Jamie Nares and Thurston Moore holding up the hastily printed-out photos of the Harry Roskolenko chopped up death mask sculpture: “I called it The Poet Is A Book.” Photo: Anne-Katrin Titze
At the Ecstatic Peace Library Rock ’n’ Roll Round Table inside the Oak Room of The Algonquin on September 12, during the James Hamilton Linger On: Unseen Portraits of The Velvet Underground exhibition, music producer and 99 Records founder Ed Bahlman introduced me to Thurston Moore (co-founder with Eva Prinz of the Ecstatic Peace Library) and filmmaker/artist Jamie Nares (featured in Celine Danhier’s Blank City as James Nares).
Jamie Nares with Ed Bahlman and Anne-Katrin Titze on natural timing: “I’d say that the rhythm was the strongest characteristic of my guitar playing.”
In the first instalment with Jamie Nares we touch on Rome ’78, Pierpaolo Piccioli’s Valentino couture dress for Jamie, a party for Andy Warhol’s Athletes series,...
At the Ecstatic Peace Library Rock ’n’ Roll Round Table inside the Oak Room of The Algonquin on September 12, during the James Hamilton Linger On: Unseen Portraits of The Velvet Underground exhibition, music producer and 99 Records founder Ed Bahlman introduced me to Thurston Moore (co-founder with Eva Prinz of the Ecstatic Peace Library) and filmmaker/artist Jamie Nares (featured in Celine Danhier’s Blank City as James Nares).
Jamie Nares with Ed Bahlman and Anne-Katrin Titze on natural timing: “I’d say that the rhythm was the strongest characteristic of my guitar playing.”
In the first instalment with Jamie Nares we touch on Rome ’78, Pierpaolo Piccioli’s Valentino couture dress for Jamie, a party for Andy Warhol’s Athletes series,...
- 9/24/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Project Angel Food has signed a three-year deal with Ktla and City National Bank for its annual Lead With Love telethon. This year’s telethon will air on Ktla 5 at 7 p.m. Pt on July 23, with returning hosts Eric McCormack, Jessica Holmes, Loni Love and Alec Mapa.
Founded in 1989, Project Angel Food combats food insecurity in Los Angeles County by providing more than 1 million tailored meals each year to people in need. The two-hour telethon has raised 2 million for the organization since debuting in 2020, and previous telethons have featured performances from Kelly Clarkson, Annie Lennox and Gloria Estefan, as well as appearances from Elton John, Ringo Starr and Jamie Lee Curtis. This year’s special guests have yet to be announced, but the program promises to include live musical performances for the audience of Project Angel volunteers.
“While this year’s show promises to be our most entertaining yet, we...
Founded in 1989, Project Angel Food combats food insecurity in Los Angeles County by providing more than 1 million tailored meals each year to people in need. The two-hour telethon has raised 2 million for the organization since debuting in 2020, and previous telethons have featured performances from Kelly Clarkson, Annie Lennox and Gloria Estefan, as well as appearances from Elton John, Ringo Starr and Jamie Lee Curtis. This year’s special guests have yet to be announced, but the program promises to include live musical performances for the audience of Project Angel volunteers.
“While this year’s show promises to be our most entertaining yet, we...
- 4/14/2022
- by Sasha Urban and Marc Malkin
- Variety Film + TV
Celine Danhier with Joel Coen and Ethan Coen at the table behind us at The Odeon on the evolution of Blank City: "James Nares said 'Let me call Jim Jarmusch.' It was really like that. And then at the same time I had the music scenes and I interviewed Pat Place." Photo: Anne-Katrin Titze
Celine Danhier's all-hands-on-deck Blank City, edited to perfection by Vanessa Roworth, enters the world of the No Wave and Cinema of Transgression. We see and hear about the work of Bette Gordon, Casandra Stark Mele, Charlie Ahearn, Michael Oblowitz, Nick Zedd, Sara Driver, Susan Seidelman, Maripol, Patti Astor, Eric Mitchell, Beth B, Vivienne Dick, Vincent Gallo, John Lurie, Steve Buscemi, Jean-Michel Basquiat, Lizzie Borden, Amos Poe, John Waters, James Nares, Jim Jarmusch, Anders Grafstrom, Richard Kern, Ann Magnuson, James Chance, Lydia Lunch, Pat Place, Becky Johnston, Adele Bertei, Scott B, Tommy Turner, Tessa Hughes-Freeland, Kemra Pfahler,...
