“Oppenheimer” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 3. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Anatomy of a Fall” and “Killers of the Flower Moon ” — as well as “Maestro” and “Past Lives.”
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”
Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.
- 3/4/2024
- by Paul Sheehan
- Gold Derby
Best Picture favorite “Oppenheimer” and “The Holdovers” were the drama and comedy editing winners at the 74th Ace Eddie Awards, March 3 at UCLA’s Royce Hall. “Oppenheimer” editor Jennifer Lame is now a step closer to winning the Oscar for deftly balancing Christopher Nolan’s interlocking, subjective POVs of J. Robert Oppenheimer (Best Actor nominee Cillian Murphy) in color and adversary Admiral Lewis Strauss (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white.
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”
“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.
TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...
- 3/4/2024
- by Bill Desowitz
- Indiewire
Universal’s Oppenheimer and Focus Features’ The Holdovers won the top theatrical prizes Sunday at the 74th Annual Ace Eddie Awards, presented by the American Cinema Editors at UCLA’s Royce Hall.
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.
Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.
The team...
- 3/4/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th Ace Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall.
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”
Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”
Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...
- 3/4/2024
- by Jazz Tangcay
- Variety Film + TV
Laurent Sénéchal for Anatomy Of A Fall and Keith Fraase for Past Lives are among the American Cinema Editors’ best edited dramatic feature film nominees heading into the Ace Eddie Awards on Sunday, March 3, 2024.
Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.
Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.
The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...
Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.
Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.
The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...
- 1/25/2024
- ScreenDaily
The nominations for the 2024 Ace Eddie Awards announced on Thursday (Jan. 25) include our Oscar frontrunner for Best Film Editing, “Oppenheimer,” along with the other four films contending in that race: “Anatomy of a Fall,” “Killers of the Flower Moon,” “Poor Things” and “The Holdovers.”
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.
“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”
Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”
In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...
- 1/25/2024
- by Paul Sheehan
- Gold Derby
Ryan Gosling as Ken and Margot Robbie as Barbie in ‘Barbie’ ((Photo Courtesy Warner Bros. Pictures)
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.
Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.
2024 Ace Eddie Awards Nominees:
Best Edited Feature Film:
Anatomy of a Fall, Laurent Sénéchal
Killers of the Flower Moon, Thelma Schoonmaker, Ace
Maestro, Michelle Tesoro, Ace
Oppenheimer, Jennifer Lame, Ace
Past Lives, Keith Fraase
Best Edited Feature Film:
Air,...
- 1/25/2024
- by Rebecca Murray
- Showbiz Junkies
The 2024 American Cinema Editors (Ace) Eddie Award nominations have been unveiled.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.
The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.
TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”
“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.
- 1/25/2024
- by Samantha Bergeson
- Indiewire
The American Cinema Editors unwrapped the nominees for its 74th Eddie Awards.
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.
The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...
- 1/25/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Cinema Editors (Ace) have nominated “Anatomy of a Fall,” Killers of the Flower Moon,”
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.
The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”
As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.
“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...
- 1/25/2024
- by Jazz Tangcay
- Variety Film + TV
American Cinemas Editors has cut together the nominees for its 74rd annual Ace Eddie Awards, which will be handed out next month. See the list of all 13 film and TV categories below.
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.
Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.
Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...
- 1/25/2024
- by Erik Pedersen
- Deadline Film + TV
The 2023 Cinema Eye Honors have unveiled the 20 titles for its Audience Choice Prize Long List, with voting now open.
The 17th annual awards ceremony also recognized the best nonfiction and documentary films and series across five Broadcast categories and a Shorts List with 10 of the year’s top documentary short films, as well as the 20 films in the running for the Audience Choice Prize Long List.
This year’s list includes films from Cinema Eye Honors alumni including “The Eternal Memory,” “American Symphony,” “Still: A Michael J. Fox Movie,” “Stamped from the Beginning,” “32 Sounds,” “A Compassionate Spy,” “Confessions of a Good Samaritan,” “The Mission,” “The Pigeon Tunnel,” and “Stephen Curry: Underrated.”
Hulu series “The 1619 Project” and Showtime’s “Nothing Lasts Forever” lead the Broadcast Film and Series nominations with three nods each. The “1619 Project,” adapted from Pulitzer Prize winning journalist Nikole Hannah-Jones’s work with The New...
The 17th annual awards ceremony also recognized the best nonfiction and documentary films and series across five Broadcast categories and a Shorts List with 10 of the year’s top documentary short films, as well as the 20 films in the running for the Audience Choice Prize Long List.
This year’s list includes films from Cinema Eye Honors alumni including “The Eternal Memory,” “American Symphony,” “Still: A Michael J. Fox Movie,” “Stamped from the Beginning,” “32 Sounds,” “A Compassionate Spy,” “Confessions of a Good Samaritan,” “The Mission,” “The Pigeon Tunnel,” and “Stephen Curry: Underrated.”
Hulu series “The 1619 Project” and Showtime’s “Nothing Lasts Forever” lead the Broadcast Film and Series nominations with three nods each. The “1619 Project,” adapted from Pulitzer Prize winning journalist Nikole Hannah-Jones’s work with The New...
- 10/19/2023
- by Samantha Bergeson
- Indiewire
The new documentary Joan Baez I Am a Noise, arriving in theaters nationwide on Oct. 13, examines the life and work of Joan Baez, a folk legend and renowned activist who emerged as a powerful voice for change during the 1960s counterculture movement.
Born in Staten Island, New York, to a Mexican father and Scottish mother, Baez has released over 30 albums of music, a collection of her own songs, and poignant covers, and she famously sang “We Shall Overcome” at the 1963 March on Washington. Baez also performed at Woodstock, was arrested...
