nd Unit NY): David Baron 2nd Ass't B-Cam (2nd Unit NY): Matthew Balzarini Loc Manager (2nd Unit NY): Joaquin Diego Prange Chief Lighting Tech (2nd Unit NY): James P. Dolan Prop Master (2nd Unit NY): Walter A. Adee Ass't Prop Master (2nd Unit NY): Jane Patterson Prod Coord (2nd Unit NY): Carolyn J. White 2nd Ass't Prop Master (2nd Unit NY): Amanda Taylor Prod Manager (2nd Unit Prague): Jasmin Torbati 1st Ass't Director (2nd Unit Prague): Petr Nemecek 2nd Ass't Director (2nd Unit Prague): Jakub Dvorak Art Director (2nd Unit Prague): Jason Michael Knox-Johnston Ass't Art Dir (2nd Unit Prague): Jaroslav Rericha 2nd Ass't A-Camera (2nd Unit Prague): Tomas Muntzberger B-Camera Operator (2nd Unit Prague): Milan Chadima 1st Ass't B-Cam (2nd Unit Prague): Jindrich Cipera C-Cam Ops (2nd Unit Prague): Tomas Hruska, Ervin Sanders, Martin Stepanek Rigging Gaffer (2nd Unit Prague): Jan Boruvka Home Video Colorist: Stefan Sonnenfeld ASC Filming Dates: 19 February 2001 - 28 May 2001 Cameras: Arriflex 435 & Panaflex Platinum (35mm Eastman EXR 50D 5245/Kodak Vision 320T 5277/500T 5219) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (Common-Top Super 35mm) Budget: 70 Million USD Budget AFI (2021): 109.3 Million USD Main Title Design, Digital Opticals & Visual Effects Provided by: Asylum Produced & Distributed on: Eastman Kodak Film Distributed by: Walt Disney Studios Motion Pictures Home Video Masters Provided by: Company 3 Attribute: Filmed with Panavision Cameras and Lenses

Original Title: Down & Under Director: David McNally Producer: Jerry Bruckheimer Production VFX Supervisor: Hoyt Yeatman ASC Composer/Score Orchestrator: Trevor Rabin Composer (Add'l Music): Paul Linford Music Supervisors: Kathy Nelson, Bob Badami Costume Designer: Daniel Orlandi Costume & Production Designer: George Liddle Film Editors: John Murray, William Goldenberg ACE, Jim May ACE Cinematographer: Peter Menzies Jr ACS Cinematographer (Add'l Photography): Peter Menzies Sr Executive Producers: Mike Stenson, Chad Oman, Andrew Mason Exec Producer/Unit Production Manager: Barry Waldman Co-Writer: Steve Bing Screenwriter: Scott Rosenberg Production Manager: Greg Ricketson 1st Assistant Director: Chris Webb Associate Producers: Pat Sandston, Kristie Anne Reed Supervising Stunt Coordinator: Glenn Boswell Ass't Stunt Coordinator: Bernadette Van Gyen Stunt Dept. Coordinator: Helen Gray Remote Vehicle Driver: Phil Meacham Production Supervisor (US): Trevor Waterson Production Coordinator: Sandy Stevens Ass't Prod Coordinator: Afra Mullins 2nd Assistant Director: Noni Roy 2nd 2nd Ass't Director: Julian Ryan 3rd Assistant Director: Scott Lovelock Production Secretary (US): Wynn Peterson A-Camera Operator: John Platt B-Camera/Steadicam Op: Harry Panagiotidis A-Camera Focus Puller: Kenneth Nishino A-Camera Clapper Loader: Simon Williams B-Camera Focus Puller: Matt Toll B-Camera Clapper Loader: Jay Torta A-Camera Assistant: Lucinda Van De Berkt B-Camera Assistant: Dominique Panichi Supervising Art Director: Brian Edmonds Art Director (Australian): Richard Hobbs Art Director (US): Guy Hendrix Dyas Ass't Production Designer: Phil Shearer Senior Set Designer: Robin Auld Set Designer: Judy Harvey Graphic Artist: Kerry Williams Set Decorator (Sydney): Lisa Milgate Prop Mistress: Jan Edwards Costume Supervisor (Australian): Eliza Godman Costume Supervisor (US): Jon Boyden Ass't Costume Designer: Andrew Hays Gaffer: Michael Adcock Libra Head Technician: Tim Cousins Production Accountant (Australian): Sara Crawcour Supervising Location Manager: Peter Lawless Locations Assistant: Carl Wood Location Scout: Rod England Sound Recordist: Gary Wilkins Product Placement Advisor: David B. Leener Research Advisor: Vanessa Bendetti Post-Production Supervisors: Tricia Miles, Tami R. Goldman 1st AVID Ass't Editor: Jason Hellmann 1st Assistant Editor: Kim Jorgensen 2nd Assistant Editor: Christine Kim 1st Ass't Editor (Australian): Pamela Barnetta 2nd Ass't Editors (Australian): Maria Kaltenthaler, Milena Romanin, Susan Horsley Production Assistant (Australian): Andrew Sparke Music Editor: Will Kaplan Ass't Music Editor: Katie Greathouse Supervising Sound Editors: RJ Palmer MPSE, Robert L. Sephton MPSE Sound Mixing Supervisors: Kevin O'Connell, Greg P. Russell Dialogue Supervisor: Dave Arnold ADR Supervisor: Jessica Gallavan Foley Supervisor: Victoria Martin Special Vocal Effects Actor: Frank Welker Orchestra Recordist: Steve Kempster Score Orchestrator: Gordon Goodwin Music Contractors: Sandy DeCrescent, David Lowe TSL Associate VFX Supervisor: Darin Hollings TSL Senior VFX Producer: David PI James TSL Associate VFX Producer: Allyse Manoff TSL Animation Supervisor: Michael Belzer TSL CG Supervisor: Steven Yamamoto TSL Digital Comp Supervisor: Brian Leach TSL Digital Prod Managers: Tim Belcher, Jennifer Scheer TSL Supervising EFX Animator: Dale Mayeda TSL Technical Manager: Jay Sloat TSL Ass't Manager (Digital Resources): Alan Botvinick TSL Production Coordinator: Dina Hardy TSL Associate Prod Coordinator: Allana Michelle James TSL Walk Thru Coordinator: Riccardo Anderson-Jaco TSL Prod Assistant: Karla Antonieta Ventocilla TSL Character Finaling Lead: Jesus Canal TSL Lighting Supervisor: Brian LaFra TSL Look Dev Supervisor: Colin Eckhart TSL Pipeline TD: Mark Hammel TSL Scene Set-Up Lead: Candida Nunez TSL Set Surveyor/Tracker: Kirk Scott TSL Lead Modeler: James Stapp TSL Lead Compositors: Winston Quitasol, Amy Pfaffinger TSL Roto Supervisor: Sandy Houston TSL VFX Editor: Tom Bryant TSL Ass't VFX Editor: Gerardo Ortiz TSL Digital VFX Color Timer: Jay Cox TSL Administrative Manager: Tanja Knoblich TSL Production Accountant: Shauna Walters TSL Head of Production: Dean Wright VFX Plate Supervisor (VFX Crew; Australia): Kevin Fitzgerald VistaVision 1st Ass't A-Cam (VFX Crew; Australia): Gerrit Van Dijk Production Assistant (VFX Crew; Australia): Malcolm Eager VistaVision A-Cam Op (VFX Crew; Australia): Jules Wurm VistaVision Technician (VFX Crew; Australia): Shawn Jolicouer DFX Supervisor (Dream Sequence): John Murrah Production Assistant (Dream Sequence): Jeff Mahn Production Accountant (Dream Sequence): Sue Burnell-Edwards Asylum Senior VFX Supervisor & Designer: Nathan McGuinness Asylum VFX Supervisor: David MV Jones Asylum Title Designers: Simon Cassels, Justin Blampied Asylum Exec FX Producers: Blondel Aidoo, Emma McGuinness Asylum VFX Producers: Lindsay Burnett, Darcie Tang, Jamie Stevenson Asylum CG Producer: Jeff Werner Asylum VFX Coordinator: Jimmy Batchelder Asylum Ass't FX Coordinator: Andy Foster Asylum VFX Editor: Kristopher Kasper Asylum Ass't FX Editor: Zachary Justman Asylum Head of Technology: Tommy Hooper NSS Creative Supervisor: Neal Scanlan NSS Manager: Kate Newett NSS Lead Sculptor & Animatronic Operator: Ivan Manzella NSS Sculptor: Andy Garner NSS Mechanical