Celine Danhier's all-hands-on-deck Blank City, edited to perfection by Vanessa Roworth, enters the world of the No Wave and Cinema of Transgression. We see and hear about the work of Bette Gordon, Casandra Stark Mele, Charlie Ahearn, Michael Oblowitz, Nick Zedd, Sara Driver, Susan Seidelman, Maripol, Patti Astor, Eric Mitchell, Beth B, Vivienne Dick, Vincent Gallo, John Lurie, Steve Buscemi, Jean-Michel Basquiat, Lizzie Borden, Amos Poe, John Waters, James Nares, Jim Jarmusch, Anders Grafstrom, Richard Kern, Ann Magnuson, James Chance, Lydia Lunch, Pat Place, Becky Johnston, Adele Bertei, Scott B, Tommy Turner, Tessa Hughes-Freeland, Kemra Pfahler,...
- 4/24/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
New York City has a rich history of short-lived, unorthodox screening venues and societies that have buoyed the underground film movement along from its beginning. For some examples, in the 1960s, there was Jonas Mekas‘s Film-makers’ Cinematheque; while the late ’70s had Eric Mitchell and James Nares’s New Cinema.
In 1998, Brian L. Frye was a transplant from San Francisco looking to open a new microcinema in NYC, having been inspired by Craig Baldwin‘s Other Cinema at Artists Television Access and David Sherman and Rebecca Barten’s Total Mobile Home. Despite not having a venue to call his own, Frye came to an agreement with the alternative performance space Collective Unconscious at 145 Ludlow Street in the Lower East Side to screen films on Tuesday nights at 9 p.m. (Collective Unconscious formed in 1993 originally at 28 Avenue B, until a fire a year later forced them to relocate to Ludlow Street.
In 1998, Brian L. Frye was a transplant from San Francisco looking to open a new microcinema in NYC, having been inspired by Craig Baldwin‘s Other Cinema at Artists Television Access and David Sherman and Rebecca Barten’s Total Mobile Home. Despite not having a venue to call his own, Frye came to an agreement with the alternative performance space Collective Unconscious at 145 Ludlow Street in the Lower East Side to screen films on Tuesday nights at 9 p.m. (Collective Unconscious formed in 1993 originally at 28 Avenue B, until a fire a year later forced them to relocate to Ludlow Street.
- 1/28/2018
- by Mike Everleth
- Underground Film Journal
She Had Her Gun All Ready By Vivienne Dick (1978).
This is the second film by Vivienne Dick and the first one that included a plot and actresses playing roles. Her first film was Guerillere Talks (1978), a collection of filmed portraits of female punk musicians, including Lydia Lunch and Pat Place, both of whom star in She Had Her Gun All Ready.
The film was shot on Super 8mm and screened at the New Cinema, a short-lived storefront theater on St. Mark’s Place in New York City’s Lower East Side. The film is considered part of the “No Wave” film movement that included Eric Mitchell, James Nares, Amos Poe and Beth and Scott B. “No Wave” was the cinematic extension of NYC’s downtown punk music scene.
Although the official title appears to be She Had Her Gun All Ready, the title in the actual film — handwritten in a...
This is the second film by Vivienne Dick and the first one that included a plot and actresses playing roles. Her first film was Guerillere Talks (1978), a collection of filmed portraits of female punk musicians, including Lydia Lunch and Pat Place, both of whom star in She Had Her Gun All Ready.
The film was shot on Super 8mm and screened at the New Cinema, a short-lived storefront theater on St. Mark’s Place in New York City’s Lower East Side. The film is considered part of the “No Wave” film movement that included Eric Mitchell, James Nares, Amos Poe and Beth and Scott B. “No Wave” was the cinematic extension of NYC’s downtown punk music scene.
