The June skies are clear as the Tribeca Festival gathers indie filmmakers from around the globe with a large slate of features and shorts, music, games, TV, audio storytelling and a major addition this year in De Niro Con, a tribute to the prolific actor and Tribeca co-founder.
The fest moved from April to June in part for the weather but that can’t be taken for granted — last year’s edition opened to a city blanketed with acrid smoke from Canadian wildfires as Mayor Eric Adams handed De Niro the key to the city at a press conference and Tribeca unveiled De Niro Con. Fan events and screenings with star power from Quentin Tarantino, Martin Scorsese, Billy Crystal, Ben Stiller, David O. Russell, Christopher Walken and others will unspool over the last four days of the festival.
Other retrospectives and reunions will see Steven Spielberg screen and discuss his...
The fest moved from April to June in part for the weather but that can’t be taken for granted — last year’s edition opened to a city blanketed with acrid smoke from Canadian wildfires as Mayor Eric Adams handed De Niro the key to the city at a press conference and Tribeca unveiled De Niro Con. Fan events and screenings with star power from Quentin Tarantino, Martin Scorsese, Billy Crystal, Ben Stiller, David O. Russell, Christopher Walken and others will unspool over the last four days of the festival.
Other retrospectives and reunions will see Steven Spielberg screen and discuss his...
- 6/5/2024
- by Jill Goldsmith
- Deadline Film + TV
The world premiere of Trish Dalton and Sharmeen Obaid-Chinoy’s documentary Diane von Furstenberg: Woman In Charge chronicling the life of the fashion designer will open Tribeca Festival, running June 5-16 in New York.
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Michael Cera, Angarano, and Kristen Stewart; Andrew McCarthy’s documentary Brats in which the filmmaker catches up with fellow Brat-Packers Rob Lowe,...
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Michael Cera, Angarano, and Kristen Stewart; Andrew McCarthy’s documentary Brats in which the filmmaker catches up with fellow Brat-Packers Rob Lowe,...
- 4/18/2024
- ScreenDaily
Tribeca Festival will premiere new fims from Lily Gladstone, Jenna Ortega, Michael Cera, and Andrew McCarthy when it runs in New York from June 5-16.
The event will open with the world premiere of Trish Dalton and Sharmeen Obaid-Chinoy’s documentary Diane von Furstenberg: Woman In Charge chronicling the life of the fashion designer.
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Cera,...
The event will open with the world premiere of Trish Dalton and Sharmeen Obaid-Chinoy’s documentary Diane von Furstenberg: Woman In Charge chronicling the life of the fashion designer.
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Cera,...
- 4/17/2024
- ScreenDaily
Independent film supporter Rooftop Films announced the 2022 Filmmaker Fund winners February 28, exclusively on IndieWire.
The prestigious Water Tower Feature Film Cash Grant was awarded to “The 40-Year-Old Version” writer-director-producer-star Radha Blank, for her upcoming untitled dark dramedy.
Environmental director Eleanor Mortimer also won a Water Tower grant for an untitled deep sea taxonomy documentary, which “follows biologists through the intricate process of discovering deep-sea species as they piece together the unknown ecosystems of the largest biome on the planet.”
The $15,000 grants are made possible by generous support from the Laurence W. Levine Foundation.
The Rooftop Filmmakers Fund grants are available to Rooftop Films alumni directors who have previously had their work screened during the annual Summer Series in New York City. Blank screened her debut feature, “The Forty-Year-Old Version,” with Rooftop Films in 2020 at the Queens Drive-In. Mortimer screened her award-winning short film “Territory” at Rooftop Films in 2016.
This year,...
The prestigious Water Tower Feature Film Cash Grant was awarded to “The 40-Year-Old Version” writer-director-producer-star Radha Blank, for her upcoming untitled dark dramedy.
Environmental director Eleanor Mortimer also won a Water Tower grant for an untitled deep sea taxonomy documentary, which “follows biologists through the intricate process of discovering deep-sea species as they piece together the unknown ecosystems of the largest biome on the planet.”
The $15,000 grants are made possible by generous support from the Laurence W. Levine Foundation.
The Rooftop Filmmakers Fund grants are available to Rooftop Films alumni directors who have previously had their work screened during the annual Summer Series in New York City. Blank screened her debut feature, “The Forty-Year-Old Version,” with Rooftop Films in 2020 at the Queens Drive-In. Mortimer screened her award-winning short film “Territory” at Rooftop Films in 2016.
This year,...
- 2/28/2022
- by Samantha Bergeson
- Indiewire
Now in its eighth year, the American Film Festival offers a unique perspective on recent developments in U.S. indie filmmaking. That’s because it happens in Poland, staged at the stylish Kino Nowe Horyzonty film center in Wroclaw, also home to the summer New Horizons festival, which has more of a European tilt.
Although the festival, which recently concluded, surveys many favorites from Sundance and South by Southwest, the curation doesn’t merely transpose selections to a new setting. It imports a lively assortment of filmmakers, as well, and creates a cozy, engaged atmosphere more akin to the communal vibe of the Maryland Film Festival. Indeed, to rub shoulders in a crowd that included Jody Lee Lipes, Noel Wells, Dustin Guy Defa, Nathan Silver, producer Mike Ryan, Jessica Oreck and Mike Ott is to experience a deep dive into the creative bustle of current indie ferment.
That spirit is...
Although the festival, which recently concluded, surveys many favorites from Sundance and South by Southwest, the curation doesn’t merely transpose selections to a new setting. It imports a lively assortment of filmmakers, as well, and creates a cozy, engaged atmosphere more akin to the communal vibe of the Maryland Film Festival. Indeed, to rub shoulders in a crowd that included Jody Lee Lipes, Noel Wells, Dustin Guy Defa, Nathan Silver, producer Mike Ryan, Jessica Oreck and Mike Ott is to experience a deep dive into the creative bustle of current indie ferment.
That spirit is...
- 11/14/2017
- by Steve Dollar
- Indiewire
The American Film Institute (AFI) has announced the films that will be featured in their New Auteurs and American Independents sections at the upcoming AFI Fest 2017 presented by Audi. Selections include a number of lauded features from around the festival circuit, including Cannes offerings like “I Am Not a Witch,” SXSW favorites like “Gemini” and “Mr. Roosevelt,” the Sundance breakout “Thoroughbreds,” and Joseph Kahn’s Toronto Midnight Madness favorite “Bodied,” among others.
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
- 10/16/2017
- by Kate Erbland
- Indiewire
Business as usual for festival unfolding on famous Paris avenue hit by two terror attacks in recent weeks.
Lauren Wolkstein and Christopher Radcliff’s thriller The Strange Ones has scooped the top prize at the sixth edition of France’s Us-focused Champs-Elysées Film Festival, which wan June 15-22.
The feature, starring Alex Pettyfer and James Freedson-Jackson as two brothers on a mysterious trip into the wilderness, premiered at SXSW earlier this year.
The American Independent Jury Prize comes with a €10,000 cash award for the French distributor of the film but, as it has yet to be acquired for France, the...
Lauren Wolkstein and Christopher Radcliff’s thriller The Strange Ones has scooped the top prize at the sixth edition of France’s Us-focused Champs-Elysées Film Festival, which wan June 15-22.
The feature, starring Alex Pettyfer and James Freedson-Jackson as two brothers on a mysterious trip into the wilderness, premiered at SXSW earlier this year.
The American Independent Jury Prize comes with a €10,000 cash award for the French distributor of the film but, as it has yet to be acquired for France, the...
- 6/23/2017
- ScreenDaily
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– The American Film Institute (AFI) has announced the full slate of films for AFI Docs 2017, a five-day documentary celebration in the nation’s capital. Each year, the festival is committed to providing artists with the opportunity to present powerfully told, artfully constructed stories — and to connect audiences and filmmakers with policy leaders. AFI Docs 2017 runs June 14 – 18 in Washington, DC, and Silver Spring, MD.
“The 2017 slate of films reflects AFI Docs’ mission to celebrate powerfully told stories and the people at the heart of them,” said Michael Lumpkin, Director, AFI Docs. “Documentaries continue to play an important role in our country regardless of partisan lines. No matter your background, these human stories have the power to inform and inspire. We look forward to another year of dynamic nonfiction cinema.
Lineup Announcements
– The American Film Institute (AFI) has announced the full slate of films for AFI Docs 2017, a five-day documentary celebration in the nation’s capital. Each year, the festival is committed to providing artists with the opportunity to present powerfully told, artfully constructed stories — and to connect audiences and filmmakers with policy leaders. AFI Docs 2017 runs June 14 – 18 in Washington, DC, and Silver Spring, MD.
“The 2017 slate of films reflects AFI Docs’ mission to celebrate powerfully told stories and the people at the heart of them,” said Michael Lumpkin, Director, AFI Docs. “Documentaries continue to play an important role in our country regardless of partisan lines. No matter your background, these human stories have the power to inform and inspire. We look forward to another year of dynamic nonfiction cinema.