Born in Staten Island, New York, to a Mexican father and Scottish mother, Baez has released over 30 albums of music, a collection of her own songs, and poignant covers, and she famously sang “We Shall Overcome” at the 1963 March on Washington. Baez also performed at Woodstock, was arrested...
- 10/11/2023
- by Marlow Stern
- Rollingstone.com
A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/Sf next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles.
The film, developed and co-produced by Chernin Entertainment (The Greatest Showman) based on a stage show by comedians Josh Sharp and Aaron Jackson, caught a wave with a solid per screen average of $31,552 including sold out Q&As in NY and LA. Sharp and Aaron star as self-obsessed businessmen who discover they’re long-lost identical twins and come together to plot the reunion of their eccentric divorced parents played by Nathan Lane, Megan Mullally. The ensemble cast also included Bowen Yang (as God), and Megan Thee Stallion — with her original song “Out Alpha the Alpha.”
Dicks’ soundtrack was also...
The film, developed and co-produced by Chernin Entertainment (The Greatest Showman) based on a stage show by comedians Josh Sharp and Aaron Jackson, caught a wave with a solid per screen average of $31,552 including sold out Q&As in NY and LA. Sharp and Aaron star as self-obsessed businessmen who discover they’re long-lost identical twins and come together to plot the reunion of their eccentric divorced parents played by Nathan Lane, Megan Mullally. The ensemble cast also included Bowen Yang (as God), and Megan Thee Stallion — with her original song “Out Alpha the Alpha.”
Dicks’ soundtrack was also...
- 10/8/2023
- by Jill Goldsmith
- Deadline Film + TV
With a six-decade-long music career behind her, Joan Baez is ready to pull back the curtain. Her fascinating life will be brought to the big screen October 6th with Joan Baez I Am a Noise, which has received its first trailer.
Described as “neither a conventional biopic nor a traditional concert film,” the documentary splices together footage of Baez on her 2019 farewell tour along with archival media that capture the full scope of her epic career. Directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle (and co-executive produced by Patti Smith), Joan Baez I Am a Noise unearths newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings that put her music into context.
From her struggles with anxiety to her civil rights work with Martin Luther King, Jr. and getting her heart broken by Bob Dylan, the doc promises to act as “a compelling and deeply personal exploration...
Described as “neither a conventional biopic nor a traditional concert film,” the documentary splices together footage of Baez on her 2019 farewell tour along with archival media that capture the full scope of her epic career. Directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle (and co-executive produced by Patti Smith), Joan Baez I Am a Noise unearths newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings that put her music into context.
From her struggles with anxiety to her civil rights work with Martin Luther King, Jr. and getting her heart broken by Bob Dylan, the doc promises to act as “a compelling and deeply personal exploration...
- 9/7/2023
- by Abby Jones
- Consequence - Film News
With a six-decade-long music career behind her, Joan Baez is ready to pull back the curtain. Her fascinating life will be brought to the big screen October 6th with Joan Baez I Am a Noise, which has received its first trailer.
Described as “neither a conventional biopic nor a traditional concert film,” the documentary splices together footage of Baez on her 2019 farewell tour along with archival media that capture the full scope of her epic career. Directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle (and co-executive produced by Patti Smith), Joan Baez I Am a Noise unearths newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings that put her music into context.
From her struggles with anxiety to her civil rights work with Martin Luther King, Jr. and getting her heart broken by Bob Dylan, the doc promises to act as “a compelling and deeply personal exploration...
Described as “neither a conventional biopic nor a traditional concert film,” the documentary splices together footage of Baez on her 2019 farewell tour along with archival media that capture the full scope of her epic career. Directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle (and co-executive produced by Patti Smith), Joan Baez I Am a Noise unearths newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings that put her music into context.
From her struggles with anxiety to her civil rights work with Martin Luther King, Jr. and getting her heart broken by Bob Dylan, the doc promises to act as “a compelling and deeply personal exploration...
- 9/7/2023
- by Abby Jones
- Consequence - Music
Joan Baez reflects on her 60-year career in the trailer for the new documentary Joan Baez I Am a Noise. “I don’t think anybody at a young age who gets famous has the slightest idea that it’ll ever end,” she says as footage of her walking through a field now contrasts black-and-white pics from her early folk days. In another introspective moment, she says, “I was the right voice at the right time; it just shot me in another whole stratosphere.”
The film, which features Baez’s previously unseen home movies,...
The film, which features Baez’s previously unseen home movies,...
- 9/7/2023
- by Kory Grow
- Rollingstone.com
Company plans October 6 theatrical release.
Magnolia Pictures has acquired worldwide rights to Berlinale and SXSW selection Joan Baez I Am A Noise directed by Miri Navasky, Maeve O’Boyle, and Karen O’Connor.
The film chronicles the final tour of the celebrated activist and folk singer and will next close the Hamptons International Film Festival’s SummerDocs series on July 22.
Magnolia plans an October 6 theatrical release on the biopic-concert film hybrid, which follows Baez on her final tour and delves into her archive with previously unseen home movies, diaries, artwork, therapy tapes, and audio recordings.
Baez is remarkably revealing about her life...
Magnolia Pictures has acquired worldwide rights to Berlinale and SXSW selection Joan Baez I Am A Noise directed by Miri Navasky, Maeve O’Boyle, and Karen O’Connor.
The film chronicles the final tour of the celebrated activist and folk singer and will next close the Hamptons International Film Festival’s SummerDocs series on July 22.
Magnolia plans an October 6 theatrical release on the biopic-concert film hybrid, which follows Baez on her final tour and delves into her archive with previously unseen home movies, diaries, artwork, therapy tapes, and audio recordings.
Baez is remarkably revealing about her life...