Although the official title appears to be She Had Her Gun All Ready, the title in the actual film — handwritten in a...
- 12/26/2017
- by Mike Everleth
- Underground Film Journal
Magnolia Pictures announced today that they have acquired North American rights to Boom For Real The Late Teenage Years Of Jean-michel Basquiat, director Sara Driver’s (When Pigs Fly, Sleepwalk) love letter to New York City’s past through the eyes of people who knew the renowned artist.
The film, which world-premiered at this year’s Toronto International Film Festival to critical acclaim, will next screen at the 55Th New York Film Festival, presented by the Film Society of Lincoln Center.
Magnolia plans a 2018 theatrical release.
Boom For Real The Late Teenage Years Of Jean-michel Basquiat follows Basquiat’s life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never before seen works, writings and photographs, Driver worked closely and collaboratively with her friends and other artists who emerged from that scene: Nan Goldin, Jim Jarmusch, James Nares,...
The film, which world-premiered at this year’s Toronto International Film Festival to critical acclaim, will next screen at the 55Th New York Film Festival, presented by the Film Society of Lincoln Center.
Magnolia plans a 2018 theatrical release.
Boom For Real The Late Teenage Years Of Jean-michel Basquiat follows Basquiat’s life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never before seen works, writings and photographs, Driver worked closely and collaboratively with her friends and other artists who emerged from that scene: Nan Goldin, Jim Jarmusch, James Nares,...
- 10/5/2017
- by Michelle Hannett
- WeAreMovieGeeks.com
Exclusive: Sara Driver’s documentary Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat, offers insight into the artist and New York native’s formative years. The docu is having its world premiere today at the Toronto Film Festival. Driver, a close friend to Basquiat and part of art scene of the 1970s and ’80s, worked with other artists who emerged from that scene like Nan Goldin, Jim Jarmusch, James Nares, Fab Five Freddy, Lee Quinones, and Luc Sante. She…...
- 9/8/2017
- Deadline
Jon Favreau’s Chef and Alan Hicks‘ Keep on Keepin’ On have won the Heineken Audience Awards, for best narrative film and best documentary respectively, at the 2014 Tribeca Film Festival. Radius TWC acquired worldwide rights to Keepin’ On on Saturday, and Hicks also won the festival’s jury award for best new documentary director, which was announced Thursday. Each of the audience awards comes with a cash prize of $25,000. Additionally as part of the Tribeca Film Festival Artists Awards program sponsored by Chanel, Favreau received the painting Untitled by James Nares and Hicks received Iguaca by Alexis Rockman. Favreau said
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- 4/27/2014
- by Gregg Kilday
- The Hollywood Reporter - Movie News
Zero Motivation, a dark comedy about the lives of Israeli female soldiers, was named the top film at the 13th Tribeca Film Festival. Writer/director Tayla Lavie accepted the Founders Award for Best Narrative Feature, as well as the Nora Ephron Prize, which goes to the female filmmaker who best embodies Ephron’s spirit and vision. “In her unique and ambitious first feature, deftly handled such difficult themes as the military, sexism, love, ambition, and friendship,” the jury noted. “This filmmaker also pulled off the awesome feat of managing multiple characters and storylines. In what was definitely the most hilarious...
- 4/25/2014
- by Jeff Labrecque
- EW - Inside Movies
The following article originally ran in Spring 2013, when Street was on display at the Metropolitan Museum of Art in New York City. It is republished here to coincide with it playing as part of New Frontier at the 2014 Sundance Film Festival. In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn […]...
- 1/18/2014
- by Paul Dallas
- Filmmaker Magazine - Blog
The following article originally ran in Spring 2013, when Street was on display at the Metropolitan Museum of Art in New York City. It is republished here to coincide with it playing as part of New Frontier at the 2014 Sundance Film Festival. In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn […]...
- 1/18/2014
- by Paul Dallas
- Filmmaker Magazine-Director Interviews
I honestly had very little to go one when I added A.J. Edwards’ The Better Angels to my predictions list and the fact that it has been included among the New Frontier offerings means that we’re in for something out of the ordinary, as the section has often challenged conventional form. Produced by Terrence Malick, and filmed in B&W, it features Jason Clarke, Diane Kruger, Brit Marling, Wes Bentley and a newbie actor taking on the role of a young Lincoln. Here is the entire listing of five (plus installation projects), which will include Joseph Gordon-Levitt’s on-going Hit Record project.