- 5/19/2017
- by Kate Erbland
- Indiewire
How can we not talk about family When family's all that we got?—Wiz Khalifa (feat. Charlie Puth), See You AgainWhat a long, strange ride it's been… and still some way to go. As I write, the eighth film in the Fast/Furious series (Ff) is still playing in thousands of cinemas worldwide. I won't concern myself here with the box-office performance of The Fate of the Furious—nor will I attempt synopsis of this or the previous installments—except to note that enough money was taken on opening-day alone to confirm we can expect the ninth and tenth in this prodigiously lucrative Universal franchise to hit our screens late spring or early summer, in 2019 and 2021.Ideally the 10th—and, presuming Vin Diesel's September 2015 comment about "one last trilogy" is honored, final—picture should arrive exactly 20 years after Rob Cohen’s The Fast and the Furious bowed on 22nd June,...
- 5/8/2017
- MUBI
Rooftop Films has announced its lineup for the 2017 Summer Series. This year’s series will feature more than 45 outdoor screenings in more than 10 venues, including films like Michael Showalter’s Sundance hit “The Big Sick” Ana Lily Amirpour’s “The Bad Batch,” (dates still Tbd).
The series kicks off on Friday, May 19 with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20, Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance entry, “Band Aid,” free and outdoors at House of Vans in Greenpoint, Brooklyn.
The entire lineup so far is below. Tickets are already for sale.
Friday, May 19
“This is What We Mean by Short Films”
Saturday, May 20
“Band Aid” (Zoe Lister-Jones)
Saturday,...
The series kicks off on Friday, May 19 with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20, Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance entry, “Band Aid,” free and outdoors at House of Vans in Greenpoint, Brooklyn.
The entire lineup so far is below. Tickets are already for sale.
Friday, May 19
“This is What We Mean by Short Films”
Saturday, May 20
“Band Aid” (Zoe Lister-Jones)
Saturday,...
- 5/5/2017
- by Graham Winfrey
- Indiewire
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– Cardiff Animation Nights will be returning to run a dedicated animation strand at Cardiff Independent Film Festival (C.I.F.F.) for a second year this May. This year’s animation strand at C.I.F.F. will comprise three programs of animated short films in competition for the Best Animation Award, as well as an Animated Family Shorts program curated by renowned Cardiff-based studio Cloth Cat Animation, networking events, and an Animation Quiz run by the team at Skwigly Animation Magazine.
The competition program features animated short films from across Europe, Asia, North America, South America and Australia, including Mikey Hill’s The Orchestra, Anete Melece’s Analysis Paralysis, Chris Shepherd’s Johnno’s Dead, Ross Hogg’s Life Cycles and Alois Di Leo’s Way of Giants.
Lineup Announcements
– Cardiff Animation Nights will be returning to run a dedicated animation strand at Cardiff Independent Film Festival (C.I.F.F.) for a second year this May. This year’s animation strand at C.I.F.F. will comprise three programs of animated short films in competition for the Best Animation Award, as well as an Animated Family Shorts program curated by renowned Cardiff-based studio Cloth Cat Animation, networking events, and an Animation Quiz run by the team at Skwigly Animation Magazine.
The competition program features animated short films from across Europe, Asia, North America, South America and Australia, including Mikey Hill’s The Orchestra, Anete Melece’s Analysis Paralysis, Chris Shepherd’s Johnno’s Dead, Ross Hogg’s Life Cycles and Alois Di Leo’s Way of Giants.
- 4/13/2017
- by Kate Erbland
- Indiewire
“It’s a job.” –Arthur Martinez I had two features as a cinematographer under my belt by late June of 2015, both close and comfortable collaborations with a single director: Joel Potrykus (Buzzard, The Alchemist Cookbook). It seems fitting that he made the phone call I received only a week and a half before Actor Martinez began principal photography. Joel eagerly informed me that two directors, Nathan Silver (Stinking Heaven, Uncertain Terms) and Mike Ott (Lake Los Angeles, Littlerock), had contacted him asking about my nearly immediate availability. I didn’t know them personally, but I certainly had been aware of their […]...
- 3/28/2017
- by Adam J. Minnick
- Filmmaker Magazine - Blog
Taken at face value, Mike Ott's California Dreams is a slowly-drawn portrait of ordinary people who harbor dreams of something better. It mixes documentary footage and staged scenes without demarcation. To what effect? That is left up to the viewer to decide. Frankly, the five subjects of the film -- who are sometimes actors and sometimes, perhaps, playing variations on themselves -- are not terribly compelling. Watching them perform auditions in the opening sequence is painful; has no one told these poor souls that they should focus on something other than acting? Well, maybe they have been informed, and they have chosen to hold on to their dreams anyway, in which case their resiliency is remarkable. Through one on one interviews that sometimes become uncomfortably...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/11/2017
- Screen Anarchy
Straight from Berlin, Mike Ott’s California Dreams has its North American premiere at the SXSW premiere on March 11 in the Visions Program. Courtesy of the filmmakers and the Film Sales Company, which is handling world sales, Filmmaker has this exclusive clip from the film. From the filmmakers: In this clip from Mike Ott’s comedy doc California Dreams, various subjects recite monologues at the beginning of the film – all in pursuit of their own dreams. Director Mike Ott’s film is about the dreams we all have — of being something else, or somewhere else, or someone else. Director Bio: […]...
- 3/9/2017
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Welcome back to the Weekend Warrior, your weekly look at the new movies hitting theaters this weekend, as well as other cool events and things to check out….but mostly movies.
This Past Weekend:
It was absolutely no surprise that Hugh Jackman’s last Wolverine movie Logan would top the box office, but it actually ended up doing even better than my prediction when actual numbers came in, grossing $88.3 million over the weekend. That makes it the fourth highest X-Movie opening (including Deadpool) but also the biggest R-rated opening for March, defeating 300’s once-impressive $70 million opening. It’s also the fourth highest R-rated opening of all time after Deadpool, The Matrix Reloaded and American Sniper.
The bigger surprise was how well Jordan Peele’s thriller Get Out held up in its second weekend, not only because it was going up against Logan, but also because high-profile horror films tend...
This Past Weekend:
It was absolutely no surprise that Hugh Jackman’s last Wolverine movie Logan would top the box office, but it actually ended up doing even better than my prediction when actual numbers came in, grossing $88.3 million over the weekend. That makes it the fourth highest X-Movie opening (including Deadpool) but also the biggest R-rated opening for March, defeating 300’s once-impressive $70 million opening. It’s also the fourth highest R-rated opening of all time after Deadpool, The Matrix Reloaded and American Sniper.
The bigger surprise was how well Jordan Peele’s thriller Get Out held up in its second weekend, not only because it was going up against Logan, but also because high-profile horror films tend...
- 3/8/2017
- by Edward Douglas
- LRMonline.com
Arthur Martinez is a Denver computer technician who moonlights as an actor. He looks something like the late comics writer Harvey Pekar: schlubby and with sideburns, a heavy brow, and a mess of thinning hair. As the star of Actor Martinez, in which he plays himself, Arthur comes across as “a character”—not a Pekar-esque grouch, but a sweet and needy puppy with personal issues that he is unequipped to address. How much of this is real or a performance is unclear and maybe even irrelevant; besides, movies that play with the difference between being yourself and playing yourself work best when they can keep their exact recipes secret. Because what this funny, low-key head-scratcher presents, in pieces that viewers sometimes have to put together themselves, is a story about two indie filmmakers (Mike Ott and Nathan Silver, also the film’s real directors and also playing themselves) who...
- 3/8/2017
- by Ignatiy Vishnevetsky
- avclub.com
Vox has released the new episode of its nonfiction web series “The Secret Life of Muslims,” titled “Dear Hollywood: stop portraying Muslims as terrorists.” In the new installment, Iranian-American author and commentator Reza Aslan, “Glee” actor Iqbal Theba and other prominent Muslims sound off on the problems of Hollywood’s portrayal of the group.
Read More: Mike Ott & Nathan Silver Blur the Line Between Fiction and Reality in ‘Actor Martinez’ — Trailer
“I loved the 1980s, when Chuck Norris used to kill swaths of my people with a machine-gun in some brown bouillabaisse of a country. It was awesome to watch,” says reporter Wajahat Ali at the beginning of the clip. This new episode also features comedian Omar Regan, who claims that “Muslims are always terrorists!” on the big screen.
Comedian Maz Jobrani, author of “I’m Not a Terrorist, but I’ve Played One on TV,” says how much he...
Read More: Mike Ott & Nathan Silver Blur the Line Between Fiction and Reality in ‘Actor Martinez’ — Trailer
“I loved the 1980s, when Chuck Norris used to kill swaths of my people with a machine-gun in some brown bouillabaisse of a country. It was awesome to watch,” says reporter Wajahat Ali at the beginning of the clip. This new episode also features comedian Omar Regan, who claims that “Muslims are always terrorists!” on the big screen.
Comedian Maz Jobrani, author of “I’m Not a Terrorist, but I’ve Played One on TV,” says how much he...