Supervisor: Vincent Abbott NSS Mechanical Designers: Terrence Jones, Steve Wright, James Jackson-Moore NSS Trainee Engineer: Samuel Nicholson NSS Hair & Fabrication Designers: Val Jones, Jeni Walker NSS Electronic Supervisor: Anton Boniface NSS Lead Animatronic Performer: Phill Woodfine NSS Animatronic Dept. Runner: Sara Whitehead Production SFX Supervisor: Tad Price SFX Coordinator (US): David Fletcher Production SFX Coordinator: Anthea Hodge SFX Set Foreman: Dan Oliver SFX Senior Techs: Lloyd Finnemore, Matt Ward, Thomas Van Koeverden SFX Senior Electrician: David James SFX Sr W/Shop Foreman: Shane Murphy SFX Workshop Manager: Dick Weight Vehicle Supervisor (Sydney): Darren Loveday Vehicle Supervisor (Outback): Geoffrey Naylor Aeroplane Supervisor: Peter Owens Unit Manager: Simon Lucas Unit Logistics Manager: Brad Roberts Unit Logistics Assistant: Ronnie Gladman 2nd Unit Director: Peter Bloomfield 2nd Unit DoP: Geoff Wharton 2nd Unit Production Manager: Tiare Tomaszewski 2nd Unit Production Coordinator: Dan Read 2nd Unit 1st Ass't Director: Keith Heygate 2nd Unit 2nd Ass't Director: Naomi Enfield 2nd Unit 3rd Ass't Director: Sophie Stawaruk 2nd Unit Art Director: Ian Allen 2nd Unit A-Camera Focus Puller: Chris Taylor 2nd Unit B-Camera Operator: Richard Bradshaw 2nd Unit B-Camera Focus Puller: Dugal Campbell 2nd Unit A-Camera Clapper Loader: Grant Wilson 2nd Unit B-Cam Clapper Loader: Paul Shakeshaft 2nd Unit Gaffer: Peter Bushby 2nd Unit Sound Recordist: Gretchen Thornburn Unit Manager (2nd Unit; Outback): Kim Gladman Unit Manager (2nd Unit; Sydney): Will Matthews Ass't Unit Manager (2nd Unit; Outback): Andrew Hayes Ass't Unit Manager (2nd Unit; Sydney): Grayden Le Breton Aerial Unit DoP: Steve Koster Aerial Unit 1st Ass't Director: Simon Warnock Aerial Unit SpaceCam Technician: Andy Sych Aerial Unit Helicopter Pilot: Terry Lee Aerial Unit Stearman Pilot: Chris Sperou Home Video Colorist: Stefan Sonnenfeld ASC Filming Dates: 15 March 2001 - June 2001, 2002 (Reshoots) Cameras: Arriflex 35-III, 435, Panaflex XL, Platinum & VistaVision (35mm Eastman EXR 50D 5245/Kodak Vision 250D 5246/500T 5279) Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects) Budget: 60 Million USD Budget AFI (2022): 91.6 Million USD Titles & Additional Visual Effects Designed by: Skip Films & Asylum Visual Effects & Animation Provided by: The Secret Lab Animatronic Characters Produced by: Neal Scanlan Studio Shot on: Kodak Motion Picture Film Printed on: 35mm Fujifilm Home Video Master Provided by: Company 3 Attribute: Filmed in Panavision

Director: Gore Verbinski Co-Writers: Ted Elliott, Terry Rossio Screen Story Writers: Stuart Beattie, Jay Wolpert Producer: Jerry Bruckheimer Executive Producers: Mike Stenson, Chad Oman Exec Producer/Unit Prod Manager/2nd Unit Dir: Bruce Hendricks Exec Producer/Unit Prod Manager: Paul Deason Cinematographer: Dariusz Wolski ASC VFX Cinematographers (Miniatures Unit; ILM): Carl Miller, Patrick Sweeney Production Designer: Brian Morris Film Editors: Craig Wood ACE, Stephen E. Rivkin ACE, Arthur Schmidt Costume Designer: Penny Rose Production VFX Supervisor/ILM Miniature Unit Director: John Knoll Composer: Klaus Badelt Composers (Add'l Music): Ramin Djawadi, James Dooley, James McKee Smith, Nick Glennie-Smith, Geoff Zanelli, Steve Jablonsky Composer (Add'l Music)/Orchestra Conductor: Blake Neely Composer (Unused Music): Alan Silvestri Music Designer & Arranger: Mel Wesson Music Supervisor: Bob Badami 1st Assistant Director: Peter Roth Key 2nd Ass't Director: Frederic Roth 2nd Assistant Director: Susan J. Hellmann Associate Producer: Pat Sandston ILM Senior VFX Producer: Jill Brooks ILM Senior Animation Supervisor: Hal Hickel Stunt Coordinator: George Marshall Ruge Aerial Unit Helicopter Pilot: David Paris Unit Prod Manager (Caribbean Unit; St. Vincent & The Grenadines)/Prod Supervisor: Douglas C. Merrifield Production Coordinator: Zoila Gomez Ass't Production Coordinator: Robert Mazaraki 2nd 2nd Ass't Director: Andrew M. Ward Supervising Art Director: Derek R. Hill Art Directors: Donald B. Woodruff, James E. Tocci Ass't Art Director: Robert Woodruff Set Designers: Mark Hitchler, Domenic Silvestri Junior Set Designer: Gene Darnell Consultant: Jim Byrkit Creature Concept Designer: Crash McCreery Executive in Charge of Production: Kristie Anne Reid Location Manager: Larry Ring Key Ass't Loc Manager: Tom Hogan Ass't Location Manager: Eric Sean Persons Production SFX Accountant: Edward Pannozzo Production Accountant (UK): Tony Miller Add'l Cinematographer: Patrick Loungway A-Camera Operator: Martin Schaer B-Camera/Steadicam Operators: David Luckenbach, Chris Haarhoff 1st Assistant A-Camera: Trevor Loomis 1st Assistant B-Camera: Thomas Lappin 2nd Assistant A-Camera: Christopher Garcia 2nd Assistant B-Camera: Steven Wolfe 2nd Assistant Steadicam: Rodney Sandoval Aerial Unit DoP: David B. Nowell ASC Aerial Unit 1st Ass't A-Camera: Richard Brooks Burton Underwater Unit A-Camera Operator: Peter Zuccarini Underwater Unit 1st Ass't A-Cam: Peter Manno Underwater Unit 2nd Ass't A-Cam: Brad Peterman Libra Head Techs: John Bonnin, Brian Musseter Camera Technician: Daryl Hamberton Associate Costume Designer: TJ Norster Makeup FX Creator: Keith Vanderlain Makeup FX Consultant: Greg Cannom Makeup FX Supervisor: Brian Sipe Makeup FX Prod Supervisor: Mary Kim Makeup FX Prod Coordinators: Sharon Kelly-Russo, Kenneth Grassi Chief Lighting Technician: Rafael Sanchez Rigging Gaffer: Rodger Meilink Post-Production Supervisor: Tami R. Goldman Production VFX Editor: Wesley Sewell 1st Ass't AVID Editor: Simon Morgan 2nd Ass't AVID Editor: Christopher S. Capp 3rd Ass't AVID Editor: Dana E. Glauberman ACE 1st Ass't Film Editor: Kindra Marra 1st Apprentice Editor: Lara Grant Production SFX Coordinator: Terry Frazee Ass't FX Coordinator: Donald E. Frazee Production SFX Foremen: Eugene Crum, Gary Monak SFX Coordinator (Add'l Special Effects): Danny Cangemi SFX Foremen (Add'l Special Effects): James Nagle SFX Technicians (Add'l Special Effects): Ray Wilkerson, Robert M. Bell, Jim Jolley Supervising Sound Editor & Designer/Re-Recording Mixer: Christopher Boyes Supervising Sound Editor: George Watters II Supervising Music Editor: Christopher Brooks Music Editors: Ken Karman, Jeanette Surga Ass't Music Editor: Daniel Pinder Apprentice Music Editor: Melissa Muik Supervising Foley Editor: Victoria Martin Prop Master: Charles M. Stewart Ass't Prop Masters: Selma Kora, Ernest H. Lauterio Set Decorator: Larry Dias Ass't Set Decorator: Teresa Visinare Set Dec Coordinator: Monica Frommholz Technical Advisor: Peter Twist ILM CG Supervisor: Patrick T. Myers ILM Digital Comp Supervisor: Tami Carter ILM Art Director: Aaron McBride ILM CG Model Supervisor: Geoff Campbell ILM Cloth Simulation Supervisor: James Tooley ILM CG Sequence Supervisors: Russell Earl, Neil Herzinger ILM Physical Model Supervisor: Charlie Bailey ILM Lead CG View Painter: Steve Walton ILM Lead Technical Director: Tom Fejes ILM CG Animators: Paul Kavanagh, Jakub Pistecky ILM Lead Digital Compositor: Michael Conte ILM Lead Sabre Artists: Grady Cofer, Chad Taylor ILM Sabre Artists: Sebastien Moreau, Rita Zimmerman ILM Creature Development Lead: Dugan Beach ILM Lead Digital Cloth Simulation Artists: Michael Balog, Jean-Luis, Sanchez ILM Digital Matte Supervisor: Jonathan Harb ILM Digital Matte Artists: Giles Hancock, Yanick Dusseault, Brett Northcutt ILM 3D Matchmove Lead: Jason Snell IL 3D Matchmove Artist: Duncan Blackman ILM Digital Roto & Paint Supervisor: Jack Mongovan ILM VFX Coordinators: Leigh Ann Fan, Paula Nederman ILM VFX Editor: Nic Anastassiou ILM Digital Timing Supervisor: Kenneth Smith ILM Concept Illustrators: Wayne Lo, Brian O'Connell ILM Production Assistants: Robyn Hudson, Jill Hughes, Amber Kirsch ILM Practical FX Supervisor (Miniatures Unit): Geoffrey Heron ILM Stage Production Managers (Miniatures Unit): Mark Anderson, Monique Gougeon Di Como ILM Miniatures Unit A-Cam Ass't: Michael Beinstock ILM Miniatures Unit B-Cam Ass't: David Janssen ILM Miniatures Unit Gaffers: Thomas Clouthier, Michael Olague ILM Miniatures Unit Key Grips: William Barr, Rod Janusch ILM Lead EFX Technician: Robert Clot ILM Ass't VFX Editor: Anthony Lucero ILM Production Accountant: Mark Ostroff ILM Scanning Operators: George Gambetta, Darren Jones ILM Mocap Lead: Doug Griffin ILM Executive VFX Producer: Gail Currey Production VFX Consultant: Charles Gibson Boy Wonder VFX Supervisor: Tim Landry Boy Wonder Comp Supervisor: Mario Pabon Boy Wonder VFX Producer: Dennis Hoffman Boy Wonder VFX Compositor: Chris Biggs Boy Wonder VFX Editor: Kenton Hume CIS VFX Supervisor: Bryan Hirota CIS VFX Producer: Kim Boyle CIS DFX Supervisor: Gregory D. Liegey CIS VFX Compositors: Patrick Kavanagh, Marc Nanjo, Bob Lyss CIS Lead CG Artist: Diana Miao CIS CG Artists: Chris Ryan, John Casella Digiscope Executive VFX Producer: Mary Stuart Welch Digiscope VFX Producer: Laurel Schulman Digiscope Comp Supervisor: Adam Stark Digiscope Digital Timing Supervisor: Greg Creaser GMFX VFX Supervisor: Gray Marshall ASC GMFX VFX Producer: Gayle Reznik GMFX Digital VFX Supervisor: Jammie Friday GMFX VFX Compositor: David Fogg GMFX Roto Artist: George Rowles PTAS VFX Supervisor: David Sosalla PTAS Executive VFX Producer: Joe Gareri PTAS VFX Compositors: Patrick Phillips, Bob Wiatr PTAS Digital VFX Coordinator: James D. Tittle BUF VFX Producer: Valerie Delahaye Score Producer/Music Programmer: Hans Zimmer Supervising Orchestrator: Bruce Fowler Orchestrator: Conrad Pope Orchestra Recordist/Score Mixer: Alan Meyerson Orchestra Recordists: Malcom Luker, Mike Farrow Score Mixer & Add'l Music Recordist: Slamm Andrews Add'l Music Recordists: Tom Vedvik, Mark Wherry Choir Conductors: Nick Ingman, Rick Wentworth Choir Contractor: Isobel Griffiths Choir Recordists: Geoff Foster, Nick Wollage Title Designers: Robert Dawson, Justin Blampied CO3 Senior Finishing Colorist: Stefan Sonnenfeld ASC CO3 DI Finishing Producer: Missy Papageorge CO3 Post-Production Video TD: Mike Chiado Technique Digital Film Colorist: Stephen Nakamura Technique DI Finishing Producer: Chris Holt Technique Imaging Supervisor: Chris Kutcka Technique Add'l Digital Film Colorist: Tony Dustin Technique Digital