The Better Angels / U.S.A. (Director and screenwriter: A.J. Edwards) — Set in the harsh wilderness of Indiana, this is the story of Abraham Lincoln’s youth. It tells of the hardships that shaped him, the tragedy that marked him forever, and the two women who guided him to immortality.
The Better Angels / U.S.A. (Director and screenwriter: A.J. Edwards) — Set in the harsh wilderness of Indiana, this is the story of Abraham Lincoln’s youth. It tells of the hardships that shaped him, the tragedy that marked him forever, and the two women who guided him to immortality.
- 12/5/2013
- by Eric Lavallee
- IONCINEMA.com
When Sundance announced the films in competition for the 2014 festival yesterday, its organizers noted that they were impressed by the caliber of cinematic artistry — mostly due to technology — that freed up filmmakers to experiment with different genres. No category of the festival is more rooted in genre than Park City at Midnight, the late-night section that specializes in horror and the supernatural, and this year’s slate has several potential breakouts. “The Midnight lineup came together in a way that is about the strongest group we’ve ever had, top to bottom,” says Trevor Groth, Sundance’s director of programming.
- 12/5/2013
- by Jeff Labrecque
- EW - Inside Movies
Sundance Institute executives announced on December 5 that the festival will feature new work from artist Doug Aitken as well as Klip Collective’s external projections on the Egyptian Theatre.
An expanded New Frontier will showcase installations, performance, transmedia and panel discussion section. Most of the installations will be housed at a new, 5,000-square-foot location at the Gateway in Park City adjacent to Main Street.
Doug Aitken’s The Source (Evolving) will occur at a nearby location along Main Street.
“As human and machine, biological and media experiences blur and hybridise, the distinctions between them are also becoming irrelevant,” said curator of the exhibition and Sundance Film Festival senior programmer Shari Frilot.
“The digital and the organic integrally constitute a new primordial pool. What does creativity and storytelling look like if we revel in this new way of being?”
“This year’s expanded New Frontier allows artists to continue pushing the boundaries in telling their stories,” said Sundance...
An expanded New Frontier will showcase installations, performance, transmedia and panel discussion section. Most of the installations will be housed at a new, 5,000-square-foot location at the Gateway in Park City adjacent to Main Street.
Doug Aitken’s The Source (Evolving) will occur at a nearby location along Main Street.
“As human and machine, biological and media experiences blur and hybridise, the distinctions between them are also becoming irrelevant,” said curator of the exhibition and Sundance Film Festival senior programmer Shari Frilot.
“The digital and the organic integrally constitute a new primordial pool. What does creativity and storytelling look like if we revel in this new way of being?”
“This year’s expanded New Frontier allows artists to continue pushing the boundaries in telling their stories,” said Sundance...
- 12/5/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn streetscape into existential theater, offers a strange love-letter to a city (at that moment) riddled with danger and alive with artistic possibility. Pendulum was made several years after Nares’s arrival in New York at age 21 from his native England. The city’s been …...
- 5/21/2013
- by Paul Dallas
- Filmmaker Magazine-Director Interviews
While always a city bursting with creative and artistic talent, there was probably no time more fertile in New York City than than '70s and '80s. Avant-garde art, hip hop, punk, no-wave, disco and more all clashed and mingled, leaving a lasting impression on pop culture, politics and the city itself. Among that noise and ruckus, independent filmmakers were also making a big wave, capturing New York's vibrancy in stories that inspired a new generation of directors. And that time has been captured in the documentary "Blank City."
Directed by Celine Danhier, the film explores the artists of the "No Wave Cinema" and "Cinema of Transgression" movements who shattered existing notions of Diy and underground art, and paved the way for today's independent film scene. Through interviews with Steve Buscemi, Debbie Harry, Jim Jarmusch, Fab 5 Freddy and John Waters and many more, the film presents a revealing...