- 2/24/2017
- by Yoselin Acevedo
- Indiewire
“Actor Martinez” had its North American premiere at the 2016 Tribeca Film Festival. Now, the comedy from acclaimed indie directors Mike Ott (“Lake Los Angeles”) and Nathan Silver (“Uncertain Terms,” “Stinking Heaven”) is set to debut in theaters March 10.
Read More: Mike Ott & Nathan Silver’s ‘Actor Martinez’ Is A Fascinating And Experimental Meta-Movie — Tribeca Review
“Actor Martinez” focuses on Arthur Martinez (played by the actor of the same name), a Denver-area performer who hires two indie filmmakers (Silver and Ott) to make a film with him as the lead. But instead, the filmmakers design a completely different project based on Arthur’s real-life persona, even casting him a girlfriend, actress Lindsay Burdge (“Mistress America,” “The Invitation”), to try to draw out any remaining emotions from Arthur about his ex-wife.
Inspired by Kiarostami’s distinctive style of combining conventional narrative with documentary filmmaking, Silver and Ott deliberately blur the line between fiction and nonfiction,...
Read More: Mike Ott & Nathan Silver’s ‘Actor Martinez’ Is A Fascinating And Experimental Meta-Movie — Tribeca Review
“Actor Martinez” focuses on Arthur Martinez (played by the actor of the same name), a Denver-area performer who hires two indie filmmakers (Silver and Ott) to make a film with him as the lead. But instead, the filmmakers design a completely different project based on Arthur’s real-life persona, even casting him a girlfriend, actress Lindsay Burdge (“Mistress America,” “The Invitation”), to try to draw out any remaining emotions from Arthur about his ex-wife.
Inspired by Kiarostami’s distinctive style of combining conventional narrative with documentary filmmaking, Silver and Ott deliberately blur the line between fiction and nonfiction,...
- 2/24/2017
- by Yoselin Acevedo
- Indiewire
In Mike Ott’s California Dreams (which I reviewed here), five aspiring actors are shown giving auditions and later acting out scenes in a film-within-the-film. Although this nested film is supposed to be a fiction, and also looks like one thanks to the gorgeous work of cinematographer Mike Gioulakis, the script is drawn – or appears to be drawn – directly from the actors’ biographies. One of the fascinating aspects of California Dreams is that Ott never allows you to know for certain how much is real and how much is fabricated. It was therefore a pleasure to be able to […]...
- 2/15/2017
- by Giovanni Marchini Camia
- Filmmaker Magazine - Blog
Mike Ott’s latest feature “California Dreams” — receiving its World Premiere as part of the fledgling Critics’ Week program that runs concurrently with the main Berlin Film Festival — is one of those barely-there, micro American indies that is a little more SXSW than Sundance. The film — Ott’s sixth — places the audience in medias res of its hybrid fiction/non-fiction narrative, offering minimal orientation and ultimately resolution to the travails of a handful of marginal figures.
Continue reading Superficial ‘California Dreams’ Struggles To Find A Purpose [Berlin Review] at The Playlist.
Continue reading Superficial ‘California Dreams’ Struggles To Find A Purpose [Berlin Review] at The Playlist.
- 2/15/2017
- by Bradley Warren
- The Playlist
Mike Ott’s semi-documentary, about delusional people with dreams of making it big in Hollywood, is beautifully filmed but snickering and uncomfortable
Cory is an aspiring actor who is holding a yard sale to raise the cash he needs to fly to Berlin for an audition. Patrick is 28 and has never kissed a woman, unless you count his mother or grandmother. Neil is a budding screenwriter obsessed with Taco Bell. Carolan lives in her car but has already written her Oscar acceptance speech. And Kevin, who sports a custard-coloured mullet and runs a storage company, is confident about his own star quality. “When I walk into a room of 1,000 people, 999 of them are looking at me,” he says. “The one who isn’t is blind.”
This is the cast of California Dreams, a bittersweet comedy that occupies the grey area between documentary and scripted reality, and comes across like Napoleon Dynamite meets American Movie.
Cory is an aspiring actor who is holding a yard sale to raise the cash he needs to fly to Berlin for an audition. Patrick is 28 and has never kissed a woman, unless you count his mother or grandmother. Neil is a budding screenwriter obsessed with Taco Bell. Carolan lives in her car but has already written her Oscar acceptance speech. And Kevin, who sports a custard-coloured mullet and runs a storage company, is confident about his own star quality. “When I walk into a room of 1,000 people, 999 of them are looking at me,” he says. “The one who isn’t is blind.”
This is the cast of California Dreams, a bittersweet comedy that occupies the grey area between documentary and scripted reality, and comes across like Napoleon Dynamite meets American Movie.
- 2/13/2017
- by Ryan Gilbey
- The Guardian - Film News
In the age of Insta-celebrities, reality TV luminaries — and I use the word luminaries very loosely — and countless variations on American Idol, the dreams of many seem to have less to do with possessing any kind of innate talent than with simply becoming famous. This would seem like fertile ground for a docu-fiction project, and the early going of Mike Ott’s California Dreams appears to tap into this idea, as the director asks unknowns from several small towns in California who dream of becoming actors to audition for him with their favorite Hollywood scene.
All the aspiring actors that...
All the aspiring actors that...
- 2/12/2017
- by Boyd van Hoeij
- The Hollywood Reporter - Movie News
This year’s Berlin International Film Festival bows in Germany later this week and with it, one of Europe’s most exciting and singular film festivals. As ever, the annual fest is playing home to dozens of feature films and short offerings, with picks aplenty from both modern masters and fresh faces. The Berlinale often breeds some of indie film’s most unexpected and unique standouts, so if it’s at the fest, it’s likely worth a look.
Read More: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup
Ahead, check out the 8 titles we are most excited to check out at this year’s festival.
“Have a Nice Day”
Expectations are high for this Chinese animated feature that marks the sophomore effort from director Liu Jiang, whose surreal debut “Piercing” offered an inventive look at modern day city life in China’s capital. If the gorgeous stills from...
Read More: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup
Ahead, check out the 8 titles we are most excited to check out at this year’s festival.
“Have a Nice Day”
Expectations are high for this Chinese animated feature that marks the sophomore effort from director Liu Jiang, whose surreal debut “Piercing” offered an inventive look at modern day city life in China’s capital. If the gorgeous stills from...
- 2/8/2017
- by David Ehrlich, Eric Kohn and Kate Erbland
- Indiewire
SXSW is coming up quick! The fest runs March 10-18 and the good folks in Austin announced the bulk of their lineup today. There are still a few of the program's 125 films to be announced, but what we now know includes world premieres from such heavyweights as Evan Katz (his film Small Crimes is pictured above), Edgar Wright, Terrence Malick, Joe Swanberg, Frank Oz, Jeff Malmberg, Josh Greenbaum, Mark Webber, Mike Ott, Bob Byington, Noël Wells, Jonathan Levine, and Judd Apatow. Whoosh. Color us excited. Here's the full lineup and ther eis much more on the SXSW site. Narrative Feature Competition Ten world premieres; ten unique ways to celebrate the art of storytelling. Selected from 1,407 narrative feature submissions in 2017. A Bad Idea...
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[Read the whole post on screenanarchy.com...]...
- 2/1/2017
- Screen Anarchy
From The Sixth Sense (1999) onward, writer-director M. Night Shyamalan has been popularly and critically typecast as the champion of “plot twists.” This label probably plays into the unusually intensive scrutiny undergone by his films. Specifically, the scrutiny likely stems from Shyamalan’s tendency to design narratives around the selective doling out of information, which lends itself to unusually plot-focused viewing. There is something to be said for the fact that a plot twist, on some level, deceives its viewers, leading them to believe something before abruptly unfurling that belief. Reviewing his latest film Split, I would like to mostly dispense with this emphasis on “twists.” By stressing one specific element of his storytelling process, one runs the risk of neglecting to address his commitment to storytelling itself. That is, it’s worth noting that Shyamalan sees cathartic possibilities (often profoundly affirming ones) embedded in the very notion of story. Take,...
- 1/22/2017
- MUBI
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Open Road Films has acquired all U.S. rights to the drama thriller “All I See Is You,” directed by Marc Forster and starring Blake Lively and Jason Clarke. They will release the film nationwide August 4, 2017. It world-premiered at this year’s Toronto International Film Festival.
The film “is the story of a blind woman (Blake Lively) and her husband (Jason Clarke). When her sight unexpectedly returns, she begins to discover the previously unseen and disturbing details about themselves, their marriage and their lives.”
– A24 has acquired North American rights to Josh and Benny Safdie’s Robert Pattinson-starring “Good Time.” The “film follows a bank robber’s race to evade the police dragnet that threatens to send him behind bars.
– Open Road Films has acquired all U.S. rights to the drama thriller “All I See Is You,” directed by Marc Forster and starring Blake Lively and Jason Clarke. They will release the film nationwide August 4, 2017. It world-premiered at this year’s Toronto International Film Festival.
The film “is the story of a blind woman (Blake Lively) and her husband (Jason Clarke). When her sight unexpectedly returns, she begins to discover the previously unseen and disturbing details about themselves, their marriage and their lives.”