Preview Timer: Mike Sowa ASC Technique Digital Color Assistant: Jada Budrick Technique Digital Asset Supervisor: Brian Shows Technique DI Exec Finishing Producer: Tim Belcher Prod Supervisor (Caribbean Unit; St. Vincent & The Grenadines): Thomas C. Hayslip Art Director (Caribbean Unit; St. Vincent & The Grenadines): William Skinner 2nd 2nd AD (Caribbean Unit; St. Vincent & The Grenadines): Steven F. Beaupre Add'l 2nd AD (Caribbean Unit; St. Vincent & The Grenadines): Lisa Mantoux Ass't Prod Coord (Caribbean Unit; St. Vincent & The Grenadines): Anne E. Cabral Set Designer (Caribbean Unit; St. Vincent & The Grenadines): William Talliferro Loc Manager (Caribbean Unit; St. Vincent & The Grenadines): Alex Gladstone Ass't Loc Managers (Caribbean Unit; St. Vincent & The Grenadines): Brooke Brunson, Richard Roberts Locations Ass't (Caribbean Unit; St. Vincent & The Grenadines): Franklyn Speed Quow 2nd Unit Director/Director of Photography: Alexander Witt ASC 2nd Unit DoP: Mitchell Amundsen 2nd Unit 1st Ass't Directors: Darin Rivetti, Gary Romolo Fiorelli 2nd Unit 2nd Ass't Director: Paul Schneider 2nd Unit A-Camera Operator: Ken Fisher 2nd Unit 1st Ass't A-Camera: Brett S. Peters 2nd Unit 1st Ass't B-Camera: Michael Klimchak 2nd Unit 2nd Ass't A-Camera: John Stradling 2nd Unit 2nd Ass't B-Camera: Eric Amundsen 2nd Unit 2nd Ass't C-Camera: Jeff Griffith 2nd Unit 2nd Ass't D-Camera: Robert Settlemire Special Thanks: Harry Humphries, John Frazier Filming Dates: 9 October 2002 - 7 March 2003 Cameras: Arriflex 435, Panaflex Lightweight, Millennium & Platinum (35mm Eastman 50D 5245/Kodak Vision 320T 5277) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (4-Perf Common-Top Super 35mm) Budget: 140 Million USD Budget AFI (2022): 213.9 Million USD Printed on: Kodak Vision 2383 & Vision Premier 2393 Special Visual Effects & Animation Provided by: Industrial Light & Magic Additional Visual Effects Provided by: Boy Wonder, CIS Hollywood, Digiscope, Gray Matter FX + Pacific Title & Arts Studio Score Mixed at: Media Ventures, Santa Monica, CA Choir Recorded at: Air Lyndhurst Studios, London Main Titles Designed by: Asylum Digital Intermediate Finishing & Opticals Provided by: Company 3 & Technique Shot on: Kodak Motion Picture Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed with Panavision Cameras and Lenses

Director: Joel Schumacher Composer: Harry Gregson-Williams Costume Designer: Joan Bergin Film Editor: David Gamble ACE Production Designer: Nathan Crowley Cinematographer: Brandan Galvin Exec Producers: Mike Stenson, Chad Oman Producer: Jerry Bruckheimer Co-Writer: Carol Doyle Screenwriter: Mary Agnes Donoghue Unit Production Manager: Seamus McInerney 1st Assistant Director: Tommy Gormley 2nd Assistant Director: Karen Richards Assoc. Producers: Morgan O. Sullivan, Jim Flynn, Paul Tucker Co-Associate Producer: Pat Sandston Assoc. Producer/2nd Unit Director: Eli Richbourg Stunt Coordinator: Philippe Zone Exec in Charge of Production: Kristie Anne Reed Supervising Art Director: Patrick Lumb Set Decorator: Paki Smith Art Director: Julie Ochipinti Set Designers: Gary McGinty, Brendan Rankin Standby Art Director: Colman Corish Art Dept. Coordinator: Sandra Campbell Art Dept. Assistant: Elaine Chapman Art Dept. Trainee: Elaine Vaughan A-Camera Operator: Des Whelan ACO A Camera Focus Puller: John Conroy ASC ISC B Camera Focus Puller: Alan Butler A Camera Clapper Loader: Philip