Directed by Celine Danhier, the film explores the artists of the "No Wave Cinema" and "Cinema of Transgression" movements who shattered existing notions of Diy and underground art, and paved the way for today's independent film scene. Through interviews with Steve Buscemi, Debbie Harry, Jim Jarmusch, Fab 5 Freddy and John Waters and many more, the film presents a revealing...
- 4/9/2012
- by Kevin Jagernauth
- The Playlist
Blank City screened as a 'work-in-progress' at the Tribeca Film Festival in 2009 - it was both my first film and my first experience at any film festival. Blank City is a feature documentary that tells the story of the underground film movement in New York from the late 70s to the early 80s, and explores its ties to the East Village art and music scene of the period. So the Tribeca Film Festival was really the perfect place to showcase it for the very first time. We interviewed so many amazing people - Steve Buscemi, Jim Jarmusch, Debbie Harry, Sara Driver, Amos Poe, Eric Mitchell, James Nares, Fab 5 Freddy - and we had a lot of them join us for the Tribeca screening, which was great. Steve Buscemi had another premiere that night [Bette Gordon's Handsome Harry], but he took the time out to walk the red carpet with us and support the film,...
- 4/4/2011
- TribecaFilm.com
Featuring Jim Jarmusch, Debbie Harry, Steve Buscemi, John Lurie, Fab 5 Freddy, Thurston Moore,
Richard Kern, Lydia Lunch, Amos Poe, Eric Mitchell, James Nares, Maripol, Ann Magnuson,
James Chance, Beth B, Scott B and John Waters
A Film By
Opening at the IFC Center in New York on Friday, April 6
Before there was HD there was Super 8. Before Independent film there was Underground Cinema. And before New York there was.well, New York. Once upon a pre-Facebook time, before creative communities became virtual and viral, cultural movements were firmly grounded in geography. And the undisputed center of American . some would say international . art and film was New York City. In particular, downtown Manhattan in the late 1970.s and 80.s was the anchor of vanguard filmmaking.
Blank City tells the long-overdue tale of the motley crew of renegade filmmakers that emerged from an economically bankrupt and dangerous period of New York History.
Richard Kern, Lydia Lunch, Amos Poe, Eric Mitchell, James Nares, Maripol, Ann Magnuson,
James Chance, Beth B, Scott B and John Waters
A Film By
Opening at the IFC Center in New York on Friday, April 6
Before there was HD there was Super 8. Before Independent film there was Underground Cinema. And before New York there was.well, New York. Once upon a pre-Facebook time, before creative communities became virtual and viral, cultural movements were firmly grounded in geography. And the undisputed center of American . some would say international . art and film was New York City. In particular, downtown Manhattan in the late 1970.s and 80.s was the anchor of vanguard filmmaking.
Blank City tells the long-overdue tale of the motley crew of renegade filmmakers that emerged from an economically bankrupt and dangerous period of New York History.
- 3/17/2011
- by Melissa Howland
- WeAreMovieGeeks.com
Featuring Jim Jarmusch, Debbie Harry, Steve Buscemi, John Lurie, Fab 5 Freddy, Thurston Moore,
Richard Kern, Lydia Lunch, Amos Poe, Eric Mitchell, James Nares, Maripol, Ann Magnuson,
James Chance, Beth B, Scott B and John Waters
A Film By
Opening at the IFC Center in New York on Friday, April 6
Before there was HD there was Super 8. Before Independent film there was Underground Cinema. And before New York there was.well, New York. Once upon a pre-Facebook time, before creative communities became virtual and viral, cultural movements were firmly grounded in geography. And the undisputed center of American . some would say international . art and film was New York City. In particular, downtown Manhattan in the late 1970.s and 80.s was the anchor of vanguard filmmaking.
Blank City tells the long-overdue tale of the motley crew of renegade filmmakers that emerged from an economically bankrupt and dangerous period of New York History.