– A24 has acquired North American rights to Josh and Benny Safdie’s Robert Pattinson-starring “Good Time.” The “film follows a bank robber’s race to evade the police dragnet that threatens to send him behind bars.
- 10/28/2016
- by Kate Erbland
- Indiewire
Chris Petrikin, chief communications officer for 20th Century Fox, will leave the studio at the end of the year.
Petrikin plans to form a strategic communications and crisis management consultancy and will retain Fox as a client.
The executive joined Fox in February 2007 from the William Morris Agency. Prior to that he was an entertainment reporter.
Fox chairman and CEO Stacey Snider said, “Chris’s impact at Fox over so many years is almost impossible to measure.”
Bron genre label The Realm will produce sci-fi thriller Parallel in association with Creative Wealth Media. Production is set to commence in Vancouver in mid-November on the story of friends who discover a mirror that serves as a portal to a multiverse. Wme Global represents the project, which marks the English-language directorial debut of Isaac Ezban. Bron’s Garrick Dion and Matthias Mellinghaus will produce while Bron CEO Aaron L. Gilbert and Creative Wealth’s Jason Cloth, Andy Pollack and Paul...
Petrikin plans to form a strategic communications and crisis management consultancy and will retain Fox as a client.
The executive joined Fox in February 2007 from the William Morris Agency. Prior to that he was an entertainment reporter.
Fox chairman and CEO Stacey Snider said, “Chris’s impact at Fox over so many years is almost impossible to measure.”
Bron genre label The Realm will produce sci-fi thriller Parallel in association with Creative Wealth Media. Production is set to commence in Vancouver in mid-November on the story of friends who discover a mirror that serves as a portal to a multiverse. Wme Global represents the project, which marks the English-language directorial debut of Isaac Ezban. Bron’s Garrick Dion and Matthias Mellinghaus will produce while Bron CEO Aaron L. Gilbert and Creative Wealth’s Jason Cloth, Andy Pollack and Paul...
- 10/28/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Exclusive: Breaking Glass Pictures has secured North American distribution rights to the indie pic Actor Martinez from writers/director duo Mike Ott and Nathan Silver. The film, which premiered at Tribeca, will have a limited theatrical release in December before expanding in first quarter of 2017 along with a DVD and digital platform release. Starring Arthur Martinez, Lindsay Burdge, as well as Ott and Silver, the story follows a local Denver computer repairman and…...
- 10/27/2016
- Deadline
AFI Fest has announced the selections for its New Auteurs, American Independents, Midnights and Shorts sections. Already announced as part of the weeklong festival, which runs in Hollywood from November 10 – 17, are “Elle,” “20th Century Women” and the world premieres of both “The Comedian” and “Rules Don’t Apply.” Read the full announcement here, and see the New Auteurs, American Independents and Midnight selections below.
Read More: Warren Beatty’s ‘Rules Don’t Apply’ Will Open AFI Fest 2016
New Auteurs
“Always Shine” (dir. Sophia Takal)
“Buster’s Mal Heart” (dir. Sarah Adina Smith)
“Divines” (dir. Houda Benyamina)
“The Future Perfect” (dir. Nele Wohlatz)
“Godless” (dir. Ralitza Petrova)
“Kati Kati” (dir. Mbithi Masya)
“Kill Me Please” (dir. Anita Rocha da Silveira)
“One Week and a Day” (dir. Asaph Polonsky)
“Oscuro Animal” (dir. Felipe Guerrero)
“Still Life” (dir. Maud Alpi)
Read More: Watch: Lola Kirke Takes Us Inside the Mind of an Epileptic...
Read More: Warren Beatty’s ‘Rules Don’t Apply’ Will Open AFI Fest 2016
New Auteurs
“Always Shine” (dir. Sophia Takal)
“Buster’s Mal Heart” (dir. Sarah Adina Smith)
“Divines” (dir. Houda Benyamina)
“The Future Perfect” (dir. Nele Wohlatz)
“Godless” (dir. Ralitza Petrova)
“Kati Kati” (dir. Mbithi Masya)
“Kill Me Please” (dir. Anita Rocha da Silveira)
“One Week and a Day” (dir. Asaph Polonsky)
“Oscuro Animal” (dir. Felipe Guerrero)
“Still Life” (dir. Maud Alpi)
Read More: Watch: Lola Kirke Takes Us Inside the Mind of an Epileptic...
- 10/18/2016
- by Michael Nordine
- Indiewire
A Sunday in the Country 2016For the 5th time, “A Sunday in the Country,” one of the most inventive and out of the box workshops for young European film critics and journalists, was organized within the framework of the 16th T-Mobile New Horizons International Film Festival in an old guest house by the Bystrzyckie lake during the first weekend of the cinematic event (21–24 July, 2016).
There, in Zagórze Śląslie in Lower Silesia, during three days, the group watched and discussed films, networked, exchanged thoughts and practices and shared their professional experiences. Under the tutelage of Pascal Edelmann of the European Film Academy, Ula Śniegowska of the New Horizons Association and the Dutch film critic of de Filmkrant, Dana Linssen, the critics and journalists spent the weekend cooking, networking, watching films, meeting with filmmakers and discussing cinephilia as well as issues such as the critic’s responsibility — if there is one — towards...
There, in Zagórze Śląslie in Lower Silesia, during three days, the group watched and discussed films, networked, exchanged thoughts and practices and shared their professional experiences. Under the tutelage of Pascal Edelmann of the European Film Academy, Ula Śniegowska of the New Horizons Association and the Dutch film critic of de Filmkrant, Dana Linssen, the critics and journalists spent the weekend cooking, networking, watching films, meeting with filmmakers and discussing cinephilia as well as issues such as the critic’s responsibility — if there is one — towards...
- 8/31/2016
- by Tara Karajica
- Sydney's Buzz
Movie ghosts usually represent something more than just specters from the beyond. You don’t have to look too far into the recent past to find examples of spooky phantoms that represent some kind of real-world anxiety: grief (“The Babadook”), burgeoning sexuality (“It Follows”) and franchises built on justice meted out by revenge-seeking spirits. In that context, Harrison Atkins’ “Lace Crater” is out of sync with its times, since it takes the existence of an undead corporeal entity at face value.
Here, that ambiguous entity visits Ruth (Lindsay Burdge), a recently single woman on a Hamptons vacation with a cadre of supportive friends. On a drug-laced evening in upstate New York, Ruth retreats to her room in the guest cottage, which a member of the group jokes is haunted. When a creaking door yields a mysterious, soft-spoken figure clad in burlap sacks, Ruth’s initial fright gives way to an eerie sense of understanding.
Here, that ambiguous entity visits Ruth (Lindsay Burdge), a recently single woman on a Hamptons vacation with a cadre of supportive friends. On a drug-laced evening in upstate New York, Ruth retreats to her room in the guest cottage, which a member of the group jokes is haunted. When a creaking door yields a mysterious, soft-spoken figure clad in burlap sacks, Ruth’s initial fright gives way to an eerie sense of understanding.
- 7/30/2016
- by Steve Greene
- Indiewire
Prize is worth $45,000 (€40,000) in post-production services and distribution support.
Colombian, New York-based director Margarita Jimeno’s hybrid fiction feature Otto – My Life is a Soundtrack, about a renowned artist who undergoes a spiritual awakening after a failed show, has won the fifth edition of Us in Progress in Paris.
The prize includes a post-production and distribution package worth $45,000 (€40,000).
The Us in Progress event showcased six independent Us works looking for final post-production services and a sales agent.
It took place June 7-10 as part of the Industry Days programme of the French-us focused Champs-Elysées Film Festival, running June 7-14 and...
Colombian, New York-based director Margarita Jimeno’s hybrid fiction feature Otto – My Life is a Soundtrack, about a renowned artist who undergoes a spiritual awakening after a failed show, has won the fifth edition of Us in Progress in Paris.
The prize includes a post-production and distribution package worth $45,000 (€40,000).
The Us in Progress event showcased six independent Us works looking for final post-production services and a sales agent.
It took place June 7-10 as part of the Industry Days programme of the French-us focused Champs-Elysées Film Festival, running June 7-14 and...
- 6/13/2016
- ScreenDaily
Industry Days 2016 includes the fifth edition of Us in Progress and the third edition of Paris Coproduction Village. Industry Days aims at becoming a reference in professional meetings for French and European producers, with a strong positioning towards the enhancement of emerging cinematography.
Paris Co-Production Village Unveils Its Project Selections
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Days, Paris Co-production Village is a development and financing platform for feature projects selected worldwide.
For its third edition, which will take place June 8-10, 2016 in Paris, the 12 following projects have been selected:
-"Afronauts" by Frances Bodomo (2015 - short film « Afronauts » Sundance Ff, Berlinale, AFI Fest, Chicago Iff ; 2014 - short film "Boneshaker" Sundance Ff, SXSW Ff, Chicago Iff, Edinburgh Iff) produced by Nomadic Independence (USA).