- 7/11/2023
- by Jeremy Kay
- ScreenDaily
Magnolia Pictures announced today they’ve acquired worldwide distribution rights to “Joan Baez I Am a Noise,” an exploration of the famous 1960s folk singer. The film was presented at this year’s Berlinale as well as SXSW. Magnolia has plans to give it a full-scale theatrical release in October.
The documentary, directed by Miri Navasky, Maeve O’Boyle and Karen O’Connor is being touted less as a traditional documentary and more along the lines of Brett Morgen’s 2022 film on David Bowie, “Moonage Daydream.”
In the wake of Warner Bros. “Elvis” and Morgen’s “Moonage Daydream” last year, music docs continue to see an uptick in interest. However, the exploration of female singers remains lacking. Baez is a groundbreaking figure in the 1960s folk scene with a fascinating story. Magnolia has been especially interested in propelling original content forward, even pairing with NBC streamer Peacock back in April to stream their films.
The documentary, directed by Miri Navasky, Maeve O’Boyle and Karen O’Connor is being touted less as a traditional documentary and more along the lines of Brett Morgen’s 2022 film on David Bowie, “Moonage Daydream.”
In the wake of Warner Bros. “Elvis” and Morgen’s “Moonage Daydream” last year, music docs continue to see an uptick in interest. However, the exploration of female singers remains lacking. Baez is a groundbreaking figure in the 1960s folk scene with a fascinating story. Magnolia has been especially interested in propelling original content forward, even pairing with NBC streamer Peacock back in April to stream their films.
- 7/11/2023
- by Kristen Lopez
- The Wrap
Exclusive: Magnolia Pictures has acquired worldwide rights to Joan Baez I Am A Noise, the feature documentary about the iconic folk singer directed by Miri Navasky, Maeve O’Boyle, and Karen O’Connor.
Magnolia plans an October 6 theatrical release of the film, which premiered at the Berlinale in February. Joan Baez went from Berlin to SXSW and recently served as the opening night film of DC/Dox. It is the closing night film for the Hamptons International Film Festival’s SummerDocs series on July 22.
“Neither a conventional biopic nor a traditional concert film, this immersive documentary shifts back and forth through time as it follows Joan on her final tour and delves into her extraordinary archive, including newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings,” notes a release from Magnolia. “Baez is remarkably revealing about her life on and off stage – from her lifelong emotional struggles to her civil rights...
Magnolia plans an October 6 theatrical release of the film, which premiered at the Berlinale in February. Joan Baez went from Berlin to SXSW and recently served as the opening night film of DC/Dox. It is the closing night film for the Hamptons International Film Festival’s SummerDocs series on July 22.
“Neither a conventional biopic nor a traditional concert film, this immersive documentary shifts back and forth through time as it follows Joan on her final tour and delves into her extraordinary archive, including newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings,” notes a release from Magnolia. “Baez is remarkably revealing about her life on and off stage – from her lifelong emotional struggles to her civil rights...
- 7/11/2023
- by Matthew Carey
- Deadline Film + TV
The 2023 Nantucket Film Festival, running June 21-26, with kick off with four films on its opening day lineup. For the 12th consecutive year, a Disney and Pixar movie will open the festival with “Elemental,” which premieres in May at the Cannes International Film Festival.
Also on Day 1 are Sophie Barthes’ “The Pod Generation,” coming off stops at Sundance and Sarasota — Barthes will also receive the inaugural Maria Mitchell Visionary Award for the film; SXSW-premiere documentary “Joan Baez I am a Noise,” with Baez herself in attendance; and Austrian documentary “Patrick and the Whale,” which premiered at TIFF 2022.
Recent Bleecker Street acquisition “Jules,” starring Ben Kingsley, Harriet Sansom Harris, and Jane Curtin, will be the closing-night film.
Guests announced to be in attendance include Michaela Watkins (“You Hurt My Feelings”), Allison Williams (“M3GAN”), Lola Tung (“The Summer I Turned Pretty”), Graham Greene (“Dances with Wolves”), and Julio Torres (“Problemista”).
Other films...
Also on Day 1 are Sophie Barthes’ “The Pod Generation,” coming off stops at Sundance and Sarasota — Barthes will also receive the inaugural Maria Mitchell Visionary Award for the film; SXSW-premiere documentary “Joan Baez I am a Noise,” with Baez herself in attendance; and Austrian documentary “Patrick and the Whale,” which premiered at TIFF 2022.
Recent Bleecker Street acquisition “Jules,” starring Ben Kingsley, Harriet Sansom Harris, and Jane Curtin, will be the closing-night film.
Guests announced to be in attendance include Michaela Watkins (“You Hurt My Feelings”), Allison Williams (“M3GAN”), Lola Tung (“The Summer I Turned Pretty”), Graham Greene (“Dances with Wolves”), and Julio Torres (“Problemista”).
Other films...
- 4/26/2023
- by Christian Blauvelt
- Indiewire
Exclusive: Docaviv, the prestigious all-documentary film festival in Tel Aviv, today announced the International Competition lineup for the 25th anniversary of the event, which takes place May 11-20.
In competition are some of the early favorites for Oscar recognition, including Apolonia, Apolonia, winner of Best Feature at IDFA; 20 Days in Mariupol, the harrowing examination of the siege of the Ukrainian port city in the early days of the Russian invasion; Kokomo City, winner of two awards at Sundance, and The Eternal Memory, winner of the Grand Jury Prize for World Cinema Documentary at Sundance [scroll for the full International Competition lineup].
Docaviv is an Oscar-qualifying festival, with winners in the International, Israeli, and Shorts competitions automatically becoming eligible for Academy Awards consideration. It is the only all-documentary festival in Israel and widely considered one of the world’s foremost nonfiction film events.