Richard Kern, Lydia Lunch, Amos Poe, Eric Mitchell, James Nares, Maripol, Ann Magnuson,
James Chance, Beth B, Scott B and John Waters
A Film By
Opening at the IFC Center in New York on Friday, April 6
Before there was HD there was Super 8. Before Independent film there was Underground Cinema. And before New York there was.well, New York. Once upon a pre-Facebook time, before creative communities became virtual and viral, cultural movements were firmly grounded in geography. And the undisputed center of American . some would say international . art and film was New York City. In particular, downtown Manhattan in the late 1970.s and 80.s was the anchor of vanguard filmmaking.
Blank City tells the long-overdue tale of the motley crew of renegade filmmakers that emerged from an economically bankrupt and dangerous period of New York History.
- 3/10/2011
- by Melissa Howland
- WeAreMovieGeeks.com
Feb. 3
6:00 p.m.
Gene Siskel Film Center
164 N. State St.
Chicago, Il 60601
Hosted by: Conversations at the Edge
Chicago’s Conversations at the Edge hosts a night of classic movies by Vivienne Dick, one of the leading figures of NYC’s No Wave scene. The screening will last about 80 minutes and featuring short films from the late ’70s, including her most notable films She Had Her Gun All Ready (1978) and Beauty Becomes the Beast (1979).
Born in Ireland and studying and living in places such as London, France and Germany, Dick eventually wound up in Manhattan’s Lower East Side in the mid-’70s. Although No Wave would never consolidate into a movement like the Cinema of Transgression that followed it, there was a loose coalition of low-budget filmmakers, such as Dick, Amos Poe, James Nares and more, screening films in unconventional places such as Max’s Kansas City and the New Cinema storefront theater.
6:00 p.m.
Gene Siskel Film Center
164 N. State St.
Chicago, Il 60601
Hosted by: Conversations at the Edge
Chicago’s Conversations at the Edge hosts a night of classic movies by Vivienne Dick, one of the leading figures of NYC’s No Wave scene. The screening will last about 80 minutes and featuring short films from the late ’70s, including her most notable films She Had Her Gun All Ready (1978) and Beauty Becomes the Beast (1979).
Born in Ireland and studying and living in places such as London, France and Germany, Dick eventually wound up in Manhattan’s Lower East Side in the mid-’70s. Although No Wave would never consolidate into a movement like the Cinema of Transgression that followed it, there was a loose coalition of low-budget filmmakers, such as Dick, Amos Poe, James Nares and more, screening films in unconventional places such as Max’s Kansas City and the New Cinema storefront theater.
- 1/31/2011
- by screenings
- Underground Film Journal
Tim Burton invades New York, New Italian Cinema hits Los Angeles, Harold and Kumar spread holiday cheer in Austin and everywhere you look, they're celebrating All Tomorrow's Parties -- just some of the holiday film fun you can have this winter at your local repertory theater.
More Holiday Preview: [Theatrical Calendar]
[Repertory Calendar] [Anywhere But a Movie Theater]
New York
92YTribeca
In November, the 92YTribeca Screening Room will have some special guests in the house when it hosts the already sold out "A Conversation with Wes Anderson and Jason Schwartzman" on November 10th, with the two longtime collaborators discussing their latest film "Fantastic Mr. Fox." But tickets are still available for the night before (Nov. 9th), when actor Ben Foster and director Oren Moverman will screen their acclaimed new post-war drama "The Messenger". Much of the rest of the month is devoted to Cinema Tropical's Ten Years of New Argentine Cinema series with screenings of Adrián Caetano's immigration...
More Holiday Preview: [Theatrical Calendar]
[Repertory Calendar] [Anywhere But a Movie Theater]
New York
92YTribeca
In November, the 92YTribeca Screening Room will have some special guests in the house when it hosts the already sold out "A Conversation with Wes Anderson and Jason Schwartzman" on November 10th, with the two longtime collaborators discussing their latest film "Fantastic Mr. Fox." But tickets are still available for the night before (Nov. 9th), when actor Ben Foster and director Oren Moverman will screen their acclaimed new post-war drama "The Messenger". Much of the rest of the month is devoted to Cinema Tropical's Ten Years of New Argentine Cinema series with screenings of Adrián Caetano's immigration...
- 11/3/2009
- by Stephen Saito
- ifc.com
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