-"Blood-Drenched Beard" by Aly Muritiba (2015 - "To My Beloved" San Sebastian Ff Horizontes Latinos, Official Competition Montreal World Film Festival; 2015 - "Tarantula" Venice Ff Orizonti) produced by Rt Features (Brazil).
-"The Bus to Amerika" by Derya Durmaz (2015 - short film "Mother Virgin No More" Berlinale Generations 14plus Short Film Competition) produced by Mars Production (Turkey).
-"Dark Lies the Island" by Ian Fitzgibbon (2011 - "Death of a Superhero" Toronto Iff, Jury and Audience Awards Les Arcs European Film Festival ; 2010 - "Perrier's Bountru" Toronto Iff, Seattle Iff) produced by Grand Pictures (Ireland).
-"God Exists, her Name is Petrunija" by Teona Strugar Mitevska (2012 - "The Woman Who Brushed Her Tears" Berlinale Panaroma Special; 2008 - "I am from Tito Veles" Berlinale Panorama Section, Special Jury Award Sarajevo Ff, Toronto Iff, Cannes Ff Acid selection) produced by Sisters and Brother Mitevski Production (Macedonia).
-"Golden Voices" by Evgeny Ruman (2015 - "The Man in the Wall" Rotterdam Iff, Best acting Award Odessa Iff; 2012 - "Igor & the Cranes' Journey" Toronto Iff, Special Mention Haifa Iff) produced by United Channel Movies (Israel).
-"Prince" by Sebastian Muñoz produced by Niña Niño Films (Chile) and Le Tiro Films (Argentina).
-"Remarkable Things During a Killing" by Joko Anwar (2015 - "A Copy of my Mind" Venice Iff, Toronto Iff, Busan Iff, Rotterdam Iff; 2012 - "Ritual" SXSW, Gerardmer Fantasy Ff) produced by Lo-Fi Flicks (Indonesia).
-"When the Waves are Gone" by Lav Diaz (2016 - "A Lullaby to the Sorrowful Mystery"Alfred Bauer Award Berlinale Official Competition; 2014 - "From What is Before" Golden Leopard Locarno Iff, Audience Award Sao paulo Iff) produced by Epicmedia (The Philippines).
Projets selected within the frame of the Focus Colombia :
"Almost Never Too Late" by Alfonso Acosta (2012 - "The Crack" Busan Iff, Sao Paulo Iff, Gerardmer Fantasy Ff, Neuchatel International Fantastic Ff) produced by Cabecitanegra Producciones.
-"The Stone" by Rafael Martinez Moreno (2015 - short film "Round Numbers" Zinebi Bilbao Official Selection; 2012 - short film "120 Minutes of Freedom", Bogota International Film Festival) produced by Miramar Entertainment.
-"The Tailor" by Cesar Heredia (2015 - short film "Elefante" Official Competition Cartagena Iff) produced by Corte Film, Tree House Film (Panama) and Diafragma (Colombia).
This selection aims at showing the diversity of world cinema, in terms of geography as well as a balance between newcomers and experienced directors. It includes:
- 1 American project, 1 Israeli project, 3 European projects, 2 Asian projects and 5 projects from Latin America including 3 projects part of the Colombian Focus
- 5 first feature films projects (marked with *)
Colombia is the guest country of this third edition
In partnership with Proimágenes Colombia, Paris Coproduction Village will present this year a « Colombian Focus », inviting 3 Colombian projects in development. A conference, organized with the support of the Cnc, will take place during the event and will discuss the improvement of the French-Colombian coproduction framework.
In addition, the 6 residents of Cannes Film Festival Cinéfondation will join the selection:
-"Feathers of a Father" by Omar El Zohairy (Egypt)
-"Fronteira" by Nuno Baltazar (Portugal)
-"Letters from the Land of the Tarahumara" by Federico Cecchetti (Mexico/France)
-"Tinnitus" by Gregorio Grazios (Brazil)
-"The Users" by Ivan Ikic (Serbia)
-"Disappearance" by Ali Asgari (Iran)
All these projects will benefit from one-to-one pre-scheduled meetings with producers, sales agents, distributors, from networking events, as well as seminars taught by leading film industry professionals.
Paris Coproduction Village is supported by the Cnc, Procirep and Cofiloisirs. It is organized in collaboration with our partners Cannes Cinéfondation, Ace, Cinando, Haf (Hong-Kong Asian Film Financing Forum), Variety, LatAm, Producers Network, Screen, Eave, Europa International, Cineuropa and Ecran Total.
The team behind Paris Coproduction Village is the team of Les Arcs European Film Festival, that is to say:
Pierre-Emmanuel Fleurantin, CEO
Jérémy Zelnik, Head of Industry
Alice Guilbaud, Coproduction Village Manager
Guillaume Calop, General Manager
Claire-Marine Piétriga, General Coordinator
Clémentine Larroudé, Head of Partnerships
Fabienne Silvestre-Bertoncini, Public and Institutional Relations
Us in Progress Unveils Its Project Selection
Us in Progress will take place in the scope of the 5th edition of Champs-Elysées Film Festival in Paris on June 8-10. The Program is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York. It is the first and only industry event devoted to Us indies in Europe. The aim of the program is to present Us indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe.
For the 5th edition of Us in Progress within the scope of the Industry Days, 4 feature-length narrative films have been selected to compete for the Us in Progress Prize :
-"California Dreams" Directed by Mike Ott / Produced by Alex Gioulakis
-"Easy Living" Directed by Adam Keleman / Produced by Laura Wagner
-"Everything Beautiful is Far Away" Directed by Pete Ohs and Andrea Sisson / Produced by Andrea Sisson and Saul Germaine
-"Otto : My Life is a Soundtrack" Directed by Margarita Jimeno / Andrew Corkin and Sol Bondy
This year, we are also introducing documentaries at the Us in Progress Paris with the selection of 2 films:
-"Academy" Directed by Brent Chesanek / Produced by Andrew Renzi and Andrew Corkin
-"Whirlybird" Directed by Matt Yoka / Produced by Steve Holmgren, Erin Lee Carr, Greg Lanesey and Matt Radecki
For two days, the project holders will present their rough cuts to 40 top European sales agents, distributors, festivals programmers and producers. On the third day, they will get advices and feedbacks from the screenings through one-to-one meetings with the buyers.
The awarded film will get post-production, acquisition and promotion services offered by our partners : TitraFilm, Europa Distribution, Producers Network, Ciné +, Eaux Vives Productions, Indiewire-SydneysBuzz, Centre Phi, Kickstarter and a newcomer the Studios d’Arenberg (Arenberg Creative Mine).
Us in Progress involves two yearly get-togethers and the next edition will take place in Wroclaw in October 2016 in the scope of the American Film Festival. Us in Progress Wroclaw’s submissions starts from April 6th to August 31st.
Paris Co-Production Village Unveils Its Project Selections
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Days, Paris Co-production Village is a development and financing platform for feature projects selected worldwide.
For its third edition, which will take place June 8-10, 2016 in Paris, the 12 following projects have been selected:
-"Afronauts" by Frances Bodomo (2015 - short film « Afronauts » Sundance Ff, Berlinale, AFI Fest, Chicago Iff ; 2014 - short film "Boneshaker" Sundance Ff, SXSW Ff, Chicago Iff, Edinburgh Iff) produced by Nomadic Independence (USA).
-"Blood-Drenched Beard" by Aly Muritiba (2015 - "To My Beloved" San Sebastian Ff Horizontes Latinos, Official Competition Montreal World Film Festival; 2015 - "Tarantula" Venice Ff Orizonti) produced by Rt Features (Brazil).
-"The Bus to Amerika" by Derya Durmaz (2015 - short film "Mother Virgin No More" Berlinale Generations 14plus Short Film Competition) produced by Mars Production (Turkey).
-"Dark Lies the Island" by Ian Fitzgibbon (2011 - "Death of a Superhero" Toronto Iff, Jury and Audience Awards Les Arcs European Film Festival ; 2010 - "Perrier's Bountru" Toronto Iff, Seattle Iff) produced by Grand Pictures (Ireland).
-"God Exists, her Name is Petrunija" by Teona Strugar Mitevska (2012 - "The Woman Who Brushed Her Tears" Berlinale Panaroma Special; 2008 - "I am from Tito Veles" Berlinale Panorama Section, Special Jury Award Sarajevo Ff, Toronto Iff, Cannes Ff Acid selection) produced by Sisters and Brother Mitevski Production (Macedonia).
-"Golden Voices" by Evgeny Ruman (2015 - "The Man in the Wall" Rotterdam Iff, Best acting Award Odessa Iff; 2012 - "Igor & the Cranes' Journey" Toronto Iff, Special Mention Haifa Iff) produced by United Channel Movies (Israel).
-"Prince" by Sebastian Muñoz produced by Niña Niño Films (Chile) and Le Tiro Films (Argentina).
-"Remarkable Things During a Killing" by Joko Anwar (2015 - "A Copy of my Mind" Venice Iff, Toronto Iff, Busan Iff, Rotterdam Iff; 2012 - "Ritual" SXSW, Gerardmer Fantasy Ff) produced by Lo-Fi Flicks (Indonesia).
