Audience award of Dinard British Film Festival goes to Charlie Cattrall’s Titus.
Clio Barnard’s The Selfish Giant has won the Golden Hitchcock Award at the 24th edition of the Dinard British Film Festival in Brittany, France.
The prize comes with distribution support. The film also won the Cine+ Award, to promote the film during its theatrical release in France, as well as the Heartbeat Award “Le Prix Coup de Coeur” for a film with French distribution to get a special boost in Western France.
In addition, the film won the Technicolor Award for Best Cinematography.
Chris Coghill won Best Screenplay for Mat Whitecross’ Spike Island.
A special mention was given to a trio of actors — Nora Tschirner, Rob Knighton and Madeline Duggan — for Everyone Is Going To Die.
The jury included Alice Eve, Toby Jones, Michael Smiley, David Parfitt, Eric Cantona, Natalie Carter, Fred Cavayé, Hippolyte Girardot and Amanda Sthers.
Dinard opened...
Clio Barnard’s The Selfish Giant has won the Golden Hitchcock Award at the 24th edition of the Dinard British Film Festival in Brittany, France.
The prize comes with distribution support. The film also won the Cine+ Award, to promote the film during its theatrical release in France, as well as the Heartbeat Award “Le Prix Coup de Coeur” for a film with French distribution to get a special boost in Western France.
In addition, the film won the Technicolor Award for Best Cinematography.
Chris Coghill won Best Screenplay for Mat Whitecross’ Spike Island.
A special mention was given to a trio of actors — Nora Tschirner, Rob Knighton and Madeline Duggan — for Everyone Is Going To Die.
The jury included Alice Eve, Toby Jones, Michael Smiley, David Parfitt, Eric Cantona, Natalie Carter, Fred Cavayé, Hippolyte Girardot and Amanda Sthers.
Dinard opened...
- 10/5/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Passion is ostensibly Brian de Palma's remake of a well-reviewed French thriller from a few years back, called Love Crime, directed by Alain Corneau, co-written by Natalie Carter, and starring Kristin Scott Thomas. But, much like Brian De Palma's semi-remake Scarface, and pretty much every film he's ever made, with Passion (starring Noomi Rapace and Rachel McAdams), he has little interest in actualizing source material in the way that audiences will find “faithful.” Fans of the original are likely to find none of what they found appealing in this interpretation – the original, like every screenplay he's built from in the past, just provides the frame for his cinematic obsessions, fetishes, worship of Hitchcock, and anarchic visual experimentation.
Read more...
Read more...
- 9/10/2013
- by Harrison Foster
- JustPressPlay.net
"Passion" is Brian De Palma's teasing, overripe remake of the forgettable French thriller "Love Crime." With its broadly drawn characters, erotic hints of homo- and heterosexual betrayal and lethal corporate intrigues, it's a competent take on material that may have seemed more current and scandalous in France (in 2010) than it does in America.
The hook here is that the corporate folks seducing, stealing credit from and back-stabbing each other are women.
Isabelle (Noomi Rapace) is a European ad exec who, with her provocatively dressed assistant (Karoline Herfurth), cooks up an account-saving cell phone campaign based on what the camera on that phone catches when a good-looking woman leaves it on in the back pocket of her tight jeans. Video of men spraining their necks as they turn around to check out the woman's bottom becomes a viral sensation.
But the moment this winning pitch is made, Isabelle's American boss...
The hook here is that the corporate folks seducing, stealing credit from and back-stabbing each other are women.
Isabelle (Noomi Rapace) is a European ad exec who, with her provocatively dressed assistant (Karoline Herfurth), cooks up an account-saving cell phone campaign based on what the camera on that phone catches when a good-looking woman leaves it on in the back pocket of her tight jeans. Video of men spraining their necks as they turn around to check out the woman's bottom becomes a viral sensation.
But the moment this winning pitch is made, Isabelle's American boss...
- 8/29/2013
- by editorial@zap2it.com
- Pop2it
Erotic thrills are assured in Brian de Palma's ('Carrie') upcoming thriller 'Passion'. Based on the French movie 'Crime d'amour', from Alain Corneau and Natalie Carter, IFC Films are set to roll out 'Passion' onto VOD from 1 August and follow up with a limited theatrical release on 30 August. And if you're in two minds as to whether you want to check out this latest offering from De Palma perhaps a double dose of on-screen hotness in the form of Rachel McAdams -below ('Mean Girls') and Noomi Rapace ('Prometheus') will change your mind. Or indeed the fact that the movie will contain some pleasingly risque scenes between the two beauties. Paul Anderson ('A Lonely Place to Die'), Karoline Herfurth ('Errors of the Human Body') and Rainer Bock also star....