Some of the expected international guests include Emmy-winning documentary producer John Battsek, who will hold...
In competition are some of the early favorites for Oscar recognition, including Apolonia, Apolonia, winner of Best Feature at IDFA; 20 Days in Mariupol, the harrowing examination of the siege of the Ukrainian port city in the early days of the Russian invasion; Kokomo City, winner of two awards at Sundance, and The Eternal Memory, winner of the Grand Jury Prize for World Cinema Documentary at Sundance [scroll for the full International Competition lineup].
Docaviv is an Oscar-qualifying festival, with winners in the International, Israeli, and Shorts competitions automatically becoming eligible for Academy Awards consideration. It is the only all-documentary festival in Israel and widely considered one of the world’s foremost nonfiction film events.
Some of the expected international guests include Emmy-winning documentary producer John Battsek, who will hold...
- 4/20/2023
- by Matthew Carey
- Deadline Film + TV
The folk music documentaries Joan Baez I Am a Noise and Alexandria Bombach’s Indigo Girls documentary It’s Only Life After All are getting international premieres as part of the Hot Docs Festival, which unveiled its 2023 lineup on Tuesday.
Co-directors Miri Navasky, Karen O’Connor and Maeve O’Boyle’s portrait of Baez, the American folk singing legend and civil rights activist, bowed in Berlin. Bombach’s film about Amy Ray and Emily Saliers, who became folk-rock duo Indigo Girls and eventually environmental activists, premiered at Sundance.
The Hot Docs Canadian International Documentary Festival’s 30th edition will be filled with a host of films about activists, as the festival is set to open with a screening of Twice Colonized, Danish director Lin Alluna’s film about Greenlandic Inuit lawyer and protector of her ancestral lands, Aaju Peter.
The Danish film, which had a world premiere at Sundance, will also launch the Copenhagen documentary film festival Cph:dox.
Co-directors Miri Navasky, Karen O’Connor and Maeve O’Boyle’s portrait of Baez, the American folk singing legend and civil rights activist, bowed in Berlin. Bombach’s film about Amy Ray and Emily Saliers, who became folk-rock duo Indigo Girls and eventually environmental activists, premiered at Sundance.
The Hot Docs Canadian International Documentary Festival’s 30th edition will be filled with a host of films about activists, as the festival is set to open with a screening of Twice Colonized, Danish director Lin Alluna’s film about Greenlandic Inuit lawyer and protector of her ancestral lands, Aaju Peter.
The Danish film, which had a world premiere at Sundance, will also launch the Copenhagen documentary film festival Cph:dox.
- 3/28/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Toronto’s Hot Docs, North America’s largest documentary festival, has added 12 films to its Special Presentations program. The first tranche of titles was announced March 14. The festival runs April 27 to May 7.
World premieres include Canadian journalist Michelle Shephard’s “The Man Who Stole Einstein’s Brain,” the uncovering of the story behind the pathologist who stole the genius’ brain in 1955; “The Rise of Wagner,” a chilling exposé on the collusion between Wagner Group mercenaries and the Kremlin, which has resulted in secret killings and countless human rights violations; “We Are Guardians,” the story of the Indigenous guardians of the Brazilian Amazon, struggling to protect their territories from the ravages of extractive industries, deforestation, corrupt politicians and profit hungry global corporations; “Who’s Afraid of Nathan Law?,” a chronicle of dissident Hong Kong politician and activist Nathan Law’s fight for democracy; and director Barry Avrich’s “Without Precedent: The Supreme Life of Rosalie Abella,...
World premieres include Canadian journalist Michelle Shephard’s “The Man Who Stole Einstein’s Brain,” the uncovering of the story behind the pathologist who stole the genius’ brain in 1955; “The Rise of Wagner,” a chilling exposé on the collusion between Wagner Group mercenaries and the Kremlin, which has resulted in secret killings and countless human rights violations; “We Are Guardians,” the story of the Indigenous guardians of the Brazilian Amazon, struggling to protect their territories from the ravages of extractive industries, deforestation, corrupt politicians and profit hungry global corporations; “Who’s Afraid of Nathan Law?,” a chronicle of dissident Hong Kong politician and activist Nathan Law’s fight for democracy; and director Barry Avrich’s “Without Precedent: The Supreme Life of Rosalie Abella,...
- 3/21/2023
- by Leo Barraclough
- Variety Film + TV
Chatrian and Rissenbeek are four years into their five-year contracts.
Carlo Chatrian, artistic director, and Mariette Rissenbeek, executive director, of the Berlin International Film Festival, reflect on this year’s festival, their personal highlights, handling a difficult situation and what they would like their legacies to be.
After two disrupted years, you must be relieved and thrilled by how well this year’s festival went.
Mariette Rissenbeek: Thrilled, especially. It was so heart warming to see how many people came, how many filmmakers came. The atmosphere was very positive and very warm.
What were each of your personal highlights?
Carlo Chatrian...
Carlo Chatrian, artistic director, and Mariette Rissenbeek, executive director, of the Berlin International Film Festival, reflect on this year’s festival, their personal highlights, handling a difficult situation and what they would like their legacies to be.
After two disrupted years, you must be relieved and thrilled by how well this year’s festival went.
Mariette Rissenbeek: Thrilled, especially. It was so heart warming to see how many people came, how many filmmakers came. The atmosphere was very positive and very warm.
What were each of your personal highlights?
Carlo Chatrian...