-"When the Waves are Gone" by Lav Diaz (2016 - "A Lullaby to the Sorrowful Mystery"Alfred Bauer Award Berlinale Official Competition; 2014 - "From What is Before" Golden Leopard Locarno Iff, Audience Award Sao paulo Iff) produced by Epicmedia (The Philippines).
Projets selected within the frame of the Focus Colombia :
"Almost Never Too Late" by Alfonso Acosta (2012 - "The Crack" Busan Iff, Sao Paulo Iff, Gerardmer Fantasy Ff, Neuchatel International Fantastic Ff) produced by Cabecitanegra Producciones.
-"The Stone" by Rafael Martinez Moreno (2015 - short film "Round Numbers" Zinebi Bilbao Official Selection; 2012 - short film "120 Minutes of Freedom", Bogota International Film Festival) produced by Miramar Entertainment.
-"The Tailor" by Cesar Heredia (2015 - short film "Elefante" Official Competition Cartagena Iff) produced by Corte Film, Tree House Film (Panama) and Diafragma (Colombia).
This selection aims at showing the diversity of world cinema, in terms of geography as well as a balance between newcomers and experienced directors. It includes:
- 1 American project, 1 Israeli project, 3 European projects, 2 Asian projects and 5 projects from Latin America including 3 projects part of the Colombian Focus
- 5 first feature films projects (marked with *)
Colombia is the guest country of this third edition
In partnership with Proimágenes Colombia, Paris Coproduction Village will present this year a « Colombian Focus », inviting 3 Colombian projects in development. A conference, organized with the support of the Cnc, will take place during the event and will discuss the improvement of the French-Colombian coproduction framework.
In addition, the 6 residents of Cannes Film Festival Cinéfondation will join the selection:
-"Feathers of a Father" by Omar El Zohairy (Egypt)
-"Fronteira" by Nuno Baltazar (Portugal)
-"Letters from the Land of the Tarahumara" by Federico Cecchetti (Mexico/France)
-"Tinnitus" by Gregorio Grazios (Brazil)
-"The Users" by Ivan Ikic (Serbia)
-"Disappearance" by Ali Asgari (Iran)
All these projects will benefit from one-to-one pre-scheduled meetings with producers, sales agents, distributors, from networking events, as well as seminars taught by leading film industry professionals.
Paris Coproduction Village is supported by the Cnc, Procirep and Cofiloisirs. It is organized in collaboration with our partners Cannes Cinéfondation, Ace, Cinando, Haf (Hong-Kong Asian Film Financing Forum), Variety, LatAm, Producers Network, Screen, Eave, Europa International, Cineuropa and Ecran Total.
The team behind Paris Coproduction Village is the team of Les Arcs European Film Festival, that is to say:
Pierre-Emmanuel Fleurantin, CEO
Jérémy Zelnik, Head of Industry
Alice Guilbaud, Coproduction Village Manager
Guillaume Calop, General Manager
Claire-Marine Piétriga, General Coordinator
Clémentine Larroudé, Head of Partnerships
Fabienne Silvestre-Bertoncini, Public and Institutional Relations
Us in Progress Unveils Its Project Selection
Us in Progress will take place in the scope of the 5th edition of Champs-Elysées Film Festival in Paris on June 8-10. The Program is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York. It is the first and only industry event devoted to Us indies in Europe. The aim of the program is to present Us indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe.
For the 5th edition of Us in Progress within the scope of the Industry Days, 4 feature-length narrative films have been selected to compete for the Us in Progress Prize :
-"California Dreams" Directed by Mike Ott / Produced by Alex Gioulakis
-"Easy Living" Directed by Adam Keleman / Produced by Laura Wagner
-"Everything Beautiful is Far Away" Directed by Pete Ohs and Andrea Sisson / Produced by Andrea Sisson and Saul Germaine
-"Otto : My Life is a Soundtrack" Directed by Margarita Jimeno / Andrew Corkin and Sol Bondy
This year, we are also introducing documentaries at the Us in Progress Paris with the selection of 2 films:
-"Academy" Directed by Brent Chesanek / Produced by Andrew Renzi and Andrew Corkin
-"Whirlybird" Directed by Matt Yoka / Produced by Steve Holmgren, Erin Lee Carr, Greg Lanesey and Matt Radecki
For two days, the project holders will present their rough cuts to 40 top European sales agents, distributors, festivals programmers and producers. On the third day, they will get advices and feedbacks from the screenings through one-to-one meetings with the buyers.
The awarded film will get post-production, acquisition and promotion services offered by our partners : TitraFilm, Europa Distribution, Producers Network, Ciné +, Eaux Vives Productions, Indiewire-SydneysBuzz, Centre Phi, Kickstarter and a newcomer the Studios d’Arenberg (Arenberg Creative Mine).
Us in Progress involves two yearly get-togethers and the next edition will take place in Wroclaw in October 2016 in the scope of the American Film Festival. Us in Progress Wroclaw’s submissions starts from April 6th to August 31st.
- 5/19/2016
- by Sydney Levine
- Sydney's Buzz
Works-in-progress event devoted to Us indies to take place in Paris June 8-10.
Us directors Mike Ott and Adam Keleman will present their upcoming films at the fifth edition of Us in Progress in Paris this June.
Running June 8-10, the programme is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York.
Rough cuts of a selection of Us independent features are screened with the aim of finding them sales agents, festival homes and producers.
Benjamin Dickinson’s sci-fi comedy Creative Control, which took the top prize at the event in 2014, went on to to be sold, for example, by Philippe Bober’s Paris-based Coproduction Office.
Ott will present his hybrid work California Dreams revolving around auditions in which people perform scenes from their favourite films.
The director won the Polish round of Us in Progress in 2013 for his last film Lake Los Angeles.
[link...
Us directors Mike Ott and Adam Keleman will present their upcoming films at the fifth edition of Us in Progress in Paris this June.
Running June 8-10, the programme is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York.
Rough cuts of a selection of Us independent features are screened with the aim of finding them sales agents, festival homes and producers.
Benjamin Dickinson’s sci-fi comedy Creative Control, which took the top prize at the event in 2014, went on to to be sold, for example, by Philippe Bober’s Paris-based Coproduction Office.
Ott will present his hybrid work California Dreams revolving around auditions in which people perform scenes from their favourite films.
The director won the Polish round of Us in Progress in 2013 for his last film Lake Los Angeles.
[link...
- 5/15/2016
- ScreenDaily
There are indie film scenes like the one chronicled in Actor Martinez everywhere, ones where those with a day job have ambitions that cannot and never will pay the rent. Surely, Actor Martinez is a little cruel to these micro industries of regional film bolstered by film clubs that support each other regardless of just how poor the acting, directing and cinematography can be.
Enter Nathan Silver and Mike Ott, filmmakers that seem obsessed with the freedom such non-traditional, off-the-map filmmaking offers. Who knows, a masterpiece may exist somewhere in Denver’s amateur film community, kept from us by John Cooper and Janet Pierson. Actor Martinez, like Nathan Silver’s previous feature Stinking Heaven, also feels like an artifact, documenting the process of a process: here the every day life of Arthur Martinez, an professional computer repairman by day and actor/film producer by night.
The result is a comedy...
Enter Nathan Silver and Mike Ott, filmmakers that seem obsessed with the freedom such non-traditional, off-the-map filmmaking offers. Who knows, a masterpiece may exist somewhere in Denver’s amateur film community, kept from us by John Cooper and Janet Pierson. Actor Martinez, like Nathan Silver’s previous feature Stinking Heaven, also feels like an artifact, documenting the process of a process: here the every day life of Arthur Martinez, an professional computer repairman by day and actor/film producer by night.
The result is a comedy...
- 5/4/2016
- by John Fink
- The Film Stage
Us in Progress Wrocław 2016 submissions are now open. This little-known event in Poland offers American indie filmmakers one of the biggest opportunities in the world to meet the international trade in an intimate and fun setting. Every year one of the films here seems to make it into Sundance. The filmmakers get to know European buyers, sellers and programmers. The great thing about European film festivals is that they do not take your money and then refuse your film. They cost nothing to apply and can make your reputation abroad.
Submissions are now open for the sixth edition of the Us in Progress (October 26-29), a co-production forum held in Wroclaw, during 7. American Film Festival. Applications for projects will be open until August 15, 2016. No entry fee is required.
Please go to www.americanfilmfestival.pl/usinprogress or click here for detailed regulations and entry form.
Us in Progress is a unique event presenting independent American projects in final production stages to top European buyers (sales agents, distributors and festival programmers), post-production houses and festivals in order to help them achieve completion and to foster the circulation and general exposure of American independent work in Europe. The forum is composed of invitees-only screenings of the American feature narratives in rough-cut stage with a filmmaker-producer teams in attendance. Formal one-to-one talks and informal meetings further facilitate networking and exchange.
Applications are open for Us-produced narrative feature projects in post-production stage:
• looking for completion money, services and sales agent or European distribution
• projects in post-production when applying, with at least 30 min of the film edited and to reach feature format by the presentation date. If selected, the feature length version of the rough/fine cut will be presented. No excerpts or trailers will be accepted.