- 7/3/2013
- Horror Asylum
Watch the trailer for Therese, also known as Thérèse Desqueyroux, starring Audrey Tautou, Gilles Lellouche and Anaïs Demoustier. Claude Miller directs as well as adapting the screenplay alongside Natalie Carter, based on the novel by François Mauriac. Mpi Media distributes the French drama which opens in select theaters from August 23rd, 2013. François Mauriac's legendary 1927 novel of French provincial life has been gloriously brought to the screen by the inestimable Claude Miller in his final film. Sumptuously photographed to capture the full beauty of the pine-forested Landes area...
- 7/1/2013
- Upcoming-Movies.com
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
IFC Films is in negotiations to acquire domestic distribution rights for the Brian De Palma-directed thriller Passion. The film, a remake of Alain Corneau's 2010 French noir Love Crime, features Noomi Rapace and Rachel McAdams at the center of of a steamy tale that chronicles professional and romantic jealousies at a Berlin ad agency. Video: Rachel McAdams talks Passion in THR's Toronto Video Lounge. Passion, which De Palma adapted from Corneau and Nathalie Carter's French-language screenplay, made its debut to buyers at the Toronto International Film Festival earlier this month on the heels of its premiere at the Venice
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- 9/24/2012
- by Tatiana Siegel
- The Hollywood Reporter - Movie News
Love Crime (Crime D’amour)
Directed by Alain Corneau
Screenplay by Alain Corneau and Nathalie Carter
France, 2010
When two people match wits and try to outmaneuver one-another in a bit of ill-intended one-upmanship, it’s often referred to as ‘cat and mouse.’ Love Crime, the odd film that is both unexpectedly (and perhaps unintentionally) hilarious and frightening at the same time, is rather a game of ‘cat and cat.’
The first cat is Christine (Kristin Scott Thomas). Tall, elegant, and with an ambitious killer instinct, Christine ruthlessly heads a global company at the expense of anyone in her path. Cat number two is Isabelle Guérin (Ludivine Sagnier). Christine’s right-hand-woman, Isabelle, is tightly wound (“Let your hair down,” Christine tells her), dedicated to Christine, and whip-smart.
Falling between them is Philippe (Patrick Mille), whose company holds accounts with Christine’s. Both women sleep with Philippe within the first fifteen minutes of Love Crime and,...
Directed by Alain Corneau
Screenplay by Alain Corneau and Nathalie Carter
France, 2010
When two people match wits and try to outmaneuver one-another in a bit of ill-intended one-upmanship, it’s often referred to as ‘cat and mouse.’ Love Crime, the odd film that is both unexpectedly (and perhaps unintentionally) hilarious and frightening at the same time, is rather a game of ‘cat and cat.’
The first cat is Christine (Kristin Scott Thomas). Tall, elegant, and with an ambitious killer instinct, Christine ruthlessly heads a global company at the expense of anyone in her path. Cat number two is Isabelle Guérin (Ludivine Sagnier). Christine’s right-hand-woman, Isabelle, is tightly wound (“Let your hair down,” Christine tells her), dedicated to Christine, and whip-smart.
Falling between them is Philippe (Patrick Mille), whose company holds accounts with Christine’s. Both women sleep with Philippe within the first fifteen minutes of Love Crime and,...
- 10/4/2011
- by Neal Dhand
- SoundOnSight
Alain Corneau’s final film, Love Crime, is a corporate crime thriller that explores the relationships of women in power, but while Corneau delivers a slick, well-acted piece with a surprising mid-movie twist, Love Crime is too thin and too on-point to deliver the jolt he and co-screenwriter Nathalie Carter most likely intended. Ludivine Sagnier stars as an ambitious businesswoman rapidly climbing the ladder under the tutelage of her boss, Kristin Scott Thomas. But when Sagnier realizes she’ll never move any higher so long as Thomas keeps taking credit for her ideas, she comes up with an illicit scheme ...
- 9/1/2011
- avclub.com
Title: Love Crime Directed By: Alain Corneau Written By: Alain Corneau, Nathalie Carter Cast: Ludivine Sagnier, Kristin Scott Thomas, Patrick Mille, Guillaume Marquet Screened at: Review 2, NYC, 8/16/11 Opens: September 2, 2011 Director Alain Corneau and co-scripter Nathalie Carter are dangerous people. Watch out. Their intricately plotted tale of love and skullduggery shows them to be capable of the perfect crime. Though Mr. Corneau died recently, I would guess that Nathalie Carter could likely work out a robbery, a kidnapping, a murder and assuredly get away with these felonies. That’s how credible and involving is this complex tale of love, sex, envy, and humiliation—all the things that make office...