- 2/28/2023
- by Louise Tutt
- ScreenDaily
Folk music icon Joan Baez, who’s now 82, came of age just as musicians’ live gigs were often recorded and thereby preserved for the record, virtues that are used to advantage in Joan Baez I Am A Noise. An up-close, intimate and mostly frank account of a career that arched across more than 60 years of musical and political expression while countless trends came and went, this elaborate documentary navigates adroitly through the professional and the personal aspects of a very full life, one marked by far more good fortune than bad. Whether you’ve followed her career for decades or are just now discovering her, the life under scrutiny is undeniably impressive and ceaselessly engaging.
The film, which premiered in the Panorama section of the Berlin Film Festival, is prefaced by a knowing remark from Gabriel Garcia Marquez — “Everyone has three lives: the public, the private, and the secret.” One...
The film, which premiered in the Panorama section of the Berlin Film Festival, is prefaced by a knowing remark from Gabriel Garcia Marquez — “Everyone has three lives: the public, the private, and the secret.” One...
- 2/27/2023
- by Todd McCarthy
- Deadline Film + TV
Since she exploded on the folk scene — first with gigs at the Club 47 outside Boston, then on stage at the 1959 Newport Folk Festival — Joan Baez has been an iconic figure in American music and, thanks to her tireless activism, in American politics as well. She played at Woodstock, marched with Martin Luther King Jr. in Selma and has lent her voice in support of numerous anti-war, environmentalist and LGBTQ+ causes.
Baez has been in the public eye for more than 60 years, so it comes as a shock, in watching Joan Baez: I Am a Noise, a new documentary from Karen O’Connor, Miri Navasky and Maeve O’Boyle, that we never really knew her at all.
The film, which has its world premiere in the Panorama Documentary section of the Berlin International Film Festival, and is being sold worldwide by Submarine, is a deep dive into Baez’s private life, the parts...
Baez has been in the public eye for more than 60 years, so it comes as a shock, in watching Joan Baez: I Am a Noise, a new documentary from Karen O’Connor, Miri Navasky and Maeve O’Boyle, that we never really knew her at all.
The film, which has its world premiere in the Panorama Documentary section of the Berlin International Film Festival, and is being sold worldwide by Submarine, is a deep dive into Baez’s private life, the parts...
- 2/24/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
For the last 60 years, it’s been hard to see Joan Baez as anything other than a saintly figure, or certainly, at the least, a beatifically placid one. Early on in the new documentary “Joan Baez I Am a Noise,” over shots of its subject being swarmed by fans at the height of her early-‘60s success, the present-day Baez quips that much of the public came to view her like the Virgin Mary — and confesses that, with her head swelled by fame at the time, she was not much inclined to disagree. But occasional flashes of ego seem like the least of the psychological problems dogging the singer, as portrayed in a music doc that starts out as a fly-on-the-wall view of Baez’s farewell tour and ends as an extended look at family trauma and recovery from mental illness.
Launching at the Berlinale, then followed by a stop...
Launching at the Berlinale, then followed by a stop...
- 2/20/2023
- by Chris Willman
- Variety Film + TV
In “Joan Baez: I Am a Noise”, which premiered on Friday at the Berlin Film Festival, the folk icon with a supple soprano voice and a long history of activism, takes a disarmingly candid look on her life as she faces the end of her 60-year musical career, writes ‘Variety’.
The immersive documentary is co-directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle. They weave Baez’s 2018 ‘Fare Thee Well’ final concert tour with her early years, her rise to fame, struggles with drugs that ensued, and a darker psychological thread involving a form of child abuse on the part of Baez’s father, notes ‘Variety’.
A surprising level of intimacy is reached, according to ‘Variety’, thanks to a wealth of material that the directors obtained from Baez’s meticulously preserved personal archives comprising home movies, diaries, artwork, therapy tapes, and audio recordings of voice letters to her family.
Some,...
The immersive documentary is co-directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle. They weave Baez’s 2018 ‘Fare Thee Well’ final concert tour with her early years, her rise to fame, struggles with drugs that ensued, and a darker psychological thread involving a form of child abuse on the part of Baez’s father, notes ‘Variety’.
A surprising level of intimacy is reached, according to ‘Variety’, thanks to a wealth of material that the directors obtained from Baez’s meticulously preserved personal archives comprising home movies, diaries, artwork, therapy tapes, and audio recordings of voice letters to her family.
Some,...
- 2/17/2023
- by News Bureau
- GlamSham
The Gabriel Garcia Márquez quote that appears at the start of Joan Baez I Am a Noise — “Everyone has three lives: the public, the private and the secret” — is an apt choice for this introspective docu-portrait of the era-defining musician and activist. The veteran folk singer’s seeming self-possession and the crystalline purity of that voice thrust her into the spotlight at 18. But there’s a world of difference between that serene image and the troubled woman who initially wrestled with the privileges of fame and even now, six decades later, still struggles with demons that come and go.
Baez gets remarkably frank about her long history of therapy and her sometimes disturbing excavations of childhood experience, which makes this intimate film by Miri Navasky, Maeve O’Boyle and Karen O’Connor feel more thorough as a personal reflection than a career summation. But anyone with an interest in the key artists...
Baez gets remarkably frank about her long history of therapy and her sometimes disturbing excavations of childhood experience, which makes this intimate film by Miri Navasky, Maeve O’Boyle and Karen O’Connor feel more thorough as a personal reflection than a career summation. But anyone with an interest in the key artists...
- 2/17/2023
- by David Rooney
- The Hollywood Reporter - Movie News
It’s Joan Baez as you’ve never seen her before.
Joan Baez: I Am a Noise, a new documentary from Karen O’Connor, Miri Navasky and Maeve O’Boyle, is a deep dive into the life and career of the iconic folk singer.
The film, which has its world premiere in the Panorama Documentary section of the Berlin International Film Festival today, explores not just the highs — performing at Woodstock, being inducted into the Rock and Roll Hall of Fame — but also the many lows, the personal anxieties and mental illness that Baez suffered through in secret.