• projects with no Us or international premiere nor European sales representation prior to October 2016 are eligible.
To the selected 4-6 projects the organizers will offer:
a flight to Poland for 1 team member and accommodation during 3 day Us in Progress (October 26-29) in Wrocław, Poland
• networking opportunities during the American Film Festival parties and events
• post-production and promotion packages worth of $40,000 total
• exposure to the European buyers in a friendly professional environment.
Us in Progress alumni that premiered at Tribeca Film Festival 2016 included:
• "The Loner" directed by Daniel Y Grove
• Mike Ott and Nathan Silver's "Actor Martinez"
• "Live Cargo' by Logan Sandler
• Deb Shoval's "Awol"
Us in Progress take place twice yearly, in Paris, France (June, 7-14) during Champs-Elysées Film Festival and in Wroclaw hosted by the American Film Festival in fall (October 25-30, 2016). Paris edition submissions have just closed and we are looking forward to receiving your work for Wroclaw edition.
Us in Progress is a joint initiative of the Polish New Horizons Association and the French Champs-Elysées Film Festival (in collaboration with New York-based Black Rabbit Film).
After being called one of '25 Coolest Film Festivals of the World', American Film Festival has been recently placed on the MovieMaker's list of "Top 50 Film Festivals Worth the Entry Fee, 2016". The magazine assures that American Film Festival plays a tight collection of the year's best American indie films, as well as the two-day U.S. in Progress event for works-in-progress (winners receive handy post-production packages). And if shooting in Poland appeals to you, Aff should be your favorite resource: Participants enjoy presentations from the Polish Film Institute, Polish production and post-production houses, and a field trip of Poland and Lower Silesia shooting locations.
Submissions are now open for the sixth edition of the Us in Progress (October 26-29), a co-production forum held in Wroclaw, during 7. American Film Festival. Applications for projects will be open until August 15, 2016. No entry fee is required.
Please go to www.americanfilmfestival.pl/usinprogress or click here for detailed regulations and entry form.
Us in Progress is a unique event presenting independent American projects in final production stages to top European buyers (sales agents, distributors and festival programmers), post-production houses and festivals in order to help them achieve completion and to foster the circulation and general exposure of American independent work in Europe. The forum is composed of invitees-only screenings of the American feature narratives in rough-cut stage with a filmmaker-producer teams in attendance. Formal one-to-one talks and informal meetings further facilitate networking and exchange.
Applications are open for Us-produced narrative feature projects in post-production stage:
• looking for completion money, services and sales agent or European distribution
• projects in post-production when applying, with at least 30 min of the film edited and to reach feature format by the presentation date. If selected, the feature length version of the rough/fine cut will be presented. No excerpts or trailers will be accepted.
• projects with no Us or international premiere nor European sales representation prior to October 2016 are eligible.
To the selected 4-6 projects the organizers will offer:
a flight to Poland for 1 team member and accommodation during 3 day Us in Progress (October 26-29) in Wrocław, Poland
• networking opportunities during the American Film Festival parties and events
• post-production and promotion packages worth of $40,000 total
• exposure to the European buyers in a friendly professional environment.
Us in Progress alumni that premiered at Tribeca Film Festival 2016 included:
• "The Loner" directed by Daniel Y Grove
• Mike Ott and Nathan Silver's "Actor Martinez"
• "Live Cargo' by Logan Sandler
• Deb Shoval's "Awol"
Us in Progress take place twice yearly, in Paris, France (June, 7-14) during Champs-Elysées Film Festival and in Wroclaw hosted by the American Film Festival in fall (October 25-30, 2016). Paris edition submissions have just closed and we are looking forward to receiving your work for Wroclaw edition.
Us in Progress is a joint initiative of the Polish New Horizons Association and the French Champs-Elysées Film Festival (in collaboration with New York-based Black Rabbit Film).
After being called one of '25 Coolest Film Festivals of the World', American Film Festival has been recently placed on the MovieMaker's list of "Top 50 Film Festivals Worth the Entry Fee, 2016". The magazine assures that American Film Festival plays a tight collection of the year's best American indie films, as well as the two-day U.S. in Progress event for works-in-progress (winners receive handy post-production packages). And if shooting in Poland appeals to you, Aff should be your favorite resource: Participants enjoy presentations from the Polish Film Institute, Polish production and post-production houses, and a field trip of Poland and Lower Silesia shooting locations.
- 4/25/2016
- by Sydney Levine
- Sydney's Buzz
Prolific indie filmmakers Mike Ott and Nathan Silver team up for the experimental and meta “Actor Martinez,” an exploration into the oftentimes difficult process of unearthing the honesty in acting. They take an interesting route to the truth, deliberately obfuscating the line between fiction and nonfiction in a film within a film, lulling the audience into one reality and then abruptly jarring you out of one scenario and into another. It’s a process that mirrors the psychological journey of the subject/protagonist, Arthur Martinez. The premise is that Ott and Silver are making a semi-autobiographical film about Martinez, who is a Denver-area actor/local film promoter/computer repairman. The film nested inside “Actor Martinez” follows the life and routine of Martinez, until Ott and Silver decide to push their performer by casting him a girlfriend, in order to draw out any residual emotions about his ex-wife. They land on Lindsay Burdge (“Mistress America,...
- 4/23/2016
- by Katie Walsh
- The Playlist
After a man opens his life up to a pair of indie filmmakers, Actor Martinez cunningly navigates between documentary and narrative to question its star’s true nature, as well as the concept of self-presentation in life as well as film. Arthur Martinez first appears in Nathan Silver and Mike Ott’s new film as the subject, but through the co-directors’ persistent manipulation, Arthur seems increasingly at the whim of this fascinating, perplexing film experiment.
From the opening frame, co-directors Ott and Silver appear on-screen to interrogate Arthur. They’re out of focus and their voices are laid on top of the opening shot in a way that alludes to their influence on the rest of this film; though Ott and Silver won’t always be visible, their presence adds a layer of subjectivity to any character’s portrayal. Mostly, that character is Arthur.
Designed to fudge the gaps between fiction and reality,...
From the opening frame, co-directors Ott and Silver appear on-screen to interrogate Arthur. They’re out of focus and their voices are laid on top of the opening shot in a way that alludes to their influence on the rest of this film; though Ott and Silver won’t always be visible, their presence adds a layer of subjectivity to any character’s portrayal. Mostly, that character is Arthur.
Designed to fudge the gaps between fiction and reality,...
- 4/23/2016
- by Zachary Shevich
- We Got This Covered
The Metrograph is screening all ten of Rainer Werner Fassbinder's favorite films: Nicholas Ray's Johnny Guitar, Howard Hawks's Gentlemen Prefer Blondes, Charles Laughton's The Night of the Hunter, Vasily Shukshin's The Red Snowball Tree, Josef von Sternberg's Dishonored, Max Ophuls's Lola Montes, Michael Curtiz's Flamingo Road, Pier Paolo Pasolini's Salò, or The 120 Days of Sodom, Raoul Walsh's The Naked and the Dead and Luchino Visconti's The Damned. Also in New York: King Hu’s A Touch of Zen and work by Luis Ospina. Screening tonight in Chicago: Nathan Silver's Riot, Mike Ott's Lancaster, CA and William Greaves's In the Company of Men. And we have a few more goings on. » - David Hudson...
- 4/22/2016
- Keyframe
The Metrograph is screening all ten of Rainer Werner Fassbinder's favorite films: Nicholas Ray's Johnny Guitar, Howard Hawks's Gentlemen Prefer Blondes, Charles Laughton's The Night of the Hunter, Vasily Shukshin's The Red Snowball Tree, Josef von Sternberg's Dishonored, Max Ophuls's Lola Montes, Michael Curtiz's Flamingo Road, Pier Paolo Pasolini's Salò, or The 120 Days of Sodom, Raoul Walsh's The Naked and the Dead and Luchino Visconti's The Damned. Also in New York: King Hu’s A Touch of Zen and work by Luis Ospina. Screening tonight in Chicago: Nathan Silver's Riot, Mike Ott's Lancaster, CA and William Greaves's In the Company of Men. And we have a few more goings on. » - David Hudson...
- 4/22/2016
- Fandor: Keyframe
The 15th Tribeca Film Festival opens today and runs through April 24. We're gathering reviews, interviews and more related to several highlights, including Bill Ross IV and Turner Ross's Contemporary Color, Nathan Silver and Mike Ott's Actor Martinez, Sophia Takal's Always Shine, Ingrid Jungermann’s Women Who Kill, Jenny Gage's All This Panic, Nerdland, the "R-rated, animated satire" featuring Paul Rudd, Patton Oswalt, Mike Judge, Molly Shannon and Hannibal Buress, plus Michael Rapaport's Hard Lovin’ Woman, focusing on the musical career of Juliette Lewis—and much more. » - David Hudson...