McKeon B-Camera Clapper Loader: Sarah Frances A-Camera Trainee: Jessica Drum Consultant: Mike Sager Production Secretary: Wynn Peterson Supervising Location Manager: Cara Gavigan Location Dept. Coordinator: Niamh Clancey Add'l Film Editor: Fabienne Rawley Post-Production Coordinator: Tami R. Goldman Post-Prod Coordinator (UK): Alison Odell 1st Assistant Editor: Matthew Tucker 2nd Assistant Editor: Sinead McGoldrick 3rd Assistant Editor: Anna Marie O'Flanagan Post-Production Assistant: Dana Suman Post-Prod Assistants (UK): Sophie Tucker, Oliver Grigsby Supervising Music Editor: Marc Streitenfeld Music Editor: Sophie Corner Supervising Sound Editor: John Downer Gaffer: Michael McDermott Rigging Gaffer: Noel Cullen Key Grip: Johnny Murphy Grip: Aidan Griffin Supervising Prop Master: Paul Hedges Lead Prop Supervisor: Tony Nicholson Production SFX Supervisor: Kevin Byrne Production Accountant: Neil Chaplin Ass't Post-Prod Accountant: Lyndy Rist Production Coordinator: Maria Collins Ass't Prod Coordinator: Dorothy McDonnell Armourer: John McKenna Video Playback Operator: Bill Dowling 2nd 2nd Ass't Director: Raymond Kirk 3rd Assistant Director: Aiofe Thunder Action Vehicle Coordinator: Karl Moore-Lewy Camera Truck Driver: Colin Murphy Music Supervisor: Maggie Rodford Electronic Violinist: Hugh Marsh Featured Vocalist: Brian O'Donnell Music Contractor: Isobel Griffiths Add'l Researcher: Emily O'Reilly 2nd Unit Director: Jeremy Garelick 2nd Unit DoP: Sean Corcoran 2nd Unit 1st Ass't Director: Luke Johnston 2nd Unit 2nd Ass't Director: Therese Friel 2nd Unit 2nd 2nd Ass't Dir: Marcus Lynch 2nd Unit 3rd Ass't Director: Sean Griffin 2nd Unit Trainee Ass't Dir: Jonathan Snaw 2nd Unit Focus Puller: David Grennan 2nd Unit Clapper Loader: Conor Crowley 2nd Unit A-Camera Grip: Malcolm Hues 2nd Unit B-Camera Grip: John Connon 2nd Unit Location Manager: Clodagh Tierney 2nd Unit Locations Ass't: Lorcan Berney 2nd Unit Helicopter Pilot: John O'Sullivan 2nd Unit Aerial DoP: Adam Dale 2nd Unit Aerial Technician: Glynn Williams 2nd Unit Camera Truck Driver: Dracey Jobbins 2nd Unit Rigger: Alan O'Toole Mill Senior VFX Supervisor: Steve Murgatroyd Mill VFX Shoot Supervisor: Simon Stanley Clamp Mill Senior VFX Producer: Lorea Hoye Mill Senior VFX Editor: Lars Vinther Mill FX Compositors: Ian Plumb, David Bowman, Grant Connor Mill Digital VFX Preparationists: Guy Elson, Craig Rowe, Giacomo Bargellesi Mill Moco Unit VFX Shoot Producer: Rob Delicata Mill Moco Unit VFX A-Cameraman/DoP: Malcolm Woodridge Mill Moco Unit VFX 1st AD: Dave Pearson Mill Moco Unit VFX B-Camera Op: Jay Mallet Special Thanks: Kathy Nelson Senior Finishing Colorist (2019 Remaster): Stefan Sonnenfeld ASC Filming Dates: 3 March 2002 - June 2002 Camera: Arriflex 435 & Panaflex Platinum (35mm Kodak Vision 250D 5246, 320T 5277 & 500T 5279) Lenses: Panavision Primo Spherical Primes AR: 2.35:1 (4-Perf Super 35mm) Budget: 17 Million USD Budget AFI (2022): 26.2 Million USD Music Score Recorded at: Abbey Road Studios, London Visual Effects Provided by: The Mill Shot on: Kodak Motion Picture Film Distributed by: Walt Disney Studios Motion Pictures 2019 Remaster Provided by: Company 3 Attribute: Filmed in Panavision