With unique access to Baez’s family archives — hundreds of letters, home movies, family photographs, sketches and audio recordings Baez made as a young woman — the filmmakers paint a truly intimate portrait of a woman who, as a singer and political activist, has spent her entire adult life in the public eye.
In an exclusive clip from the film,...
Joan Baez: I Am a Noise, a new documentary from Karen O’Connor, Miri Navasky and Maeve O’Boyle, is a deep dive into the life and career of the iconic folk singer.
The film, which has its world premiere in the Panorama Documentary section of the Berlin International Film Festival today, explores not just the highs — performing at Woodstock, being inducted into the Rock and Roll Hall of Fame — but also the many lows, the personal anxieties and mental illness that Baez suffered through in secret.
With unique access to Baez’s family archives — hundreds of letters, home movies, family photographs, sketches and audio recordings Baez made as a young woman — the filmmakers paint a truly intimate portrait of a woman who, as a singer and political activist, has spent her entire adult life in the public eye.
In an exclusive clip from the film,...
- 2/17/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In “Joan Baez: I Am a Noise,” which is premiering on Feb. 17 at the Berlin Film Festival, the folk icon with a supple soprano voice and a long history of activism, takes a disarmingly candid look on her life as she faces the end of her 60-year musical career.
The immersive doc is co-directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle. They interweave Baez’s 2018 Fare Thee Well final concert tour with her early years, her rise to fame, struggles with drugs that ensued, and a darker psychological thread involving a form of child abuse on the part of Baez’s father. A surprising level of intimacy is reached thanks to a wealth of material obtained from Baez’s meticulously preserved personal archives comprising home movies, diaries, artwork, therapy tapes, and audio recordings of voice letters to her family. Some, while Baez was on tour in England in 1965 with Bob Dylan whom,...
The immersive doc is co-directed by Karen O’Connor, Miri Navasky, and Maeve O’Boyle. They interweave Baez’s 2018 Fare Thee Well final concert tour with her early years, her rise to fame, struggles with drugs that ensued, and a darker psychological thread involving a form of child abuse on the part of Baez’s father. A surprising level of intimacy is reached thanks to a wealth of material obtained from Baez’s meticulously preserved personal archives comprising home movies, diaries, artwork, therapy tapes, and audio recordings of voice letters to her family. Some, while Baez was on tour in England in 1965 with Bob Dylan whom,...
- 2/17/2023
- by Nick Vivarelli
- Variety Film + TV
From the time Joan Baez gave her first performances as a teenager in the late 1950s, she possessed a remarkable soprano voice with distinctive vibrato that paired magically with acoustic guitar. Baez also displayed an exceptional stage presence — confident, natural and serene.
But as the documentary Joan Baez I Am a Noise reveals, that appearance of almost divine tranquility was deceiving.
“Before a concert the stage fright was beyond what it should have been. It was terrible,” Baez tells Deadline. “There would be times when I would have a complete panic attack before the show and I would ask somebody, ‘Just shove me out there.’ And once I got out there I could do it and, for the most part, enjoy myself… But yeah, it was tumultuous. It was up and down.”
The film directed by Karen O’Connor, Miri Navasky and Maeve O’Boyle makes its world premiere at the Berlin Film Festival on Friday,...
But as the documentary Joan Baez I Am a Noise reveals, that appearance of almost divine tranquility was deceiving.
“Before a concert the stage fright was beyond what it should have been. It was terrible,” Baez tells Deadline. “There would be times when I would have a complete panic attack before the show and I would ask somebody, ‘Just shove me out there.’ And once I got out there I could do it and, for the most part, enjoy myself… But yeah, it was tumultuous. It was up and down.”
The film directed by Karen O’Connor, Miri Navasky and Maeve O’Boyle makes its world premiere at the Berlin Film Festival on Friday,...
- 2/16/2023
- by Matthew Carey
- Deadline Film + TV
U2 documentary ‘Kiss The Future’ added to Berlinale Special; further Generation titles revealed.
The Berlinale has completed the Panorama section for its 2023 edition with a raft of world premieres including UK thriller Femme, starring George MacKay and Candyman star Nathan Stewart-Jarrett.
The festival, which is set to run from February 16-26, has also revealed fresh titles selected for its Generation competition and the addition of U2 documentary Kiss The Future as a Berlinale Special screening.
The Panorama strand will comprise 35 films from 30 countries, including 28 world premieres and 11 debuts. Having previously announced several titles, the festival revealed that animated feature The...
The Berlinale has completed the Panorama section for its 2023 edition with a raft of world premieres including UK thriller Femme, starring George MacKay and Candyman star Nathan Stewart-Jarrett.
The festival, which is set to run from February 16-26, has also revealed fresh titles selected for its Generation competition and the addition of U2 documentary Kiss The Future as a Berlinale Special screening.
The Panorama strand will comprise 35 films from 30 countries, including 28 world premieres and 11 debuts. Having previously announced several titles, the festival revealed that animated feature The...
- 1/18/2023
- by Michael Rosser
- ScreenDaily
The Berlin International Film Festival on Wednesday unveiled the final films for its 2023 Panorama section, the Berlinale’s main sidebar.
The 2023 lineup includes several world premieres, including Femme, the debut feature from directors Sam H. Freeman and Ng Choon Ping, a drag artist revenge thriller staring 1917 actor George MacKay and Nathan Stewart-Jarrett; The Beast in the Jungle, from Austrian director Patric Chiha (Brothers of the Night), an adaptation of the Henry James novel, starring Anaïs Demoustier, Tom Mercier and Beatrice Dalle; and Joan Baez I Am A Noise, a documentary on the legendary folk singer, from directors Karen O’Connor, Miri Navasky and Maeve O’Boyle.