- 4/13/2016
- Keyframe
The 15th Tribeca Film Festival opens today and runs through April 24. We're gathering reviews, interviews and more related to several highlights, including Bill Ross IV and Turner Ross's Contemporary Color, Nathan Silver and Mike Ott's Actor Martinez, Sophia Takal's Always Shine, Ingrid Jungermann’s Women Who Kill, Jenny Gage's All This Panic, Nerdland, the "R-rated, animated satire" featuring Paul Rudd, Patton Oswalt, Mike Judge, Molly Shannon and Hannibal Buress, plus Michael Rapaport's Hard Lovin’ Woman, focusing on the musical career of Juliette Lewis—and much more. » - David Hudson...
- 4/13/2016
- Fandor: Keyframe
If you've had the privilege to see a film lensed by D.P Adam J. Minnick, you'd have recognized an eye disciplined by the story it's telling rather than by personal inclinations or some sybaritic style that steals from the story. Buzzard, was shot super raw and cold on a 5D, The Alchemist Cookbook was shot formally composed with a warm palllete on an Alexa, and Actor Martinez (Us Premiering this April at Tribeca) was shot with Altman inspired slow zooms on a Red Epic Dragon. The aesthetic decisions and stories speak for his adaptability and understanding of the form. And, his latest release, The Alchemist Cookbook, which hit SXSW hard when it world premiered, has audiences, critics, and filmmakers predominately sitting on the 'loved it' side of its divisive disposition.
We were fortunate to talk with the cinematographer on how the hell the team pulled it off.
Could you...
We were fortunate to talk with the cinematographer on how the hell the team pulled it off.
Could you...
- 3/26/2016
- by feeds@cinelinx.com (Aaron Hunt)
- Cinelinx
Could you give us a general overview of your working relationship with Joel?
Joel and I are first and foremost friends...he's always been one of my closest. We've been making music, watching films and making little movies together starting in high school. He and I were really the only two buddies in our tight group that pursued visual arts of any sort through college and beyond, so it made sense that one day we could ultimately work together on a professional level, too. There's a trust that I can't really put into words, but we know that it's there. The Alchemist Cookbook was a new endeavor into a different filmmaking experience for both of us, and his trust in me as an image maker was very clear from the beginning. As far as collaborative art goes, I've never been more aligned with anyone, so I consider myself very fortunate...
Joel and I are first and foremost friends...he's always been one of my closest. We've been making music, watching films and making little movies together starting in high school. He and I were really the only two buddies in our tight group that pursued visual arts of any sort through college and beyond, so it made sense that one day we could ultimately work together on a professional level, too. There's a trust that I can't really put into words, but we know that it's there. The Alchemist Cookbook was a new endeavor into a different filmmaking experience for both of us, and his trust in me as an image maker was very clear from the beginning. As far as collaborative art goes, I've never been more aligned with anyone, so I consider myself very fortunate...
- 3/25/2016
- by feeds@cinelinx.com (Aaron Hunt)
- Cinelinx
Top brass at the 2016 Tribeca Film Festival presented by At&T have announced selections in the Us Narrative, International Narrative and Documentary Competition strands.
The films comprise 55 out of 110 features that will play during the 15th edition of the New York festival from April 13-24. The festival will present features films in the Spotlight, Midnight, and Special Sections on March 8.
Also included in Wednesday’s announcement are the out-of-competition Viewpoints titles.
The world premiere of Bill Ross and Turner Ross’ Contemporary Color will open the World Documentary competition on April 14, while the world premiere of Kicks by Justin Tipping will open the Us Narrative competition.
The world premiere of Madly directed by Gael García Bernal, Mia Wasikowska, Sebastian Silva, Anurag Kashyap, Sion Sono, and Natasha Khan will open the International Narrative Competition. Viewpoints will open with the world premiere of Nerdland directed by Chris Prynoski.
One third of the festival’s feature films are directed by women...
The films comprise 55 out of 110 features that will play during the 15th edition of the New York festival from April 13-24. The festival will present features films in the Spotlight, Midnight, and Special Sections on March 8.
Also included in Wednesday’s announcement are the out-of-competition Viewpoints titles.
The world premiere of Bill Ross and Turner Ross’ Contemporary Color will open the World Documentary competition on April 14, while the world premiere of Kicks by Justin Tipping will open the Us Narrative competition.
The world premiere of Madly directed by Gael García Bernal, Mia Wasikowska, Sebastian Silva, Anurag Kashyap, Sion Sono, and Natasha Khan will open the International Narrative Competition. Viewpoints will open with the world premiere of Nerdland directed by Chris Prynoski.
One third of the festival’s feature films are directed by women...
- 3/2/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
"I owe a good part of my sensibility, if not my career, to the films of Mark Rappaport, an American director who now lives in Paris," writes Matt Zoller Seitz at the top of his interview for RogerEbert.com. We've also gathered interviews with Mike Ott and Nathan Silver, Ben Rivers, Sean Baker, Paolo Taviani and Vittorio Taviani, Philippe Grandrieux (Malgré la nuit), Peter Greenaway (with Elmer Bäck and Luis Alberti), cinematographer Edward Lachman, Frances Bodomo (Afronauts), Lee Grant, Gregory Crewdson, Jean-Claude Carrière, Michael Winterbottom, Owen Wilson—and in Interview, you'll find Peter Dinklage talking with Paul Dano. » - David Hudson...
- 2/8/2016
- Keyframe
"I owe a good part of my sensibility, if not my career, to the films of Mark Rappaport, an American director who now lives in Paris," writes Matt Zoller Seitz at the top of his interview for RogerEbert.com. We've also gathered interviews with Mike Ott and Nathan Silver, Ben Rivers, Sean Baker, Paolo Taviani and Vittorio Taviani, Philippe Grandrieux (Malgré la nuit), Peter Greenaway (with Elmer Bäck and Luis Alberti), cinematographer Edward Lachman, Frances Bodomo (Afronauts), Lee Grant, Gregory Crewdson, Jean-Claude Carrière, Michael Winterbottom, Owen Wilson—and in Interview, you'll find Peter Dinklage talking with Paul Dano. » - David Hudson...
- 2/8/2016
- Fandor: Keyframe
Below you will find our favorite films of the 45th International Film Festival Rotterdam, as well as an index of our coverage.Daniel Kasmantop Picksi. Lejos de los árboles, Le Moulin, Female Student Guerilla, Noche de vino tintoII. Juke: Passages from Films of Spencer Williams, Warsaw Bridge, MotherIII. Night and Fog in the ZonaIV. Where the Chocolate Mountains, ElliV. Operation Avalanche, Sixty Six, Fata Morgana, Cada vez que..., Oleg y las raras artes, ActeonCOVERAGEFirst Steps: Ear, Nose and Throat (Kevin Jerome Everson), Lejos de los árboles (Jacinto Esteva Grewe)Acting Out: General Report II: The New Abduction of Europe (Pere Portabella), Esquizo (Ricardo Bofill), Actor Martinez (Mike Ott, Nathan Silver)Japan's Cinematic Revolutionary: Sex Game (Masao Adachi), Female Student Guerilla (Masao Adachi), Artist of Fasting (Masao Adachi)The Streets, the Mountains, the Snow, and the Ocean: Noche de vino tinto (José María Nunes), Where the Chocolate Mountains (Pat O'Neill), Cinéma...
- 2/7/2016
- by Notebook
- MUBI
The major retrospective of the 2016 International Film Festival Rotterdam is dedicated to the Barcelona school of filmmaking in the 1960s and 1970s, with Catalonian master Pere Portabella’s body of work—and his new film—serving as a figurehead. Nearly completely unknown in the United States—where critic Jonathan Rosenbaum has been a beacon of support and revelation—insomuch as Portabella is known in the film community it is for his film Vampir-Cuadecuc, which hijacks the production of Christopher Lee and Jesús Franco’s Count Dracula (1970) for its own ends and exhilaratingly exposes this documentarian’s acute analysis of and play with the subject of his films. (I will note here that Mubi has shown a great deal of Portabella’s work in the past, including this 1970 horror film.) This is hardly a lone accomplishment; in 1961 he helped produce Luis Buñuel's masterpiece Viridiana, and the director has been a strident voice in documentary,...
- 2/1/2016
- by Daniel Kasman
- MUBI
Nathan Silver and Mike Ott are two of the most prolific indie filmmakers working today — and these guys are the real deal. They each have about five features each under their belts, and continue to make boundary-pushing cinema that exemplifies the independent spirit. We’re fans of each director’s work, particularly Ott's “Lake Los Angeles,” and Silver's “Uncertain Terms.” So it makes perfect sense that the two would eventually cross paths, and now, they’ve started collaborating too. The result is “Actor Martinez,” which looks to be a delightfully meta film, about Arthur Martinez, a Denver-based actor who hires two independent filmmakers to make a film starring him. Read More: The 25 Biggest Directors To Break Out Of Sundance We’ve had quite a week of mainstream indie fare bowing at Sundance, but today, the Rotterdam Film Festival starts up, where “Actor Martinez” is due to unveil tomorrow, preceded by one of Silver's short films,...
- 1/27/2016
- by Katie Walsh
- The Playlist
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