Director/C-Cam Op/Exec Soundtrack Producer: Michael Bay Costume Designers: Deborah Lynn Scott, Carol Ramsey Music Supervisors: Kathy Nelson, Bob Badami Score Composer: Trevor Rabin Add'l Score Composer: Steve Jablonsky Add'l Soundtrack Composer: Andre "Dr. Dre" Young Executive Music Consultant: Sean "P. Diddy" Combs Film Editors: Roger Barton ACE, Mark Goldblatt ACE, Thomas Muldoon Production Designer: Dominic Watkins Cinematographer: Amir Mokri Executive Producers: Mike Stenson, Chad Oman Executive Producer/Unit Production Manager: Barry H. Waldman Producer/Executive Soundtrack Producer: Jerry Bruckheimer Co-Writer: Ron Shelton Screenwriter: Jerry Stahl Unit Production Manager: John H. Starke Key 1st Ass't Director: John G. Scotti 1st Assistant Director: Julian Well Key 2nd Ass't Director: Douglas Plasse 2nd Assistant Director: Joseph E. Lotito Associate Producers: Pat Sandston, Don Ferrarone, Matthew Cohan Production VFX Supervisors: Robert Legato ASC, Carey Grant Villegas Stunt Coordinators: Andy Gill, Steve Picerni Stunts: Charlie Picerni, Steven Ritzi Aerial Unit Coordinator: Alan Purwin Art Director: Brad Ricker Set Decorator: Jennifer Williams A-Camera/Steadicam Operator: David Emmerichs SOC B-Camera Operator: Philippe Carr-Forster C-Camera Operator: Igor Meglic ZFS Doggicam Operator: Frank Buono 1st Assistant A-Camera: John Grillo Aerial Unit DoP: David B. Nowell ASC Underwater Unit DoP: Pete Romano ASC Chief Lighting Technician: Joseph Warren Ass't Chief Lighting Technician: Chris Warren Production SFX Supervisor: John Frazier Production SFX Coordinators: Dan Cangemi, Jim Schwalm Production Supervisor: Trevor Waterson Visual Consultant/Storyboard Artist/2nd Unit Director: Robert Consing Set Designer: Gina Cranham Add'l Film Editor: Jason Hellmann Supervising Sound Mixers: Kevin O'Connell, Greg P. Russell Stunt Advisor/2nd Unit Director/Stunt Coordinator: Spiro Razatos 2nd Unit DoP: Mitchell Amundsen ASC SOC 2nd Unit Add'l DoP: David Golia 2nd Unit 1st Ass't Director: Darin Rivetti 2nd Unit 2nd Ass't Director: Basil Bryant Grillo 2nd Unit Gaffer: Michael Walsh Puerto Rico Unit Art Director: Richard Fojo SPI VFX Producer: David Taritero SPI VFX Executive Producer: Jenny Fulle SPI CG Supervisor: Layne Friedman SPI VFX Production Coordinator: Elizabeth Hitt SPI Interactive Comp. Production Manager: Dawn Guinta SPI VFX Editor: Allen Cappuccilli SPI VFX Production Assistant: Chris Antonini SPI VFX Plate Producer: Cari Thomas Digital Backlot Digital Matte Painter: Robert Stromberg Asylum Senior VFX Supervisor: Nathan McGuinness Asylum VFX Supervisor: David Jones Asylum Executive VFX Producers: Emma McGuinness, Blondel Aidoo Asylum VFX Compositors: Joe Ken, Joel Behrens Supervising Digital Colorist: Stefan Sonnenfeld ASC Ass't Colorists: Mark Todd Osborne, Shane Harris Finishing Producers: Missy Papageorge, Thatcher Peterson, Steve Mora DI Post Supervisor: Erik Rogers Digital On-Line Editor: John Scheer Filming Dates: 22 July 2002 - December 2002 Cameras: Arriflex 435 ES, Bell & Howell Eyemo, Cine SL 35, Panaflex XL, GII & Platinum (35mm Kodak Vision 250D 5246/500T 5279) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (3-Perf/4-Perf Super 35mm) Budget: 130 Million USD Budget AFI (2022): 196.3 Million USD Printed on: Kodak Vision 2383 & Vision Premier 2393 Special Visual Effects & Animation Provided by: Sony Pictures Imageworks Additional Visual Effects Services Provided by: Digital Backlot Main Titles & Additional Visual Effects Designed by: Asylum Digital Intermediate Finishing Provided By: Company 3 Attribute: Filmed with Panavision Cameras and Lenses