After Marie Kreutzer’s Oscar contender Corsage, Panorama will get another historic revisionist take on Austrian Empress Elizabeth, aka Sisi, with Sisi & I, a German drama from director Frauke Finsterwalder, featuring Susanne Wolff (The Stranger in Me) as Sisi, and also starring Sandra Hüller, Georg Friedrich,...
The 2023 lineup includes several world premieres, including Femme, the debut feature from directors Sam H. Freeman and Ng Choon Ping, a drag artist revenge thriller staring 1917 actor George MacKay and Nathan Stewart-Jarrett; The Beast in the Jungle, from Austrian director Patric Chiha (Brothers of the Night), an adaptation of the Henry James novel, starring Anaïs Demoustier, Tom Mercier and Beatrice Dalle; and Joan Baez I Am A Noise, a documentary on the legendary folk singer, from directors Karen O’Connor, Miri Navasky and Maeve O’Boyle.
After Marie Kreutzer’s Oscar contender Corsage, Panorama will get another historic revisionist take on Austrian Empress Elizabeth, aka Sisi, with Sisi & I, a German drama from director Frauke Finsterwalder, featuring Susanne Wolff (The Stranger in Me) as Sisi, and also starring Sandra Hüller, Georg Friedrich,...
- 1/18/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Sepideh Farsi’s “La Sirène” (“The Siren”) is opening the Berlin Film Festival’s Panorama strand.
The program, which comprises 35 films from 30 countries, including 28 world premieres and 11 debuts, includes new films by Patric Chiha, İlker Çatak, Frauke Finsterwalder, Maite Alberdi, Milad Alami and Apolline Traoré. They feature a galaxy of well-known protagonists and actors such as Joan Baez, Jafar Panahi, Payman Maadi, George MacKay, Nathan Stewart-Jarrett, Fan Bingbing, Sandra Hüller and Susanne Wolff.
Panorama Selections
“After”
by Anthony Lapia | with Louise Chevillotte, Majd Mastoura, Natalia Wiszniewska
France
World premiere | Debut film
“All the Colours of the World Are Between Black and White”
by Babatunde Apalowo | with Tope Tedela, Riyo David, Martha Ehinome Orhiere, Uchechika Elumelu, Floyd Anekwe
Nigeria
World premiere | Debut film
“And, Towards Happy Alleys”
by Sreemoyee Singh | with Jafar Panahi, Nasrin Soutodeh, Jinous Nazokkar, Farhad Kheradmand, Aida Mohammadkhani
India
World premiere | Debut film | Documentary
“La Bête dans la...
The program, which comprises 35 films from 30 countries, including 28 world premieres and 11 debuts, includes new films by Patric Chiha, İlker Çatak, Frauke Finsterwalder, Maite Alberdi, Milad Alami and Apolline Traoré. They feature a galaxy of well-known protagonists and actors such as Joan Baez, Jafar Panahi, Payman Maadi, George MacKay, Nathan Stewart-Jarrett, Fan Bingbing, Sandra Hüller and Susanne Wolff.
Panorama Selections
“After”
by Anthony Lapia | with Louise Chevillotte, Majd Mastoura, Natalia Wiszniewska
France
World premiere | Debut film
“All the Colours of the World Are Between Black and White”
by Babatunde Apalowo | with Tope Tedela, Riyo David, Martha Ehinome Orhiere, Uchechika Elumelu, Floyd Anekwe
Nigeria
World premiere | Debut film
“And, Towards Happy Alleys”
by Sreemoyee Singh | with Jafar Panahi, Nasrin Soutodeh, Jinous Nazokkar, Farhad Kheradmand, Aida Mohammadkhani
India
World premiere | Debut film | Documentary
“La Bête dans la...
- 1/18/2023
- by Naman Ramachandran
- Variety Film + TV
Strong totals for Phyllida Lloyd’s ‘Herself’, animation ‘Wolfwalkers’.
Coming-of-age drama Dating Amber, Element Pictures’ Herself, and Oscar nominee Wolfwalkers are among the best film contenders at this year’s Irish Film & Television Awards (IFTAs).
Element and BBC TV series Normal People leads the overall nominations, shortlisted in 15 categories.
Scroll down for the list of nominations
Nominations across 25 categories in film and TV drama have been announced, with the awards to take place virtually and be broadcast on Virgin Media One on Sunday, July 4.
Across all film categories including craft and technical, David Freyne’s Dating Amber, about two closeted teenagers in 1990s Ireland,...
Coming-of-age drama Dating Amber, Element Pictures’ Herself, and Oscar nominee Wolfwalkers are among the best film contenders at this year’s Irish Film & Television Awards (IFTAs).
Element and BBC TV series Normal People leads the overall nominations, shortlisted in 15 categories.
Scroll down for the list of nominations
Nominations across 25 categories in film and TV drama have been announced, with the awards to take place virtually and be broadcast on Virgin Media One on Sunday, July 4.
Across all film categories including craft and technical, David Freyne’s Dating Amber, about two closeted teenagers in 1990s Ireland,...
- 6/15/2021
- by Esther McCarthy
- ScreenDaily
Passion, resolve and canny campaigning are on full show in this energising doc about the landmark 2018 abortion vote
Two years after the UK’s remainer liberals lost the EU referendum, Irish campaigners fighting to repeal the constitution’s eighth amendment forbidding abortion showed them how you win this kind of vote: with real passion, real vision and real determination not to take anything for granted. In 2018, Ireland’s pro-choice voters won the referendum handsomely – 66% on a 64% turnout – an inspiring story told in this spirited documentary by Aideen Kane, Lucy Kennedy and Maeve O’Boyle.