- 8/17/2011
- by Brian Corder
- ShockYa
Writers: Alain Corneau (scenario, adaptation, dialogue), Nathalie Carter (scenario, adaptation, dialogue)
Director: Alain Corneau
Cast: Ludivine Sagnier, Kristin Scott Thomas, Patrick Mille, Guillaume Marquet
What does it mean to be a mentor to someone? What does it mean to have a mentor? This type of relationship can become a precarious balance with the mentor not wanting to help the person they are guiding to become more successful than themselves while the person being mentored could worry that, in becoming more successful, they appear ungrateful. Love Crime explores this volatile relationship between Isabelle (Ludivine Sagnier) and her mentor, Christine (Kristin Scott Thomas).
Read more on Laff 2011 Review: Love Crime...
Director: Alain Corneau
Cast: Ludivine Sagnier, Kristin Scott Thomas, Patrick Mille, Guillaume Marquet
What does it mean to be a mentor to someone? What does it mean to have a mentor? This type of relationship can become a precarious balance with the mentor not wanting to help the person they are guiding to become more successful than themselves while the person being mentored could worry that, in becoming more successful, they appear ungrateful. Love Crime explores this volatile relationship between Isabelle (Ludivine Sagnier) and her mentor, Christine (Kristin Scott Thomas).
Read more on Laff 2011 Review: Love Crime...
- 6/27/2011
- by Allison Loring
- GordonandtheWhale
Christopher Plummer and Ewan McGregor in Beginners It's hard to believe in less than a month I'll be making my trip to cover the Toronto International Film Festival (Tiff) for the first time. For some reason it seemed like the lead time I had for Cannes was much longer, but I guess when you're busy time simply flies. Today I have two more previews from films showing at the festival and they look to be a couple of films we may want to keep our eyes on.
First off, the pic above is one of three images I've added to the site for the Toronto International Film Festival entry Beginners starring Christopher Plummer, Ewan McGregor, Goran Visnjic and Melanie Laurent.
The story centers on the relationship between Oliver (McGregor) and his 71-year-old father (Plummer) who's just come out of the closet on top of telling him he has terminal cancer.
First off, the pic above is one of three images I've added to the site for the Toronto International Film Festival entry Beginners starring Christopher Plummer, Ewan McGregor, Goran Visnjic and Melanie Laurent.
The story centers on the relationship between Oliver (McGregor) and his 71-year-old father (Plummer) who's just come out of the closet on top of telling him he has terminal cancer.
- 8/12/2010
- by Brad Brevet
- Rope of Silicon
PARIS -- "2 Days in Paris" director, star and scribe Julie Delpy took home the UGS' second annual Jacques Prevert Prize for best original French screenplay Monday. Ronald Harwood earned the French screenwriters union's best adaptation prize for "The Diving Bell and the Butterfly," based on Dominique Bauby's autobiographical novel.
Delpy's hit comedy beat out fellow nominees Olivier Dahan for "La Vie en Rose", Abdellatif Kechiche for "The Secret of the Grain", Patrick Rotman and Florent Emilio Siri for "Intimate Enemies" and Gregoire Vigneron and Laurent Tirard for "Moliere".
Other nominees in the best adaptation category included Christina Carriere and Pascal Arnold for "Darling", Nathalie Carter and Claude Miller for "A Secret", Elisabeth Perceval for "The Human Question" and Marjane Satrapi and Vincent Paronnaud for "Persepolis".
French writer-director Daniele Thompson presided over the ceremony at Paris' Orangerie restaurant Monday afternoon.
Delpy's hit comedy beat out fellow nominees Olivier Dahan for "La Vie en Rose", Abdellatif Kechiche for "The Secret of the Grain", Patrick Rotman and Florent Emilio Siri for "Intimate Enemies" and Gregoire Vigneron and Laurent Tirard for "Moliere".
Other nominees in the best adaptation category included Christina Carriere and Pascal Arnold for "Darling", Nathalie Carter and Claude Miller for "A Secret", Elisabeth Perceval for "The Human Question" and Marjane Satrapi and Vincent Paronnaud for "Persepolis".
French writer-director Daniele Thompson presided over the ceremony at Paris' Orangerie restaurant Monday afternoon.
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