Related: ‘Do something’: an intimate look at the personal lives of climate activists...
Two years after the UK’s remainer liberals lost the EU referendum, Irish campaigners fighting to repeal the constitution’s eighth amendment forbidding abortion showed them how you win this kind of vote: with real passion, real vision and real determination not to take anything for granted. In 2018, Ireland’s pro-choice voters won the referendum handsomely – 66% on a 64% turnout – an inspiring story told in this spirited documentary by Aideen Kane, Lucy Kennedy and Maeve O’Boyle.
Related: ‘Do something’: an intimate look at the personal lives of climate activists...
- 5/19/2021
- by Peter Bradshaw
- The Guardian - Film News
Programme director Will Fitzgerald reveals programme highlights.
Ireland’s Galway Film Fleadh is embracing the disruption of 2020 by aiming to reach as wide an audience as possible with a digital edition taking place online from July 7th – July 12th.
“Going digital was the best option for us,” explains programme director William Fitzgerald. “We didn’t feel doing a socially distant Fleadh would be in fitting with who we are as a festival. When people think of Galway and the Fleadh, they think of the social elements and the meetings.
“Postponement also didn’t seem like an option. Preserving the continuity...
Ireland’s Galway Film Fleadh is embracing the disruption of 2020 by aiming to reach as wide an audience as possible with a digital edition taking place online from July 7th – July 12th.
“Going digital was the best option for us,” explains programme director William Fitzgerald. “We didn’t feel doing a socially distant Fleadh would be in fitting with who we are as a festival. When people think of Galway and the Fleadh, they think of the social elements and the meetings.
“Postponement also didn’t seem like an option. Preserving the continuity...
- 6/26/2020
- by 1100995¦Esther McCarthy¦0¦
- ScreenDaily
Programme director Will Fitzgerald reveals programme highlights.
Ireland’s Galway Film Fleadh is embracing the disruption of 2020 by aiming to reach as wide an audience as possible with a digital edition taking place online from July 7th – July 12th.
“Going digital was the best option for us,” explains programme director William Fitzgerald. “We didn’t feel doing a socially distant Fleadh would be in fitting with who we are as a festival. When people think of Galway and the Fleadh, they think of the social elements and the meetings.
“Postponement also didn’t seem like an option. Preserving the continuity...
Ireland’s Galway Film Fleadh is embracing the disruption of 2020 by aiming to reach as wide an audience as possible with a digital edition taking place online from July 7th – July 12th.
“Going digital was the best option for us,” explains programme director William Fitzgerald. “We didn’t feel doing a socially distant Fleadh would be in fitting with who we are as a festival. When people think of Galway and the Fleadh, they think of the social elements and the meetings.
“Postponement also didn’t seem like an option. Preserving the continuity...
- 6/26/2020
- by 1100995¦Esther McCarthy¦0¦
- ScreenDaily
The Human Rights Watch Film Festival presents its first full digital edition of bold new films that will be available nationwide, in response to this time of crisis, Human Rights Watch said today. The film festival will feature in-depth online discussions with filmmakers, film subjects, and Human Rights Watch researchers.
As individuals and communities across the world struggle to face the challenges of an unprecedented global pandemic, the restriction of basic human rights – including pathways to medical and economic survival – are felt most severely by those already impacted by stark inequalities. Now more than ever, the world needs powerful and uplifting stories about those demanding justice, equality and safety for themselves, their communities and future generations.
John Biaggi, Director of the Human Rights Watch Film Festival says “At a time when the world is experiencing a profound shared adversity, it is particularly heartening to witness the brave individuals and strong...
As individuals and communities across the world struggle to face the challenges of an unprecedented global pandemic, the restriction of basic human rights – including pathways to medical and economic survival – are felt most severely by those already impacted by stark inequalities. Now more than ever, the world needs powerful and uplifting stories about those demanding justice, equality and safety for themselves, their communities and future generations.
John Biaggi, Director of the Human Rights Watch Film Festival says “At a time when the world is experiencing a profound shared adversity, it is particularly heartening to witness the brave individuals and strong...
- 6/6/2020
- by Rhythm Zaveri
- AsianMoviePulse
Variety has the exclusive trailer for a new film on Ireland’s abortion rights struggle, executive produced by Abigail Disney.
Set to premiere at the Hot Docs Film Festival this week, “The 8th” tells the story of Ireland’s campaign to remove its constitutional ban on abortion, known as the 8th Amendment, against the backdrop of the conservative country’s transformation into a more liberal, secular society.
Both sides of the abortion debate are represented in “The 8th,” though its primary focus is the female leaders of the pro-choice campaign. In particular, the film follows veteran campaigner Ailbhe Smyth and self-described glitter-activist Andrea Horan as they chart a strategy of grassroots activism.
Directors Lucy Kennedy, Maeve O’Boyle and Aideen Kane said in a statement: “When the government called a referendum to repeal the 8th Amendment, we knew this was one of the most important stories of our generation. Our goal...
Set to premiere at the Hot Docs Film Festival this week, “The 8th” tells the story of Ireland’s campaign to remove its constitutional ban on abortion, known as the 8th Amendment, against the backdrop of the conservative country’s transformation into a more liberal, secular society.
Both sides of the abortion debate are represented in “The 8th,” though its primary focus is the female leaders of the pro-choice campaign. In particular, the film follows veteran campaigner Ailbhe Smyth and self-described glitter-activist Andrea Horan as they chart a strategy of grassroots activism.
Directors Lucy Kennedy, Maeve O’Boyle and Aideen Kane said in a statement: “When the government called a referendum to repeal the 8th Amendment, we knew this was one of the most important stories of our generation. Our goal...
- 5/26/2020
- by Manori Ravindran
- Variety Film + TV
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